Charles Bernstein is the author of Near/Miss and Pitch of Poetry, both from the University of Chicago Press. ROOF recently published The Course, a collaboration with Ted Greenwald. University of New Mexico Press is publishing a reprint L=A=N=G=U=A=G=E magazine, a volume of related letters, as well as the late 1970s collaboration Legend. He lives in Brooklyn.
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Colin Dayan — Police Power & Can’t Breathe
by Colin Dayan
Police Power
When I grew up in Atlanta, the police were known as “the laws.” I grew up hearing about the “meat that takes directions from someone.” The laws were as terrifying and unknowable as evil spirits. They controlled and judged. I heard stories of the patrollers who could get you if you were found walking outside at night. But they could be anywhere. The laws. Driving down to Florida, you knew where not to stop, which gas station to avoid, when not to turn and look at a red light, how to get to where you were going.
Until I left the South, I never felt safe. And now that I’ve returned, I still see the men in trucks, driving down the street like they owned the world. They are smiling. It’s what my mother called “a shit-eating grin.” Some of my neighbors talk about what might happen after sunset. They’re not afraid of police. I keep quiet. I am afraid of them.
George Floyd is dead because Derek Chauvin killed him, in close collaboration with three of his police colleagues. Of this there is no doubt, and it will be confirmed as fact when they eventually go to trial and are convicted on charges that go little way to match even the illegality, to say nothing of the brutality and savagery, of their crimes. That will not be the end of the story, for they are white and Floyd was black. There will be propaganda from the policemen’s union. That has already begun, with the union leader spewing out bile designed to get his men off the hook. There will be appeals. The (now ex-) police officers will spend some time in prison. Then, on release, they will, given how these things work in the United States, find their way back into gainful employment. That will probably be in some form of policing. That is what happens in more than fifty percent of such cases; and this inevitability represents the racism and oppression based on color that structures this country.
What are the deeper and more structural aspects of this racism and oppression? No one, no American, no one armed with a big gun, no other American police officer except, just possibly, a direct superior of the four killers who was actually known to them, not the governor of the state, not even the president of the United States, could have stopped these police officers from killing George Floyd. Eight minutes is a long time, but it is short enough to kill a man, slowly. Physically intervening would have been dangerous, risking the life of anyone who tried. It is risky to get involved when a heavily armed gang of four killers is busy killing someone, and when those gang members are policemen it is even riskier.
That makes this particular killing sound like another anonymous murder in the druglands of Mexico, or the favelas of Brazil, or the excesses of the military dictatorships of Latin America before democracy returned, or the terror of Duterte’s Philippines. But while all those cases are painted bright in the colors of the American flag, this one is right here. And while all those cases represent extra-judicial, illegal forms of action, the case of Derek Chauvin represents legality at its worst.
Legally intervening to save George Floyd’s life was impossible. Interfering with the actions of a police officer in the United States is legally a crime. There might be cracks on this round the edges, but the central fact, all over the United States, is that you cannot interfere with a policeman killing a black man—executing his duties, as he sees them—without risk to your own life and limb and freedom.
The real story here is about police power and its effects on the lives of Americans, white as well as black, and the character of the United States as a country that tells itself—no less than the rest of the world—lies about what it is, what it stands for and how it stands for it.
The ghost of slavery is built into our legal language and holds our prison system in its grip. To the extent that slaves were allowed personalities before the law, they were regarded chiefly—almost solely—as potential criminals. During the second session of the 39th Congress (December 12, 1866-January 8, 1867) debates raged on the meaning of the exemption in the 13th Amendment to the Constitution. It abolished slavery “except as punishment of crime whereof the party shall have been duly convicted.” The parenthetical expression guaranteed enclosure, a bracketing of servitude that revived slavery under cover of removing it. Those who were once slaves were now criminals, and forced labor in the form of the convict lease system ensured continued degradation. As Charles Sumner warned, the locale for enslavement would move from the auction block to the courts of the United States.
Can’t Breathe
This piece was originally published in Transition (2015) in the issue “New African Fiction”: “I Can’t Breathe,” included with other responses to the murders of unarmed black Americans by police.
Hard to write what I want to say. Knowing that my words can’t even get close to righteous response. I remember Birmingham and Jackson and being a child in Atlanta in 1963. What is happening now is different. It might be more pernicious, more lasting, less easy to combat. No Civil Rights Act can stop it. Trying to put into words what these murders of blacks—by any white person, police or not—tell us, I sense a desire to repeat the racial tags of our American history, a litany of law that seems like a series of death announcements that always precede and continue to haunt the bodies left lying on the street losing blood unable to breathe talked over and done in.
But instead I can only say what I keep thinking about: How the most well-intentioned and reasonable folks end up abetting the state of fear and atrocity, terrifying because commonplace—easily as tactful as de Blasio’s call “for everyone to put aside political debates, put aside protests, put aside all of the things that we will talk about in due time.”
I remember Nina Simone’s words in “Mississippi Goddam,” “Keep on saying ‘go slow.’ ” Who has to slow down? How long is due time? Real terror plucks us by the sleeve and comes along naturally, forever just occurring, always perceptible just at the edge of our vision. What terrorizes is this casual but calculated disregard. A terror relayed not by
the dogs, hoses, and bombs in the new South of the sixties, but by the near nonchalance of legal murder anywhere in the United States today: as if these living breathing black citizens, now dead, were not supposed to go about their lives, walk down the street, stand on a corner, put their hands in their pockets, take a toy gun to the park, go down the stairway of their own building—breathe.Colin Dayan is a member of the American Academy of Arts and Sciences as well as Robert Penn Warren Professor in the Humanities at Vanderbilt University. She has held Guggenheim as well as other distinguished fellowships.
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Anthony Bogues — Black Lives Matter and the Moment of the Now
by Anthony Bogues
We live in an extraordinary moment. One in which many cross currents tussle for sustained dominance. A moment when armed white supremacy groups make attempts to take over state legislative offices in states like Michigan. One in which the science of contagion is in battle with a myopic individualism in which the wearing of a mask for medical protection becomes a signifier for a political symbolic battle around hegemony. All of this occurs in a moment when there is a historic pandemic, one which should make us as human species reflect on our contemporary ways of life. A pandemic which exposed the structures of the American health system where race and class determine those who will survive and live and those who disproportionately die. In the midst of this crisis, in which lockdowns and shelter in place were every day practices, we witnessed one of the most significant global protests that the world has seen for some time. The protests upended many commentators, shattered many conventional wisdoms about politics and at least for a time punctured the everyday normal many of us had become accustomed to. So what was at the root of this upsurge? And what are its significances? And, therefore, how might we understand it?
In the epigraph to the first chapter of Black Reconstruction (1935), WEB Du Bois writes about “How black men, coming to America … became a central thread to the history of the United States, at once a challenge to its democracy and always an important part of its economic history and social development.” That challenge has historically been the touchstone for both American democracy and its civilization. Racial slavery was a cornerstone of capitalism. It is not that racial slavery laid the foundation for capitalism; rather racial slavery, the plantation slave economy, the African slave trade were themselves practices of capitalism. At the core of the inauguration of capitalism was not the factory system with its wage labor but the slave plantation, unfree labor and a network of credit and debt arrangements. In Debt: The First 5000 years (2011), David Graeber points out how the Atlantic slave trade depended upon a system of debts and credits. Within this system emerged various institutions we now associate with capitalism from bond markets to brokerage houses. There was also the emergence of major companies whose chief functions were linked to slave trade, financing plantations and other aspects of the European colonial project. Here one can refer amongst others to the Dutch West India Company, the French Société de Guinée, and of course, the Royal African Company of England. At the core of what historian Catherine Hall calls this “slavery business” was the African captive who became an enslaved person. The late African American theorist Cedric Robinson called this historical process “racial capitalism.”
The enslaved body as the Caribbean historian Elsa Goveia said was “property in person.” It was a body that produced commodities while it was commodified. The black female enslaved body reproduced this commodification process three times over, as a body producing commodity, while being a commodity and then through sexual violence a reproductive body of enslaved labor. The plantation was a site of generative violence of commodification. Capitalism was inaugurated through the various violences enacted upon the enslaved black body. Exploitation was established upon the foundation of unfree labor. That is the history of capitalism: not a stages theory of transition of societies from one mode of production to another, but rather a historical process of generative violence upon the bodies of the African enslaved. In such a history the body is not secondary, it is the source of the methods, the several ways, of practices which turn the human into an enslaved dehumanized thing. Creating such a historical process, the colonial and planter power needed to construct forms of life, ways of thinking, construct modes of being human that would at least for a time guarantee the full reproduction of a society. To put this another way: exploitation requires forms of domination and the latter requires ideas and practices which the dominant elite and others accepts. This is about the manufacturing of what Gramsci calls “commonsense,” a kind of naturalized underpinning of a society, an ideational glue which holds society together. In slave and colonial societies violence was regularized as a technique of rule because in such societies might was right. And while this was so these orders also ruled by a set of ideas and practices about who was human and who was not.
All nations we know are an “imagined community” and as such we search for what glues bind the nation together. In America, the glue that has bounded the society together is not the fiction of America as an idea, the exception of the “City on the Hill,” rather it has been anti-black racism. What Du Bois calls the “wages of whiteness” became the naturalized commonsense which structured the everyday practices of living. Anti-black racism, has a long history founded within the matrices of the generative violence of the African slave trade; elaborated in plantation slavery through a complex system of customs and legal codes. It was codified in human systems of classification promulgated by European natural historians in the 17th century, mapped by Christian doctrine whereby some human beings had souls and some not; and then, in the 19th century, recodified through the so-called scientific studies of skulls–phrenology–a pseudo-science of the study of the mind in which it was said that Africans were inferior because of the size of their skulls since the brain was located in the skull. And when science made it clear that there was no scientific basis for anti-black racism then culture became a terrain to explain the supposed inferiority of blackness.
So blackness as visual marker produces within the dominant commonsense the death of the black person. Black life becomes disposable, is a lack, has no interiority, it is locked upon itself. As a visual marker, the black body has no escape. Its public presence is an affront, it must be tamed, put back in its place. It must be not allowed to breathe, because breath is life and for the black body to breathe means it has life. This is not primarily an American phenomenon. The history of racial slavery in America, the inauguration of Jim Crow and formal segregation, given the imperial power of America on the world stage created the illusion that there was a special American race problem. Of course, all societies have their own historical specificities, but anti-black racism was not an American feature alone. What Du Bois called the “color line” was embedded in the world because racial slavery and colonialism were parts of a global system which ruled much of the world from the 15th century Columbian voyages onwards. The anti-black racism of European colonial powers drew from racial theories created in America, the Caribbean, the historical encounters between Europe and Africa. South African apartheid drew some of its resources from the structures and practices of American Jim Crow. In all this the black body was the disposable surplus; not the other but the irremediable non-other, that which could not be fully included into the body politic of the given nation. Such an irremediable body, always on the outside, challenges the very meaning of democracy itself. It is why struggles around anti-black racism shake the society, indeed call Western civilization into question.
If we agree historically that the foundation of the capitalist West was racial slavery and colonialism and the accompanying genocide and attempted genocide of the indigenous populations, then what we are witnessing today are the challenges to this foundation. Capitalism is not just an abstract economic system as Marx made clear long ago when he noted that economic relationships are always between people. To rule, to be able to reproduce itself, any social system creates ways of living, modes of being human as it is then understood. Historically and in the present, anti-black racism and the creation of whiteness, of white supremacy was both a way of life and a signifier of being human. It is not just an ideological belief but rather a naturalized commonsense which in many ways functions like a fantasy, one which has material life and consequences. Commonsense as well in part is constructed by the historical understandings of a society about itself. We are, as humans, historical beings that make sense of ourselves through memories of the past. We take from that past to make the self. In societies where the past has been a historical catastrophe, where regularized violence operated as “power in the flesh” making the “human superfluous,” that past becomes a critical way to establish the grounds for inhumane ways of life. America’s unwillingness to confront the fact that it was a slave society since its founding as a British colony; that practices of settler colonialism wreaked havoc on the indigenous population; Europe’s unwillingness to confront its own history as multiple colonial powers now provides a dominant commonsense which structures the present. Yet as the poet and thinker Aimé Césaire noted in 1955: “Between the colonizer and the colonized there is room only for forced labor, intimidation, pressure, the police, taxation, theft, rape, compulsory crops … no human contact, but relations of domination and submission.” This history is elided by European countries. It is a history made visible through the various pacification campaigns, the genocide of the Herero people in Namibia and regular cutting off of the hands of the Congolese people. A history codified through forms of rule which created the African subject into a native and turned various African social and political formations into tribes. However, history lives in the present and becomes memorialized into the public landscapes of monuments. Monuments are an encoded system of public signs which enact meanings in the public domain. So when the Black Lives Matter Movement and those activated by it demand the removal of monuments, they are engaged in a move of symbolic insurgency to get rid of the public landscapes of the everyday historical monumentalization in the present. This happens in America, in South Africa, the UK. And continental Europe cannot escape the fire this time.
So here we are. For over a month there has been in America the single largest protests in America’s history. These protests were ignited by the public lynching of George Floyd who cried out “I can’t breathe,” before being murdered and then died with the words “Mama” on his lips. In that modern lynching scene, for nearly 9 minutes we witnessed the meaning of anti-black racism. Yes, it was the police man who kneeled down on his back and neck. Yes, the American police force were operating like modern day slave catchers. But there was something else and that something else was the casual nonchalance, the non-recognition that Floyd was human. It was the nonchalance that Floyd was just another disposable black body. The daily confrontation between black men and increasingly black women with the police is the nodal point where anti-black racism is most visible. In this nodal point there is no pretense. State authority expresses itself, that might be right, that black life does not matter. This is so in Brazil, in parts of Europe, the Caribbean, America or indeed in parts of Africa. Here ordinary black life does not matter.
After the death of Trayvon Martin, in 2013, a group of black feminists, Patrisse Khan-Cullors, Alicia Garza and Opal Tometi, formed the organization which became known as “Black Lives Matter.” Today the name of the organization has become a political banner igniting the political imagination of both black and white around the world. There is a rich historical current in which black revolts / uprisings have catalyzed various struggles around the world. In the 19th century the dual Haitian revolution inspired Greek anti-colonial figures fighting against the Ottoman Empire when some of them wrote to the Haitian government requesting arms and political support. We recall how what was then called “Negro Revolt”, the black uprisings in the 1960’s, influenced feminist and the anti-war movements around the world. In all this the African American spiritual “We shall overcome” became a clarion political message of many movements. So why, might we ask, does Black Lives Matter at this moment become transformed into a catalytic political banner, one which has engaged the political imagination of thousands? I return to Du Bois.
Racial slavery was the foundation of America and, I would argue, of the making of the modern world. As a form of domination its very core was the double and triple commodification process I addressed earlier. It was about making non-human another human being. As a generative historical process, it lasted for centuries. That is a special form of domination which not only required violence but creating another kind of human being, one who would be surplus and disposable. It also created the conditions for Black struggle to be catalytic, a point the Caribbean historian and radical thinker CLR James made in 1948, when living underground in the USA in the 1940’s he noted in a seminal essay “The Revolutionary Answer to the Negro Problem in the United States that “this independent Negro Movement is able to intervene with terrific force upon the general social and political life of the nation.” Black Lives Matter became a political banner because it challenges continued racial domination, its deep rooted legacies and consequences. It says we are human. It demands that as human the society should be transformed to create new ways of living. It not only therefore exposes police brutality but calls to order the entire historical foundation on which Western civilization rests, which is why getting rid of the historical monuments which venerate the West has become so crucial. While being part of a historic black liberation tradition, BLM political organizational methods have enacted critiques about Black masculinity. Given all this, Black Lives Matter as a political banner is world historic. And here the reader might pause and wonder why? Let us return to the making of the modern world; to the ways in which anti-black racism continues in the after-lives of racial slavery to dominate black life and has done so for centuries. So when there are sustained protests against the institutional and everyday forms of anti- black racism and this happens on the global stage. Is this not world historic? The current global protests are world historic because they confront the entire panoply and edifice that built the modern world. They are also world historic because they posit different methods of political organizing which breaks from previous forms of radical black movements. When the movement demands that monuments which invoke the past that undergirds the present must fall, it draws from the earlier struggles of South African students and the Rhodes Must Fall Movement. It demands abolition, making the word capacious, creating a new political language not just about abolishing prisons but demanding the opening of a new space, invoking the radical imagination to think of new ways of life. If many social and political radical movements have paid attention only to the state and the economy as structures of the present, Black Lives Matter is attentive to the history of the structures and their underlying assumptions and commonsense.
We are indeed in a new moment. Some say this moment feels different in part because the world wide protests have been multiracial, as the image of a lone white woman sitting on the sidewalk in a rural American town with a sign which reads “Black Lives Matter” illuminates. But perhaps what is most different about this moment is that for the first time in a world governed by neoliberalism, one in which as Stuart Hall and Alan O’ Shea put it, there is a neo-liberal commonsense, we are witnessing an uprising which challenges a foundational element of that commonsense. A commonsense in which anti-black racism has been a glue for the American body politic. This is an uprising of the radical imagination which demands abolishing the reproductive structures of the making of the modern world. However, as Stuart Hall makes clear in his work, commonsense is a contested terrain, In every major uprising where elements of the dominant order have been challenged, power when it cannot defeat immediately or ignore the uprising attempts to coopt, to integrate signs and symbols of the upsurge into the dominant thereby gutting them. So the response of many American corporations has been to proclaim support for Black Lives Matter, not the movement but to appropriate the banner turning it into a slogan. So when Amazon proclaimed on its website at the height of the protests that Black Lives Matter it was responding to a popular upsurge it could not ignore. Amazon’s practice was one of appropriation. One of the remarkable features of American power is its ability to quickly gobble up what begins outside of the body politic and then rework it into a hegemony without fundamental changes occurring. This is one aspect of the present moment.
We end where we began, with Du Bois and Black Reconstruction.
In 1935, Du Bois identified in Black Reconstruction a form of politics he called “abolition democracy.” It was, he argued, the necessary radical political framework if the transformation of America was going to occur after the civil war. For Du Bois, “abolition democracy” in his words “pushed towards the dictatorship of Labor”. By then Du Bois in the most radical phase of his intellectual / activist life. Eighty-five years later the black radical imagination has reworked abolition into a demand for new ways of life dismantling the structures which inaugurated the modern world. Fundamental change may not come and at the time of writing this piece, things can be said to be in flux and for sure a revolution is not around the corner. But historically, fundamental change requires the work of the radical imagination, the thinking that a new form of human life is possible. The global Black Lives Matter protests have opened that space. That is its remarkable significance for the current moment.
Anthony Bogues is Asa Messer Professor of Humanities at Brown university where he is the inaugural director of the Center for the Study of Slavery and Justice. He is also a curator.
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Peter Valente — The Body’s Prehistories (Review of Hervé Guibert’s Written in Invisible Ink)
The Body’s Prehistories: On Hervé Guibert’s Written in Invisible Ink
by Peter Valente
One of the many pleasures of reading Hervé Guibert’s collection of stories, Written in Invisible Ink (Semiotext(e), 2020), is following his development as a writer from the earliest stories in this volume, which date from the late 1970s, to the latest (which were collected in 1988’s Mauve Virgin). According to his widow Christine Guibert, he did not write any stories after 1988 and focused more on longer works such as the novel To The Friend Who Did Not Save My Life (1990).[1] Several of the stories published in this present volume have never been published before. Interestingly, the ones collected here, chosen by the translator Jeffrey Zuckerman, coincide with Guibert’s time as a journalist; many of the texts have the journalist’s attention for details that will capture a reader’s attention.
The stylistic difference between Propaganda Death, the earliest of his books, and the later stories is between the raw passionate writing of the former and the more controlled prose of the latter. Guibert was one of first French writers of “autofiction,”: he used writing from his diary as well as memoir and fiction to complicate the narrative “I.” The writing in Propaganda Death is almost cinematic in its cataloguing of physical violence to the body mixed with an unbridled sexual urge: “My body, due to the effects of lust and pain, has entered a state of theatricality, of climax, that I would like to reproduce in any manner possible: by photo, by video, by audio recording” (27). Its scenes of the savage torturing and disemboweling of the human body, amidst slaughterhouses and hospitals, exhibit the frightening transparency of what lies beneath the skin, revealing its secrets: “no need for candles to brighten this night of the body; its internal transparency illuminates all” (27). In “Final Outrages” Guibert imagines himself as the young girl Ophelia, “stolen away in the bloom of youth by an ailment gnawing slowly at her interior (while making her exterior radiate!)” (81). In “Five Marble Tables”, he writes, imagining himself dead: “I won’t let go of my body, I cling to it, I push out everything I can inside but it all stops immediately, I’m clean forever now, my muscles tear apart, I can’t go back in myself anymore and I leave this deserted place, all the fight gone, all the fury slain” (70). Death in life is imagined as transformative; in a later work, Crazy for Vincent (Semiotext(e), 2017), published in 1989, a year after the latest stories in this volume, Guibert writes: “I struggle with the mystery of the violence of this love…and I tell myself that I would like to describe it with the solemnity of the sacred, as if it were one of the great religious mysteries…I don’t have too many sexual thoughts, of fucking or of defilement, violent hallucinations that would bring sex or lechery into play, but rather the suspended grace of bearing witness to a transfiguration” (85). The thrust of these stories is away from materiality, and toward a refiguring of the male body as a site for spiritual transformation.[2]
Propaganda Death is also an ecstatic fantasy of destruction, desecration, and horror, calling for nothing less than the annihilation of the petit-bourgeois world through a complete reversal of cherished mores and customs, and its obsession with good hygiene, both physical and mental: “I’d like to smear my gonorrhea over the entire world, infect the planet, contaminate dozens of asses at a go, …my bed every morning is a field of carnage, a slaughterhouse” (51). He continues: “Let’s open abscesses in all this stupid flesh!…Let’s love ourselves and hate them! Let’s orgasm as we pull our heads from our bodies!” (47). Wayne Koestenbaum writes:
Filth is Guibert’s passport to infinity. Filth, as literary terrain, belongs to de Sade, but Guibert reroutes s/m through the pastoral landscape of religious interiority, as if ghosted by hungry Simone Weil, or by Wilde’s scarified, Christological denouement. (To skeptics, such spirituality might seem papier-mâché, but I’m a believer.) Guibert sees a cute young man at a party and “instead of imagining his sex or his torso or the taste of his tongue, in spite of myself it’s his excrement I see, inside his intestines.” (Kostenbaum 2020)[3]
These passionate, anarchic early texts are difficult to read. They are unpolished, raw, unedited, obsessed with the violence of desire, and with orifices; but nevertheless, they are works of great intensity, written when Guibert was 21 years old, and likely to shock a reader into a recognition of his/her own body, and its impermanence, and the weakness of the flesh. They are performance, spectacle, and indeed, propaganda in defense of homosexuality and the violence of desire.
Guibert seeks to “to uncover my body’s prehistories,” the traces of the animal inside the human. In the story, “Flash Paper,” he writes that while kissing Fernand, he imagines that “Out of the extended, warm pleasure of the kiss came other visions: we were two animals that had met on the terreplein, each from our own half of the forest, two horned beasts, two giant snails, two unhappy hermaphrodites” (Invisible Ink 230-31). And, continuing with this theme in the same story: “His wide-opened eye had awakened mine and did not leave it: we had become insects” (232). He and Fernand are, “two poor shameful animals” (233). Finally, he writes: “we danced like two spider crabs being boiled, destroying everything in their path” (234). The erotic charge of an encounter turns men into animals searching for their release. There is danger and excitement in the kill, the sexual energy of it: “If I fuck him, if I decide to fuck him, it’s first to annihilate him.”[4] This is “no simple sadism…no simple equation of fucking and killing, of penetrating and violating – instead, the wish to fuck or be fucked…is a sensation of being voided, chiseled, scalded, disemboweled. Is this consciousness a queer privilege? Is it shamanistic? Is it in fact not trans or queer or anything of the sort, but simply poetic?” (Kostenbaum 2014). Guibert could certainly be melodramatic, as well as poetic. Sex in his work is theatrical; he plays a game of hide and seek with a reader; but he doesn’t sugar coat desires that are complex or grotesque and this is what makes his work so valuable as a document of honest writing in a time such as ours when the line between truth and falsity has been blurred.
In the section, “Personal Effects” Guibert examines objects rather than bodies and reveals their hidden meanings or forbidden histories. About the “Cat o’Nine Tails”, for instance, he writes: “The cat o’ nine tails has been hung, among the cobwebs dusters, from ceiling hooks, in the dim backroom of the hardware store. It carries within itself, in its unmoving straps, the screams of battered children, it exhales the pleasure of perverted lovers” (Invisible Ink 97). Gloves are a normal part of winter wear or when working in the garden, or in construction et cetera, but Guibert reminds us that “it should never be forgotten that the hands they’re keenest to help are those of thieves and stranglers” (103). With regard to the “vibrating chair,” he notes that the dukes of Pomerania found “extravagant” uses for it, including attaching a large dildo to its seat (107). This section of the book is representative of Guibert’s poetics. As a journalist, he was accustomed to examining the forbidden histories behind things which elude the eye of the observer. In “Newspaper Clipping,” he talks about certain facts concerning the death of a person and cautions about imaginatively reconstructing the scene. “Let’s come back to reality!,” he writes, concluding that “…everything, for now, remains purely hypothetical” (56). The secret will not reveal itself easily and it requires patient and research to reveal a truth perhaps stranger than fiction.
In the world of these stories, love is essentially a complex power game, where the weak person is always at a disadvantage. Guibert is not a psychological writer, concerned with exploring in depth the subjective feelings of lovers. There is no utopian idea about love in these stories. Love is often deceptive, leading to betrayals and even violence. “For P. Dedication in Invisible Ink,” concerns a young writer who has complex desires toward an older, more established writer, and is called upon to help him write a book. At the end of the story, the young writer speaks of their erotic dynamic in the following way:
The king of the jungle had been tamed, or maybe it was the lion that subdued its tamer, but one or the other, at his point of submission, attacked the other in hopes of breaking him, and these visits grew increasingly rare. The break-up happened over the course of the seventh year, bit by bit, as if by blows, and neither the assailant nor the stronghold, at risk of breaking their necks, wanted to bow down. (159)
Love often begins with a kind of “tacit contract” that one or the other eventually betrays. In one of the central stories, “The Sting of Love,” love is imagined as a liquid that is injected in the lover. The story traces its various effects on those who have been “infected” and concludes:
A happiness so great becomes unbearable unless one is shackled, or better yet, in bed, because the effect of this injected liquid doesn’t end with any climax, it persists all the way into sleep. It is impossible here to determine the specific link between consciousness and dreams. Anyone who wants to fight against this surreptitious transition with conscious effort, who is afraid because the dream, at first still just as wholly gentle, slowly turns into nightmare, flickering with swift animal shapes, anyone who wants to prolong this amorous stupor indefinitely with a second injection is struck with melancholy, as with a tarantula’s bite, and loses speech, nails, job. (135)
Physical attraction is just as capricious and mysterious and not necessarily the result of erotic language: “We sat facing each other in the small, unlit kitchen, and I immediately felt within his physical presence a sense of elevation, adventure, freedom. The words he had said had nothing overtly erotic about them, but they suddenly, mysteriously had my penis swelling” (182). There is no attempt to seek a reason for his desire which would amount to a kind of defense; Guibert was open about his homosexuality and its relation to danger as well as pleasure. Furthermore, this physical excitement can suddenly turn into potential violence: “two years earlier, walking behind him, I had suddenly wanted to use all my force to hit the back of his neck with the heft of the camera hanging by a strap around my wrist” (178). In “For P. Dedication in Invisible Ink”, Guibert writes, “My feelings about this man were skewed: even as I could have said that I loved him, when I found myself before him, at long last, I wanted to go for his throat” (153).
Danger extends to sexual encounters in the park. In “A Lover’s Brief Journal,” Guibert relates an incident in the Tuileries, where, after “a guy whispers the word cop,” he and another man get dressed, and leave the park; but Guibert is then assaulted: “the first one punches me in the face, another kicks me in the balls, right after a third guy takes a running start to headbutt me, I fall down, I get back up, I shout for help without thinking about it, they run off, I run in the other direction, I turn around, I see one of them hurrying to pick up the coins that fell out of my pocket, hungry, greedy” (48-49). The violence has as much to do with money as with sexuality: the link here is between capitalist greed and homophobia. Though capitalism created the material conditions so that both men and women could lead independent sexual lives, it also, at the same time, imposed heterosexual norms on society to create an economic, ideological, and sexual regime, centered in the family. In the present time, when Trump, a symbol of capitalist greed, is seen as a spokesman for the white, heterosexual male, and encourages violence against marginalized groups on the basis of their skin color, religion or sexual preference, it is no surprise that we see a rise in violence against gay and trans men and women.
For the narrator of “Flash Paper,” love is, “ a voluntary obsession, an unsure decision” (239). But Guibert writes of the man who died in “A Man’s Secrets,” “All the strongholds had collapsed, except for the one protecting love: it left an unchangeable smile on his lips, when exhaustion closed his eyes” (254). And the aging star in “The Desire to Imitate” says, “In this impossibility of love there will have been all the same a little love” (212). In these stories, love and cruelty are woven together; this unholy union was born of Guibert’s hatred of his own body, his self-pity, his anger, his theatricality, his passion for the grotesque. He is attacking bourgeoise values, and inherited ideas about morality, thus turning our assumptions about love and hate upside down. Men who knew him said he was cruel but he hated pity and charity; Marie Darrieussecq writes that he preferred real friendship and despised cowardly people (“Guibert’s Ghost” 2015). For Guibert, true love may be impossible, but all the same, he valued the love that was possible in genuine friendships. He sought the truth in himself by testing the limits of his body and of his desires. In a world where our freedoms are being assaulted by both far right conservatives and neoliberals, a writer like Guibert is necessary and should be read, because he questions our conventional ideas about the nature of sexuality, love and hate.
Death hovers on the periphery of the stories in Written in Invisible Ink, and is often a central theme, and linked mysteriously with desire. In “Five Marble Tables,” Guibert imagines himself on a laboratory table, communing with other bodies, one of which is a young child. As I suggested earlier on, in the story Guibert feels in some way liberated: “I’m clean forever” (Invisible Ink 70). Guibert speaks of the dream, a kind of death-state in itself, as concealing, “a geography of pleasure, an itinerary with its impasses, its openings, its stairwells, its gulfs, its forbidden directions. Desire is there alone, idealized, freed of all materiality” (75). It can also contain, “desirable monsters,” such as the man whose “suffering was immense” because his “head is four times larger than his body” (129) and who believes the hand that gives him his food through a trapdoor is the hand of God. The monstrous, the forbidden, is a gateway to the spiritual.
In this palace of desirable monsters are men with “dog’s or wolf’s heads” or with “scales or moss growing on their skin” (129, 128). The animal and the vegetal are mixed and the monstrous appears beautiful. A world based on reason, a human creation, gives over to the animal, the irrational, the monstrous. This space contains an alternate time that exists simultaneously with the real world. In “Posthumous Novel,” one of my favorite stories, Guibert writes of a space where, as a result of a “deatomization effort” in Holland, “countless words, incomplete sentences” are “hanging like clumps off of trees and, broken and sown over the ground” (143). Words are not necessarily attached to sentences but exist alone as fragments. In the story, Guibert writes that when one is travelling by train, one’s thoughts release, “more or less clouded and blinded” words into the air of the surrounding countryside and that they take root in the “roadside dust, a branch shaken by the wind, setting sun” (144). These words or sentences, cast into the world by the living, are “nourishment for the dead…a vital message of what happens in the hereafter” (144). By accessing these “sentences” through “x-raying” the “final trajectories” of the young writer in the story who committed suicide, the author is able to partly reconstruct the dead man’s novel (146). The narrator is like Orpheus, in Cocteau’s film, listening to the transmissions on the radio which are actually the voices of the dead. These words of the dead need to be remembered. History must be remembered in order not to repeat the same mistakes to the point of unconsciousness.
It is in this forbidden space, this underworld that does not obey the laws of physics, that Guibert, a kind of Orphic figure, is able to imagine a language that is not bound to its materiality; it exists in the air, unrealized, incipient, spiritual, the image of a ghost. It is here where the monstrous, the aborted, the abject thoughts reside, and where the dead dwell. It is a land that “had never been described or transcribed on a map” (220). It is a forbidden and magical place, where one has the “courage to be oneself, to present oneself, and to liberate every secret, to invent them” (150). Guibert wrote this book in “invisible ink,” from that place, as if the stories themselves are only the visible traces of what lies behind them: the sexual encounters that produced them.[5]
In January, 1988, Guibert was diagnosed with AIDS. As a result, he immediately found himself the focus of media attention and appeared on numerous talk shows. Early in his career, Guibert was openly gay and unashamed of his homosexuality and this, according to his translator Jeffrey Zuckerman, “was not meant as a provocation” but as “a quietly revolutionary stance in line with his particular brand of rebelliousness, in which, to quote a line from the end of “Ghost Image,” ‘secrets have to circulate” (“Translator’s Preface”13). Furthermore, Zuckerman writes, “When I began this project, all of Guibert’s translated novels were out of print – even To the Friend Who Did Not Save My Life. At the time, it felt symbolic yet saddening: if gay rights were moving so steadily forward toward equality with the broader population, why preserve this particular, liminal past? Indeed, such an unprecedented nationwide – and even global – sea change in attitudes toward gay marriage and adoption risked effacing the long struggle that came before it, from Oscar Wilde’s trials and Alan Turing’s cyanide-laced apple to the Stonewall riots and the ACT-UP movement” (“Translator’s Preface” 15). And for this reason, the stories in Written in Invisible Ink are a valuable addition to Guibert’s work in English, and a good starting point for the reader unfamiliar with his work.
Peter Valente is the author of A Boy Asleep Under the Sun: Versions of Sandro Penna (Punctum Books 2014), which was nominated for a Lambda award, The Artaud Variations (Spuyten Duyvil 2014), Let the Games Begin: Five Roman Writers (Talisman House 2015) and Catullus Versions (Spuyten Duyvil 2017). He has also published translations from the Italian, Blackout by Nanni Balestrini (Commune Editions 2017) and Whatever the Name by Pierre Lepori (Spuyten Duyvil 2017), Two Novellas: Parthenogenesis & Plague in the Imperial City (Spuyten Duyvil, 2017). He is the co-translator of the chapbook Selected Late Letters of Antonin Artaud, 1945-1947 (Portable Press at Yo-Yo Labs,2014), and has translated the work of Gérard de Nerval, Cesare Viviani, and Pier Paolo Pasolini. His poems, essays, and photographs have appeared or are forthcoming in journals such as Mirage #4/Periodical, First Intensity, Aufgabe, Talisman, Oyster Boy Review, spoKe, and Animal Shelter. His most recent book is a co-translation of Succubations and Incubations: The Selected Letters of Antonin Artaud (1945-1947). Forthcoming is a collection of essays, Essays on the Peripheries (Punctum 2020) and his translation of Guillaume Dustan’s Nicolas Pages (Semiotext(e) 2021).
Works Cited
Darrieussecq, Marie. “Guibert’s Ghost.” Tin House, 13 January, 2015: https://tinhouse.com/guiberts-ghost/
Guibert, Hervé . 2020. Written in Invisible Ink. trans. Jeffrey Zuckerman. Los Angeles: Semiotext(e).
—- 2017. Crazy for Vincent. trans Christine Pichini. Los Angeles: Semiotext(e).
Kostenbaum, Wayne. “The Pleasures of the Text.” Book Forum, June-August, 2014: https://www.bookforum.com/print/2102/herve-guibert-s-unbridled-eroticism-13298
Zuckerman, Jeffrey. “Translator’s Preface” in Written in Invisible Ink. trans. Jeffrey Zuckerman. Los Angeles: Semiotext(e), 2020, 1-15.
Notes
[1] Guibert married Christine in 1989, so that she could protect his estate and so that the royalty from the sale of his books would go to her children. The publication of the mentioned novel, in which Guibert told the world he had AIDS, caused a scandal because in it he disguised Michel Foucault, who had the same disease, under another name (Muzil). However, the public discovered that this was Foucault; he had been dead for six years (reportedly from cancer) at the time of the publication of Guibert’s book.
[2] For Bataille, the indulgence in “perversity” also contained a strong drive for the metaphysical, for that which lies beyond the body.
[3] I would also add Artaud to the list above in his researches into “fecality.”
[4]Quoted in Kostenbaum, The Pleasures of the Text,” accessed on May 17, 2020, https://www.bookforum.com/print/2102/herve-guibert-s-unbridled-eroticism-13298
[5] In “A Lover’s Brief Journal,” Guibert writes, “I got completely undressed, I write and that gets me hard, I jerk myself off with one hand…” Hervé Guibert, Written in Invisible Ink, 49.
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Mikkel Krause Frantzen — Has Capitalism Become Psychologically Unsustainable? Six Tentative Theses on COVID-19 and Mental Health
This essay is a part of the COVID-19 dossier, edited by Arne De Boever.
by Mikkel Krause Frantzen
1/ The future is already lost, the loss is just unevenly distributed. This altered version of sci-fi author William Gibson’s famous one-liner captures our age nicely: there is, on the one hand, the permeating sense that the future has no future, that the future has slipped away before our eyes. On the other, this doesn’t mean ‘we’ are all in the same proverbial boat, that ‘we’ are suffering in the same way. It is also important to realize that this loss of futurity is not an abstract loss. When you are in debt and have pawned away your future, more precisely your future labor, in order to pay back a debt that can never be paid, it is not abstract. When you live in the Arctic and the ice is melting due to global warming and you can foresee that you cannot sustain your way of life, or you live in Australia and endless draught has made it impossible keep living on the land that you and your family have lived on for generations, it is not abstract. The loss is concrete and it has economic and ecological implications. To quote from Joshua Clover’s poetry collection Red Epic, “because reasons”: because capitalism and its genocidal and ecocidal machine.
2/ It wasn’t depression, it was capitalism. As I have written elsewhere (in the book Going Nowhere, Slow and also in The Los Angeles Review of Books), the loss of futurity is one of the symptom(s) of depression, if not its primary symptom. Since the 1970s, depression has gradually become the paradigmatic psychopathology of capitalist societies. Alan Horwitz has detailed how by 1975, the 18 million diagnoses of depression had surpassed the 13 million diagnoses of anxiety, and in 1980 the third edition of Diagnostic and Statistical Manual of Mental Disorders (DSM) saw the light of day, a pivotal event within the field of psychiatry: “Although biological psychiatry and its central vehicle of depression were gaining ground during the 1970s, the implementation of the third edition of the Diagnostic and Statistical Manual (DSM-III), which the APA issued in 1980, was the central turning point leading to the transition from anxiety to depression.” That the history and rise of depression runs parallel with the history and rise of neoliberalism should cause us no surprise. When no such thing as society exists, when all forms of collectivity have been utterly destroyed, all there is left is the individual. If you are depressed, it is your own fault. Like in the diagnostic manuals, no context is needed. If you feel like shit, you alone are to blame. It is your own personal problem and responsibility.
3/ Capitalism kills love, but it kills more than that. There is an artwork by the artist duo Claire Fontaine, whose work often engages the relation between depression and the political economy: it’s a neon sign that says “Capitalism kills love.” But capitalism kills more than that. Capitalism, some times in the guise of neoliberal austerity measures, forces people to kill themselves. The examples are legion: Dimitris Christoulas in Greece, who put a gun to his head in front of the Greek parliament, declaring “I am not committing suicide, they are killing me”; Jerome Rodgers in England, who died by suicide aged twenty after two unpaid £65 fines spiraled to over £1000; Daniel Desnoyers in the US, who “committed suicide after he lost his insurance and access to his psychiatric medication because he was $20 short on the monthly premium.” Or a 22-year-old-student in Lyon, France, who set himself on fire in front of a university restaurant due to financial difficulties and a desperate, precarious situation. Quickly the hashtag “#laprécaritétue” spread: Insecurity, precarity, kills. Let’s also not forget the waves of suicides at the Foxconn factory in China around 2010, with one worker, Xu (not to be confused with the poet Xu Lizhi who killed himself at this exact place in 2013) telling The Guardian some years later: “It wouldn’t be Foxconn without people dying […] Every year people kill themselves. They take it as a normal thing.” This is capitalist normality: Suicide, death. You die before you should have, it’s a normal thing. All of this to say that the current crisis, or crises, is also a mental health crisis. Across the globe people (students, workers, the unemployed) seem to be getting more and more unhappy, desperate and depressed. It is a common, yet uneven condition. Some tragic cases (like those just described) make it into the news; many others do not.
4/ What COVID-19 intensifies is an already generalized condition. And then COVID-19 happened. At the time of this writing, the virus has led to more than half a million dead across the globe. Since the outbreak of the pandemic 40 million Americans have lost their jobs, supply chains have broken down, consumption has plummeted, oil prices have been negative and the global levels of debt, already sky-high, have reached stratospheric heights. On March 16, when the VIX opened at 57,83 and closed at 82,69, the Dow Jones Index fell nearly 3,000 points, “the worst trading day in percentage terms since the ‘Black Monday’ crash of 1987 when the Dow got a 22 percent haircut.” And then, magically and absurdly, the markets recovered: In the beginning of July, The Economist reported that “American stock markets recorded their best quarter in at least two decades. From April to June the S&P i500 and Dow Jones Industrial Average rose by around 25%, and the Nasdaq by over a third.” Once again, the Fed came to the rescue, this time even keeping the junk bond-market afloat, while the average American was left to drown in a sea of debt, joblessness and little to no health care. Once again, the final reckoning was postponed and another veil was cast over the stark economic reality. This is the current predicament, a situation which COVID-19 has intensified, but in no way initiated. It is a crisis that is intimately and inherently connected not only to the economic crisis, but also and above all to the ongoing ecological one: the loss of biodiversity, deforestation, the food industry, agricultural capitalism, the destruction of ecosystems and wildlife habitats—all of these events (and many more) are contributing factors in the outburst and dispersion of SARS-CoV-2. “Forget the butterfly effect,” Adam Tooze argues: “this is the bat effect – our stranglehold on nature has unleashed the coronavirus outbreak. And the pandemic is forcing us to rethink how to run our networked world.” As is the case with the climate crisis, the corona crisis is no natural disaster. It is yet another example of what Marx and Engels, in The Communist Manifesto, referred to as “the sorcerer, who is no longer able to control the powers of the nether world whom he has called up by his spells.” Yet another example of nature getting even. And ‘we’, the humans living in and through the crisis, have to ask the question that Mike Davis—who wrote about the avian flu in The Monster at our Door (2005)—articulated lately: has capitalist globalization become biologically unsustainable?
5/ Zoom is shit. Meanwhile (and as several texts included in this dossier have already described), the lockdown continued, university teaching took place online, and students were forced to sit at home, each in front of their own screen, isolated and alienated. Of course, many students around the world were already indebted and feeling lost, and without any future whatsoever. A futureless and fucked-up generation indeed. In Fall 2019, a Danish report was published, documenting that approximately 10% of all students in the Faculty of Humanities, University of Copenhagen, are struggling with mental health issues. This number only corroborates a general tendency in Danish society and the 18,4% increase in diagnoses of depression during the last decade. Other data even suggest that almost half of the students at the university of Copenhagen (48%) have experienced physical stress symptoms. For these reasons, and before COVID-19, I decided to engage some of the students at Department of Arts and Cultural Studies in a series of conversations/interviews in the Spring semester of 2020. The picture that took shape is not pretty. One interviewee, a second year-student with multiple diagnoses, told me: “All of us students are feeling like shit and yet everyone is alone in their own misery.” It did not get any better after the lockdown, quite the opposite. While some students may have thrived in the interregnum—with less obligations, less stress, less social interactions, less speed—it was certainly not the case with the eight students that I talked to. One student with social anxiety was adamant that Zoom was only accelerating her anxiety, especially but not only when it came down to the so-called “breakout rooms.” All of the interviewees emphasized that they were feeling more isolated, anxious, precarious and/or depressed. Or as an MA-student diagnosed with depression wrote to me: “I will definitely say that this [the lockdown and the transformation of classes from physical to virtual settings] is far, far worse than being at KUA [the campus for the Faculty of Humanities at the University of Copenhagen],” only to add, more emphatically: “tl:dr: online teaching sucks”.
6/ Capitalism has become psychologically unsustainable. How to collectivize these experiences of mental illness, within the university and beyond? How to mobilize the students and how also to eliminate their suffering and the conditions that make them suffer? How to create infrastructures of care that don’t produce patients nor handle health as a business or a commodity; how to treat people who are sick in ways and in environments that are not themselves sick; how to deal with depression, and mental illnesses in general, outside the norm of returning people to normality, getting them (back) to being good, happy and productive workers? Or, more crudely, how to reclaim the future? The solutions offered by neoliberal ideology are clearly not helping. Notions of manning up, courses in positive psychology, self-help gurus and other forms of individualized therapy: they are not really helping. (The question of medication, antidepressants, and Big Pharma is a topic too large to deal with here.) At the University of Copenhagen—a full-blown neoliberal and financialized institution—a stress think tank has been launched recently and already it is evident that it too focuses on subjective and individual changes (releasing a mindfulness-app for instance), not structural and institutional ones. This isn’t helping either. But what then? The psychopathological problems of the present need to be taken seriously, but it would be exaggerated and maybe even counterproductive to speak of a mental health epidemic, as Nikolas Rose in a podcast has pointed out. A lot of the problems that are being framed as mental health problems are in fact social, political, economic and/or ecological problems (Nona Fernández reminds us: “No era depresíon era capitalismo”). Thus, it is important not to indulge in the tendency to privatize, psychologize and pathologize suffering, important not to reinforce the tendency to over-diagnose mental illnesses such as depression. That said, the problem of mental health is, unquestioningly, an acute problem, and one that has only been escalating since COVID-19. Not only among students, obviously. There has been a rise in suicides: “Deaths in mental health hospitals have doubled compared with last year – with 54 fatalities linked to since March began.” Several epidemiological studies have, unsurprisingly, found heightened rates of depression, anxiety and stress during the pandemic–from Colorado to China. Here, it bears repeating that ‘we’ are not all in the same boat. Just like COVID-19, and any other illness for that matter, mental health problems are distributed differentially, hitting disproportionately hard among communities who are struggling and vulnerable to begin with. To the question of mental illness belong questions of race, class and gender that cannot be ignored. Overall, then, COVID-19 poses a wide range of public and mental health questions, and not just to the disciplines of psychiatry or psychology. There is still a lot to think about, numerous questions left unexplained and unanswered. Yet there is little doubt that capitalism, at this point, simply seems to have become—always already was—psychologically unsustainable.
Thank you to Arne De Boever and to all my students, especially the ones who agreed to share their stories and experiences with me during Spring semester of 2020.
Mikkel Krause Frantzen (b. 1983), PhD, postdoc at the Department the Department of Arts and Cultural Studies at the University of Copenhagen, where he works on finance, fiction and the psychopathologies of the present. He is the author of Going Nowhere, Slow – The Aesthetics and Politics of Depression (Zero Books 2019), his work has appeared in Critique: Studies in Contemporary Fiction, Journal of Austrian Studies, Studies in American Fiction, boundary2, SubStance, Los Angeles Review of Books and Theory, Culture and Society.
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Stephen Wright — Devising the Post-Capitalist Imaginary/A Device for the Post-Capitalist Imaginary
The text below was initially presented at the “Algorithms, Infrastructures, Art, Curation” conference, organized by Arne De Boever and Dany Naierman, and hosted by the MA Aesthetics and Politics program (School of Critical Studies, California Institute of the Arts) and the West Hollywood Public Library.
The text is published here as part of a dossier including the lecture by Brian Holmes to which it was responding.
–Arne De Boever
by Stephen Wright
Above all, what I take away from Brian Holmes’s Cascadia project, and from the broad conceptual and affective setting that informs it — both nicely laid out in his user-friendly paper — is this: that we don’t so much lack a critique of capitalist globalization; we don’t even so much lack theories of communism; what we lack is a post-capitalist or post-globalization imaginary. We need, in other words — and those words will prove crucial in their own way — to experimentally implement full-scale (even if on a modest scale) devices to give embodiment to that imaginary. We need, that is, to devise a post-capitalist imaginary. And the good news is — at least, this is what I would like to be able to assert! — that this is precisely what his new projects on Bioregionalism put forth. But the reality is far more complex and it really does him no service to portray his critical cosmovision as incurably optimistic. Brian’s texts have always exuded a sense of pessimism, and delving deep into his findings over the course of detailed conversation where his critical edge is unchecked or unaccompanied by concrete experience of boots on the ground, one often feels that more critical knowledge in and of itself doesn’t lead to the heuristic elation one might expect; it sometimes feels more like backsliding into a wormhole — as if too much critical lucidity alone, or too much disembodied critical distance, occasions a kind of paralysis. This would be the sterility of critical theory for its own sake — fine for those of use who like that sort of thing, but not at all on a par with Brian’s demanding ethics of engagement.
Let me quickly but systematically unpack some of those remarks which I admittedly draw as much from my several decades long friendship (and occasional collaboration) with Brian as from the paper he has just presented.
When I first met Brian in Paris where he lived until 2008, he was a translator — he still is, in an expanded sense of course, but I mean in those days he was making a good living translating texts between one language and another. This obviously couldn’t last because, however one may learn by the more-than-intimate contact with the translated subject (I mean the internal merging with their perspective), one is inevitably frustrated by a kind of paradoxal algorithm of translation: the better the translation in a sense, the more one’s own subjectivity disappears.
So Brian began to inject his writing skills into political activism, working with groups on the fringe of art and activism in Barcelona, Paris, London and elsewhere, and working as a core member of collectives as different (and hard-hitting) as the conceptual design activist group Ne Pas Plier, the critical cartography collective Bureau d’études, or the post-operaist journal Multitudes, amongst many others. I’m saying this stuff not because I’m planning to write Brian’s Wikipedia page (which presumably already exists, I don’t know) but because I want to draw out what are the underlying ethics of his practice as it evolved over time.
Even as he was engaged in these collectives, another more ambitious but more personal investigative project was developing — in keeping with the rise of the continental trading blocks that were the jugulars of globalizing capitalism. In those years, Brian (and not only him) kept feeling like he was waking up on the wrong side of capitalism — no matter where on Earth he woke up! That graffitied slogan became the logo to the website Continental Drift, as the project came to be known. It was a staggeringly ambitious project, but simple in its conceit. As economic and financial power was usurped from sovereign states and concentrated on continental scales, then it was fair to assume that subjectivity was henceforth also being produced at that same macro- or mega- scale: NAFTA subjectification, EU subjectification, China-Japan-Korea subjectification. And Brian wanted to mobilize a critical analysis of the former to investigate the latter, and vice versa. So, Situationist style, Brian began to self-organize with a host of likeminded comrades and local informants, drifts across the continental subjectivity-production zones, in the Americas, Asia, etc. Rather than approach the macroeconomic and macropolitical exclusively on the level of critical analysis, he would do cartography with his feet. As if there were a need to feel, see, smell, hear — affect the affects — to keep things from being overwhelming.
Perhaps for this reason too — or perhaps another — Brian chose as his lens of predilection for these drifts (their subsequent restitution, but on the ground too) the most micro-configurations he could find: artworks. Artworks are perhaps the pithiest, the most affect-intense and knowledge-energized symbolic configurations there are, and from their material can be teased out any number of insights, to which they themselves are often partially blind. Actually, this is the only thing that redeems art at all; the only justification for an other unjustifiable pursuit (I mean that in a good way!).
Continental Drift was and was not an art project: it was an art usership project, not in any explicit way an artist-initiated endeavour. But one can see all the methodology in germination of the current projects: the vertiginous confrontation of disparate scale, the paramount importance of clarity, the imperative to make territory palpable, pedestrian. Of Continental Drift one might say that although its ontology was not of art, its coefficient of art was already high.
It came as no surprise that it was often taken as art, though not performed as such. Brian had become as he wrote to me “una suerte de artista que sabe de libros”. When he finally did become an artist in 2015, it was less of a coming out — though with hindsight one can see a logic unfolding — than a tactical choice for a site of engagement. For this is what it has always been about: not the specificity of some mode of doing or being, but its compatibility with other modes of doing and becoming. More precisely, about social engagement. In his text, he writes, “One of the most important things that artists and intellectuals can do is to express and analyze the constituents, forms, desires and aims of a bioregional culture.” Importantly, there is no conceptual distinction between “artists and intellectuals”; maybe just a slight shift in focus.
Important too is the plural form. Brian didn’t spell it out in his text so I will (though it is abundantly implicit and should not really require emphasis): critical engagement of any kind cannot be done meaningfully alone; it is an inherently collective undertaking. That is the lesson of the avant-garde — the mutualization of competence and incompetence. Even the most strikingly original turn of phrase or analysis is never anything more than a collective enunciation in disguise. So people, work together! It’s at once the ways and means of devising the post-globalization imaginary…
After Continental Drift, after the exhaustion of globalization, Bioregionalism appears a logical deduction — though that is an illusion due as more to the clarity of Brian’s exposition than to the reality of it — since it remains, precisely, an imaginary to be built. That clarity of exposition may be the upshot of years of writing, but it also embodies a deep-seated ethical imperative — a commitment to popular education, the exigency to vulgariser and render accessible — the essence of Brian’s ethics of engagement, which could more simply be described as generosity.
Inseparable from this — and no less important, especially in this setting today — is the fact that all of these broad-scoped extradisciplinary investigations were done without any of the epistemic high-tailings and legitimation of academia. But they have all been informed — and Brian is inflexible on this — by a standard of rigor to which academia could rarely hold itself. We are talking about an emblematic instance of autonomous knowledge production — not the only one, to be sure, but one that is particularly exemplary. Like Continental Drift, we can look forward to finding in Bioregionalism a voracious appetite for theory and often dense analysis, crunched and if not quite digested, reformatted in reader- and user-friendly fashion. What a great way to practice theory! Make it palatable; make it palpable, make it useful.
For sure there’s something of the escapologist in Brian’s work: Escaping the Overcode (2009) was the title of his third and most comprehensive collection of essays; escaping epistemic and academic capture; escaping institutional framing; escaping ontological capture as “just art”. But the singular temporality that in each of those cases characterizes escapology is that escape precedes capture — indeed only from the perspective of power is capture primary. Escape is always already underway; we never know when people may choose to escape; but we can be sure that they already are — which is what renders power so paranoid — and provides such traction to embodied projects of devising a new imaginary, rather than merely falling back on the disengagement of critique.
A few years ago, my son Liam and I used to watch a mainstream TV show called Prisonbreak. It was a bit of a dudefest of a show, but beyond the action-packed episodes, there was something about the conceit that attracted my attention — and that in a way reminds me of Brian’s work. It’s the story of a man who wants to spring his brother from high-security prison, where he has been unjustifiably put by none other than a Wyoming-based vice president of the United States… So in order to orchestrate the escape, the protagonist first has to get into the prison himself, as a prisoner, and then use a sophisticated map of the super-max establishment to find the way out. The map, it turns out, is an incredibly detailed tattoo on his own body… This is the paradoxical and dialectical relation between the need to penetrate to the very core of the oppressive system, in order to embody the map out. On a wholly different scale with utterly different collaborators, but with a similar logic, this is the plan for Cascadia. Our bodies and practices as devices of the becoming bioregional imaginary.
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Chad Kautzer — Trump, Public Health, and Epistemic Authoritarianism
This essay is a part of the COVID-19 dossier, edited by Arne De Boever.
by Chad Kautzer
“What you’re seeing and what you’re reading is not what’s happening.”
– President Donald J. Trump, July 24, 2018
In the midst of the coronavirus pandemic, we have witnessed how autocrats can effortlessly dismiss dire public health news, regardless of its factual basis, and disparage its messengers or even smear them as treasonous without reservation. Such reactions undermine public health and threaten the researchers and practitioners generating knowledge in its service. Yet, however demoralizing it may be to witness the present disregard for public health as well as the belittlement and even endangerment of public health advocates, there are lessons to be learned about authoritarianism and the ways we can oppose it.[1]
Trust in public health researchers and practitioners derives not from their supposed objectivity or claims to certainty, but from a commitment to transparency, an openness to critique and revision, and the promotion of health equity in the face of economic and sociodemographic disparities. As producers of credible knowledge in the lab or in the field, they earn a form of authority we call epistemic. To autocrats, who consider their own political authority to be subject to neither critique nor limit—Trump, for example, recently claimed that his authority is “total”—epistemic authority represents an unwelcome check, because it can raise legitimate questions about their policies and assertions. Attacks on journalists, academics, and civil and human rights organizations are similarly motivated by the autocrat’s desire to undermine or appropriate their various kinds of authority. To this end, these groups are often described as “elites” or “enemies of the people” to separate them from the “real people” whom the autocrat is said to personify.
Autocratic regimes do, of course, rely on expert knowledge, but vigorously police them to ensure that such expertise does not contradict the leader or erode trust in the authoritarian relations, and alternate epistemic universe, they cultivate. This task becomes difficult in times of crisis, when autocrats feel compelled to demonstrate absolute authority, yet solutions to complex problems call for input from a plurality of voices (including those most impacted), open and critical deliberation, and public trust.[2] Autocrats are therefore engaged in a battle on multiple fronts: confronting public crises, while simultaneously assailing non-political forms of authority that could challenge them.
Autocratic Tactics Against Public Health Advocates
When the crisis is a public health emergency, it is public health researchers and practitioners who gain public prominence and in turn the autocrat’s covetous wrath. The autocrat employs three identifiable tactics in his campaign against the epistemic authority of others, namely, those of delegitimizing, silencing, and usurping.[3] The tactic of delegitimizing public health advocates is pursued through spurious accusations and public denigration. It is often combined with, and said to justify, the second tactic, namely, silencing through threats, removal, incarceration, or even death.
At the beginning of the pandemic, indeed, before the novel coronavirus had a name or was deemed to have caused a pandemic, there was the tragic case of Dr. Li Wenliang in Wuhan. It was early January of this year when the Chinese government attempted to delegitimate and silence Dr. Wenliang, a 33-year-old ophthalmologist. Late last year, Dr. Wenliang alerted fellow doctors about several patients with coronavirus infections, although the virus strain was unclear. He recommended his colleagues and their families take precautions.
Within days, Dr. Wenliang was publicly accused of spreading rumors, detained, and threatened with prosecution. Police from the Wuhan Public Security Bureau made him sign a letter stating that he made “false comments,” had “severely disturbed the social order,” and must promise to never do it again. He returned to work and contracted the virus, but days before he died on February 3, he publicly shared the letter they made him sign, sparking national outrage. In an interview before his death, Dr. Wenliang said “I think there should be more than one voice in a healthy society, and I don’t approve of using public power for excessive interference.”[4]
For the past several years, Turkey’s autocratic President, Recep Tayyip Erdoğan, has used delegitimizing and silencing tactics against tens of thousands of academics, scientists, journalists, doctors, artists, and activists, labeling them terrorists or terrorist sympathizers with the help of anti-terrorism legislation Amnesty International calls “vague and widely abused in trumped up cases.”[5] Individuals have lost their jobs, their public platforms, and their personal freedom.[6]
Dr. Bülent Şık, for example, was a deputy director at the Food Safety and Agricultural Research Center at Akdeniz University, but fired from his position and indicted for participating in terrorist propaganda by signing an Academics for Peace petition. He had recently completed years of research for the Ministry of Health measuring environmental pollutants in several regions of Turkey and found widespread and serious risks to public health. When he attempted to alert the public to the danger in a series of newspaper articles, he was sentenced to 15 months in prison. During the coronavirus pandemic, doctors Güle Çınar and Yusuf Savran were detained and made to issue public apologies after their statements about the coronavirus were deemed inconsistent with the official state line.[7] Most recently, public health specialist and member of the Turkish Medical Association COVID-19 Monitoring Group, Prof. Kayıhan Pala, is under investigation for stating that the number of infections and fatalities in the Turkish city of Bursa is higher than publicly reported.[8]
Brazil’s neofascist president, Jair Bolsonaro, has employed all three tactics against health care officials at a time when the country has the second highest number of coronavirus infections and deaths in the world. He has ridiculed warnings by medical experts, calling them “hysterical”; removed officials who advocated for evidence-based policies that contradicted his political imperatives; and recommended unproven remedies such as hydroxychloroquine as if he possessed specialized knowledge on the subject. “The virus is out there and we will have to face it, but like men, damn it, not kids,” he said at a public event, where he flouted the social distancing rules set by his then health minister, Luiz Henrique Mandetta, a medical doctor.
It was Mandetta’s social distancing policy and lack of support for Bolsonaro’s hydroxychloroquine remedy that led to the minister’s ouster.[9] In his farewell press conference, Mandetta urged Ministry of Health employees to not be afraid and to vigorously defend science. “Science is light,” he said, “and it is through science that we will find a way out of this.”[10] Mandetta’s replacement, Nelson Teich, also a physician, quit as health minister weeks later after opposing Bolsonaro’s continued push for hydroxychloroquine and his failure to consult with the Ministry of Health before reopening businesses.[11] Bolsonaro tested positive for COVID-19 in early July.
In Russia, which now has the third highest number of infections, police arrested Anastasia Vasilieva, a physician and head of the Alliance of Doctors, for speaking out about the government’s undercounting of coronavirus cases and the lack of personal protective equipment for health-care workers.[12] In Leningradskaya, Dr. Natalia Trofimova was fired after warning that a new ward for Covid-19 patients was not safe,[13] and in St. Petersburg journalist Tatiana Voltskaya was criminally charged for publishing an interview with a doctor about the lack of ventilators under a new law that forbids spreading “false information” about the coronavirus.[14] According to Sarah Clarke from the rights group Article 19, Russia’s new law “makes it easy for the authorities to suppress any data deviating from the official narrative and punish journalists and ordinary citizens for openly questioning the efficacy of official responses.”[15]
The authoritarian prime minister of Hungary, Viktor Orbán, was granted dictatorial powers under the auspices of fighting the pandemic in March of this year. As with Russia’s law against spreading “false information,” the law granting Orbán dictatorial power makes similar acts punishable by up to five years in prison. Political science professor László Bruszt aptly described it as “a real sword hanging over the head of doctors and journalists alike.”[16]
We recognize a similar autocratic playbook in Trump’s response to public health officials during the coronavirus pandemic, and in previous encounters with authoritative knowledge concerning economic, military, intelligence, and environmental issues. Trump began by controlling or silencing the message from physicians and scientists at the Center for Disease Control (CDC) and the Department of Health and Human Services (HHS), insisting all public messaging be done through the Coronavirus Task Force press briefings. He then replaced the head of the task force, HHS Secretary Alex Azar, with Vice President Mike Pence, a sycophant who famously stays on message.[17] Having consolidated the public communications from relevant government agencies and scientists in the task force, Trump then took over its press briefings. He saturated them with self-congratulatory monologues, enemy lists, false claims, and untested cures as well as real-time spin of task force member statements that contradicted his own.[18]
Trump has also employed delegitimizing and silencing tactics against doctors and public health officials beyond the task force. After Christi A. Grimm, an inspector general at HHS, released a report on the shortages of testing and safety equipment at hospitals, Trump called the report “fake,” characterized her as an oppositional political operative, and is in the process of removing her.[19] Also removed was Dr. Rick Bright, director of HHS’s Biomedical Advanced Research and Development Authority, for, he says, limiting “the broad use of chloroquine and hydroxychloroquine, promoted by the Administration as a panacea, but which clearly lack scientific merit.” In order to combat the virus, he said, “science—not politics or cronyism—has to lead the way.” [20] Trump sought to undermine Dr. Bright’s credibility by describing him as “a disgruntled guy” and added that he “hadn’t heard great things about him either.”[21] The Food and Drug Administration has since issued a warning against the use of chloroquine and hydroxychloroquine and the United States Office of Special Counsel has determined that Dr. Bright’s removal likely violated the Whistleblower Protection Act.[22] In early July, Trump also began the process of withdrawing the U.S. from the WHO, which he claims “China has total control over.”[23]
The most sensational tactic Trump employs against public health researchers and practitioners is usurpation or the appropriation of their epistemic authority for himself. There is seemingly no end to the issues Trump, with his “very good brain” and familial relation to a “great super genius” MIT professor, claims to be the expert about. It has become the pastime of journalists to compile lists of them. While recently touring CDC headquarters in March, Trump told reporters “I really get it. People are surprised that I understand it. Every one of these doctors said, ‘How do you know so much about this?’ Maybe I have a natural ability.”[24] It was this perceived ability that informed his repeated claims that hydroxychloroquine is a risk-free cure for Covid-19 as well as his musings about the benefits of injecting disinfectants and “very powerful light” into the body.[25] While it is tempting to dismiss such hubris as simply the clownish flouting of convention, these are the typical antics of an autocrat.[26]
Tragically, an autocrat’s absurd proclamations can become self-fulfilling prophecies. As Catherine MacKinnon observes in Feminism Unmodified, “the beliefs of the powerful become proof, in part because the world actually arranges itself to affirm what the powerful want to see.”[27] This happens in part through an actual changing of the world. Hours after Trump’s son-in-law Jared Kushner publicly mischaracterized the National Strategic Stockpile of medical supplies for health emergencies as “our stockpile,” i.e. for the federal government and not the states, the official mission statement on the website of the National Strategic Stockpile was edited to turn Kushner’s lie into the truth.[28] And it happens in part through changing the appearance of the world, as when Trump altered a National Weather Service map with a marker to lazily substantiate his misstatement about the path of a hurricane.[29] “Populists are not greatly concerned with the subtleties of empirical observation,” writes Federico Finchelstein in From Fascism to Populism in History, “but instead direct their attention toward reworking, even reinventing, reality in accordance with their varied ideological imperatives.”[30]
Epistemic Authoritarianism
The autocrat’s desire to undermine and appropriate the epistemic authority of others is more than a defensive posture. Delegitimizing, silencing, and usurping tactics are not merely deployed to disarm particular threats. The tendency is rather to develop what we might call an epistemic authoritarianism in which “truth” and “reality” are, to the greatest extent possible, authored by the autocrat and their surrogates. The autocrat encourages their supporters, who now constitute “the people,” to not only reject particular facts and theories, but to challenge the very processes of rational reflection and deliberation as well. This creates an epistemic vacuum that is filled by the will and myths of the autocrat, and increases the chances that followers will engage in unreflective or spontaneous acts of violence.[31]
In their 1949 study of fascist tendencies in the U.S., Prophets of Deceit, Leo Löwenthal and Norbert Guterman describe the fascist leader as seeking to “increase his audience’s disorientation by destroying all rational guideposts.”[32] This allows more emotive and irrational forces to reign and “truth” to operate as something more akin to loyalty. Or as Finchelstein writes, truth is “reformulated as a matter of ideological, often visceral, faith, rather than as a function of observation, rational discernment, and corroboration.”[33] Autocrats achieve this by mobilizing long present authoritarian values and structures that already constrain who may be publicly recognized as credible. They foment distrust through a deluge of outlandish lies and conspiracy theories, particularly those attributing sinister motives to scientists, academics, and journalists, that play on anti-Semitic, racist, and nativist tropes.
Eventually, the sheer quantity of delusional nonsense produces a qualitative shift: a generalized suspicion of all potential bearers of epistemic authority. “The credibility of any source, indeed the very idea of verified knowledge itself is thus thrown into question,” writes Sophia Rosenfeld in Democracy and Truth.[34] The exception is, of course, the autocrat himself, whose self-proclaimed unique insight is incorruptible and thus becomes the only remaining means for the people to access reality itself.[35] This hegemony silences the plurality of voices and the processes of critique and revision. “He warns his audience,” write Löwenthal and Guterman, “that it needs his guidance in the bewildering situation in which it finds itself.”
Out of this fog a narrative emerges: Conditions, we are told, were awful before the autocrat came to power, i.e. the people were victimized and humiliated by their enemies both foreign and domestic, but now everything is better than it has ever been.[36] The autocrat is unsparing in the Pollyannaish, self-congratulatory assessments of their own performance. Like a children’s game, enemies are conjured up and swiftly defeated before dinner without the pretense of evidence. The autocrat claims they are relentlessly persecuted by shadowy forces and political enemies because they fight for “the people,” yet the autocrat always triumphs in the end and thus so too do the people, at least vicariously.[37]
The power of these fictions does not depend on the intended audience mistaking them for empirical truths or even sincere assertions. These are no longer conditions for belief within epistemic authoritarianism.[38] The autocrat divides the world into friends and enemies, leans heavily on ritualistic performances, and titillates followers by transgressing social norms they consider oppressive, such as prohibitions on racism, sexism, and religious bigotry.[39] Innuendo and empty signifiers (e.g. “Just look at what’s happening”) permit followers to fill in the blanks with their white supremacist, anti-Semitic, and misogynist fantasies. Resentment over the unfulfilled promises of an economic system that leaves needs unfulfilled and renders life more precarious is channeled into a rejection of democracy. “Because it does not fulfill what it promises,” writes Theodor Adorno in The Authoritarian Personality, “they regard it as a ‘swindle’ and are ready to exchange it for a system which sacrifices all claims to human dignity and justice.”[40] The autocrat’s categorical assertions about the inherently corrupt nature of political opponents, scientists, doctors, journalists, and activists, permit followers to reject outright even the most mundane (a posteriori) claims, from weather reports to infection rates. This active ignorance is difficult to overcome, writes José Medina in The Epistemology of Resistance, for people “would have to change so much of themselves and their communities before they can start seeing things differently.”[41]
Followers prefer the gratification of the fiction: the sense of belonging; the relief and self-righteousness of a “Truth” not subject to revision; the confirmation of their victim status; the clear identification of enemies; and the euphoric release of aggression and self-control when the autocrat actually or symbolically brutalizes these enemies in their name and encourages them to do the same.[42] This is the deeply seductive dimension of epistemic authoritarianism and why empirical evidence and reasonable critiques prove ineffective at generating skepticism among adherents.[43] In this way it resembles religious faith, which is why the autocrat can so easily appropriate religious symbolism and in turn divine authority. This was recently and poignantly demonstrated by the violent removal of peaceful protestors near the White House to enable Trump’s walk with an all-white entourage of military, cabinet, and family members to St. John’s Episcopal Church where he raised a bible overhead for the cameras. He made no statements and read no scripture. It was pure symbolism: the wedding of lawless state violence and white Christianity in the autocrat leader.
Resistance and Solidarity
We are often shocked by the brazen lies and then confounded and demoralized that the autocrat pays no political price for them. “The need to pay constant attention to the lies is exhausting,” writes Masha Gessen in Surviving Autocracy, “and it is compounded by the feeling of helplessness in the face of the ridiculous and repeated lies.”[44] This feeling of helplessness is understandable. However, if we remember that epistemic authoritarianism offers not only “alternative facts,” as Trump advisor Kellyanne Conway called them, but an alluring sense of belonging, vindication, and superiority, then we can manage our expectations and identify forms of resistance.
A first step is understanding the threat and formulating a critique. Epistemic authoritarianism is, we know, characterized by an actively desired fiction manifest in the social practices and identities of the autocrat’s followers. An important means of actualizing this fiction in a group, and thus constituting the identity of the group itself, is the performance of rituals at, for example, political rallies where attendees experience what Adorno describes as the “loosening of self-control, the merging of one’s impulses with a ritual scheme.”[45] These rituals function to elicit and direct hostility toward enemies said to threaten “the people” in one way or another. Finally, we recognize the autocrat’s tactics of delegitimizing, silencing, and usurping, which are used against those whose epistemic authority represents a threat to the autocrat’s power.
A second important step is considering the extent to which existing forms of knowledge production are amenable or antagonistic to authoritarianism. When Trump told a group of veterans “What you’re seeing and what you’re reading is not what’s happening,”[46] we were reminded of Winston in George Orwell’s book 1984, who was faced with a regime telling him “to reject the evidence of your eyes and ears.” Winston ultimately concluded that the most basic freedom is “the freedom to say that two plus two make four.” There is wisdom and benefit in this, for ourselves at least, despite neither mathematical truths nor empirical fact-checking being effective tools against committed authoritarians. Knowledge production is, however, made more resilient to authoritarian (and technocratic) encroachment to the degree it relies on critical, reflexive, and democratic methods of inquiry and problem-solving, which are also more successful in addressing health and other social inequities.[47]
Most urgently, however, is the need for us to defend the researchers and practitioners currently being targeted because their work undermines the narratives, myths, and potentially the authority of autocrats. Recent examples include the widespread outrage in China over the targeting of Dr. Li Wenliang, which rattled its authoritarian government as calls for justice rose in defiance of state censors. The government was forced to investigate the accusations against Dr. Wenliang and quickly concluded a mistake was made. A rare apology was issued and the officers involved in silencing Dr. Wenliang have themselves been reprimanded. In Turkey, Dr. Bülent Şık was originally indicted for several crimes, including supporting terrorism, but public opposition led to the most serious charges being dropped. He was convicted of one charge, but has since appealed his 15-month prison sentence. International solidarity campaigns are calling for the Turkish Court of Appeals to overturn it.[48]
These and similar campaigns can be replicated, expanded, and integrated to make the defense of public health advocates, not to mention academics, journalists, writers, and artists, a central commitment within a political culture of epistemic resistance. Existing international organizations, which have experience providing legal support and organizing solidarity campaigns, need financial support and assistance in amplifying their efforts. Unions, professional organizations, colleges, and universities can use their resources to support those whose careers or lives are threatened as well as suspend any relations they have with the responsible institutions or regimes. We can also use the public platforms available to us to network, organize, and promote political actions. To be sure, these efforts alone will not defeat epistemic authoritarianism, but building a culture of epistemic resistance with solidarity at its core would contribute to this ultimate goal while also serving as a desirable example of a possible future.
Chad Kautzer is associate professor of philosophy at Lehigh University. He is the author of Radical Philosophy: An Introduction (Routledge), coeditor of Pragmatism, Nation, and Race: Community in the Age of Empire (Indiana), and is currently writing a book about race, political violence, and community defense. You can find more of his publications here. Kautzer works on academic solidarity campaigns and administers the page International Solidarity with Academics in Turkey.
[1] I’d like to thank Jenny Weyel, Nitzan Lebovic, Daniel Loick, Eric Schliesser, Eylem Delikanlı, Steve Vogel, and Sirry Alang for their feedback on an earlier version of this essay.
[2] The authors of a post-SARS study for the World Health Organization conclude “most measures for managing public health emergencies rely on public compliance for effectiveness. This requires that the public trust not only the information they are receiving, but also the authorities who are the source of this information, and their decision-making processes.” P. O’Malley, J. Rainford, and A. Thompson, “Transparency during public health emergencies: from rhetoric to reality,” Bull World Health Organ 87 (2009): 615.
[3] “Post-truth is, at heart,” writes Sophia Rosenfeld, “a struggle over people as holders of epistemic authority and over their different methods of inquiry and proof in an intensely partisan era.” Sophia Rosenfeld, Democracy and Truth (Philadelphia: University of Pennsylvania Press, 2018), 37.
[4] https://www.caixinglobal.com/2020-02-06/after-being-punished-by-local-police-coronavirus-whistleblower-vindicated-by-top-court-101509986.html
[5] “Turkey: Imprisoned journalists, human rights defenders and others, now at risk of Covid-19, must be urgently released,” Amnesty International, March 30, 2020 https://www.amnesty.org/en/latest/news/2020/03/turkey-imprisoned-journalists-human-rights-defenders-and-others-now-at-risk-of-covid-19-must-be-urgently-released/
[6] With the coronavirus spreading rapidly in Turkey’s prisons, Erdoğan is now engaging in a cynical form of necropolitics, which subjects those who represent checks on his authority to an increased chance of life-threatening infection. On April 13, Erdoğan released nearly one-third of Turkey’s prison population to minimize their chances of contracting the virus, yet political prisoners, including doctors, journalists, and academics, were excluded.
[7] Isaac Chotiner, “The Coronavirus Meets Authoritarianism in Turkey,” The New Yorker, April 3, 2020 https://www.newyorker.com/news/q-and-a/the-coronavirus-meets-authoritarianism-in-turkey; “Turkish doctors issue apologies for coronavirus statements,” Ahval, March 30, 2020, https://ahvalnews.com/turkey-coronavirus/turkish-doctors-issue-apologies-coronavirus-statements
[8] http://m.bianet.org/english/health/226705-uludag-university-launches-investigation-against-prof-kayihan-pala
[9] “The ‘Ostrich Alliance’: the leaders denying the coronavirus threat,” Financial Times, April 16, 2020. https://www.ft.com/content/974dc9d2-77c1-4381-adcd-2f755333a36b
[10] Dom Phillips, “Bolsonaro fires popular health minister after dispute over coronavirus response,” The Guardian, April 16, 2020, https://www.theguardian.com/world/2020/apr/16/bolsonaro-brazil-president-luiz-mandetta-health-minister
[11] https://www.nytimes.com/2020/05/15/world/americas/brazil-health-minister-bolsonaro.html
[12] https://www.nytimes.com/2020/04/03/world/europe/russian-virus-doctor-detained.html
[13] https://www.npr.org/2020/05/01/848932901/health-care-workers-in-russia-pay-deadly-price-fighting-covid-19
[14] https://www.thenation.com/article/world/free-speech-russia-coronavirus/
[15] https://www.article19.org/resources/russia-stop-restrictions-on-media-and-independent-journalists-under-the-cover-of-coronavirus/
[16] László Bruszt, “Hungary’s Disease Dictator,” Project Syndicate, April 16, 2020, https://www.project-syndicate.org/commentary/hungary-covid19-viktor-orban-pandemic-dictatorship-by-laszlo-bruszt-2020-04
[17] Pence’s appointment on February 26 was a response to public comments made by Dr. Nancy Messonnier, the director of the CDC’s National Center for Immunization and Respiratory Diseases, at a CDC press briefing the day before. “Disruption to everyday life might be severe,” she told reporters. “It’s not a question of if this will happen but when this will happen and how many people in this country will have severe illnesses.” The statement was accurate, but incongruent with Trump’s fantastical, upbeat assessments. Dr. Messonnier did not appear in public again and the CDC press briefings were subsequently shut down in early March.
[18] In one memorable exchange, Trump claimed that CDC director Robert Redfield was “misquoted” when he told a reporter “There’s a possibility that the assault of the virus on our nation next winter will actually be even more difficult than the one we just went through.” Trump called the reporting “fake news” and insisted Redfield explain what he really said. “I’m accurately quoted,” Redfield responded, and then tried drawing a distinction between “more difficult” and “worse,” the word used in the article’s title. Redfield came under fire in July for promising to change the CDC guidelines for reopening schools hours after public criticism from President Trump that existing guidelines were too stringent.
[19] https://www.washingtonpost.com/politics/trump-replaces-hhs-watchdog-who-found-severe-shortages-at-hospitals-combating-coronavirus/2020/05/02/6e274372-8c87-11ea-ac8a-fe9b8088e101_story.html
[20] https://edition.cnn.com/2020/04/22/politics/read-whistleblower-vaccine-development/index.html
[21] https://www.nytimes.com/aponline/2020/05/08/us/politics/ap-us-virus-outbreak-whistleblower.html
[22] https://www.nytimes.com/2020/05/08/us/coronavirus-updates.html
[23] https://www.whitehouse.gov/briefings-statements/remarks-president-trump-actions-china/
[24] https://www.whitehouse.gov/briefings-statements/remarks-president-trump-tour-centers-disease-control-prevention-atlanta-ga/
[25] https://www.whitehouse.gov/briefings-statements/remarks-president-trump-vice-president-pence-members-coronavirus-task-force-press-briefing-31/
[26] Autocrats are “taken seriously” writes Adorno, precisely “because they risk making fools of themselves.” Theodor Adorno, “Anti-Semitism and Fascist Propaganda” (1946), in The Stars Down to Earth and Other Essays on the Irrational in Culture, edited by Stephen Crook (New York: Routledge, 1994), 166.
[27] Catherine MacKinnon, Feminism Unmodified: Discourses on Life and Law (Cambridge: Harvard University Press, 1988), 164.
[28] https://www.snopes.com/fact-check/stockpile-website-change-kushner/
[29] https://www.npr.org/2019/09/04/757586936/trump-displays-altered-map-of-hurricane-dorians-path-to-include-alabama
[30] Federico Finchelstein, From Fascism to Populism in History (Berkeley: University of California Press, 2017), xxxvii.
[31] “In fascism,” writes Finchelstein, “the ultimate form of truth required no corroboration with empirical evidence: rather, it emanated from an intuitive affirmation of notions that were supposed to be expressions of transhistorical myths. The leader embodied these myths.” Federico Finchelstein, A Brief History of Fascist Lies (Berkeley: University of California Press, 2020), 26.
[32] Leo Löwenthal and Norbert Guterman, Prophets of Deceit: A Study of the Techniques of the American Agitator (New York: Harper & Brothers, 1949), 6.
[33] Finchelstein, From Fascism to Populism in History, 250.
[34] Rosenfeld, Democracy and Truth, 16-17.
[35] “No absolute ruler can be satisfied today with dominion over political life alone,” writes Michael Polanyi. “Dictatorship can become real today only by eradicating the whole autonomous cultural life with all its widespread popular roots” Michael Polanyi, “The Growth of Thought in Society,” Economica, Vol. 8, No. 32 (Nov., 1941): 443. I thank Eric Schliesser for pointing me toward Polanyi’s critique of authoritarianism.
[36] Jean-Paul Sartre famously used Orbán’s Stalinist predecessor in Hungary, Mátyás Rákosi, to illustrate how terror arises from the “everything was always going well” ideology of an autocrat. Prime Minister Rákosi had ordered the construction of a subway in Budapest in the 1950s. When, writes Sartre, “the engineers came to explain to Rakosi, after a few months’ work, that the subsoil of Budapest was not suitable for the construction of a metro, he had them thrown into prison.” Jean-Paul Sartre, Critique of Dialectical Reason, Vol. 2, edited by Arlette Elkaïm-Sartre and translated by Quinton Hoare (New York: Verso, 1991), 173.
[37] Löwenthal and Guterman describe the fascist agitator as “a bullet-proof martyr who despite his extraordinary sufferings always emerges victorious over his enemies” Löwenthal and Norbert Guterman, Prophets of Deceit,119.
[38] “The ideal subject of totalitarian rule is… people for whom the distinction between fact and fiction (i.e., the reality of experience) and the distinction between true and false (i.e., the standards of thought) no longer exist.” Hannah Arendt, The Origins of Totalitarianism (New York: Harcourt Brace & Company, 1973), 474.
[39] “They function vicariously for their inarticulate listeners by doing and saying what the latter would like to, but either cannot or dare not.” Adorno, “Anti-Semitism and Fascist Propaganda,” 166.
[40] Theodor W. Adorno, E. Frenkel-Brunswik, D. J. Levinson, and R. N. Sanford, The Authoritarian Personality (New York: Harper & Row, 1950), 678.
[41] José Medina, The Epistemology of Resistance: Gender and Racial Oppression, Epistemic Injustice, and Resistant Imagination (New York: Oxford University Press, 2013), 57-58
[42] Fascist truth, writes Robert Paxton, “was whatever permitted the new fascist man (and woman) to dominate others, and whatever made the chosen people triumph.” Robert Paxton, The Anatomy of Fascism (New York: Knopf, 2004), 16.
[43] “Fascism was not a simple and hypocritical lie,” writes Finchelstein, “but a lived and believed experience both from above and from below. The creation of a fascist self through the internalization of fascist themes had multiple meanings, official ones as well as spontaneous instances of fascist perception…. In fascism, fiction displaced reality and became a reality.” Finchelstein, A Brief History of Fascist Lies, 21.
[44] Masha Gessen, Surviving Autocracy (New York: Riverhead Books, 2020), 164.
[45] Adorno, “Anti-Semitism and Fascist Propaganda,” 167. See Adorno: “It is not simply a reversion to older, primitive emotions but rather the reversion toward a ritualistic attitude in which the expression of emotions is sanctioned by an agency of social control.” Ibid.
[46] https://www.whitehouse.gov/briefings-statements/remarks-president-trump-veterans-foreign-wars-united-states-national-convention-kansas-city-mo/
[47] Rosenfeld, like Karl Popper, argues that the advantage of democratic methods is not that they produce better “empirical outcomes,” but that they allow for continual revision in a world without certainty. Rosenfeld, Democracy and Truth, 293.
[48] An open letter accepting signatures in support of Dr. Bülent Şık
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Brian Holmes — After Chimerica: Bioregionalism for the City of Ashes
The lecture below was initially presented at the “Algorithms, Infrastructures, Art, Curation” conference, organized by Arne De Boever and Dany Naierman, and hosted by the MA Aesthetics and Politics program (School of Critical Studies, California Institute of the Arts) and the West Hollywood Public Library. The lecture is published here as part of a dossier including Stephen Wright’s response to the lecture.
All images included in the lecture are from the slideshow that Brian Holmes delivered at the lecture. The slide called “Information’s Metropolis” includes images by Beate Geissler and Oliver Sann.
–Arne De Boever
by Brian Holmes
Can a device create a world? Can it destroy one? Are these still the right questions to be asking?
In the wake of the 2008 financial crisis I carried out two parallel research programs. They dealt with container ports, on the one hand, and financial algorithms, on the other. Both projects began with essays about socio-technical apparatuses or devices, in the sense of the French word dispositif.[1] Both explored the role of these devices in contemporary world-making. Both grew into localized artistic collaborations with experiential and documentary dimensions. I want to share these experiences, to talk about the creation and the destruction of the neoliberal world. The aim is to answer the question, “What comes after neoliberalism?” But the results of the inquiry showed that if globalism is ever to end, the question has to be asked in a regional frame. So I will be talking about what comes after Chimerica.
The first investigation was launched with a theoretical essay entitled “Do Containers Dream of Electric People?”[2] That text retraced the historical process whereby the invention of the shipping container intersected with the upsurge of manufacturing in Asia, to create the new economic paradigm of just-in-time production and distribution, coordinated across the world by networked logistics. I explored the roots of contemporary logistics in the cybernetic engineering of a man named Jay Wright Forrester; yet history was not the main point of this work. To get into “the social form of just-in-time production” as it is today, I followed the artist and activist Rozalinda Borcila on the exploration of a series of intermodal railyards located along a centuries-old transportation corridor heading southwest out of Chicago. The title for our shared project was Southwest Corridor Northwest Passage, because we realized that the old colonial dream of a frictionless passage across North America had been fulfilled by the container connection to Asia.[3]
We were galvanized by a precarious workers’ strike at a pair of gigantic warehouses out on the far end of that historical corridor. We wanted to know how the warehouses, the Wal-Marts they supplied and the abysmal wages they paid were related to the nearby railyards, the containers they handled and the distant ports from which the commodities came. An extremely simple device served to focus our thoughts, namely the twist lock, which binds containers together on a ship, a truck, or a railroad car. We wanted to show people, as concretely as possible, how the larger architecture of containerized commodity transport binds our daily lives in Chicago to the manufacturing centers of Asia, via the transcontinental rail links of the BNSF and Union Pacific lines, plus the deepwater ports of Los Angeles/Long Beach. It was about the social tie in motion. We were saying that each twist of that locking device serves to create and maintain the dynamic structure of the neoliberal world.
Much of our art exhibition involved taking people on walks to historical and contemporary sites along the Southwest Corridor. But the associated research extended far beyond Chicago, to Kansas City, to the deepwater port of Lázaro Cardenas in southern Mexico, and to the Panama Canal. Ultimately, for reasons a bit too complicated to explain, I found myself in South Korea with the artist Steve Rowell, exploring the huge intermodal ports of Busan, which function as hubs linking long-haul freighters to smaller ships serving dozens of industrial centers in Japan, China and the rest of Asia. After getting our fill of ocean-going boats and big steel boxes swinging through the air, we drove over a series of gleaming bridges and fenced-off causeways to squint through the rain at the Triple-E class container ships being built by the Daewoo conglomerate for the big European cargo handler, Moller-Maersk. When you see the scale of these operations in Asia, and when you breathe the pollution they release, then you can really feel how we’ve been locked into climate change, which is now opening a literal Northwest Passage through the melting ice of the Arctic.
The second research process began with another essay: “Is It Written in the Stars?”[4] This text used an artwork called Black Shoals Stock Market Planetarium, by Lise Autogena and Joshua Portway, as a way to understand how financial derivatives shape human destinies. The investigation turned into a documentary project with the Chicago-based photographers Geissler and Sann, leading to a book entitled Volatile Smile.[5] The idea was to bring together three series of images: one showing innumerable Chicago-area homes and apartments left empty by the 2008 real-estate crisis; the second showing the empty desks of algo-traders on a trading floor inside Willis Tower; and the third, a series of portraits showing the strange rictus of satisfaction and exultant pleasure that momentarily appears on the lips of video-gamers in first-person shooter contests, at the moment of the fictional kill. Could we make the case that an agent (the traders) and an instrument (the algorithms) had given rise to the vast material despoilment of the housing crisis?
In the essay for the book, entitled “Information’s Metropolis,” I argued that what Geissler and Sann’s work depicted was a global social relation that had emerged from the use of computerized trading strategies on Chicago’s futures and options markets.[6] In other words, our shared world is constituted by “capitalism with derivatives.”[7] To make the case I retraced the process whereby a new generation of Chicago traders encountered a mathematical device known as the Black-Scholes formula, used for the pricing of options. The equation brings together all the variables involved in the sale of an option to buy a stock for a fixed price at a future date. By making these variables calculable, the formula allows the trader who sells the option to cover his exposure by a practice of dynamic hedging, which entails buying and selling a basket of other stocks to continuously even out the fluctuating risk that was incurred by selling the option. Now, that’s not a big deal when we’re talking about the possible future price of a fixed quantity of butter, eggs or pork bellies, which were the historical mainstays of the Chicago Mercantile Exchange. But in 1971 the Mercantile Exchange opened the first formal market for the trading of currency futures, with a little help from a local guy named Milton Friedman. Access to this market meant that a businessman who wanted to build a factory in Hong Kong could now eliminate the tremendous danger of fluctuating currency rates by purchasing contracts to guarantee the future cost of a certain quantity of Hong Kong dollars. If the currency value suddenly shoots up, you just exercise your option. It allows you to buy a predetermined quantity of foreign money at a fixed price, so your operating expenses are covered at the expected rates. Currency risk, which had been a tremendous obstacle to international business operations, was basically eliminated. And with that, the doors of globalization were thrown open.
It’s clear that it took two other things – the collapse of the Eastern Bloc in 1989, then the first Gulf War in 1990 – to really throw those doors wide open. But such political and military considerations only show how integral the transformation was. In addition to constituting a gigantic, algorithmically powered casino, the global derivatives exchanges have served as insurance brokerages facilitating the otherwise impossibly risky business of investing capital around the world. Currency futures and a bewildering range of options, swaps, swaptions, caps, collars, etc., have made it financially possible to shift manufacturing equipment and almost any kind of labor to whatever country might offer the lowest price. And in practice, for the period from 1990 to 2008 and up to today, that has been the “China price”: the lowest number on the planet for any given category of basic manufactured goods. When you watch the containers swinging off the ship in Los Angeles, or off the trains in Chicago, you should squint to see the otherwise invisible derivative halo that surrounds them, protecting their flight through the air and cushioning their landing. If the system of derivatives breaks down, as it did in 2008, then material relations break down too, like the China trade and the US housing markets did for a few years. The system of derivatives upholds the market relations of an entire world.
Just before the crash, two economists came up with a name for that world. They called it “Chimerica” – an improbable bicontinent created by foreign capital investment, knitted together by container transport, guaranteed by derivative contracts and maintained by China’s reinvestment of its manufacturing profits in US Treasury bonds, which since the end of the Bretton Woods gold standard have been the ultimate store of value, the global reserve that props up wealth creation in the US and keeps those containers coming.[8] As you can imagine I’ve been obsessed by Chimerica since I first read about it. Rozalinda and I included it in our glossary of concepts for Southwest Corridor Northwest Passage:
Chimerica
“Term coined by the economists Ferguson and Schularick (2007). Refers to the ultimate feedback device: the capital circuit linking Chinese production to American consumption by way of global supply chains and sovereign finance. US consumption allows China to develop its factories and provide a job for millions leaving rural life, who would otherwise revolt. Chinese production, distributed cheap by big-box retailers, allows elites to compress the wages of US workers, who would otherwise revolt. US Treasury bonds allow China to keep its currency value down by exporting trade dollars back to the States to help pay for Chinese products. Is it all a mere illusion – or a two-headed monster?”
Today, we can finally answer. It’s both. On the one hand, Chimerica is an illusion: neither American wealth, nor China’s export-led growth, can be maintained by the river of cheap commodities that continues to flow into the ports of Los Angeles and Long Beach. You’ve seen the political revolt that the collapse of manufacturing has set off in the US, and you’ve probably heard the recent talk in US policy circles about a “New Cold War” with China. If you’re a little more curious about it, then you know that China itself has developed a replacement strategy, named “One Belt, One Road,” which consists in an effort to create its own logistical supply chains backed up by military expansionism, and thereby establish a global economic empire comparable to the one that the US set up after World War II. The current Chinese leader, Xi Jinping, describes this new growth strategy as the “China Dream,” directly repeating the old American rhetoric of the Fordist era. It’s in this sense that the illusion of Chimerica remains a two-headed monster, because it has led to the replication of the American imperial pattern, albeit with Chinese characteristics. Outliving its origins, Chimerica has resulted in a global fact of first importance: China is now the largest CO2 emitter in the world by total volume, though it still lags far behind the US in per-capita terms. It took two industrial powerhouses to melt the Arctic ice and open up the Northwest Passage.
Thus it appears that a device – the double device of containerized transport and financial derivatives – can create and destroy a world. That’s no longer the question. The question is what to do at the end of the world, now that the Chimerican industrial and financial construct which sustained such tremendous wealth creation between 1990 and 2008 is finally breaking down, revealing itself for the monster that it really is. The existential question at the end of that world is where to go now, what to aspire to, how to orient yourself, how to act, after Chimerica.
I’m making a massive claim here, which will sound overblown if it’s not held up by a powerful reference. So I’ll evoke a figure who, whatever you may have thought of him in the past, has become increasingly persuasive over the last five years. This is the anthropologist Bruno Latour, who has just published a book entitled Down to Earth.[9] What he’s asking is, Where do we touch down? Where do we land? How do we orient ourselves politically, after globalization?
Latour thinks the classic right-left divide has always been underwritten by a distinction of a very different order. He plots the distinction as a vector between two poles of attraction, the Local and the Global. Between them he places a “modernization front,” which looks forward to the full global development of capitalist industry while gesturing backward toward the straggling localities that have not yet achieved modernization. In this classic Cold War schema, the Local represents the lack of science, progress and development, or worse, it embodies a closed and defensive space of ignorance, regression, and fascism – even though it may be seen by its inhabitants as a refuge, a safe haven, a site of identity and authenticity. I think we’ve all heard localism, nativism, and identitarianism described in highly positive and highly negative ways, sometimes by the same people. The upshot is that Latour does not try to hide the fact that there’s something wrong with this picture. Instead his whole point is that the Local/Global schema is obsolete, because it has now been supplanted by another one, which grows directly out of the twin crisis of inequality and climate change.
Down to Earth presents a radical hypothesis, which Latour calls a “political fiction.” By the early 1990s the consequences of fossil-fuel development along the Local/Global axis were perfectly clear to the US ruling classes. They chose climate-change denial in full awareness that a single Earth would not be enough for their form of industrial development. By withdrawing from the Kyoto protocol and later from the Paris accords, they chose a post-truth world, which would then become an option for all other ruling classes. More importantly, they postulated the existence of an alternative reality, which they would build using the massive profits of an oligarchical economy whose spoils could be reserved for a tiny fraction of the population. So doing, they created a new attractor, a place entirely “Out of this World,” which broke the old Local/Global divide and opened up a horizon of infinite exploitation. Through this radical shift in orientation, they struck unspeakable fear into the hearts of populations. For some, it’s the fear of unchecked global warming. For others, it’s the fear that environmentalists will deny you the fruits of industry. For almost everyone, it’s the fear that the elites will grab all the fruits for themselves. The stage has been set for a massive clash of opposing fears, stoked by social-media manipulation under a cloak of denial and unconsciousness. That’s the core of contemporary politics.
Latour credits Trump with making the choice of the new attractor brutally obvious to everyone. What’s more, he says, this brutal choice revealed the existence of a second new pole, tentatively called the Terrestrial. The second pole of attraction recovers all the positive and protective attributes of the Local, but without any closure to the outside. So it’s totally different. The Terrestrial is not a world of production, but instead, of engenderment. It’s an interdependent world where life forms create conditions of possibility or impossibility for other life forms. An awareness of this world, and of the decision taken to destroy it, suddenly makes it possible – not inevitable, but possible – for the descendants of colonizers to realize what it must have been like for the colonized, when their land was suddenly ripped away from them. Your land is suddenly being fracked, fenced, polluted, and sold to the highest bidder. “The new universality,” writes Latour, “consists in feeling that the ground is in the process of giving way.”
But the point is not to go back to the Local. Instead, the Terrestrial is the place where a new ground can be disclosed – on the condition of realizing that the viability of any territory is engendered by, and depends upon, a full set of ecological relations, extending all the way to the biogeochemical cycles that maintain the balance of greenhouse gases in the atmosphere.
Down to Earth is a compelling read, even if it’s a “political fiction.” My own theoretical fictions point in the exact same directions. The study of containerization revealed the existence of Foreign Trade Zones scattered across the continental United States. These zones are considered offshore sites for fiscal purposes, so they’re extraterritorial, and they use that offshore status to incentivize the development of new intermodal ports. As for the derivatives exchanges, in “Information’s Metropolis” I describe them as space cruisers filled with cyborg agents seeking an extraterrestrial realm for their activities. The images come directly from a science-fiction book, The Tenth Planet, written by the head of the Chicago Mercantile Exchange, Leo Melamed. The book has a weird tagline on the back: “When human equals alien.” Yet as CO2 levels continued rising, the feeling of the ground slipping away beneath my own feet was more alienating than any science fiction could be. Because it was so much more intimate.
In 2015 I decided to start acting as an artist. I began a series of visual works and collaborations, combining multimedia cartography and critical writing in larger thematic shows with other artists. The first of these was about a local conflict: the pollution of Southeast Chicago neighborhoods by huge piles of petcoke, which is a byproduct of heavy oil refining. I joined this fight along with a whole group of friends and colleagues, for an activist exhibition entitled Petcoke: Tracing Dirty Energy.[10] After working with local people and exploring the oil geography by foot as well as satellite, I retraced the pipeline network that runs from Chicago to the Alberta Tar Sands. Far in the Canadian North, the oil boom set off in the early 2000s by Bush and Cheney is in the process of destroying the Athabasca River watershed. It’s extreme exploitation: mining the Earth until it looks like the Moon. I stared into my computer screen with horror as the whole forested area around the Tar Sands caught fire in August of 2016, forcing the evacuation of Fort McMurray and the man camps serving the extraction sites. It became clear that petcoke itself is a kind of cinder resulting from the intense heat of oil refining. Yet this production of cinders is the very fuel of desire, it’s the way we take flight. I gave the map the title Petropolis, City of Desire, City of Ashes – naming the universal urban condition of the climate-change era.[11]
I found it impossible to continue with the critical approach of Petropolis, which focuses entirely on energy infrastructures. Of course I included many protest figures in the map – the seeds of what has become a wildly successful resistance against oil ports and pipelines. Yet the climate-change resistance is still dwarfed by the petroleum norm. I wanted to reach beyond my activist connections, toward the mainstream. In 2016, I and ten other Chicagoans put together two collectively designed seminars for the Anthropocene Campus program of the Haus der Kulturen der Welt in Berlin. On our return we formed a group called “Deep Time Chicago.”[12] Our intent was to bring the ideas we had discussed in Berlin back home, by identifying and expressing the ways in which our city sustains the central institutions and cultural traits of the Anthropocene. At the same time, we wanted a different, disalienating contact with the local territory. The group’s initial outreach to the public has taken place through a series of events called “Walk About It,” which brings together speakers and texts for excursions to specific sites in the metropolitan area. Destinations have included a former nuclear pile, the site of an historic lumber mill, a still-functioning oil refinery, a prairie restoration project and an exquisite downtown park redesigned for the needs of urban wildlife as well as human beings. A major contribution to the group’s aesthetic was made by volunteer stewards practicing forest restoration in the tradition of the Chicago Wilderness, which has slowly grown into a federation of hundreds of organizations both public and private, devoted to the eco-regions along the southern and western shores of Lake Michigan.
My next mapping project, done with the Argentinean artist and community activist Alejandro Meitin, is entitled Living Rivers/Ríos Vivos.[13] Each of us tried to sketch out the issues of political ecology facing humans and other species in our home watersheds, the Mississippi and Great Lakes Basins for me, the Paraná-Paraguay Basin for Alejandro. We contributed that work to The Earth Will Not Abide, a critical exhibition about industrial agriculture in the Americas.[14] What we dramatize in this exhibition are the threatened destinies of the symbiotic community of soil, when it’s exposed to the bad infinity of extractivist agriculture. The show has been restaged in Argentina in an augmented form, featuring the work of five different groups who have been exploring the islands of the Paraná River Delta.[15] The idea is to help pass a national wetlands law (“Ley de Humedales”) while at the same time inscribing territorial art as an active agency within a transnational campaign aiming to stop the entire Paraná-Paraguay wetlands system from being dried by upstream dams and drained by downstream navigation channels. Further shows are planned upriver.
Latour argues that after the failure of globalization, what matters is the defense of one’s own territory. But the defense should paradoxically be carried out in a way that opens up the territory to the relations of co-dependence that form a shared world. This requires the recognition of multiple entities as legitimate partners in a process of negotiation: species, soils, rivers, technological systems, human groups, etc. How can that negotiation be opened up on one’s own territory? That’s the real question of the present. It’s not about creating a new world, it’s about perceiving an existing one. So perception itself becomes urgent – urgent for defense. Because on the one hand, the failure of the liberal or Chimerican world order can always lead back to a zombie politics, a poisoned opposition between the Local and the Global. And on the other, even if we get over Trump, Bolsonaro, Brexit, etc., capitalism will continue bank on the infinite exploitation of a finite earth, probably through renewed economic collaboration with China.
Like others, I’ve become convinced that the times require an engagement with the entangled fates of multiple species. Yet such an engagement must remain open to the full complexity of twenty-first century society. It’s about the political ecology of a bioregion, conceived as a matter of governance. To put it short, it’s about a bioregional state. There’s only one place in North America where this type of engagement is being developed at scale, within a territory conceived by many as a transnational home, where plant and animal species are widely understood to share human destinies. The place is known as the Pacific Northwest, but it’s also known to inhabitants as Cascadia. So in 2018 I began a mapping project about the bioregional state, under the title Learning from Cascadia.[16]
The project has been carried out with curator Mack McFarland and many local partners. So far it has three major aims. The first is to analyze and express the Anthropocene components of the Cascadian megaregion. These include its racial hierarchies, its urban development, its energy grid and its agricultural systems. The challenge is to describe what normally remains unconscious, and in that way to develop an implicate critique, recognizing one’s own dependency on such infrastructures. There’s a big advantage to doing that – it gives you some respect for the people who built them. When I talk about ecology, I try to do it in respect of massive generational efforts to create the good life, because that’s a basic fact of social interdependence.
The second aim is direct involvement with energy politics. We’ve done this by taking a stance in support of an activist group, Columbia Riverkeeper.[17] They’ve been fighting the installation of fossil-fuel terminals on the river, pursuing court battles to improve water conditions for returning salmon and contributing to the citizen oversight of the cleanup process at the Hanford Nuclear reservation, where plutonium was made for the US nuclear weapons program. What all this boils down to is a struggle against the most damaging legacies of the modernization front. The signature achievement of modernism in the Pacific Northwest is the region’s network of hydroelectric dams, which produce clean power at the price of destroying the riverine ecology. The struggle against them is carried out under the leadership of Indigenous tribes, who continually foreground their own relationships of co-dependence with other species. In this way a hybrid agency emerges, straddling territory and technology, sovereignty and the rights of multiple species. As you can read in that section of the map: “By helping to develop original forms of scientific expertise both within mainstream civil society and among the tribes, an expanded environmental movement could gain fresh sources of agency within the legal and administrative arenas opened up by the Endangered Species Act. The latter had the force of law, transforming citizens’ convictions and scientists’ biological opinions into instruments of tangible change… What has emerged over the last two decades, within and against the rigid machinery of the dams, are the lineaments of a new kind of governance—the upturned foundations of a future bioregional state.”
This is the key. A bioregional state is emergent whenever the survival and flourishing of non-human actors becomes an issue in formal political negotiations over land-use within a given territory. This already happens throughout the United States, but it’s an especially frequent event in the Pacific Northwest, especially under the provisions of the Endangered Species Act. That’s why one of the manifest objectives of the American ruling classes represented by Trump is to destroy the ESA. The response from the grassroots is to use it even more. In September of 2018, Columbia Riverkeeper won a crucial case at the US District Court in Seattle, where the judge mandated that the water temperatures of the Columbia and Snake rivers had to come down to ensure the survival of the salmon.[18] If the legal process is not blocked by the federal government, one likely conclusion would be the dismantling of four navigational and hydropower dams on the Lower Snake River. The constitutional machinery of law is now engaged against the legacy of modernization. If what one is after is not a utopia, but the defense of a territory, then what matters is the emergence of a bioregional state.
Now I can conclude. A bioregional state can only grow out of a broader and more diffuse culture. One of the most important things that artists and intellectuals can do is to express and analyze the constituents, forms, desires and aims of a bioregional culture. If you take this path and become part of such a culture you will have to fight for it in many ways, while remaining oriented to the possibility of a shareable world, rather than yet another civil war. The difficult thing is to fight for interdependence.
The third part of the map starts with the countercultural theory and practice of bioregionalism in the Seventies and Eighties, when founding figures like Peter Berg were on the scene. But the crucial thing is to move toward the bioregion as it is today, and to encounter its inhabitants. What comes forward are the how questions: how salmon strive to make it home and spawn; how ranchers try to ranch differently; how agriculturalists try to clean up their act; how state administrators learn to restore streams instead of damming them, and so on. One of the interviews I did was with a rancher woman, Liza Jane McAlister, whose main point is that the people living on the land care about it and for it, on the basis of long experience: their knowledge and concerns need to be included in any plan for its transformation. This means there is no formulaic device for positive territorial change: recognition and respect for singularities are the main things.
I’m also fortunate to have spent some time with the Indigenous artist Sara Siestreem, a member of the Hanis Coos band and an impressive abstract painter. In recent years she has taken up gathering and weaving as part of an effort to restore certain cultural traditions, specifically by making woven dance caps for ceremonial use. What’s challenging is the range of alliances, treaties and tribal policies that are involved: complex political arrangements for the defense of everyday life on very particular territories. It’s challenging because you have to learn to back way from what is sacred: mainstream society has no role to play in questions of ceremonial or of Indigenous sovereignty. Yet Sara does address herself to the general public. Here is what she says in the context of the show on which we collaborated, where she exhibited the plant materials she had been gathering throughout the previous year: “The next time you see these plants they will be baskets woven by Coos, Lower Umpqua, and Siuslaw people,” she writes. “The education that you have gained through visiting with these plants will be embedded into those baskets. They will remember you and this time in your life. Through your witness and education, this will be a cross cultural victory over genocide.”[19]
The heart of this discussion is not a map, or a concept, or a color or a political sign. What matters in the City of Ashes is discovering how 7.6 billion people, and counting, can learn to live with each other and the rest of the Earth.
Thanks to all the collaborators named here, as well as Arne De Boever and Sebastian Olma who hosted searching public presentations of this text. While walking we ask questions.
[1] See http://southwestcorridornorthwestpassage.org/devices/definitions.
[2] Brian Holmes, “Do Containers Dream of Electric People?” in Open 21 (2011), available at www.tacticalmediafiles.net/mmbase/attachments/37547/Open21_ImMobility.pdf.
[3] See http://southwestcorridornorthwestpassage.org
[4] See https://brianholmes.wordpress.com/2009/11/06/is-it-written-in-the-stars
[5] Geissler/Sann and Holmes, Volatile Smile (Moderne Kunst Nürnberg, 2014).
[6] The text is available at http://threecrises.org/informations-metropolis.
[7] Dick Bryan and Michael Rafferty, Capitalism with Derivatives: A Political Economy of Financial Derivatives, Capital and Class (Basingstoke/New York: Palgrave MacMillan, 2006).
[8] Niall Ferguson and Moritz Schularick, “‘Chimerica’ and the Global Asset Market Boom,” International Finance 10/3 (December 2007).
[9] Bruno Latour, Down to Earth (Cambridge: Polity Press, 2018).
[10] See http://www.mocp.org/exhibitions/2016/07/petcoke-project.php.
[11] See http://environmentalobservatory.net/Petropolis/map.html.
[12] See http://deeptimechicago.org.
[13] See http://ecotopia.today/livingrivers/map.html and http://ecotopia.today/riosvivos/mapa.html.
[14] See http://www.regionalrelationships.org/tewna.
[15] See my short review at https://www.casarioarteyambiente.org/2019/03/12/the-earth-will-not-abide-collaborative-territories.
[16] See https://cascadia.ecotopia.today.
[17]See https://www.columbiariverkeeper.org.
[18]See two articles from the Seattle Times: https://www.seattletimes.com/seattle-news/environment/federal-judge-orders-epa-to-protect-salmon-in-columbia-river-basin and https://www.seattletimes.com/seattle-news/environment/washington-state-to-regulate-federal-dams-on-columbia-snake-to-cool-hot-water-check-pollution.
[19] See https://cascadia.ecotopia.today/#/bioregion/dancing.
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Moira Weigel — Palantir Goes to the Frankfurt School
This essay has been peer-reviewed by “The New Extremism” special issue editors (Adrienne Massanari and David Golumbia), and the b2o: An Online Journal editorial board.
Since the election of Donald Trump, a growing body of research has examined the role of digital technologies in new right wing movements (Lewis 2018; Hawley 2017; Neiwert 2017; Nagle 2017). This article will explore a distinct, but related, subject: new right wing tendencies within the tech industry itself. Our point of entry will be an improbable document: a German language dissertation submitted by an American to the faculty of social sciences at J. W. Goethe University of Frankfurt in 2002. Entitled Aggression in the Life-World, the dissertation aims to describe the role that aggression plays in social integration, or the set of processes that lead individuals in a given society to feel bound to one another. To that end, it offers a “systematic” reinterpretation of Theodor Adorno’s Jargon of Authenticity (1973). It is of interest primarily because of its author: Alexander C. Karp.[1]
Karp, as some readers may know, did not pursue a career in academia. Instead, he became the CEO of the powerful and secretive data analytics company, Palantir Technologies. His dissertation has inspired speculation for years, but no journalist or scholar has yet analyzed it. Doing so, I will argue that it offers insight into the intellectual formation of an influential network of actors in and around Silicon Valley, a network articulating ideas and developing business practices that challenge longstanding beliefs about how Silicon Valley thinks and works.
For decades, a view prevailed that the politics of both digital technologies and most digital technologists were liberal, or neoliberal, depending on how critically the author in question saw them. Liberalism and neoliberalism are complex and contested concepts. But broadly speaking, digital networks have been seen as embodying liberal or neoliberal logics insofar as they treated individuals as abstractly equal, rendering social aspects of embodiment like race and gender irrelevant, and allowing users to engage directly in free expression and free market competition (Kolko and Nakamura, 2000; Chun 2005, 2011, 2016). The ascendance of the Bay Area tech industry over competitors in Boston or in Europe was explained as a result of its early adoption of new forms of industrial organization, built on flexible, short-term contracts and a strong emotional identification between workers and their jobs (Hayes 1989; Saxenian 1994).
Technologists themselves were said to embrace a new set of values that the British media theorists Richard Barbrook and Andy Cameron dubbed the “Californian Ideology.” This “anti-statist gospel of cybernetic libertarianism… promiscuously combine[d] the free-wheeling spirit of the hippies and the entrepreneurial zeal of the yuppies,” they wrote; it answered the challenge posed by the social liberalism of the New Left by “resurrecting economic liberalism” (1996, 42 & 47). Fred Turner attributed this synthesis to the “New Communalists,” members of the counterculture who “turn[ed] away from questions of gender, race, and class, and toward a rhetoric of individual and small group empowerment” (2006, 97). Nonetheless, he reinforced the broad outlines that Barbrook and Cameron had sketched. Turner further showed that midcentury critiques of mass media, and their alleged tendency to produce authoritarian subjects, inspired faith that digital media could offer salutary alternatives—that “democratic surrounds” would sustain democracy by facilitating the self-formation of democratic subjects (2013).
Silicon Valley has long supported Democratic Party candidates in national politics and many tech CEOs still subscribe to the “hybrid” values of the Californian Ideology (Brookman et al. 2019). However, in recent years, tensions and contradictions within Silicon Valley liberalism, particularly between commitments to social and economic liberalism, have become more pronounced. In the wake of the 2016 presidential election, several software engineers emerged as prominent figures on the “alt-right,” and newly visible white nationalist media entrepreneurs reported that they were drawing large audiences from within the tech industry.[2] The leaking of information from internal meetings at Google to digital outlets like Breitbart and Vox Popoli suggests that there was at least some truth to their claims (Tiku 2018). Individual engineers from Google, YouTube, and Facebook have received national media attention after publicly criticizing the liberal culture of their (former) workplaces and in some cases filing lawsuits against them.[3] And Republican politicians, including Trump (2019a, 2019b), have cited these figures as evidence of “liberal bias” at tech firms and the need for stronger government regulation (Trump 2019a; Kantrowitz 2019).
Karp’s Palantir cofounder (and erstwhile roommate) Peter Thiel looms large in an emerging constellation of technologists, investors, and politicians challenging what they describe as hegemonic social liberalism in Silicon Valley. Thiel has been assembling a network of influential “contrarians” since he founded the Stanford Review as an undergraduate in the late 1980s (Granato 2017). In 2016, Thiel became a highly visible supporter of Donald Trump, speaking at the Republican National Convention, donating $1.25 million in the final weeks of Trump’s campaign for president (Streitfeld 2016a), and serving as his “tech liaison” during the transition period (Streitfeld 2016b). (Earlier in the campaign, Thiel had donated $1 million to the Defeat Crooked Hillary Super PAC backed by Robert Mercer, and overseen by Steve Bannon and Kellyanne Conway; see Green 2017, 200.) Since 2016, he has met with prominent figures associated with the alt-right and “neoreaction”[4] and donated at least $250,000 to support Trump’s reelection in 2020 (Federal Election Commission 2018). He has also given to Trump allies including Missouri Senator Josh Hawley, who has repeatedly attacked Google and Facebook and sponsored multiple bills to regulate tech platforms, citing the threat that they pose to conservative speech.[5]
Thiel’s affinity with Trumpism is not merely personal or cultural; it aligns with Palantir’s business interests. According to a 2019 report by Mijente, since Trump came into office in 2017, Palantir contracts with the United States government have increased by over a billion dollars per year. These include multiyear contracts with the US military (Judson 2019; Hatmaker 2019) and with Immigrations and Customs Enforcement (ICE) (MacMillan and Dwoskin 2019); Palantir has also worked with police departments in New York, New Orleans, and Los Angeles (Alden 2017; Winston 2018; Harris 2018).
Karp and Thiel have both described these controversial contracts using the language of “nation” and “civilization.” Confronted by critical journalistic coverage (Woodman 2017, Winston 2018, Ahmed 2018) and protests (Burr 2017, Wiener 2017), as well as internal actions by concerned employees (MacMillan and Dwoskin, 2019), Thiel and Karp have doubled down, characterizing the company as “patriotic,” in contrast to its competitors. In an interview conducted at Davos in January 2019, Karp said that Silicon Valley companies that refuse to work with the US government are “borderline craven” (2019b). At a speech at the National Conservatism Conference in July 2019, Thiel called Google “seemingly treasonous” for doing business with China, suggested that the company had been infiltrated by Chinese agents, and called for a government investigation (Thiel 2019a). Soon after, he published an Op Ed in the New York Times that restated this case (Thiel 2019b).
However, Karp has cultivated a very different public image from Thiel’s, supporting Hillary Clinton in 2016, saying that he would vote for any Democratic presidential candidate against Trump in 2020 (Chafkin 2019), and—most surprisingly—identifying himself as a Marxist or “neo-Marxist” (Waldman et al. 2018, Mac 2017, Greenberg 2013). He also refers to himself as a “socialist” (Chafkin 2019) and according to at least one journalist, regularly addresses his employees on Marxian thought (Greenberg 2013). On one level, Karp’s dissertation clarifies what he means by this: For a time, he engaged deeply with the work of several neo-Marxist thinkers affiliated with the Institute for Social Research in Frankfurt. On another level, however, Karp’s dissertation invites further perplexity, because right wing movements, including Trump’s, evince special antipathy for precisely that tradition.
Starting in the early 1990s, right-wing think tanks in both Germany and the United States began promoting conspiratorial narratives about critical theory. The conspiracies allege that, ever since the failure of “economic Marxism” in World War I, “neo-“ or “cultural Marxists” have infiltrated academia, media, and government. From inside, they have carried out a longstanding plan to overthrow Western civilization by criticizing Western culture and imposing “political correctness.” To the extent that it attaches to real historical figures, the story typically begins with Antonio Gramsci and György Lukács, goes through Max Horkheimer, Theodor Adorno, and other wartime émigrés to the United States, particularly those involved in state-sponsored mass media research, and ends abruptly with Herbert Marcuse and his influence on student movements of the 1960s (Moyn 2018; Huyssen 2017; Jay 2011; Berkowitz 2003).
The term “Cultural Marxism” directly echoes the Nazi theory of “Cultural Bolshevism”; the early proponents of the Cultural Marxism conspiracy theory were more or less overt antisemites and white nationalists (Berkowitz 2003). However, in the 2000s and 2010s, right wing politicians and media personalities helped popularize it well beyond that sphere.[6] During the same time, it has gained traction in Silicon Valley, too. In recent years, several employees at prominent tech firms have publicly decried the influence of Cultural Marxists, while making complaints about “political correctness” or lack of “viewpoint diversity.”[7]
Thiel has long expressed similar frustrations.[8] So how is it that this prominent opponent of “cultural Marxism” works with a self-described neo-Marxist CEO? Aggression in the Life World casts light on the core beliefs that animate their partnership. The idiosyncratic adaptation of Western Marxism that it advances does not in fact place Karp at odds with the nationalist projects that Thiel has advocated, and Palantir helps enact. On the contrary, by attempting to render critical theoretical concepts “systematic,” Karp reinterprets them in a way that legitimates the work he would go on to do. Shortly before Palantir began developing its infrastructure for identification and authentication, Aggression in the Life-World articulated an ideology of these processes.
Freud Returns to Frankfurt
Tech industry legend has it that Karp wrote his dissertation under Jürgen Habermas (Silicon Review 2018; Metcalf 2016; Greenberg 2013). In fact, he earned his doctorate from a different part of Goethe University than the one in which Habermas taught: not at the Institute for Social Research but in the Division of Social Sciences. Karp’s primary reader was the social psychologist Karola Brede, who then held a joint appointment at Goethe University’s Sociology Department and at the Sigmund Freud Institute; she and her younger colleague Hans-Joachim Busch appear listed as supervisors on the front page. The confusion is significant, and not only because it suggests an exaggeration. It also obscures important differences of emphasis and orientation between Karp’s advisors and Habermas. These differences directly shaped Karp’s graduate work.
Habermas did engage with psychoanalysis early in his career. In the spring and summer of 1959, he attended every one of a series of lectures organized by the Institute for Social Research to mark the centenary of Freud’s birth (Müller-Doohm 2016, 79; Brede and Mitscherlich-Nielsen 1996, 391). He went on to become close friends and even occasionally co-teach (Brede and Mitscherlich-Nielsen 1996, 395) with one of the organizers and speakers of this series, Alexander Mitscherlich, who had long campaigned with Frankfurt School founder Max Horkheimer for the funds to establish the Sigmund Freud Institute and became the first director when it opened the following year. In 1968, shortly after Mitscherlich and his wife, Margarete, published their influential book, The Inability to Mourn, Habermas developed his first systemic critical social theory in Knowledge and Human Interests (1972). Nearly one third of that book is devoted to psychoanalysis, which Habermas treats as exemplary of knowledge constituted by the “critical” or “emancipatory interest”—that is, the species interest in engaging in critical reflection in order to overcome domination. However, in the 1970s, Habermas turned away from that book’s focus on philosophical anthropology toward the ideas about linguistic competence that culminated in his Theory of Communicative Action; in 1994, Margarete Mitscherlich recounted that Habermas had “gotten over” psychoanalysis in the process of writing that book (1996, 399). Karp’s interest in the theory of the drives, and in aggression in particular, was not drawn from Habermas but from scholars at the Freud Institute, where it was a major focus of research and public debate for decades.
Freud himself never definitively decided whether he believed that a death drive existed. The historian Dagmar Herzog has shown that the question of aggression—and particularly the question of whether human beings are innately driven to commit destructive acts—dominated discussions of psychoanalysis in West Germany in the 1960s and 1970s. “In no other national context would the attempt to make sense of aggression become such a core preoccupation,” Herzog writes (2016, 124). After fascism, this subject was highly politicized. For some, the claim that aggression was a primary drive helped to explain the Nazi past: if all humans had an innate drive to commit violence, Nazi crimes could be understood as an extreme example of a general rule. For others, this interpretation risked naturalizing and normalizing Nazi atrocities. “Sex-radicals” inspired by the work of Wilhelm Reich pointed out that Freud had cited the libido as the explanation for most phenomena in life. According to this camp, Nazi aggression had been the result not of human nature but of repressive authoritarian socialization. In his own work, Mitscherlich attempted to elaborate a series of compromises between the conservative position (that hierarchy and aggression were natural) and the radical one (that new norms of anti-authoritarian socialization could eliminate hierarchy entirely; Herzog 2016, 128-131). Klaus Horn, the long-time director of the division of social psychology at the Freud Institute, whose collected writings Karp’s supervisor Hans-Joachim Busch edited, contested the terms of the disagreement. The entire point of sophisticated psychoanalysis, Horn argued, was that culture and biology were mutually constitutive and interacted continuously; to name one or the other as the source of human behavior was nonsensical (Herzog 2016, 135).
Karp’s primary advisor, Karola Brede, who joined the Sigmund Freud Institute in 1967, began her career in the midst of these debates (Bareuther et al. 1989, 713). In her first book, published in 1972, Brede argued that “psychosomatic” disturbances had to be understood in the context of socialization processes. Not only did neurotic conflicts play a role in somatic illness; such illness constituted “socio-pathological” expressions of an increase in the forms of repression required to integrate individuals into society (Brede 1972). In 1976, Brede published a critique of Konrad Lorenz, whose bestselling work, On Aggression, had triggered much of the initial debate with Alexander Mitscherlich and others at the Institute, in the journal Psyche (“Der Trieb als humanspezifische Kategorie”; see Herzog 2016, 125-7). Since the 1980s, her monographs have focused on work and workplace sociology, and on the role that psychoanalysis should play in critical social theory. Individual and Work (1986) explored the “psychoanalytic costs involved in developing one’s own labor power.” The Adventures of Adjusting to Everyday Work (1995) drew on empirical studies of German workplaces to demonstrate that psychodynamic processes played a key role in professional life, shaping processes of identity formation, authoritarian behavior, and gendered self-identity in the workplace. In that book, Brede criticizes Habermas for undervaluing psychoanalytic concepts—and unconscious aggression in particular—as social forces. Brede argues that the importance that Habermas assigned to “intention” in Theory of Communicative Action prevented him from recognizing the central role that the unconscious played in constituting identity, action, and subjectivity (1995, 223 & 225). At the same time, she was editing multiple volumes on psychoanalytic theory, including feminist perspectives in psychoanalysis, and in a series of journal articles in the 1990s, developed a focus on antisemitism and Germany’s relationship to its troubled history (Brede 1995, 1997, 2000).
During his time as a PhD student, Karp seems to have worked very closely with Brede. The sole academic journal article that he published he co-authored with her in 1997. (An analysis of Daniel Goldhagen’s bestselling 1996 study, Hitler’s Willing Executioners, the article attempted to build on Goldhagen’s thesis by characterizing a specific, “eliminationist” form of antisemitism that Karp and Brede argued could only be understood from the perspective of Freudian psychoanalytic theory; see Brede and Karp 1997, 621-6.) Karp wrote the introduction for a volume of the Proceedings of the Freud Institute, which Brede edited (Brede et al. 1999, 5-7). The chapter that Karp contributed to that volume would appear in his dissertation, three years later, in almost identical form. Karp’s dissertation itself also closely followed the themes of Brede’s research.
Aggression in the Life World
The full title of Karp’s dissertation captures its patchwork quality: Aggression in the Life-World: Expanding Parsons’ Concept of Aggression Through a Description of the Connection Between Jargon, Aggression, and Culture. “This work began,” the opening sentences recall, “with the observation that many statements have the effect of relieving unconscious drives, not in spite, but because, of the fact that they are blatantly irrational” (Karp 2002, 2). Karp proposes that such statements provide relief by allowing a speaker to have things both ways: to acknowledge the existence of a social order and, indeed, demonstrate specific knowledge of that order while, at the same time, expressing taboo wishes that contravene social norms. As result, rather than destroy social order, such irrational statements integrate the speaker into society while also providing compensation for the pains of being integrated. To describe these kinds of statements Karp indicates that he will borrow a concept from the late work of Adorno: “jargon.” However, Karp announces that he will critique Adorno for depending too much on the very phenomenological tradition that his Jargon of Authenticity is meant to criticize. Adorno’s concept is not a concept at all, Karp alleges, but a “reservoir for collecting Adorno-poetry” (Sammelbecken Adornoscher Dichtung) (2002, 58). Karp’s own goal is to clarify jargon into an analytical concept that could then be incorporated into a classical sociological framework. As synecdoche for classical sociology, Karp takes the work of Talcott Parsons.
The second chapter of Karp’s dissertation, a reading and critique of Parsons, had appeared in the Freud Institute publication, Cases for the Theory of the Drives. In his editor’s introduction to that volume, Karp had stated that the goal of their group had been to integrate psychoanalytic concepts in general and Freud’s theory of the drives in particular into frameworks provided by classical sociology. The volume begins with an essay by Brede on the failure of sociology as a discipline to account for the role that aggression plays in social integration. (Brede 1999, 11-45, credits Georg Simmel with having developed an account of the active role that aggression played in creating social cohesion; more on that below.) Karp reiterates Brede’s complaint, directing it against Parsons, whose account of aggression he calls “incomplete” or “watered down” (2002, 11). In the version that appears in his dissertation, several sections of literature review establish background assumptions and describe what Karp takes to be Parsons’ achievement: integrating the insights of Émile Durkheim and Sigmund Freud. Taking, from Durkheim, a theory of how societies develop systems of norms, and from Freud, how individuals internalize them, Parsons developed an account of culture as the site where the integration of personality and society takes place.
For Parsons, pace Karp, culture itself is best understood as a system constituted through “interactions.” Karp credits Parsons with shifting the paradigm from a subject of consciousness to a subject in communication—translating the Freudian superego into sociological form, so that it appears, not as a moral enforcer, but as a psychic structure communicating cultural norms to the conscious subject. Yet, Karp protests that there are, in fact, parts of personality not determined by culture, and not visible to fellow members of a culture so long as an individual does not deviate from established norms of interaction. Parsons’ theory of aggression remains incomplete on at least two counts, then. First, Karp argues, Parsons fails to recognize aggression as a primary drive, treating it only as a secondary result that follows when the pleasure principle finds itself thwarted. Karp, by contrast, adopts the position that a drive toward death or destruction is at least as fundamental as the pleasure principle. Second, because Parsons defines aggression in terms of harms to social norms, he cannot explain how aggression itself can become a social norm, as it did in Nazi Germany. For an explanation of how aggressive impulses come to be integrated into society, Karp turns instead to Adorno.
In Adorno’s Jargon of Authenticity, Karp found an account of how aggression constitutes itself in language and, through language, mediates social integration (2002, 57). Adorno’s lengthy essay, which he had originally intended to constitute one part of Negative Dialectics, resists easy summary. The essay begins by identifying theological overtones that, Adorno says, emanate from the language used by German existentialists—and by Martin Heidegger in particular. Adorno cites not only “authenticity,” but terms like “existential,” “in the decision,” “commission,” “appeal,” and “encounter,” as exemplary” (3). While the existentialists claim that such language constitutes a form of resistance to conformity, Adorno argues that it has in fact become highly standardized: “Their unmediated language they receive from a distributor” (14). Making fetishes of these particular terms, the existentialists decontextualize language in several respects. They do so at the level of the sentence—snatching certain, favored words out of the dialectical progression of thought as if meaning could exist without it. At the same time, the existentialist presents “words like ‘being’ as if they were the most concrete terms” and could obviate abstraction, the dialectical movement within language. The function of this rhetorical practice is to make reality seem simply present, and give the subject an illusion of self-presence—replacing consciousness of historical conditions with an illusion of immediate self-experience. The “authenticity” generated by jargon therefore depends on forgetting or repressing the historically objective realities of social domination.
Beyond simply obscuring the realities of domination, Adorno continues, the jargon of authenticity spiritualizes them. For instance, Martin Heidegger turns the real precarity of people who might at any time lose their jobs and homes into a defining condition of Dasein: “The true need for residence consists in the fact that mortals must first learn to reside” (26). The power of such jargon—which transforms the risk of homelessness into an essential trait of Dasein—comes from the fact that it expresses human need, even as it disavows it. To this extent, jargon has an a- or even anti-political character: it disguises current and contingent effects of social domination into eternal and unchangeable characteristics of human existence. “The categories of jargon are gladly brought forward, as though they were not abstracted from generated and transitory situations but rather belonged to the essence of man,” Adorno writes. “Man is the ideology of dehumanization” (48). Jargon turns fascist insofar as it leads the person who uses it to perceive historical conditions of domination—including their own domination—as the very source of their identity. “Identification with that which is inevitable remains the only consolation of this philosophy of consolation.” Adorno writes. “Its dignified mannerism is a reactionary response to the secularization of death” (143, 144).
Karp says at the outset that his goal is to make Adorno’s collection of observations about jargon “systematic.” In order to do so, he approaches the subject from a different perspective than Adorno did: focused on the question of what psychological needs jargon fulfills. For Karp, the achievement of jargon lies in its “double function” (Doppelfunktion). Jargon both acknowledges the objective forces that oppress people and allows people to adapt or accommodate themselves to those same forces by eternalizing them—removing them from the context of the social relations where they originate, and treating them as features of human existence in general. Jargon addresses needs that cannot be satisfied, because they reflect the realities of living in a society characterized by domination, but also cannot be acted upon, because they are taboo. For Karp, insofar as jargon is a kind of speech that designates speakers as belonging to an in-group, it also expresses an unconscious drive toward aggression. In jargon we see the aggression that drives individuals to exclude others from the social world doing its binding work. It is on these grounds that Karp argues that aggression is a constitutive part of jargon—its ever-present, if unacknowledged, obverse.
Karp grants that Adorno is concerned with social life. The Jargon of Authenticity investigates precisely the social function of ontology, or how it turns “authenticity” into a cultural form, circulated within mass culture. Adorno also alludes to the specifically German inheritance of jargon—the resemblance between Heidegger’s celebration of völkisch rural life and Nazi celebration of the same (1973, 3). Yet, Karp argues, Adorno does not provide an account of how a deception or illusion of authenticity came to be a structure in the life-world. Even as he criticizes phenomenological ontology, Adorno relies on a concept of language that is itself phenomenological. Echoing critiques by Axel Honneth (1991) of Horkheimer and Adorno’s failures to account for the unique domain of “the social,” Karp turns to the same thinkers Karola Brede used in her article on “Social Integration and Aggression”: Sigmund Freud and Georg Simmel.
In that article, Brede develops a reading that joins Freud and Simmel’s accounts of the role of the figure of “the stranger” in modern societies. In Civilization and its Discontents, Brede argues, Freud described “strangers” in terms that initially appear incompatible with the account Simmel had put forth in his famous 1908 “Excursus on the Stranger.” Simmel described the mechanisms whereby social groups exclude strangers in order to eliminate danger—thereby controlling the “monstrous reservoir of aggressivity” that would otherwise threaten social structure. (The quote is from Parsons.) Freud wrote that, despite the Biblical commandment to love our neighbors, and the ban on killing, we experience a hatred of strangers, because they make us experience what is strange in us, and fear what in them cannot be fit into our cultural models. Brede concludes that it is only by combining Freudian psychodynamics with Simmel’s account of the role of exclusion in social formation that critical social theory could account for the forms of violence that dominated the history of the twentieth century (Brede 199, 43).
Karp contrasts Adorno with both Freud and Simmel, and finds Adorno to be more pessimistic than either of these predecessors. Compared to Freud, who argued that culture successfully repressed both libidinal and destructive drives in the name of moral principles, Karp writes that Adorno regarded culture as fundamentally amoral. Rather than successfully repressing antisocial drives, Karp writes, late capitalist culture sates its members with “false satisfactions.” People look for opportunities to express their needs for self-preservation. However, since they know that their needs cannot be fully satisfied, they simultaneously fall over themselves to destroy the memory of the false fulfillment they have had. Repressed awareness of the false nature of their own satisfaction produces the ambient aggression that people take out on strangers.
For Simmel, the stranger is part of all modern societies, Karp writes. For Adorno, the stranger extends an invitation to violence. Jargon gains its power from the fact that those who speak, and hear, it really are searching for a lost community. The very presence of the stranger demonstrates that such community cannot be simply given; jargon is powerful precisely in proportion to how much the shared context of life has been destroyed. It therefore offers a “dishonest answer to an honest longing” for intersubjectivity, gaining strength in proportion to the intensity the need that has been thwarted (Karp 2002, 85). Wishes that contradict social norms are brought into the web of social relations (Geflecht der Lebenswelt), in such a way that they do not need to be sanctioned or punished for violating social norms (91). On the contrary, they serve to bind members of social groups to one another.
Testing Jargon
As a case study to demonstrate the usefulness of his modified concept of jargon, Karp takes up a notorious episode in post-wall German intellectual history: a speech that the celebrated novelist Martin Walser gave in October 1998, at St. Paul’s Church in Frankfurt. The occasion was Walser’s acceptance of the 1998 Peace Prize of the German Book Trade. The novelist had traveled a complex political itinerary by the late 1990s. Documents released in 2007 would uncover the fact that as a teenager, during the final years of the Second World War, Walser joined the Nazi Party and fought as a member of the Wehrmacht. But he first became publicly known as a left-wing writer. In the 1950s, Walser attended meetings of the informal but influential German writer’s association Gruppe 47 and received their annual literary prize for his short story, “Templones Ende”; in 1964 he attended the Frankfurt Auschwitz trials, where low ranking officials were charged and convicted for crimes that they had perpetrated during the Holocaust. In his 1965 essay about that experience, “Our Auschwitz,” Walser insisted on the collective responsibility of Germans for the horrors of the Nazi period; indeed he criticized the emphasis on spectacular cruelty at the trial, and in the media, to the extent that this emphasis allowed the public to maintain an imaginary distance between themselves and the Nazi past (Walser 2015, 217-56). Walser supported Social Democratic Party member Willy Brandt for Chancellor and even joined the German Communist Party during that decade. By the 1980s, however, Walser was widely perceived to have migrated back to the right. And when he gave his speech “Experiences Composing a Sermon” on the sixtieth anniversary of Kristallnacht, he used the occasion to attack the public culture of Holocaust remembrance. Walser described this culture as a “moral cudgel” or “bludgeon” (Moralkeule).
“Experiences Composing a Sermon” adopts a stream of consciousness, rather than argumentative, style in order to explain why Walser refused to do what he said was expected of him: to speak about the ugliness of German history. Instead, he argued that no further collective memorialization of the Holocaust was necessary. There was no such thing, he said, as collective or shared conscience at all: conscience should be a private matter. Critics and intellectuals he disparaged as “preachers” were “instrumentalizing” and “vulgarizing” memory, when they exhorted the public constantly to reflect on the crimes of the Nazi period. “There is probably such a thing as the banality of good,” Walser quipped, echoing Hannah Arendt (2015, 513). He did not spell out what ends he thought that these “preachers” aimed to instrumentalize German guilt for. He concluded by abruptly calling on the newly elected president Roman Herzog, who was in attendance, to free the former East German spy, Rainer Rupp, from prison. Walser’s speech received a standing ovation—though not, notably, from Ignatz Bubis, then the president of the Central Council of Jews in Germany, who was also in attendance. The next day, in the Frankfurter Allgemeine Zeitung, Bubis called the speech an act of “intellectual arson” (geistiges Brandstiftung). The controversy that followed generated a huge amount of debate among German intellectuals and in the German and international media (Cohen 1998). Two months later, the offices of the Frankfurter Allgemeine Zeitung hosted a formal debate between the two men. It lasted for four hours. FAZ published a transcript of their conversation in a special supplement (Walser and Bubis 1999).
In February and March 1999, Karola Brede delivered two lectures about the controversy at Harvard University, which she subsequently published in Psyche (2000, 203-33). Brede examined both the text of Walser’s original speech and the transcript of his debate with Bubis in order to determine, first, why Walser’s speech had been received so enthusiastically, and second, whether Walser, despite eschewing explicitly antisemitic language, had in fact “taken the side of anti-Semites.” In order to explain why Walser’s speech had attracted so much attention, Brede carried out a close textual analysis. She found that, although Walser had not presented a very cogent argument, he had successfully staged a “relieving rhetoric” (Entlastungsrhetorik) that freed his audience from the sense of awkwardness or self-consciousness that they felt talking about Auschwitz in public and replaced these negative feelings with a positive sense of heightened self-regard. Brede argued that Walser used jargon, in the sense of Adorno’s “jargon of authenticity,” in order to flatter listeners into thinking that they were taking part in a daring intellectual exercise, while in fact activating anti-intellectual feelings. (In a footnote she recommended an “unpublished paper” by Karp, presumably from his dissertation, for further reading; Brede 2000, 215). She concluded that indeed Walser had taken the side of antisemites because, in both his speech and his subsequent debate with Bubis, he constructed a point of identification for listeners (“we Germans”) that systematically excluded German Jews (203). By organizing his speech entirely around “perpetrators” and the “critics” who shamed them, Walser elided the perspective of the Nazi’s victims. Invoking Simmel’s essay on “The Stranger” again, Brede argued that Walser’s behavior during his debate with Bubis offered a model of how unconscious aggression could drive social integration through exclusion. Regardless of what Walser said he felt, to the extent that his rhetoric excluded Bubis from his definition of “we Germans” as a Jew, his conduct had been antisemitic.
In the final chapter of his dissertation, Karp also offers a reading of Walser’s prize acceptance speech, arguing that Walser made use of jargon in Adorno’s sense. Like Brede, Karp bases his argument on close textual analysis. He catalogs several specific literary strategies that, he says, enabled Walser to appeal to the unconscious or repressed emotions of his listeners without having to convince them. First, Karp tracks how Walser played with pronouns in the opening movement of the speech in order to eliminate distance and create identification between himself and his audience. Walser shifted from describing himself in the third person singular (the “one who had been chosen” for the prize) to the first-person plural (“we Germans”). At the same time, by making vague references to intellectuals who had made public remembrance and guilt compulsory, Walser created the sensation that he and the listeners he has invited to identify with his position (“we”) were only responding to attacks from outside—that “we” were the real victims. (In her article, Brede had quipped that this narrative of victimhood “could have come from a B-movie Western”; Brede 2000, 214). Through this technique, Karp writes, Walser created the impression that if “we” were to strike back against the “Holocaust preachers,” this would only be an act of self-defense.
Karp stresses that the content of “Experiences Composing a Sermon” was less important than the effect that these rhetorical gestures had of making listeners feel that they belonged to Walser’s side. In the controversy that followed Walser’s acceptance speech, critics often asked which “intellectuals” he had meant to criticize; these critics, Karp says, missed the point. It was not the content of the speech, but its form, that mattered. It was through form that Walser had identified and addressed the psychological needs of his audience. That form did not aim to convince listeners; it did not need to. It simply appealed to (repressed) emotions that they were already experiencing.
For Adorno, the anti-political or fascist character of jargon was directly tied to the non-dialectical concept of language that jargon advanced. By eliminating abstraction from philosophical language, and detaching selected words from the flow of thought, jargon made absent things seem present. By using such language, existentialism attempted to construct an illusion that the subject could form itself outside of history. By raising historically contingent experiences of domination to defining features of the human, jargon presented them as unchangeable. And by identifying humanity itself with those experiences, it identified the subject with domination.
Karp does not demonstrate that Walser’s “jargon” performed any of these functions, precisely. Rather, he focuses on the psychodynamics motivating his speech. Karp proposes that the pain (Leiden) that Walser’s speech expressed resembled the “domination” (Zwang) that Adorno recognized in jargon. While Adorno’s jargon made the absent or abstract seem present, through an act of linguistic fetishization, Walser’s jargon embodied the obverse impulse: to wish the discomfort created by the presence of history’s victims away.
Karp is less concerned with the history of domination, that is, than with Freudian drives. For Adorno, the purpose of carrying out a determinate negation of jargon was to create the conditions of possibility for critical theory to address the real needs to which jargon constituted a false response. For Karp, the interest of the project is more technical: his goal is to uncover forms and patterns of speech that admit aggression into social life and give it a central role in consolidating identity. By combining culturally legitimated expressions with taboo ones, Karp argues, Walser created an environment in which his controversial opinion could be accepted as “obvious” or “self-evident” (selbstverständlich) by his audience. That is, Walser created a linguistic form through which aggression could be integrated into the life-world.
Unlike Adorno (or Brede), Karp refrains from making any normative assessment of this achievement. His “systematization” of the concept of jargon empties that concept of the critical force that Adorno meant for it to carry. If anything, the tone of the final pages of Aggression in the Life-World is forgiving. Karp concludes by arguing that Walser was not necessarily aware of the meaning of his speech—indeed, that he probably was not. By allowing his audience to express their taboo wishes to be done with Holocaust remembrance, Karp writes, Walser convinced them that, “these taboos should never have existed.” Then he cuts to his bibliography.
Grand Hotel California Abyss
The abruptness of the ending of Aggression in the Life-World is difficult to interpret. At one level, Karp’s apparent lack of interest in the ethical and political implications of his case study reflects his stated goals and methods. From the beginning, he has set out to reveal that the social is constituted through acts of unconscious aggression, and that this aggression becomes legible in specific linguistic interactions, rather than to evaluate the effects of aggression itself. Reading Walser, Karp explicitly privileges form over content, treating the former as symptomatic of unstated meanings and effects. Granting the critic authority over the text he is analyzing, such an approach presumes the author under analysis to be ignorant, if not innocent, of what he really has at stake; it treats conscious attitudes and overt arguments as holding, at most, a secondary interest. At another level, the banal explanations for Karp’s tone and brevity may be the most plausible. He was writing in a non-native language; like many graduate students, he may have finished in haste.[9] In any case, his decision to eschew the kinds of judgments made by both his subject, Adorno, and his mentor, Brede is striking—all the more so because Karp is descended from German Jews and “grew up in a Jewish family” (Karp 2019a). This choice reflects a different mode of engagement with critical theory than scholars of either digital media or digitally mediated right-wing movements have observed.
Historians have shown that the Frankfurt School critiques of mass media helped shape the idea that digital media could constitute a more democratic alternative. Fred Turner has argued that the research Adorno conducted on the role of radio and cinema in shaping the authoritarian personality, as well as the proximity of Frankfurt School scholars to the Bauhaus and other practicing artists, generated a set of beliefs about the democratic character of interactivity (Turner 2013). Orit Halpern is more critical of the essentially liberal assumptions of media and technology critique in which she, too, places Adorno (2015, 18-19). However, like Turner, Halpern identifies the emergence of interactivity as a key epistemic shift away from the Frankfurt School paradigm that opposed “attention” and “distraction.” Cybernetics redefined the problem of “spectatorship” by transforming the spectator from an individual into a site of perceptions and cognitions—an “interface or infrastructure for information processing.” Where radio, cinema, and television had promoted conformity and passivity, cybernetic media promised to facilitate individual choice and free expression (2015, 224-6).
More recently, critics and scholars attempting to account for the phobic fascination that new right-wing movements show for “cultural marxism” have analyzed it in a variety of ways. The least sophisticated take at face value the claims of “alt-right” figures that they are only reacting to the ludicrous and pernicious excesses of their opponents.[10] More substantial interpretations have described the far right fixation on the Frankfurt School as a “dialectic of counter-Enlightenment” or form of “inverted appropriation.” Martin Jay (2011) and Andreas Huyssen (2017, 2019) both argue that the attraction of critical theory for the right lies in the dynamics of projection and disavowed recognition that it sets in motion. As Huyssen puts it, “wider circles of American white supremacists and their publications… have been drawn to critique and deconstruction because, on those traditions, they project their own destructive and nihilistic tendencies” (2017).
Aggression in the Life World does none of these things. Karp’s dissertation does not take up the critiques of mass media or the authoritarian personality that were canonized in the Anglo-American world at all, much less use them to develop democratic alternatives. Nor does it project its own penchant for destruction onto its subjects. In contrast with the “lunatic fringe” (Jay, 30) Karp does not carry out an “inverted appropriation” of critical theory, so much as a partial one. He adapts Frankfurt School concepts for technical purposes, making them more instrumentally useful to the disciplines of sociology or social psychology by abstracting them from their contexts. In the process, he also abandons the Frankfurt School commitment to emancipation. It is at this level of abstraction that his neo-Marxism—from which Marx and materialism have all but disappeared—can coexist with the nationalism that he and Thiel invoke to defend Palantir.
I asked at the beginning of this paper what beliefs Karp shares with Peter Thiel and what their common commitments might reveal about the self-consciously “contrarian” or “heterodox” network of actors that they inhabit. One answer that Aggression in the Life World makes evident is that both men regard the desire to commit violence as a constant, founding fact of human life. Both also believe that this drive expresses itself in social forms like language or group structure, even if speakers or group members remain unaware of their own motivations. These are ideas that Thiel attributes to the work of the eclectic French theorist René Girard, with whom he studied at Stanford, and whose theories of mimetic desire, scapegoating, and herd mentality he has often cited. In 2006 Thiel’s nonprofit foundation established an institute to promote the study of Girard and support the further development of mimetic theory; this organization, Imitatio, remains one of the foundation’s three major projects (Daub 2020, 97-112).
The text that Karp chose to analyze, as his case study, also shares a set of concerns with Thiel’s writings and statements against campus multiculturalism and political correctness; Walser’s speech became a touchstone of debates about historical memory in Germany, in which the newly imported Americanism politische Korrektheit circulated widely. In his dissertation, Karp does not celebrate Walser’s taboo speech in the same way that Thiel and his associates have sometimes celebrated violations of speech norms.[11] However, he does assert that jargon, and the unconscious aggression that it expresses, plays a role in the formation of all social groups, and refrains from evaluating whether Walser’s jargon was particularly problematic. Of course, the term “jargon” itself became a commonplace during the U. S. culture wars in the 1980s and 1990s, used to accuse academics and university administrators who purported to be speaking for vulnerable populations of in fact deploying obscure terms to aggrandize themselves. Thiel and his co-author David O. Sacks devote a chapter of The Diversity Myth to an account of how the vagueness of the word “multiculturalism” enabled activists and administrators at Stanford to use it in this manner (1995, 23-49). The idea that such terms express ressentiment and a will to power is consistent with the theoretical framework that Karp went on to develop.
Ironically, by attempting to expunge jargon of its subjective or impressionistic content, Karp renders it less materially objective. Rather than locating jargon in specific experiences of modernity, he transforms it into an expression of drives that, because they are timeless, are merely psychological. Karp makes a version of the eternalizing move that Adorno criticizes in Heidegger, in other words. Rather than elevating precarity into the essence of the human, Karp makes aggressive violence the substance of the social. In the process, he empties the concept of jargon of its critical power. When he arrives at the end of Walser’s speech, a speech that Karp characterizes as consolidating community based on unspeakable aggression, he can conclude only that it was effective.
A still greater irony in retrospect may be how, in Karp’s telling, Adorno’s jargon anticipates the software tools Palantir would develop. By tracing the rhetorical patterns that constitute jargon in literary language, Karp argues that he can reveal otherwise hidden identities and affinities—and the drive to commit violence that lies latent in them. By looking back to Adorno, he points toward a possible critique of big data analytics as a kind of authenticity jargon. That is, a way of generating and eternalizing false forms of selfhood. In data analysis, the role of the analyst is not to demystify and dispel reification. On the contrary, it is precisely to fix identity from its digital traces and to make predictions on the basis of the same. For Adorno, jargon is a form of language that seems to authenticate identity—but only seems to. The identities it makes available to the subject are based on an illusion that jargon sustains by suppressing the self-difference that historicity introduces into language. The illusion it offers is of timeless “human” experience. It covers for domination insofar as it makes the human condition—or rather, human conditions as they are at the time of speaking—appear unchangeable.
Big data analytics could be said to constitute an authenticity jargon in this sense: although they treat the data set under analysis as having something like an unconscious, they eliminate the temporal gaps and spaces of ambiguity that drive psychoanalytic interpretation. In place of interpretation, data analytics substitutes correlations that it treats simply as given. To a machine learning algorithm that has been trained on data sets that include zip codes and rates of defaulting on mortgage payments, for instance, it does not matter why mortgagees in a given zip code may have been more likely to default in the past. Nor will the algorithm that recommends rejecting a loan application necessarily explain that the zip code was the deciding factor. Like the existentialist’s illusion of immediate experience these procedures generate an aura of incontestable self-evidence.
As in Adorno, here, the loss of particular contexts can serve to conceal, and thus perpetuate, domination. Algorithms take the histories of oppression embedded in training data and project them into the future, via predictions that powerful institutions then act on. If the identities constituted in this way are false, the reifications they generate do real work, and can cause real harm. And yet, to read these figures historically is to recognize that they need not come true. This is not an interpretive path that Karp pursues. But for those of us concerned about the relationship between digital technologies and justice, this repressed insight of his dissertation is the most critical to follow.
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Moira Weigel is a Junior Fellow at the Harvard Society of Fellows and an editor and cofounder of Logic Magazine. She received her PhD from the combined program in Comparative Literature and Film and Media Studies at Yale University in 2017.
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[1] Translations from German are mine unless otherwise noted.
[2] In 2017, when activists doxxed the founder of the neofascist blog the Right Stuff and the antisemitic podcasts Fash the Nation and The Daily Shoah, who went by the alias Mike Enoch, they revealed that he was in fact a programmer named Michael Peinovich (Marantz 2019, 275-9). Curtis Yarvin, who wrote a widely read blog advocating the end of democracy under the name Mencius Moldbug, also worked as a software engineer (Gray 2017). Several journalists have documented the interest that figures in or adjacent to the tech industry evince with Yarvin’s Neoreaction (NRx) or Dark Enlightenment (Gray 2017; Goldhill 2017). Prominent white nationalist media entrepreneurs also claim to have substantial followings in the tech industry. In 2017, Andrew Anglin told a Mother Jones reporter that Santa Clara County was the highest source of inbound traffic to his website, The Daily Stormer; Chuck Johnson said the same about his (now defunct) website Got News (Harkinson 2017). In response to an interview question about his “average” supporter, the white nationalist Richard Spencer claimed that, “many in the Alt-Right are tech savvy or actually tech professionals” (Hawley 2017, 78).
[3] James Damore, the engineer who wrote the July 2017 memo, “Google’s Ideological Echo Chamber,” and was subsequently fired, toured the right wing speaking circuit (Tiku 2019, 85-7). Brian Amerige, the Facebook engineer who identified himself to the New York Times in July 2018 as the creator of a conservative group on Facebook’s internal forum, Workplace, and then left the company, did the same (Conger and Frankel 2018). Shortly after, it was reported that Oculus cofounder Palmer Luckey’s departure from the company in 2017 had also been driven by conflicts with management over his support of Donald Trump (Grind and Hagey 2018); Luckey has since publicly claimed to speak on behalf of a silent majority of “tech conservatives” (Luckey 2018). Arne Wilberg, a long time recruiter of technical employees for Google and YouTube, filed a reverse discrimination suit in 2018, alleging that he had been fired for “opposing illegal hiring practices… systematically discriminating in favor of job applicants who are Hispanic, African American, or female, against Caucasian and Asian men” (Wilberg v. Google 2018). Most recently, in August 2019, The Wall Street Journal reported that the former Google engineer Kevin Cernekee had been fired in 2017 in retaliation for expressing “conservative” viewpoints on internal listservs (Copeland 2019). Former colleagues subsequently published screenshots showing that, among other things, Cernekee had proposed raising money for a bounty for finding the masked protestor who punched Richard Spencer at the Presidential inauguration in 2017 using WeSearchr, the now-defunct fundraising platform run by Holocaust “revisionist” Chuck C. Johnson. They also shared screenshots showing that Cernekee had defended two neo-Nazi organizations, The Traditionalist Workers Party and Golden State Skinheads, suggesting that they should “rename themselves to something normie-compatible like ‘The Helpful Neighborhood Bald Guys’ or the ‘Open Society Institute’” (Wacker 2019; Tiku 2019, 84). Like Damore, Amerige, and Wilberg, Cernekee received national media coverage.
[4] For instance, emails that BuzzFeed reporter Joe Bernstein obtained from Breitbart.com stated that Thiel invited Curtis Yarvin to watch the 2016 election results at his home in Hollywood Hills, where he had previously hosted Breitbart tech editor Milo Yiannopoulos; New Yorker writer Andrew Marantz reported running into Thiel at the “DeploraBall” that took place on the eve of Trump’s inauguration (2019, 47-9).
[5] Thiel supported Hawley’s campaign for Attorney General of Missouri in 2016 (Center for Responsive Politics); in that office, Hawley initiated an antitrust investigation of Google (Dave 2017) and a probe into Facebook exploitation of user data (Allen 2018). Thiel later donated to Hawley’s 2018 Senate campaign (Center for Responsive Politics); in the Senate, Hawley has sponsored multiple bills to regulate tech platforms (US Senate 2019a, 2019b, 2019c, 2019d, 2019e, 2019f, 2019g). These activities earned him praise from Trump at a White House Social Media Summit on the theme of liberal bias at tech companies, where Hawley also spoke (Trump 2019a).
[6] Pat Buchanan devoted a chapter to the subject, entitled “The Frankfurt School Comes to America,” in his 2001 Death of the West. Breitbart editor Michael Walsh published an entire book about critical theory, in which he described it as “the very essence of Satanism” (Walsh 2016, 50). Andrew Breitbart himself devoted a chapter to it in his memoir (Breitbart 2011, 113). Jordan Peterson more often rails against “postmodernism,” or “political correctness.” However, he too regularly refers to “Cultural Marxism”; at time of writing, an explainer video that he produced for the pro-Trump Epoch Times, has tallied nearly 750,000 views on YouTube (Peterson 2017).
[7] The memo that engineer James Damore circulated to his colleagues at Google presented a version of the Cultural Marxism conspiracy in its endnotes, as fact. “As it became clear that the working class of the liberal democracies wasn’t going to overthrow their ‘capitalist oppressors,’” Damore wrote, “the Marxist intellectuals transitioned from class warfare to gender and race politics” (Conger 2017). The group that Brian Amerige started on Facebook Workplace was called “Resisting Cultural Marxism” (Conger and Frankel 2018).
[8] The Stanford Review, which Thiel founded late in his sophomore year and edited throughout his junior and senior years at the university, devoted extensive attention to questions of speech on Stanford’s campus, which became a focal point of the US culture wars and drew international media attention when the academic senate voted to (slightly) revise its core curriculum in 1988 (see Hartman 2019, 227-30). In 1995, with fellow Stanford alumnus (and later PayPal Chief Operating Officer) David O. Sacks, Thiel published The Diversity Myth, a critique of the “debilitating” effects of “political correctness” on college campuses that, among other things, compared multicultural campus activists to “the bar scene from Star Wars” (xix). In 2018 he moved to Los Angeles, saying that political correctness in San Francisco had become unbearable (Peltz and Pierson 2018; Solon 2018) and in 2019 Founders Fund, the venture capital firm where he is a partner, announced that they would be sponsoring a conference to promote “thoughtcrime” (Founders Fund 2019).
[9] Aggression in the Life World is significantly shorter than either of the other two dissertations submitted to the sociology department at Frankfurt that year: Margaret Ann Griesese’s The Brazilian Women’s Movement Against Violence clocked in at 314 pages, and Konstantinos Tsapakidis, Collective Memory and Cultures of Resistance in Ancient Greek Music at 267; Karp’s is 129.
[10] Angela Nagle (2017) put forth an extreme version of this argument, arguing that the excesses of “social justice warrior” identity politics provoked the formation of the alt-right and that trolls like Milo Yiannopoulos were only replicating tactics of “transgression” that had been pioneered by leftist intellectuals like bell hooks and institutionalized on liberal campuses and in liberal media. Kakutani similarly argued that the Trumpist right was simply taking up tactics that the relativism of “postmodernism” had pioneered in the 1960s (2018, 18).
[11] In The Diversity Myth Sacks and Thiel describe on instance of resistance to the Stanford speech code, which was adopted in May 1990 and revoked in March 1995, as heroic. The incident took place on the night of January 19, 1992, when three members of the Alpha Epsilon Pi fraternity, Michael Ehrman, Keith Rabois, and Bret Scher, were walking home from a party through one of Stanford’s residential dormitories. Rabois, then a first year law student, began shouting slurs at the home of a resident tutor in the dormitory, who had been involved in the expulsion of Ehrman’s brother Ken from residential housing four years earlier, after Ken called the resident tutor assigned to him a “faggot.” “Faggot! Hope you die of AIDS!” Rabois shouted. “Can’t wait until you die, faggot.” He later confirmed and defended these statements in a letter to the Stanford Daily. “Admittedly, the comments made were not very articulate, nor very intellectual nor profound,” he wrote. “The intention was for the speech to be outrageous enough to provoke a thought of ‘Wow, if he can say that, I guess I can say a little more than I thought.” The speech code, which had not until that point been used to punish any student, was not used to punish Rabois; however, Thiel and Sacks describe the criticism of Rabois from administrators and fellow students that followed as a “witch hunt” (1995, 162-75). Rabois subsequently transferred to Harvard but later worked with Thiel at PayPal and later as a partner at Founders Fund. More recently, the blog post that Founders Fund published to announce the Hereticon conference cited in Footnote 8, described violating taboos on speech as its goal: “Imagine a conference for people banned from other conferences. Imagine a safe space for people who don’t feel safe in safe spaces. Over three nights we’ll feature many of our culture’s most important troublemakers in the fields of knowledge necessary to the progressive improvement of our civilization” (2019).
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Scott Ferguson, Benjamin Wilson, William Saas, Maxximilian Seijo — Overcoming COVID-19 Requires Rethinking University Finance
This essay is a part of the COVID-19 dossier, edited by Arne De Boever.
By Scott Ferguson, Benjamin Wilson, William Saas, and Maxximilian Seijo
As an interminable spring gave way to an uncertain summer, the stewards of higher education at last stepped up efforts to mitigate the financial fallout from the COVID-19 health emergency. As long suspected, their remedy is austerian shock therapy.
Dredging up higher ed’s playbook from the Great Financial Crisis, university executives allege that only sweeping layoffs, freezes, and closures can salvage their institutions from the incursion of collapsing state budgets, unprecedented revenue loss, and inadequate Federal aid.
The reality, of course, is that such remedies are themselves unmitigatedly toxic. Austerity threatens to not only harm countless faculty, staff, and students during a time of need, but also strangle productive activity well beyond campus boundaries. In fact, contrary to the prevailing managerial wisdom, mass disinvestment in higher ed will by definition exacerbate, not ameliorate, the coronavirus depression.
A growing chorus of critics has arisen to contest the counterintuitive logics behind these lethal measures. François Furstenberg, for instance, has raised a red flag about newly announced cutbacks at Johns Hopkins University: “How does a university with a $6-billion endowment and $10 billion in assets suddenly find itself in a solvency crisis?”
Critics like Furstenberg are right to lambast contemporary higher ed’s casino-like investment strategies. Predicated upon risky and often-illiquid assets, universities’ tax-sheltered investment portfolios favor speculation and elites over education and community. What is more, they render powerhouse institutions such as Hopkins suddenly ineffectual under severe financial strain.
Still, regardless of whether any hands are legitimately tied, if U.S. higher education is to overcome the COVID-19 catastrophe, critics will need to advance beyond autopsies of portfolio capitalism and wholly rethink university finance from the ground up. More important, the exigency of the present situation requires proceeding in the spirit of John Dewey and American pragmatism. We must learn by doing.
Our proposal is this: Universities can immediately circumvent feckless state & federal legislatures and finance themselves directly by issuing their own credit called “Unis” supported by the Federal Reserve.
As outlined by Modern Money Network Research Director, Nathan Tankus, Unis shall be issued as “University Payment Anticipation Notes.” Modeled on the better-known “Tax Anticipation Note,” the Uni will attain value as circulating money as a result of a university’s capacity to redeem them in future payments. Finally, the Federal Reserve needs to assist universities by extending its purchasing support for municipal debts, or “Munis,” to Unis, ensuring that Unis, too, are trustworthy and widely receivable.
The Uni, we submit, is no technocratic stop-gap meant merely to keep universities afloat during a pandemic. The Uni, rather, represents a thorough-going democratic challenge to the financial ideology that got the American university into the present crisis.
Choreographers of Credit
The Uni’s technical specifications may seem complicated. Beneath the specialized language, however, the Uni teaches a very basic, yet essential lesson about the nature of credit creation and what a university can genuinely afford.
According to the anemic microeconomics that have come to define university finance, credit is a private and scarce resource that permits a firm or institution to obtain money it otherwise lacks. An elusive “price mechanism” regulates credit’s supply, delimited by market investors’ willingness to lend. Financial viability, meanwhile, hinges upon balancing income against expenditures and debts. When revenue collapses in this sink-or-swim regime, reserves drain out and credit dries up. Barring government intervention, the result can destroy countless productive enterprises until markets mysteriously self-correct.
From this dismal view, today’s variously defunded and revenue-threatened universities stand no chance against a pandemic liquidity crunch. Fortunately, however, credit is in reality neither conditioned by such zero-sum premises nor doomed to their dire consequences.
In truth, modern credit allocation derives from a public finance franchise which, according to Cornell Law School’s Robert C. Hockett and Saule T. Omavora, is legally constructed, nominally inexhaustible, and readily transformable. “Contrary to contemporary orthodoxy,” they explain, “modern finance is not primarily scarce, privately provided, and intermediated, but is, in its most consequential respects, indefinitely extensible, publicly supplied, and publicly disseminated.”
The counterintuitive consequences of this analysis become clear when considering the operations of traditional private banks. In opposition to conventional misconceptions, banks do not act as intermediators for pre-accumulated capital, recycling private dollars by lending out deposits at a markup. Instead, as finance franchisees, banks command new production when lending by creating fresh, federally insured-credit on behalf of the U.S. government. Insofar as credit issuance is nominally inexhaustible, moreover, a bank’s financial viability is contingent, not upon some irreversible income-to-expenditure tipping point, but rather upon the embedded rules and values that shape the institution’s legal construction. For this reason, a bank could very well operate beyond the balance sheet, if it were, for example, legally licensed to prioritize communal and environmental investment over revenue generation and so-called “sound finance.”
Per Hockett & Omarova, “Reconfiguring our basic understanding of the financial system in this way is a necessary first step toward making finance work in a manner that aids, rather than hinders, inclusive and stable economic development. It underwrites explicit recognition that the public must take an active role in modulating and allocating credit aggregates across the economy. It also offers a bolder, more creative approach to designing new means of doing so.”
The Uni draws on this public capacity and exposes the untapped and frequently misdirected powers of banks in order to reclaim the American university for people and planet.
Universities and colleges—and particularly large public university systems—are tremendous provisioning authorities. Their ongoing investments anchor regional and state economies in far-reaching ways. Many are classified as political subdivisions, with powers of tax, police and eminent domain. Myriad universities administer chartered credit unions. Yet all higher ed institutions maintain elaborate payment systems, levying regular, non-reciprocal obligations in the form of tuition, rents, meal cards, fees, and fines.
Thus, aside from their hazardous dealings on Wall Street, universities and colleges already function as preeminent choreographers of credit. The problem is that a punishingly private vision of finance has long concealed higher education’s real capacities and potentials.
By issuing Unis, universities assert and expand their rights as allocators of credit in their communities. They take responsibility for social and ecological wellbeing in the face of negligent legislators. Most important, they withdraw from capitalist speculation and refuse to place arbitrary fiscal strictures before education, health, and prosperity.
Likewise, the Uni must serve as an intersectional rallying cry, inviting fresh opportunities to remediate seemingly disparate and long-standing injustices. The Uni ought to foment democratic governance and participation from campus to surrounding neighborhoods. It needs to ensure generous and equitable support for students, staff and faculty. Above all, it demands diversifying the meaning of public service and education in ways that make Black and other marginalized lives truly matter.
Storming the Fed
Now is the time to demand full accommodation from a paradigm-smashing Fed.
While Congress sits on their hands, a learning-by-doing experiment is already underway at the Federal Reserve. With more than 40 million Americans out of work, the Fed appears ready to fulfill its congressional mandate to both maximize employment and promote stable prices. Indeed, the strongest signal that this time things can be different is the opening of the Fed’s new Municipal Liquidity Facility (MLF), which promises to buy both existing and future state and municipal debt.
The significance of this facility for universities will be determined largely by their ability to be as politically effective as banks, insurance companies, and the fossil fuel industry at adjusting the Fed’s terms and conditions to meet their own needs. First, university leadership must pressure state governors and legislators to use the MLF to stabilize local balance sheets, saving local economies and eliminating justifications for draconian cuts. Second, they need to petition the Fed to guarantee Uni liquidity.
To be sure, jump-starting the Uni does not necessarily require Fed accommodation. Universities can at once embrace their experimental ethos and fashion context-specific systems keyed to institutional mission statements and the goods and services they generate.
However, Fed accommodation remains our endgame. The combined severity of the crisis and Washington’s heedlessness make Federal Reserve assistance indispensable to stem cascading austerity, let alone to address systemic ills. It also reveals the Fed to be a central site of contestation.
So far, the first to seek Fed assistance include the State of Illinois, Port Authorities in New York and New Jersey, and the Metropolitan Transportation Authority, which operates the New York subway, busses, and commuter rails. If the Fed stands ready to save the New York subway, then we have pushed well beyond normative pearl-clutching about Fed neutrality as well as ideologically-laden claims that higher ed’s critical infrastructures are somehow undeserving.
When it comes to extending permanent purchasing support for the Uni, of course, the Fed is unlikely to comply without complaints, hearings and even trials. Yet politically speaking, motivating university leadership to adopt the Uni is by far the heavier lift. To do so necessitates mass mobilization and solidarity between faculty, students, staff and community members across many systems and campuses.
At the same time, however, systemic transformation demands organizers appeal to pragmatic concerns they share with university leadership, despite historic differences. After all, as Minnesota Fed chair, Neel Kashkari, now openly declares, “There’s an infinite amount of cash at the Federal Reserve.” This renders austerity not merely impractical, but also suicidal.
Scott Ferguson is associate professor film & media studies in the Department of Humanities & Cultural Studies at the University of South Florida.
Benjamin Wilson is associate professor of economics at the State University of New York at Cortland.
William Saas is assistant professor of rhetoric in the Department of Communication Studies at Louisiana State University.
Maxximilian Seijo is a Ph. D. student in comparative literature at the University of California at Santa Barbara.