b2o: boundary 2 online

Author: boundary2

  • Amin Samman–Capital of Lies

    Amin Samman–Capital of Lies

    This article is part of the b2o: an online journal Special Issue “The Gordian Knot of Finance”

    Capital of Lies

    Amin Samman

    What metaphors should we use to talk about finance? There are many provocative formulations to choose between. A relentless machine, processing everything in its path; a bulimic stomach, spitting out all that it chews up; a central nervous system, sensing and sending messages for capital; a firm hand that has a chokehold on policymaking; a giant squid sucking on the face of humanity.[1] Each of these opens up a different way of thinking about the power of financial mechanisms. But what happens when thought itself is imagined as integral to financial power? What role do “mechanisms of the mind” play in maintaining the rule of finance? Neither political science nor political economy is well-equipped to answer this question. The philosophical and literary discourse on nihilism gives us a language much richer in possibility. There are lies and there is the lie. The lie keeps us coming back for more, generating yet more lies. It never pays to unmask the lie. Lies are more lucrative. Perhaps this is why public policymakers persist in imagining and administering the world in financial terms.

    ***

    What is “the lie”? The lie is not the same as lying as we normally understand it. Lying is something we do with words. One lies when one intentionally deceives others with words. The lie entails something else—namely, deceiving ourselves about the status of words and of thought. Words are not things; concepts are not reflections of entities or worldly configurations; symbolic systems are not the expression of a cosmic mechanics. All of these things—words, concepts, theories—are ultimately metaphors. This was Nietzsche’s point. “Truth” is an effect achieved through the repetition of metaphors. Nietzsche makes this case in a posthumously published essay called “On Truth and Lie in an Extra-Moral Sense”:

    What, then, is truth? A mobile army of metaphors, metonyms, and anthropomorphisms—in short, a sum of human relations, which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people; truths are illusions about which one has forgotten that this is what they are; metaphors that are worn out and without sensuous power […] (Nietzsche 1976: 46-47)

    There are two important points to draw from this commentary. First, if truth is nothing but worn-out metaphors, then the lie is that these metaphors are something else: classifications, descriptions, windows onto the structure of the world. We tend to forget that metaphors are none of these things. And this is why forgetting is a form of lying. We lie to ourselves when we imagine that there is something rather than nothing at the bottom of our words. This amounts to a psychology of denial, repression, or self-deception. The second point, which Nietzsche immediately goes on to make himself, relates to a group dynamic. To be truthful means to employ the usual metaphors, “to lie according to a fixed convention” (47), to lie with the herd.

    These points correspond to the opposing poles of Western nihilism. On one side, an emptiness at the bottom of words that haunts existence (the problem of religious nihilism), on the other, a social formation that turns this condition into a plastic cage (the nihilistic condition of postmodernity). This duality provides a potentially valuable perspective on financial power. During the heyday of neoliberalism, it was common to hear about the power of financial ideas, ideologies, and imaginaries. This was the case with neo-Gramscian political economy and constructivist political science, for example, which sought to explain our enduring attachment to the neoliberal-financial worldview.[2] But these theoretical projects failed to reach their goal because they did not go far enough. They did not follow their suspicions about discursive framing and sloganeering through to their logical conclusions. And for good reason: any attempt to get to the bottom of words can only end in self-sabotage.

    Theoretical projects sabotage themselves by wearing out their metaphors and hardening into an edifice of interlocking concepts. An economy of ideas, interests, and institutions coagulates around a founding lie, be that rational choice or historical necessity. This is self-deception playing out at the level of theory. But it is also the consequence of a more basic self-deception. We want to lie to ourselves.

    ***

    What makes the lie so appealing, so lucrative? Cioran had an answer. Though influenced by Nietzsche and often compared to him by critics, Cioran was suspicious of even the most sensuous illusions. Hence the exquisitely wrought but dark vision he paints, in The Temptation to Exist, of lies piling up on top of one another.

    everything which keeps us from self-dissolution, every lie which protects us against our unbreatheable certitudes is religious […] We last only as long as our fictions. When we see through them, our capital of lies, our religious holdings collapse. To exist is equivalent to an act of faith, a protest against the truth, an interminable prayer […] (Cioran 1968: 221)

    Cioran’s metaphors mix here to startling effect. The lie appears as a religious craving to cover over the absence of truth, and existence, in turn, assumes the form of a financial challenge: to manage one’s religious holdings, to accumulate a capital of lies, ultimately, to “profit by one’s share of unreality” (210).

    There are two ways of bringing this idea to bear on financial society. The first entails using it to think through the technical operations of finance. Joseph Vogl (2022: 105) has recently done something like this, describing the financial sector as an elaborate arrangement of “profitable truth game[s].” Valuations and therefore fortunes emerge “from opinions mirroring opinions about opinions” (34), giving us a society heavily invested in “value ghosts” and “referential illusions” (103). This point should by now be relatively uncontroversial. The second route, yet to be adequately explored, runs in the opposite direction. It entails thinking about the entire financial system as a gigantic decorative fantasy, a Baroque structure whose primary purpose is to “obscure the truth of the absence of the truth” (Pefanis 1991: 114). It is not the only such structure, but it appears to be among the more captivating, the more transfixing, of our time.

    A concrete example: In March 2024, the Financial Times reported a global stock market rally driven by the boom in Artificial Intelligence (Steer et al. 2024). It is easy to think about this as an outcome of the financial process, the product of its temporal mechanisms and the way these spiral into an ecstasy of speculation (see, for example, Szepanski 2024). But we can also think about it as a “façade to the void” (Cioran 1975: 48). And this façade will not survive too much scrutiny. As it happens, the markets never threaten this kind of scrutiny. They are too busy linking one thing to the next to worry about the absent foundations of finance or value. Meanwhile, the rule makers find themselves in a different situation. They must do exactly the same as market traders, only without appearing to do anything of the sort. Baudrillard wrote about this delicate balancing act in Forget Foucault:

    the secret of the great politicians was to know that power does not exist […] To know that it is only a perspectival space of simulation […] and that if power seduces, it is precisely […] because it is simulacrum and because it undergoes a metamorphosis into signs and is invented on the basis of signs. This secret […] also belongs to the great bankers, who know that money is nothing, that money does not exist […] Power is truly sovereign when it grasps this secret and confronts itself with that very challenge. When it ceases to do so and pretends to find a truth, a substance, or a representation […] then it loses its sovereignty […] it dies also when it fails to recognize … itself as a void […] (Baudrillard 1987: 58-59, emphasis in original)

    The business of finance thrives on runaway lies. The politics of finance consists in a carefully renovated façade that maintains the illusion of truth. These are important points that the critique of finance has yet to fully grasp.[3]

    ***

    Why can’t we just unmask the lie and get on with it? This is key to the hegemony of finance and our seeming inability to break free from its spell. The cultural turn in political economy led to the naïve belief that this was a simple matter of mobilizing competing ideas and countervailing ideologies. If only we could swap out one discourse for another, we could win a whole new world. It was a cul-de-sac and this kind of theory had next to nothing to do with the demise of neoliberalism, which was already on its own reincarnation cycle. Constructivism and neo-Gramscianism may no longer be in vogue, but the underlying impulse has migrated to the fringes of economic theory, where it blends legal scholarship with policy activism. The entire Modern Monetary Theory project should be understood as a political attempt to implement the theory of economic constructivism.

    Perhaps the best example, at least the most revealing, is the Mint the Coin movement. Founded in 2011 against a backdrop of mounting fiscal crisis, it proposes to harness the fictitious character of money by minting a trillion-dollar coin and paying off US government debt in one fell swoop. Scott Ferguson speaks about this kind of measure as rekindling and partaking in the plenitude of the holy fisc. Money is a “boundless center of abstraction” (Ferguson 2018: 167), he says, and if only we were able to embrace this, we could enjoy a world of limitless generosity and care. The problem is we remain wedded to “cruel fiction[s]” (3) like finite money, unsustainable debts, and so on. Ferguson is far too optimistic about our ability to do without fictions.

    Consider the following model, which appears in a 1994 essay by Mark Taylor called “Discrediting God”:

    The currency of psychological investment is the libidinal current whose flow is regulated by the constantly shifting difference between credit and debit. Though seeming to tend toward equilibrium, the psychic economy can only operate if books do not balance. When the positive and the negative or pluses and minuses cancel each other, we reach the null point where eros becomes thanatos and being becomes non-being. (Taylor 1994: 604, emphasis in original)

    He continues:

    While the establishment and maintenance of equilibrium might appear to be the aim of economic systems, the achievement of this purpose would result in the annihilation of the structure. (617)

    Libidinal economists like Deleuze and Guattari would tell you that none of this is metaphorical. That may well have been the key to their success, but only because libidinal economy itself is nothing more than the circulation and exchange of metaphors (Bennett 2016). And in this case, Taylor’s model provides an interesting metaphor for our relationship to metaphysical fictions. Imagine belief in terms of credit and disbelief in terms of debt. One can disbelieve some things and believe others, one can disbelieve everything and believe nothing, one can even believe everything and disbelieve nothing. But the books cannot be allowed to balance. One cannot reach the point where belief and non-belief neutralize each other. One needs to keep moving, keep believing and disbelieving.

    The next question is how to allocate one’s credulity, how to manage one’s portfolio of lies. Going all in on disbelief is to court metaphysical bankruptcy. Not for the faint of heart. The other extreme—total credulity—is the way to delirium. A decadent pursuit that normally requires a considerable outlay of resources. The normal thing to do is to maintain a more balanced portfolio; to use the usual metaphors, to lie and to believe according to fixed convention, to go with the herd.

    Modern Monetary Theory (MMT) now appears in a new light. MMT identifies a number of cruel economic fictions. It then presents the world with a theoretical fiction of its own, albeit one that alleges to do away such things. But the MMT project, at least in its current form, is doomed to fail for two reasons. First, because it underestimates the psychological value of our fictions. We know this because it sets out to rob us of our most important fiction: namely, that we live in a “real” economy composed of something other than illusions. Second, because it overestimates the political value of unmasking our fictions. If the art of power is keeping its emptiness a secret, then MMT commits the mortal sin of exposing the secret. Instead of renovating the façade of power, it draws attention to the void beneath.

    The implications of this stretch beyond the political fate of MMT. Indeed, the case of MMT suggests a much broader lesson about the interplay between heterodoxy and the lie in public policy. Lying against the herd is one thing, but at least one can accumulate a capital of lies amongst a group of new believers. Unmasking the lie in order to harness the fictitious quality of economic order is much more treacherous. If one’s capital of lies were to evaporate, if one’s religious holdings were to collapse, what would happen to one’s constituency of believers? It would disappear. In short, the psycho-political arithmetic of unmasking the lie is all wrong. The only way to make it add up is to tell more lies. This raises some extremely thorny questions about duplicity and politics. Would not the most effective platform for MMT be to lie in order to acquire the status of a truth, instead of try in vain to unmask the lies of public finance? In which case, would it not then have to choose between power and transparency?

    ***

    All this comes back around to the riddle of what sets or keeps the financial world in motion. The only satisfactory way to approach this question is through an unusual metaphor, a metaphor that we still remember to be a metaphor. And this metaphor, which likens lies to capital and existence to a portfolio of lies, opens up a new perspective on the value of orthodoxy. The image of an economic world consisting of all the usual metaphors masquerading as truths offers a considerable degree of consolation, a significant metaphysical return on psychic investment, enabling everyone to get on with the business of managing their capital of lies. It is no wonder, then, that economic policymakers cannot or will not trade in the market worldview for anything else, especially not the idea that we can choose any worldview we want. The psychic payoff attached to the idea of market rule is of greater political value than the one attached to various efforts to harness the fictitious quality of economic order. That is why policy discourse struggles to part ways with economic and financial orthodoxy.

    Amin Samman is Reader in International Political Economy at City, University of London, and author of History in Financial Times (Stanford University Press, 2019). He is Editor-in-Chief of the journal Finance and Society, as well as Director of the Finance and Society Network. He is currently completing a book manuscript with the working title Currency of Nihilism.

    References

    Abdelal, Rawi, Mark Blyth, and Craig Parsons, eds. 2010. Constructing the International Economy. Ithaca, NY: Cornell University Press.

    Baudrillard, Jean. 1987. Forget Foucault. Translated by Philip Beitchman, Lee Hildreth, and Mark Polizzotti. New York: Semiotext(e).

    Bennett, David. 2016. Currency of Desire: Libidinal Economy, Psychoanalysis and Sexual Revolution. London: Lawrence & Wishart.

    Best, Jacqueline, and Matthew Paterson, eds. 2010. Cultural Political Economy. London: Routledge.

    Cioran, E. M. 1968. The Temptation to Exist. Translated by Richard Howard. Chicago, IL: Quadrangle Books.

    Cioran, E. M. 1975. A Short History of Decay. Translated by Richard Howard. New York: Viking Press.

    Crockett, Andrew. 2011. “What Financial System for the Twenty-First Century?” In Per Jacobsson Lecture, 3–25. Washington, D.C.: International Monetary Fund.

    De Boever, Arne. 2018. Finance Fictions: Realism and Psychosis in a Time of Economic Crisis. Bronx, NY: Fordham University Press.

    Deleuze, Gilles, and Félix Guattari. 1983. Anti-Oedipus: Capitalism and Schizophrenia. Translated by Robert Hurley, Mark Seem, and Helen R. Lane. Minneapolis: University of Minnesota Press.

    Ferguson, Scott. 2018. Declarations of Dependence: Money, Aesthetics, and the Politics of Care. Lincoln: University of Nebraska Press.

    Konings, Martijn. 2015. “What is Constructivism For?” Progress in Political Economy, February 18. https://www.ppesydney.net/what-is-constructivism-for/.

    Konings, Martijn. 2024. “Symposium: Cutting the Gordian Knot of Finance.” Finance and Society Network. https://financeandsocietynetwork.org/gordian-knot-symposium

    Nietzsche, Friedrich. 1976. “On Truth and Lie in An Extra-Moral Sense.” In The Portable Nietzsche, edited and translated by Walter Kaufmann, 42–47. London: Penguin.

    Pefanis, Julian. 1991. Heterology and the Postmodern: Bataille, Baudrillard, and Lyotard. Durham, NC: Duke University Press.

    Steer, George, Harriet Clarfelt, Kate Duguid, and Stephanie Stacey. 2024. “AI Boom Drives Global Stock Markets To Best First Quarter In 5 Years.” Financial Times, March 29. https://www.ft.com/content/1f471c88-d49f-4a52-8619-cc5c0c506008

    Szepanski, Achim. 2024. Capitalism in the Age of Catastrophe. Basingstoke: Palgrave Macmillan.

    Taibbi, Matt. 2010. “The Great American Bubble Machine.” Rolling Stone, April 5. https://www.rollingstone.com/politics/politics-news/the-great-american-bubble-machine-195229/.

    Taylor, Mark C. 1994. “Discrediting God.” Journal of the American Academy of Religion 62, no. 2: 603–23.

    Vighi, Fabio. 2016. “Capitalist Bulimia: Lacan on Marx and Crisis.” Crisis and Critique 3, no. 3: 415–32.

    Vogl, Joseph. 2022. Capital and Ressentiment: A Brief Theory of the Present. Translated by Neil Solomon. Cambridge: Polity.

     

    Notes

    [1] These formulations echo Deleuze and Guattari 1983, Vighi 2016, Crockett 2011, Konings 2024, and Taibbi 2010, respectively.

    [2] The interested reader should consult Abdelal et al. 2010 or Best and Paterson 2010 for the particulars. Konings 2015 provides one of the few sane commentaries on this development.

    [3] There are of course notable exceptions. See, for example, De Boever 2018.

  • Stefan Eich–Democracy and the Political Limits of Monetary Politics

    Stefan Eich–Democracy and the Political Limits of Monetary Politics

    This article is part of the b2o: an online journal Special Issue “The Gordian Knot of Finance”

    Democracy and the Political Limits of Monetary Politics

    Stefan Eich

    There are by now two deeply familiar stories about the nature and origin of money. One is the well-worn standard economic story that used to dominate economics textbooks, and still does to a surprising extent. In this Commercial Origin Story, money emerges out of commerce and becomes more efficient over time. Over the past decade this account has, rightly, been heavily criticized, in particular by anthropologists (Graeber 2011).

    In its stead, a different narrative has emerged: the Chartalist Origin Story, which has by now in an important sense become the new orthodoxy. Here money emerges not from commerce but essentially from the force of taxation. It is essentially a token that states create and then force subjects to pay taxes with it. This second story helpfully brings the state into the picture, but to a surprising extent the two accounts nonetheless mirror each other more than they can themselves admit.

    Both tend to be introduced as origin stories. Both are “just so” conjectural histories that make sweeping generalizations. Crucially, both lack an actual political theory of money. Politics and the state are of course marginal at best in the commercial account. But even in the chartalist account, which purports to overcome this impasse, politics appears as an undifferentiated mass of tax power. All too often, the modern state is simply presumed and not itself historicized or theorized. What is missing is an actual account of political struggle and with that a historically attuned theory of the modern state.

    This matters all the more because how we describe the workings of the monetary system, and how we situate it in relation to the modern state has vast ramifications for debates about how to craft better monetary institutions and how to democratize money. Instead of ever more elaborate origin stories we need accounts of the actual political workings of money.

    That includes better accounts of the ways in which money inevitably raises complex questions of power, that render it suspended between trust and violence (Aglietta and Orléan 2002). Translated into political theory, this means that money is an institution of collective belief with rich performative, communicative and temporal dimensions. Money appears in all these aspects as a fragile project of political language and trust, with the coercive powers of the state always on the horizon, creating unique promises and challenges for democratic politics. As such, money is a “constitutional project” (Desan 2017), albeit of a peculiar kind.

    Acknowledging these wider social forces at the same time highlights the temporal nature of money as a form of collective belief—perhaps even faith—about the future. As Keynes (1936: 294) famously put it, money is first and foremost an institutional embodiment of temporality. As the unit of account in which credit claims are articulated and recorded, money embodies and refracts clashing collective beliefs about the future. Money is in this sense not only the battlefield of clashing expectations about the future, but also embodies clashing ideas of the very conception of “the future”.

    This framing allows us to build on the most promising credit theories of money but to also appreciate that credit (or debt) is usually accepted because of a combination of trust and force. All this amply illustrates the ways in which money is not merely a neutral economic technology but always entangled in questions of power and clashing conceptions of the future. It is moreover a site of manifold political struggles in which certain expectations about the future can easily become self-fulfilling.

    In the economic sociology literature this power has recently come to be denoted as an instance of “infrastructural power” (Mann 1984; Braun 2018; Braun and Gabor et al 2020; Wansleben 2023). But there is a crucial ambiguity in how the concept of monetary infrastructural power has been taken up, namely whether we are dealing here with the power of the state or of financial markets—whether infrastructural power is primarily public or private. As Krippner (2024) has recently perceptively remarked, shared invocations of the term easily obscure significant disagreements. Whereas many locate central banks as genuine agents at the heart of this infrastructural power, others (Braun and Gabor, for example, but also Krippner herself) stress instead the dependencies of central banks on financial market imperatives. In short, on their reading it is not the state that wields infrastructural power, but the first movers are instead financial market actors. Gabor (2021) has captured the underlying paradox by describing the ways in which central banks seem today more powerful than ever and are yet at the same time without genuine political agency.

    Governing Hybridity

    While money is thus deeply political, that politics cannot be reduced to a sovereign will or decision. Rather, modern money is a complex hybrid that is both private and public, always economic and political at once. Money and banking are never purely private but they are tethered to the state and its central bank—and banks are fundamentally unlike other companies. But this also means, inversely, that even the state’s capacity to steer money creation is embedded in a capitalist frame of value. Here, Keynes’s understanding of money of account meets Marx’s value theory. To adapt Marx’s quip about historical agency from the Eighteenth Brumaire (Marx 1978: 595): states make money but they do not always do so as they please.

    It is possible to theorize that hybridity in a number of different ways, as perhaps the original act of privatization, as a public-private partnership, as a finance franchise, and so on. But in all these approaches, the underlying relationship of mutual dependence—financial, political, and strategic—needs to stand at the very heart of any account of the contemporary financial and monetary system. States, central banks and societies at large are dependent on the banking system as a payment system, as a tool of credit creation and provision, but also as a transmission channel for monetary policy. Today that interdependence can easily feel like a form of blackmail in which banks are able to leverage their own systemic significance. But it is worth remembering that banks also need the state—and the safe assets created by the state—at least as much as the state needs finance. This relationship of interdependence poses a set of undertheorized political questions, but also points to underexplored openings for strategic action.

    In addition to the hybridity of the system there is another political dimension that can get lost in the infrastructural account. To speak of infrastructural power easily suggests a misleading impression of concrete solidity, an image of monetary systems as highways. But money is more peculiar than a simple road. It is, to use Adam Smith’s image of paper money, a “wagon-way through the air” (Smith 1981: 321). And its levitation is ultimately a product of our beliefs and expectations. Money has a profoundly reflexive dimension that operates at the level of the collective imagination. In the realm of money, beliefs matter irrespectively of whether they are true or false. Any political theory of money has to take into account this reflexive logic. The central political question that emerges thus is: how to govern the hybridity of modern money, with the interdependence between state and finance that it continuously recreates, but also with its peculiarly reflexive character?

    Political Limits of Monetary Politics

    The point of insisting that money is always already political is thus not to suggest that it is perfectly malleable. To be sure, we develop critiques of social constructions to escape the ways in which these constructions hold us captive. That does mean piercing the veil of naturalizations in order to demythologize. But just because something is constructed does not mean it can be reshaped at will. The point therefore cannot simply be to re-assert state control. Instead, we need to recognize that state control is already part of the hybrid system yet in ways that easily frustrate notions of democratic control. In some sense this was Marx’s profound point: even if a state were to take over the monetary system but would leave the underlying structures of production untouched, it would be unable to escape the capitalist value concept. Even its ideal money would become commodified.

    My point is thus not simply to underwrite nominalist claims of monetary malleability but to locate more precisely the scope for and limits to monetary politics. To posit the political construction of an institution does not imply an effortless ability to cash out the democratic promise of said institution. Nowhere is this more evident than in the realm of money, and yet it is precisely this fundamental political problem that has gotten lost in the monetary standoff between the orthodoxy and chartalism. These limits, though very real, are neither external “economic” limits, nor are they static or fixed. Instead, they arise from the fact that the construction process is not transparent to itself. Foregrounding the constructedness of money does not do away with constraints but offers us a different way of understanding the problem by emphasizing that the limits and binds are internal to the politics of money.

    Monetary Democratization

    And yet I remain convinced that this critique leaves considerable space for articulating substantial political demands for the democratization (the gerund matters here) of money even under contemporary conditions. That does not mean that our chains are merely imaginary but rather that democratic politics requires struggling within a system whose horizon of realization we can never reach (Taylor 2019). Here it is easy to fall into two traps that mirror each other.

    The first trap is that of misrepresenting and downplaying the scale and scope of the kinds of political interventions that are available in the realm of monetary power even under capitalism—a mistake that characterizes some parts of the Marxist tradition, though as I have argued elsewhere Marx’s own position is more interesting (Eich 2022: 105-138). The state is not simply restricted to setting the unit of account, but it can and does constantly, if largely invisibly, intervene in the process of credit creation and allocation. There are of course clear limits to a state’s ability to force citizens—let alone foreign investors—to accept its own tokens. But even within the confines of contemporary central banking there are nonetheless discretionary decisions of enormous scope with vast stakes that are all entirely compatible with the existing relations of value. The power of central banks extends to their ability to reject or accept pleas for convertibility of different forms of private monies from the bottom of the money pyramid into fiat monies at the top. Whose credit claims are converted, which assets central banks buy and hold on their balance sheets, and who can count on an emergency liquidity injection are all decisions that fall under the broad heading of monetary politics and the answers to these questions are fundamentally underdetermined by the forces of capital alone.

    But it would inversely also be a mistake to misrepresent and downplay the challenges that nonetheless remain for any state seeking to wield monetary power under capitalism. Modern Monetary Theory (MMT), which has done an enormous service in highlighting the actual workings of the monetary system, can sometimes be guilty of supposing that once the spell has been broken, states will somehow be liberated to wield fiscal power as they please. But not only is the state’s capacity to steer money creation still ensnared in the capitalist value form, there are also various internal political struggles over the public finances that pit defenders of fiscal and monetary orthodoxy against any attempt of reform. The underlying divergences in political and economic interests are real and they run right through any account of monetary power and the politics of credit creation. The real task in the face of these two traps must be to develop a more complex picture of monetary power that is aware of these internal limitations and that nonetheless asks what it would mean to insist on the democratization of these forces.

    We can productively relate this framing back to debates on the constitutional dimension of monetary systems (Desan 2017). Constitutions are institutional expressions of the paradoxical attempt to channel and arrest political change. If they lack workable ways of amendment, constitutions can become suffocatingly conservative as dead hands of the past. And yet constitutions can also be designed in more democratic ways or can change in more democratic directions. So just as constructedness does not equate to malleability, so does constitutionalization not equate to democratization. The question for us is then whether the monetary constitution is so self-referentially shielded against external intervention as to frustrate any attempted amendments? Or are there ways in which one could at least begin to democratize the monetary constitution?

    What would it mean to democratize a monetary system under contemporary capitalism and all the constraints internal to the peculiar kind of money that it produces and demands? How we spell out a vision of democratizing money varies according to how we conceptualize the constraints of the construction process but also what we take democracy to consist of. As an initial starting point, it helps to loosely distinguish between three strands of democratic theorizing: those that place emphasis on representative institutions, those that stress deliberation, and those that focus on contestation. The most persuasive theories of democracy tend to combine all three strands, not least because these seem to be interdependent in important ways. If approached through the first lens of representative (usually legislative) institutions, the politics of central banking largely appears as a problem of democratic delegation and how to make such delegated power more accountable. But greater democratic accountability of central banks would in turn arguably require more robust structures of both deliberation and contestation, namely institutionalized and non-institutionalized channels for demanding justifications and challenging power. Democratic deliberation requires a form of contestation, just as contestation often—though not necessarily—has a deliberative dimension.

    What ties these three aspects of representation, deliberation, and contestation together for me is, however, not a fixed ideal of institutionalized rule but instead an acceptance and indeed embrace of indeterminacy and uncertainty as the true features of democratic life. As Claude Lefort (1988) insisted, democracy is necessarily open-ended and unfinished. The objective of my argument about democratizing money is thus emphatically not to offer an institutional blueprint but instead to make, in a Lefortian spirit, a meta-democratic point, one that is less interested in issuing policy recommendations or institutional fixes and rather insists that grappling with questions of monetary power requires bringing monetary politics back into public debate and opening it up to the indeterminacy of open-ended, democratic contestation and critique. At that point we would be touching on the element of greatest discomfort and anti-democratic suspicion among central bankers who are raised on the idea that uncertainty is poison for financial markets. The question of uncertainty might then be the most concentrated moment of real tension between financial capitalism and democratic politics.

    We can no longer sidestep this question. Ever new kinds of uncertainty, from climate to geopolitical risks, intrude into monetary policymaking. Both feed the “uncomfortable knowledge” (Best 2022) of central bankers concerning the depth of their own ignorance which they can neither ignore nor ever fully acknowledge. Moreover, excluding questions of monetary governance and credit creation from democratic life and democratic debate will have pernicious consequences not just for monetary policy and our monetary systems but also threaten the health of democracy itself.  Bracketing questions of monetary design from democratic decision making  and leaving crucial policy decisions—who gets to create money, where credit flows, and who gets bailed out—in the hands of unaccountable private actors or unelected technocrats will inevitably hollow out the democratic self-understanding that we are ultimately engaged in an experiment of self-rule. Democracies would thus do well to develop better avenues for articulating the underlying political questions and the inevitable encounter with uncertainty they entail.

    Conclusion

    Capital rules supreme, and yet—as Walter Bagehot (1873: 20) already put it—“[m]oney will not manage itself.” All monetary systems need governance. That inevitably raises political questions of who gets to decide who governs and based on what values. The hybridity of the system constrains the political responses that are possible, but it nonetheless also affords political openings. Money is always already political, even where it appears in the guise of a privatized anti-politics; but at the same time, to say that something is political cannot be reduced to the possibility of shaping things at will. This allows us to move beyond the misleading choice between the “depoliticization” versus the “re-politicization” of money and central banking. Monetary depoliticization is itself necessarily a mirage that obscures the ways in which what might appear as depoliticization is much better understood as itself a political project of de-democratization. This does not necessarily disqualify calls for the “depoliticization” of money, but the underlying values and goals have to be articulated and defended in the language of democratic politics. Inversely, calls to “politicize” money are empty—even potentially reckless, given the current popularity of this idea on the extreme right—if they fail to articulate what kind of politics is meant to be injected. Is the objective to bundle money power in one hand or instead to open it up to democratic decision-making?

    Just as we need to escape the misleading binary between the politicization and depoliticization of money, so we must transcend artificially narrow debates that reduce questions of democratizing monetary power to the nominal status of central banks. Central banks can only ever be as democratic as the monetary system through which they govern and on which they depend. Overcoming our current impasse thus requires that we ask a more fundamental question than simply whether we are for or against central bank independence. We ought to ask instead: independence from what? While “independent” central banks are shielded against democratic politics, they are entirely dependent on commercial banks for credit creation and for the transmission of interest rates. Any such central bank, even if it were to be directly elected or guided by a democratic deliberative body, will necessarily find itself in a reactive position of subservience. A genuinely independent central bank is entirely compatible with greater democratic accountability precisely by shielding it both against the executive and by making it more independent from financial markets.

    The central task must thus be to create the democratic spaces in which open debate about these questions can actually take place. That means on one level to better understand the hybrid interdependence of finance and the state in the realm of capitalist money, including any strategic openings afforded by that interdependence. But it also means to look beyond the current, deeply flawed system in order to develop alternative demands for what a more egalitarian financial and monetary system could look like that actually serves as a peculiarly reflexive piece of public infrastructure.

    Stefan Eich is Assistant Professor of Government at Georgetown University. He is the author of The Currency of Politics: The Political Theory of Money from Aristotle to Keynes (Princeton University Press, 2022), which was awarded the 2023 APSA Foundations of Political Theory Best First Book Prize.

    References

    Aglietta, Michel and Orléan, André. 2002. La monnaie entre violence et confiance. Paris: Odile Jacob.

    Bagehot, Walter. 1873. Lombard Street: A Description of the Money Market. London: Henry S. King.

    Braun, Benjamin. 2018. “Central banking and the infrastructural power of finance.” Socio-Economic Review, 18, no. 2: 395–418.

    Braun, Benjamin and Gabor, Daniela. 2020. “Central banking, shadow banking, and infrastructural power.” In: Mader, P., Mertens, D., and van der Zwan, N. (eds.), The Routledge International Handbook of Financialization. London: Routledge: 241–52.

    Desan, Christine. 2017. “The Constitutional Approach to Money,” in Nina Bandelj, Frederick F. Wherry, and Viviana A. Zelizer, eds., Money Talks: Explaining How Money Really Works. Princeton: Princeton University Press: 109–30.

    Eich, Stefan. 2022. The Currency of Politics. The Political Theory of Money from Aristotle to Keynes. Princeton: Princeton University Press.

    Gabor, Daniela. 2021. Revolution without Revolutionaries. Berlin: Finanzwende and Heinrich-Böll Foundation.

    Graeber, David. 2011. Debt. The First 5,000 Years. New York: Melville House.

    Keynes, John Maynard. 1936. The General Theory of Employment, Interest and Money. London: Macmillan.

    Krippner, Greta. 2024. “Leviathan financialized?,” Finance & Society 10, Issue 1: 59–64.

    Lefort, Claude. 1988. Democracy and Political Theory. Translated by David Macey. Cambridge: Polity.

    Mann, Michael. 1984. “The autonomous power of the state: Its origins, mechanisms, and results” European Journal of Sociology, 25, no. 2: 185–213.

    Marx, Karl. 1978. “The Eighteenth Brumaire of Louis Bonaparte [1852].” Robert C. Tucker (ed.), The Marx-Engels Reader. New York: W.W. Norton: 594-617.

    Smith, Adam. 1981. An Inquiry into the Nature and Causes of the Wealth of Nations [1776]. Indianapolis: Liberty Classics.

    Taylor, Astra. 2019. Democracy May Not Exist But We’ll Miss it When It’s Gone. London and New York: Verso.

    Wansleben, Leon. 2023. The Rise of Central Banks: State Power in Financial Capitalism. Cambridge MA: Harvard University Press.

  • Martijn Konings–The Modern Money Tangle: An Introduction

    Martijn Konings–The Modern Money Tangle: An Introduction

    This article is part of the b2o: an online journal Special Issue “The Gordian Knot of Finance”

    The Modern Money Tangle: An Introduction

    Martijn Konings

    It is increasingly evident that the existing economic policy paradigm is a recipe for ongoing economic stagnation, political polarization, and ecological degradation. But this growing awareness often seems peculiarly inconsequential, incapable of driving even minor shifts in the most conspicuously harmful policy settings, including governments’ enormous subsidies for fossil fuel extraction and the near-perfect exemption of extreme private wealth from taxation. Even as electoral systems have become almost as volatile as the stock market, it seems that, when it comes to economic policy, the political center holds, inexplicably.

    We tend to call that paradigm “neoliberalism”. The epithet was first used by academics. But, as during the decade following the Global Financial Crisis wider communities of observers found themselves increasingly puzzled by the immunity of economic policy to feedback from social and ecological systems, the label became used more widely (Slobodian 2018, Monbiot and Hutchinson 2024). The problem, by this account, consists in politicians’ and policymakers’ unexamined belief in an expanded role for market mechanisms as the obvious solution to any and all social problems. Moreover, that erroneous belief is self-reinforcing, as the persistence or worsening of social problems is only ever taken to mean that not enough market efficiency has yet been applied.

    In the social sciences themselves, neoliberalism has become a contested concept. A general definition – neoliberalism as the reformulation of a classic liberalism in response to the rise and crisis of Keynesianism – is unlikely to encounter many objections. But the critical force of the neoliberalism concept is premised on a more specific claim – namely, the ability to capture the diminishing role of the state and the expansion of the market. It is not at all clear, however, that such a shift in society’s center of gravity, from public to private, has taken place. The very period during which the concept of neoliberalism established itself as a common descriptor was also the era of “quantitative easing” (asset purchases by the central bank) and “macroprudential regulation” (concerning itself not just with the health of individual firms but with macro-level stability) during which Western governments took on an unprecedented level of responsibility for maintaining the balance sheets of large financial institutions (Tooze 2018, Petrou 2021). Entirely contrary to what the neoliberal schema would suggest, the functioning of government institutions has become deeply entangled with the expanded reproduction of private wealth (Konings 2025).

    Supported by the significant historical and conceptual nuance that recent scholarship has provided, some have argued that the neoliberalism concept can accommodate such developments. But such qualifications undercut the critical thrust of neoliberalism as an off-the-shelf diagnosis of our current predicament. Others have gone further in questioning the suitability of traditional categories of state and market for capturing structures of power and exploitation that appear simultaneously archaic and futuristic. Neoliberalism, from such a perspective, may simply have buckled under the weight of its own contradictions, and we are now seeing a transition to a very different kind of society – neo-feudalism or technofeudalism (Dean 2020, Varoufakis 2024). Such takes align with the self-image of many Silicon Valley billionaires, who often see themselves less as capitalist entrepreneurs than as the founders of new dynastic bloodlines. But treating such heroic or nihilistic self-stylings as reliable guides to current transformations rather than publicly lived mental health struggles may well be a symptom of what Stathis Gourgouris (2019: 144) understands as social theory’s own “monarchical desire”.

    A more helpful angle has been advanced by Modern Monetary Theory (MMT), a perspective that understands economic value as a public construct and found considerable traction by pointing out that such public capacities for value creation had been appropriated by the property-owning class (Wray 2015, Kelton 2020). Taking a leaf from the Marxist book of dialectical historical change, MMT authors propose liberating the machinery of public value creation from the pernicious regime of property relations that it has been made to serve and instead to press it into serving “the birth of the people’s economy”, in the words of Stephanie Kelton (2020). If governments can afford to bail out banks, they can fund programs with actual social value.

    MMT precursor Abba Lerner (1943, 1947) viewed his perspective on money as a public token as nothing more than a rigorous statement of the assumptions underpinning Keynes’ General Theory. Keynes himself had tried to make his work acceptable to establishment opinion by concentrating primarily on the role of fiscal policy, leaving the overarching financial structure of the capitalist economy go unquestioned. Even during the heyday of Keynesian hegemony, attempts to wield the public purse were always constrained by the fact that control over monetary policy settings was firmly in the hands of central banks (Major 2014, Feinig 2022). That was a key institutional precondition for the rise of neoliberal inflation targeting. But the absurdity of putting monetary decision-making beyond democratic control became fully evident following the Global Financial Crisis, when central banks made permanent an extensive range of subsidies and guarantees for the holders of financial assets, while governments tightened the public purse strings by cutting social programs.

    In this context, arguments that had long been dismissed as crank theory were able to bypass the censure of mainstream economics and find purchase in the public sphere. The vicious response of mainstream economics to the popularity of MMT has done more to underscore than to refute the salience of its provocation – that there exist no actual economic reasons why we can’t repurpose the institutions of the bailout state, away from the gratuitous subsidization of private wealth accumulation and towards shared prosperity.

    Finance, MMT understands, holds no secret: it’s just a ledger of society’s transactions and commitments. And if these records are in principle as transparent as any other system of accounts, then what is there to prevent the public and its representatives from taking charge and correcting the perverse misallocations embedded in the current system? According to MMT, the main obstacle here is the flawed, arch-neoliberal idea that governments, like private households, need to “balance the books”. Politicians who operate under the pernicious influence of neoliberal ideology do not recognize that governments are sovereign institutions issuing their own currency and are not subject to the same discipline as households. Adding insult to injury, the principle of public austerity is always readily suspended when banks need bailouts – and invariably reinstated again once the danger of system-level meltdown has passed.

    MMT has adopted a very literal reading of neoliberalism, imagining that the force of its ideological obfuscations is the main obstacle to repurposing the mechanisms of quantitative easing for the advancement of the people. In reality, the problem runs deeper. The public underwriting of private balance sheets has a long history. From the mid-twentieth century it served as a key instrument for governments to manage the contradictions of welfare capitalism. During the 1970s, neoliberal ideas of fiscal and monetary austerity became influential not because of their ideological strength, but because they provided a way to manage the inflationary pressure produced by risk socialization. That permitted the routinization of bailout and backstop policies, which culminated in the intravenous liquidity drip-feed that large banks enjoy at present.

    That arrangement also has deeper social and political roots than it is typically credited with. Government subsidization of asset values is a major factor responsible for the rise of the “1%”, but it has also underpinned a broader reconstruction of middle-class politics, away from wage expectations to capital gains (Adkins, Cooper and Konings 2020). The nineties represented the high point of this asset-focused middle-class politics, when rising home and stock prices delivered benefits widely enough to give credence to the promise of inclusive wealth.

    The trickle-down effect has now come to a halt, but that fact does not by itself undo the ideological or institutional structure of the backstop state. The allocation of public resources has become intertwined with the private wealth accumulation in an endless number of ways that are not easily unwound. The idea that governments can do things themselves, without having to put in place complex financing constructions to mobilize private capital and incentivize the doing of said thing by others, has become so incomprehensible in the bourgeois public sphere that there simply no longer exists a straightforward channel for translating social priorities into public spending priorities. What binds the machinery of policymaking to the power of finance is not a set of discrete ties but rather something akin to a Gordian knot.

    How to undo, loosen, transform, or bypass that knot? The recent past offers some clues. Since the Covid crisis, modern money has powerfully expressed both its public and its private character. When emergency struck, governments were instantly capable of doing all the things that politicians and experts routinely advise are just not possible. By expanding the safety net beyond the financial too-big-to-fail establishment, they orchestrated a “quantitative easing for the people”, in the words of Frances Coppola (2019). The world’s most powerful central banker, Federal Reserve chairman Jerome Powell, conceded that there were no real technical limits to the possibility of getting money in the hands of people who needed it (Pelley 2020). Almost overnight, MMT went from indie darling to mainstream pop star. “Is this what winning looks like?”, the New York Times wondered (Smialek 2022). Many declared the end of the neoliberal model.

    But before too long, inflation surged, and discourses insisting on strict limits to the use of public money and credit returned to prominence. The discipline thus meted out has been extremely uneven. Central banks across the world have increased interest rates to slow down growth and employment, but for bankers and asset owners the edifice of quantitative easing and liquidity support remains firmly locked in place. Treasuries have similarly tightened the purse strings, swiftly undoing the broadened financial safety nets and undertaking deep cuts in social programs and public education even as they continue to increase spending on the military and corporate tax breaks.

    MMTers and other progressives have not failed to call out the hypocrisy, and neoliberal nostrums about the importance of balanced budgets no longer enjoy the same intellectual authority that they once did. But it often seems as if that hardly matters – that the sheer exhaustion of neoliberalism as an intellectual paradigm merely serves to make a mockery of the idea that policy could change in a material way. We can all see that the emperor is not wearing anything, and yet we’re in the midst of a powerful restoration of economic orthodoxy, relentlessly socializing the risk of the largest players while inflicting tight monetary and fiscal policy settings on the rest of the population.

    MMTers have allied with other heterodox economists to rebut mainstream arguments for deflationary policy (Weber and Wasner 2023). Inflationary pressures, they argue, had their origins in specific events such as supply-chain disruptions, and should be addressed by targeting those sources – not by carpet-bombing the economic system at large. Such arguments invoke a long history of Keynesian supply-side thinking that aims to undercut inflationary pressures in ways that do not require the central bank or the treasury to deploy their crude instruments of general deflation. The last time such a progressive supply-side agenda had made waves was during the nineties, when Democrats positioned such ideas as an alternative to Reagan’s right-wing supply-side agenda. Then, they became allied to spurious claims about a new economy and ended up providing ideological cover for Clinton’s embrace of fiscal austerity. This time, such ideas synced with the Biden’s administration’s interest in a more active industrial policy meant to counter the economic stagnation that had become evident during the previous decade and to tighten the strategic connections between key economic sectors and America’s geopolitical interests.

    While the recentering of the national interest has allowed Keynesian ideas to enjoy greater influence, it has also reinforced the blind spot that has historically plagued that paradigm and that MMT had sought to correct. Even as fiscal and regulatory policy have become fully yoked to the needs of financial assets holders for minimum returns – a dependence that Daniela Gabor (2021) has referred to as the Wall Street consensus, dominated by an asset manager complex that demands comprehensive derisking for any and all projects it invests in, what fell by the wayside with the rise of Bidenomics is a critical focus on the economy’s financial infrastructure as an object of democratic decision-making.

    Indeed, the Biden administration has been eager to disavow any interest in in challenging the autonomy of the Federal Reserve – one of its preferred ways to signal that there are “adults in the room” who take advice from experts. In this way, it has left the field open to the far right, which intuits much more readily that the advocates of independent central banking are false prophets, and it has made greater political control over monetary policy one of the key points of its blueprints for a more fascist future such as Project 2025. A progressive agenda that fails to engage that terrain, on which are situated the monetary drivers of the escalating concentration of asset wealth, will be unable find much sustained traction.

    MMT has shown us where we need to look – where to direct our attention and bring the struggle. But its wish to beat mainstream economics at its own scientistic game, by advancing objectively better policies rooted in superior expertise, prevents it from recognizing what an effective political engagement might involve. The contributions to this forum resist the temptation to imagine alternatives as if any are readily available. Instead, they examine modern money as a complex tangle, composed of an endless range of dynamically evolving strategies and alliances that straddle any divide between public and private. The financial knot is tighter in some places than in others, but neither orthodox economics nor MMT gets the pattern into sufficiently sharp focus to see the openings and fissures.

    In that sense, we should perhaps consider ourselves as occupying the mental space that Keynes did after he completed A Treatise on Money (Keynes 1930), which catalogued the extraordinary expansion of liquid financial instruments during the early twentieth century but had left him uncertain about the meaning of all this. When several years later he wrote the General Theory, his mind was on the day’s most pressing questions, above all the dramatic collapse in output and employment that had occurred during the previous years. While he recognized that such volatility could only occur in a monetary economy, he nonetheless considered it justifiable to let finance drop “into the background” (Keynes 1936: vii). Lerner viewed that as an infelicitous move, sensing correctly that it kept open the door to the restoration of an economic orthodoxy eager to sacrifice human livelihoods at the abstract altar of financial property. The contributions presented here (presented first at a symposium on the Gordian knot of finance held at the University of Sydney, generously sponsored by the Hewlett Foundation), take a step back and linger with the more open-ended curiosity that drove Keynes’ earlier engagement with the institutional logic of financial claims. How has the knot of modern money been tied?

    Stefan Eich’s contribution examines money’s constitutive duality, the fact that it is public and private at the same time. He draws attention to the structural similarity of perspectives that think of the financial system as either primarily public or primarily private, and, engaging with MMT as well as other strands of “chartalist” theory, he argues that money is best seen as a constitutional project. The fact that money is at its core both public and private means that political openings always exist, even if those are never opportunities to reconstruct the financial structure from scratch.

    Amin Samman asks what it is about the financial system that makes it so resistant to rational public policy intervention. To this end, he draws attention to the role of fictions in the functioning of finance – when speculative projections fail, the response is not sober reflection but a feverish acceleration of their production, eventuating in the installation of the lie as the modus operandi of capital. More earnest, truth-observant policymakers occupy a structurally impossible position, on the one hand interfacing with the delirious virtuality of capitalist finance and on the other attempting to be responsive to rational criticisms.

    Dick Bryan argues that a preoccupation with how to undo or cut the Gordian knot may be misplaced. For each bit of loosening we achieve, capital has tricks up its sleeve to tighten its grip. Instead of focusing too much on the knot itself, we might think of ways to slip past it by designing financial connections that may not instantly become entangled in existing networks and their power concentrations. Challenging any clear-cut distinction between money and asset, he argues that crypto currencies could be designed to play that role.

    Janet Roitman takes a different look at the image of the Gordian knot as a global imperial structure, and she asks whether it in fact attributes too much efficacy to the power of finance. While acknowledging the strength of the international currency hierarchy, she shows that dynamics challenging the dollar system arise from within the dynamic of capitalism itself. New financial technologies are instruments of economic competition, and in that capacity, they offer new opportunities for exploitation but inevitably also for the loosening of constraints, however limited or compromised such emancipation may be.

    While Roitman turns our attention to the fissures in the global financial knot, Michelle Chihara concludes the forum by pointing out a major kink in the heartland of modern money. She argues that, for all our fascination with the ghost towns that the bursting of the Chinese real estate bubble produced, vacant property is a key aspect of the functioning of contemporary global capitalism. The jarring combination of vacant apartments serving as subsidized storage for transnational wealth on the one hand and a rapidly growing population of homeless and underhoused on the other, is giving rise to new forms of protest, reminding us that the grip of money is rooted in the compliances of everyday life.

    Taken together, the contributions collected here shed light on different aspects of the tangle of promises, claims and commitments that constitute modern money. Such a perspective militates against the promise of a neatly executed, wholesale policy shift to reorient the economic system, but that does not entail a hard Hayekian anti-constructivism as the only alternative. MMT might be likened to a subject of psychoanalysis that, upon realizing that the world holds no deep secret, declares itself cured – but, when venturing back out, finds that its relationship to that world has undergone little practical change. It still has to do the work of deconstructing, transforming, or otherwise navigating the actual web of fictions, promises, lies, and obfuscations that it has built. In few areas of life is such thoughtful deconstruction more imperative than in our relationship to modern money, which is structured by so many layers of miseducation and misapprehension that transforming its practical operation is necessarily as much about revising our understanding as it is about getting our hands on the institutional machinery of its creation.

    Martijn Konings is Professor of Political Economy and Social Theory at the University of Sydney. He is the author of The Emotional Logic of Capitalism (Stanford University Press, 2015), Neoliberalism (with Damien Cahill, Polity, 2017) Capital and Time (Stanford University Press, 2018), The Asset Economy (with Lisa Adkins and Melinda Cooper, Polity, 2020), and The Bailout State: Why Governments Rescue Banks, Not People (Polity, 2025).

    References

    Adkins, Lisa, Melinda Cooper and Martijn Konings. 2020. The Asset Economy, Polity.

    Brown, Wendy. 2015. Undoing the Demos: Neoliberalism’s Stealth Revolution, Zone.

    Coppola, Frances. 2019. The Case For People’s Quantitative Easing, Polity.

    Dean, Jodi. 2020. “Neofeudalism: The End of Capitalism?”, Los Angeles Review of Books, May 12.

    Feinig Jakob. 2022. Moral Economies of Money: Politics and the Monetary Constitution of Society, Stanford University Press.

    Gabor, Daniela. 2021. “The Wall Street Consensus”, Development and Change, 52(3).

    Gourgouris, Stathis. 2018. The Perils of the One, Columbia University Press.

    Kelton, Stephanie. 2020 The Deficit Myth: Modern Monetary Theory and the Birth of the People’s Economy, PublicAffairs, 2020.

    Konings, Martijn. 2025. The Bailout State: Why Governments Rescue Banks, Not People, Polity.

    Lerner, Abba P. 1943. “Functional Finance and the Federal Debt”, Social Research, 10(1).

    Lerner, Abba P. 1947. “Money as a Creature of the State”, American Economic Review, 37(2).

    Keynes, John Maynard. 1930. A Treatise on Money, Cambridge University Press.

    Keynes, John Maynard. 1936. The General Theory of Employment, Interest and Money, Harcourt, Brace and Company.

    Major, Aaron. 2014. Architects of Austerity: International Finance and the Politics of Growth, Stanford University Press.

    Monbiot, George and Peter Hutchison. 2024. Invisible Doctrine: The Secret History of Neoliberalism, Crown.

    Pelley, Scott. 2018. “Federal Reserve Chairman Jerome Powell on the coronavirus-ravaged economy”, CBS News, May 18.

    Petrou, Karen. 2021. Engine of Inequality: The Fed and the Future of Wealth in America, Wiley.

    Slobodian, Quinn. 2018. Globalists: The End of Empire and the Birth of Neoliberalism, Harvard University Press.

    Smialek, Jeanna. 2022. “Is This What Winning Looks Like?”, New York Times, February 7.

    Tooze, Adam. 2018. Crashed: How a Decade of Financial Crises Changed the World, Viking.

    Varoufakis, Yanis. 2024. Technofeudalism: What Killed Capitalism, Melville House, 2024.

    Weber, Isabella M. and Evan Wasner. 2023. “Sellers’ Inflation, Profits and Conflict: Why Can Large Firms Hike Prices in an Emergency?”, Review of Keynesian Economics, 11(2), 2023.

    Wray, L. Randall. 2015. Modern Money Theory: A Primer on Macroeconomics for Sovereign Monetary Systems, Palgrave Macmillan.

  • Alexander R. Galloway–The Uses of Disorder (A Review of David Golumbia’s Cyberlibertarianism)

    Alexander R. Galloway–The Uses of Disorder (A Review of David Golumbia’s Cyberlibertarianism)

    The Uses of Disorder: A Review of David Golumbia’s Cyberlibertarianism

    Alexander R. Galloway

    Does disorder have a politics? I suspect it must. It has a history, to be sure. Disorder is quite old, in fact, primeval even, the very precondition for the primeval, evident around the world in ancient notions of chaos, strife, or cosmic confusion. But does disorder have a politics as well? As an organizing principle, disorder achieved a certain coherence during the 1990s. In those years technology evangelists penned books with titles like Out of Control (the machines are in a state of disorder, but we like it), and The Cathedral and the Bazaar (disorderly souk good, well-ordered Canterbury bad).[1] The avant argument in those years focused on a radical deregulation of all things, a kind of full-stack libertarianism in which machines and organisms could, and should, self-organize without recourse to rule or law. Far from corroding political cohesion, as it did for Thomas Hobbes and any number of other political theorists, disorder began to be understood in a more positive sense, as the essential precondition for a liberated politics. Or as the late David Golumbia writes in Cyberlibertarianism, the computer society of the twentieth and early twenty-first centuries culminated in “the view that ‘centralized authority’ and ‘bureaucracy’ are somehow emblematic of concentrated power, whereas ‘distributed’ and ‘nonhierarchical’ systems oppose that power.”[2] And, further, Golumbia argues that much of the energy for these kinds of political judgements stemmed from a characteristically ring-wing impulse, namely a conservative reaction to the specter of central planning in socialist and communist societies and the concomitant endorsement of deregulation and the neutering of state power more generally. Isaiah Berlin’s notion of negative liberty had eclipsed all other conceptions of freedom; many prominent authors and technologists seemed to agree that positive liberty was only ever a path to destruction.[3] Or as Friedrich Hayek put it already in 1944, any form of positive, conscious imposition of order would inevitably follow “the road to serfdom.”[4] Liberty would thus thrive not from rational order, but from a carefully tended form of disorder.

    Ceci tuera cela, wrote Victor Hugo. “This will kill that. Books will topple buildings … printing will kill architecture.”[5] As Golumbia discusses in his Chapter 4, cyberlibertarians frequently use the analogy of Gutenberg when speculating on the revolutionary politics of new digital technologies. The Internet will transform society, cyberlibertarians argue, by doing away with all the old hierarchies and gatekeepers, much as the printing press once weakened the clergy’s monopoly over the Good News. It’s a real historical transformation, perhaps, but the phrase is also meant to work as a metaphor. This will kill that. Computers will topple buildings. And it’s even more precise than this. Computers do away with the very concept of “building,” cyberlibertarians argue, because computers are inherently disruptive of hierarchies and institutions. Computers perform a kind of un-building, a deconstruction of all hitherto existing constructions. Or as Jacques Derrida once divulged with a refreshing candor, “[i]f there had been no computer, deconstruction could never have happened.”[6] The cyberlibertarians say something similar: behold the modern computer; in its wake are dissolved all the old hierarchies of Western culture.

    Should we believe all this, this specific rhetoric of disorder? I, for one, don’t. And neither did Golumbia. I don’t believe Hayek. And if I were to believe Derrida, I doubt that he himself understood the consequences of such a pronouncement.[7] However I’m compelled to stay with the logic of disorder, at least for a while, given how disorder has colored so much of contemporary life. The disorder is real, I maintain, even if one should be skeptical about the rhetoric of liberation accompanying it. By the end I hope to convince you that disorder is not the general unraveling of order, but in fact an alternative system of order, and thus a clearly articulable form of political power.

    In other words, what the tech evangelists got wrong, and what Golumbia got right, was that this new chaotic infrastructure, this new anarchy of flesh and ferrite, did not signal a generalized relaxation of order and organization, but in fact constituted a new system of management just as robust as any of the old hierarchies. (Tellingly, Gilles Deleuze once labeled the burgeoning computer epoch a “society of control”, not a society of liberty or justice.[8]) Particularly formative for me in arriving at this opinion were books like Branden Hookway’s Pandemonium, an unclassifiable text from 1999 devoted to the “environment of ‘all demons,’” understood through “chaotically activated surfaces, a swirl of constant motion, even brutal ubiquitous insurrection … a sort of diabolic friction between heaven and earth.”[9] What Hookway helped me understand was that the new pandemonium of the marketplace didn’t so much forestall the new serfdom as inaugurate a new type of subordination, even if the shape of that new subordination did not resemble Winston Smith kneeling underneath the supersized face of Big Brother. The new subordination was somehow “free” and self-driving, in that all participating agents within the system (each machine, each person) were obligated to induce their own subsidiary statuses within a swirl of contingent encounters. Forget about rugged individualism, everyone seemed content just being a beta. Capitalism had entered its cuck phase. There’s a permanent pecking order, and the market bull is always ahead of you.[10]

    This logic of disorder is baked into computer networks. For example, computer protocols like Transmission Control Protocol (TCP) and Internet Protocol (IP) were designed to be open, free, and flexible, not rigid or tyrannical. And indeed they are! If there is a tyranny, it’s a tyranny stemming from the absence of tyranny. Today’s protocols claim to lack any kind of central authority. Of course this is a convenient myth, as new kinds of authorities emerge precisely from an environment bent on excluding authority. Network protocols have de jure authorities in the various international standards bodies such as the IEEE (Institute of Electrical and Electronics Engineers). Networks also have de facto authorities in the small number of behemoth nodes that claim an inordinate percentage of network throughput and computing power. Look up how much of the Internet runs on Amazon Web Services alone; you might be shocked at the result. But the argument goes further than that. Even at the point of breaking up all the monopolies and structurally removing all anti-markets, the control society would remain. Even if we managed to expropriate every billionaire, and got all markets to hum with zero friction, the beautiful disorder of control society would remain. It’s all just random variations of values in an enormous planetary spreadsheet; it’s all just arbitrage within a disorderly parade. Or to borrow the language of psychoanalysis, today’s cyberlibertarians are classic hysterics. They desperately strive to undermine order, while also propping up a new technical regime (if only for the purposes of further undermining it).

    Is disorder the best word to describe this? Might disorganization work better? I am trying to put my finger on a specific phenomenon that is old but has accelerated over the last several decades. I see it as characteristically American, from my vantage at least, a phenomenon that combines different tendencies from disorganization and decentralization, to anti-authoritarianism and anti-foundationalism. What ties these tendencies together is a generalized skepticism toward institutions, fueled by a fundamental belief in the power of the individual paired with a skepticism toward others, a skepticism that frequently blossoms into outright contempt. In America, and the American West in particular, these tendencies are inextricable from racism and xenophobia within the political sphere. The wars against American Indians in the Black Hills or the Chiricahua Mountains are not so remote from today’s wars on the homeless in Grants Pass or the Tenderloin. In what Richard Barbrook and Andy Cameron termed “the Californian Ideology,” technology itself might embody these same kinds of carceral exclusions, taking advantage of technologies of disorder to promulgate a structure of mutual contempt, thereby furthering an institution that undermines all institutions.[11]

    One of the winners out of all of this has been Ayn Rand, a mediocre novelist who left Soviet Russia for Hollywood America, and whose name is now permanently associated with cyberlibertarianism. During a revealing segment near the start of his BBC documentary All Watched Over by Machines of Loving Grace, filmmaker Adam Curtis chronicled how Silicon Valley has paid homage to Ayn Rand time and again, from the tech entrepreneurs who have christened their daughters Ayn and their sons Rand, to the various consultancies and finance companies with names like Fountainhead or the Galt Group. The profusion of Rands is dizzying: all those CEO sprouts named Rand, Ayn Rand herself, but also the libertarian Rand Paul, mixed together with white papers published by the RAND Corporation.[12]

    Curiously, the 1960s counterculture both helped and hindered these developments. Mobilizing a kind of tactical ambiguity, the counterculture both proposed any number of tech-centric utopias, while also experimenting with versions of pastoral communalism that many of the new corporate magnates inherently despised. Golumbia has resolved the ambiguity by highlighting the many rightward tendencies while remaining unconvinced of their putative leftward potential.[13] Hence in Golumbia’s account, tech institutions like the WELL and Wired Magazine, along with figures like Steward Brand and John Perry Barlow, are all harbingers of a creeping conservatism, not innervating indicators of a liberated future.

    In resolving the ambiguity, Golumbia assembles a mountain of evidence. Going person by person, he shows that a sizable number of figures from the computer revolution were either proud right-wingers, or ought to be labelled as such by virtue of their affection for Atlas-Shrugged-style libertarianism. By contrast, to enumerate all of the bona fide socialists or communists among the raft of hackers and computer scientists driving cyberculture would produce a very short list indeed. Beyond individual personalities, Golumbia also shows that many of the cherished organizations within cyberculture (such as Wikipedia or the Electronic Frontier Foundation), along with many of the Internet-oriented campaigns of recent years (such as the 2012 campaign against SOPA and PIPA legislation), typically act in the service of new-economy titans in Silicon Valley at the expense of old economy dinosaurs like Hollywood. Whoever wins, we lose.

    Many readers will blanch at the details; I even did in certain places, given my interest in open-source software, the hacker community, and other aspects of cyberculture targeted by Golumbia as inherently right-leaning. I fear some readers will simply discard his argument out of hand, not wishing to have their base assumptions tested, as happened with Golumbia’s previous work on the right-wing politics behind cryptocurrencies.[14] In listening to some of the lectures and podcast appearances he gave before his death, Golumbia was actively concerned about the mismatch between the evidence offered and its reception by both his supporters and critics. With patience and composure, but clearly exasperated, Golumbia would frequently note how the Internet elicits a disproportionate amount of goodwill, despite all of its negative and even reactionary tendencies. I just don’t know how much more evidence you need, Golumbia has lamented in different ways on different occasions. In fact, Golumbia was clever enough to scrutinize his own rhetorical disadvantage, ultimately adducing this disadvantage as a piece of the argument itself. According to him, cyberculture entails an inversion between evidence and belief. Hence it is entirely possible for Golumbia’s readers to accept his evidence on rational terms, while also stubbornly believing the opposite. Yes, Golumbia is correct about bitcoin, but I still want to get rich off crypto…. Yes, he’s correct about Google, but I still love my Gmail account. This mechanism of disavowal — yes, but still — allows cyberculture to appear progressive on the surface, while also promulgating reactionary politics at its core.[15] It is a classic instance of ideological inversion. The very thing that users desire is also the thing that undermines them. Or as Golumbia reminds his readers on page after page: beware of geeks bearing gifts!

    Indeed, the question of gifts sits at the heart of many of these debates. Economists and legal theorists frequently talk about the advent of the so-called gift economy rooted in the wide circulation of free content online. And one of the founding principles of the open-source movement turns on a claim about gifts, or the lack thereof. Since the 1990s, computer scientist Richard Stallman has been one of the most visible figures in the free and open-source software movement. A technical genius, Stallman is notable for his ability to write compellingly about the topic, while also evangelizing through lectures and other public appearances. Perhaps the most widely quoted passage from Stallman has to do with distinguishing between two senses of the word “free.” “‘[F]ree software’ is a matter of liberty, not price,” Stallman has insisted. “To understand the concept, you should think of ‘free’ as in ‘free speech,’ not as in ‘free beer.’”[16] I recall hearing this line many times during the first Internet boom of the late 1990s. Free speech, yes; free beer no — that was the essence of liberated software according to Stallman and his ilk. It always struck me as misguided. But I guess the ebullience of those years made it feel too petty to debate the point. So at the risk of exposing myself to ridicule, let me be crystal clear today: If we are stuck with Stallman’s perhaps artificial binary, the truly progressive position would obviously be the second option, free beer! One must insist on this. Stallman was devilishly clever to constrain our choices to only these two terms, given how such a framing inherently mocks the progressive position as outrageous and frivolous, like those old conservative tabloids that would satirize the workers’ movement as wanting to make the streets flow with champagne. A sense of liberty is paramount within any healthy society. But the left has always understood freedom through the prism of justice, hence not freedom for freedom’s sake, but rather free social services, free public commons, free health care, free education, and, above all, freedom from the tyranny of private property. Or as Golumbia explains in plain terms: “The roots of open source do not emerge from Marx. Instead, they are more in line with anarcho-capitalists like Murray Rothbard and David Friedman.”[17] (I often wonder whether left tech even exists at all. Has humanity yet invented a communist computer?) To repeat, Richard Stallman made the wrong choice regarding freedom, and the success of his error has negatively influenced the history of software and computing for the last three decades. Or, to cede the thread back to Golumbia, Stallman was wrong, but, more importantly, his being wrong was evidence of his right-wing tendencies.

    On this point Golumbia benefits from a certain slippage between political monikers. While many of the antagonists in his book are libertarians, in fact a good portion of them would better be described as mainline liberals, and indeed label themselves as such. The key for Golumbia is to insist on defining liberal in the traditional Lockean sense of individual liberty, private property, and market capitalism, rather than how the label tends to be used in the contemporary vernacular (as a loose synonym for NPR, Volvos, and Elizabeth Warren). Golumbia does this effectively in the book. Yet I sometimes found myself having to rehearse every step of the argument in order for the point to land. Many of Golumbia’s readers will readily agree that Elon Musk and Peter Thiel are political reactionaries; but the proposal is more labored when it comes to Cory Doctorow or danah boyd.

    That Musk has described himself as an anarcho-capitalist complicates the discussion a great deal.[18] If Musk is an anarchist too, then, yuck, I will decline association. And yet, while conspiratorial thinking is no doubt enjoyable, particularly when it means putting capitalism in the sights, there’s no anarchist conspiracy taking place in corporate boardrooms, alas. The “anarcho” in anarcho-capitalism is a misnomer of the highest order; Musk & Co. are not anarchists in any real sense of the term. As Golumbia explains with more patience than I could ever muster, anarcho-capitalists do not adopt any of the various principles of political anarchism such as radical equality via the removal of social hierarchy, a rejection of representation in favor of local decision making and communization, Peter Kropotkin’s mutual aid contra Charles Darwin’s survival of the fittest. (Enumerating the principles of anarchism is absurd of course, at least superficially; those made nervous by the listing of principles might prefer to think in terms of tendencies or practices, identified merely to facilitate the very contingency of anarchism, its essential disorder.) And yet so many tech entrepreneurs want to fly the black flag. Do these titans of industry know more than they let on? Do they admit to themselves that capitalism is a corrosive force in society? Is “anarchism” just a sexier word for “disruption” (which itself was a sexy word for all the daily depravities of capitalism)? I already know Marx and Engels’s lamentations on the disruptive forces of bourgeois society, “[a]ll that is solid melts into air, all that is holy is profaned,” and yet I have to hear it again from a bunch of cheery entrepreneurs?[19]

    Here’s a guiding principle to help stay mentally balanced: less Tim May and more Todd May. I screw up the names myself sometimes. Todd, the leftist philosopher who first made his mark thirty years ago with a lean and punchy book about political anarchism[20]; Tim, the cypherpunk engineer and low-skill author of the “Crypto Anarchist Manifesto” about techno anarchism. (“A specter is haunting the modern world, the specter of crypto anarchy. … Arise, you have nothing to lose but your barbed wire fences!”[21]) Is it even worth complaining about Tim’s amateurish allusions when the ideas driving them are so repulsive? As Golumbia diligently documents in his book, Tim was virulently bigoted against Blacks, Jews, and Latinos. Golumbia reproduces some of the offending passages in his book — I won’t cite them myself; the quotations are not worth your eyes — but Golumbia’s true task was to show readers exactly why Tim’s bigotry paired so easily with his libertarianism.

    I suspect that the fatal flaw of cyberlibertarianism has been to value formal determinations over political ones. By formal determinations I mean the adoption of tools and techniques selected for their specific shape and arrangement rather than due to the political realities they engender. Hence the cyberlibertarian values of openness over closedness, distribution contra centralization, the horizontal instead of the vertical, flows rather than fetters, and rhizomes not trees. Yet the disparaged second terms in this list of pairs are often politically valuable, even necessary. For example, closedness is necessary for privacy, and centralization helps with economies of scale.

    Here we may also definitively untangle the unfortunately intimate relationship forged between libertarianism and anarchism in recent decades. Anarchists want a different shape, that’s true, but a shape that directly informs a series of political desires such as mutual aid, anti-racism, collapsing the hierarchy of representation, and so on. Whereas libertarians use a superficial form of anarchism as camouflage to hide what amounts to cynical egoism: I’m an anti-foundationalist because I just don’t want to pay taxes.[22]

    What gets overlooked by cyberlibertarians, and frankly by many others including some proper anarchists, is that these arrangements (horizontality, openness, free flows) constitute a system of order like any other. Fickle and free liquidity furnishes no exemption from organization. My dear anarchist comrades—at least some of them–ought to be admonished on this point and this point alone, namely for continuing to believe that anti-foundationalism doesn’t entail its own autonomous form of power and organization. In the end, anarchism is not so much the absence of government or the annihilation of a foundation — arkhe plus the alpha privative — as it is the adoption of a specific set of formal and political virtues (virtues which just so happen to resist established domination and undermine centralized authority). This is part of why disorder has a politics, precisely because it has no inherent political valence, and thus can and should become a site of struggle.

    If Golumbia overlooked anything in this long and thorough book it was no doubt the domain of artificial intelligence. I imagine he omitted any serious discussion of AI due to practical concerns; it’s a massive topic and would have compounded the book’s scope and length significantly. Yet AI fits the book’s primary thesis. Current generation AI is inherently cyberlibertarian because it requires enormous stockpiles of putatively free data, unfettered by regulations around copyright or restrictions over ownership. The fair use doctrine has been mobilized as a new form of corporate theft of common resources, so that “free speech” will now alchemically transform into a glass of “free beer,” but only for those culling the data and gulping its value. Marx wrote about “primitive accumulation” at the end of Capital, vol. 1; AI is just the latest wave of this type of accumulation by dispossession.[23] (In fact the theft of value from unpaid micro labor is only the most egregious violation in a long list that should also include the squandering of vast amounts of energy and natural resources. If the overdeveloped nations of the world weren’t hastening climate catastrophe fast enough, we’ve also invented robots to burn additional fossil fuels on our behalf. Suicide by proxy.)

    Here too we see a new order forged from disorder. I mean that very literally. Certain types of AI, diffusion models in particular, explicitly use randomness and other entropic phenomena during the process of image generation. Discrete rationality is sterile and deterministic, alas; it may only transcend itself via excursions into more fertile lands, what information scientists call latent space and what Deleuze called the virtual. Computers have long served as a special tool to leverage the distinction between the orderly and the disorderly, to form a bridge between these two domains. And the richest source of disorder is us, the users.

    Hannes Bajohr has brilliantly described AI image generation in terms of an “operative ekphrasis,” that is, the use of textual description to summon an image into existence, as Homer did with the shield of Achilles.[24] Everything inside a computer is text, after all, or at least a series of alphanumeric tokens (represented primarily as integers and ultimately as discrete changes in electrical voltage). There are no images inside the beige box, even when it outputs a synthetic picture. And yet the machine accepts commands (i.e. textual prompts) that actualize a single image from out of the near infinity of possible alternatives.

    Disorder in technical systems was first defined by one Ludwig Boltzmann. However, “no Boltzmann without Shannon,” as Friedrich Kittler once insisted.[25] The historical causality appears to be reversed. But is it? I imagine Kittler to have meant that the existence of Ludwig Boltzmann in 1877 lead naturally to the existence of Claude Shannon in 1948. And this is no doubt true. The mathematical definition of entropy found in Boltzmann was directly deployed, mimicked even, by Shannon in his definition of information.[26] In other words, disorder has a history, and it has a politics, but it also has a technology. And this disorder technology, this entropy technology, has been central to cyberlibertarianism from the outset. Encryption technology, the killer app of cyberlibertarianism, is simply unthinkable without technologies of disorder, specifically the ability to fabricate high-quality random numbers and the (practical) inability to calculate the factors of large integers. So AI synchronizes with Golumbia’s theme due to the rhetorics of liberation surrounding the extraction of value. But also through the more proximate connection of AI diffusion models that map between low entropy images and high entropy images.

    This is what I will retain most from Golumbia’s final work, that while the bobbles and trinkets invented by cyberlibertarians in Silicon Valley, Bangalore, or Shenzhen are touted for their ability to disorder the order of things, such disorder is ultimately a distraction. So here at the exit, let’s exit the concept entirely. Instead I prefer to insist that the apparent disorder at the heart of cyberlibertarianism, along with the apparent anarchy at the heart of anarcho-capitalism, are merely new forms of order. And this new order is also a clearly articulable form of power.

    Alexander R. Galloway is a writer and computer programmer working on issues in philosophy, technology, and theories of mediation.  

    [1]    See Kevin Kelly, Out of Control: The New Biology of Machines, Social Systems and the Economic World (New York: Basic Books, 1994) and Eric S. Raymond, The Cathedral and the Bazaar: Musings on Linux and Open Source by an Accidental Revolutionary (Sebastopol, CA: O’Reilly Media, 1999). Interestingly, “cathedral,” as a proper name for the structure of power, has also been mobilized by neo-reactionary authors like Curtis Yarvin.

    [2]    David Golumbia, Cyberlibertarianism: The Right-Wing Politics of Digital Technology (Minneapolis: University of Minnesota Press, 2024), 62. Golumbia credits Langdon Winner for coining the term cyberlibertarianism in his essay “Cyberlibertarian Myths and the Prospects for Community,” ACM SIGCAS Computers and Society 27, no. 3 (September, 1997): 14-19.

    [3]    On negative liberty (the removal of freedom’s fetters) and positive liberty (the assertion of free conditions), see Berlin’s 1958 lecture “Two Concepts of Liberty” in Isaiah Berlin, Liberty (London: Oxford University Press, 2002), 166-217.

    [4]    Friedrich Hayek, The Road to Serfdom (Chicago: University of Chicago Press, 1944).

    [5]    Victor Hugo, Notre-Dame de Paris (Paris: Gallimard, 1973), 244-245.

    [6]    As Friedrich Kittler reported in an interview: “I was very pleased that Jacques Derrida, during a recent visit to the university in Siegen, actually uttered the sentence (after some questioning): ‘If there had been no computer, deconstruction could never have happened.’” See Friedrich Kittler, “Spooky Electricity: Laurence Rickels Talks with Friedrich Kittler,” Artforum 31, no. 4 (December 1992): 67-70, p. 68.

    [7]    Despite being a devoted user of Macintosh computers, Derrida had no real intellectual engagement with computation during this lifetime. Some notable exceptions exist including Béatrice and Louis Seguin’s interview with Derrida, first published in La Quinzaine Littéraire (August 1996) and later included as chapter three, “The Word Processor,” in Jacques Derrida, Paper Machine, trans. Rachel Bowlby (Stanford: Stanford University Press, 2005), 19-32. I engage the relationship between Derrida and computing at greater length in a forthcoming essay titled “What are the Media that Determine Philosophy?”

    [8]    See Gilles Deleuze, “Postscript on Control Societies” in Negotiations, Martin Joughin, trans. (New York: Columbia University Press, 1990), 177-182.

    [9]    Branden Hookway, Pandemonium: The Rise of Predatory Locales in the Postwar World (New York: Princeton Architectural Press, 1999), 23. Like Golumbia, Hookway also passed away far too young.

    [10]   The urge to rank users into a specific set of hierarchical tiers based on captured data is expertly investigated in two recent works of social science: Marion Fourcade and Kieran Healy, The Ordinal Society (Cambridge: Harvard University Press, 2024); and Cédric Durand, How Silicon Valley Unleashed Techno-feudalism: The Making of the Digital Economy, trans. David Broder (London: Verso, 2024).

    [11]   For more on what he calls carceral systems, by way of Anthony Wilden’s important early text on digital theory, System and Structure, see Seb Franklin’s essay “The Pattern and the Police: Carceral Systems and Structures” in Parapraxis 4 (August, 2024): 109-128.

    [12]   Based in Santa Monica, California, the RAND Corporation was in fact not named after Ayn Rand, but rather as an acronym of “research and development.”

    [13]   Golumbia’s own leftist politics hinged on “the political, the social, and the human,” as he puts it in the book’s epilogue (Cyberlibertarianism, 401). Buy this he means fostering a robust democratic state, supported by strong public institutions and an educated citizenry. Golumbia was anti-fascist because fascism threatens that Whiggish ideal; he was anti-capitalist for the same reason.

    [14]   David Golumbia, The Politics of Bitcoin: Software as Right-Wing Extremism (Minneapolis: University of Minnesota Press, 2016).

    [15]   For more on disavowal as a psychic mechanism see Alenka Zupančič, Disavowal (Cambridge: Polity, 2024). The inverse relation between evidence and belief has also been a part of Slavoj Žižek’s intellectual project for many years. See, inter alia, Slavoj Žižek, The Sublime Object of Ideology (London: Verso, 2009).

    [16]   Richard M. Stallman, Free Software, Free Society: Selected Essays of Richard M. Stallman (Boston: GNU Press, 2002), 43.

    [17]   Golumbia, Cyberlibertarianism, 24.

    [18]   The world’s most visible suck-up, Musk called himself a “utopian anarchist” in a tweet from June 16, 2018, while more recently favoring the descriptors “dark, gothic MAGA” at a Donald Trump rally held on October 27, 2024 at Madison Square Garden. Musk may be MAGA, but, dear reader, he is most certainly not dark, gothic, utopian, or anarchist.

    [19]   Karl Marx and Friedrich Engels, The Communist Manifesto, trans. Samuel Moore (London: Penguin, 2002), 223.

    [20]   Todd May, The Political Philosophy of Poststructuralist Anarchism (University Park: Pennsylvania State University Press, 2021). May’s argument remains relevant for a number of reasons. I will merely highlight one central feature of the book, how May explicitly characterized French poststructuralism as anarchist. As he put it unambiguously in the final sentence of the book, anarchism is the “most lasting … legacy of poststructuralist political thought” (155). Some will quibble over the deals, and a lot depends on how one defines the boundary of French poststructuralism; May’s references are predominantly Michel Foucault, Gilles Deleuze, and Jean-François Lyotard. But there’s no doubt in my mind that French theory, broadly conceived, illustrates the general migration, evident within leftist intellectual circles overall during the last fifty years, away from Leninism and toward anarchism, away from the red and toward the black. In a recent work, Catherine Malabou has also traced the peculiar relationship between philosophy and anarchism, with reference to both France (Emmanuel Levinas, Jacques Derrida, Michel Foucault, and Jacques Rancière) and elsewhere (Aristotle, Reiner Schürmann, and Giorgio Agamben). See Catherine Malabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Cambridge: Polity, 2023), along with an even more recent book on the question of property in the work of anarchist Pierre-Joseph Proudhon, Il n’y a pas eu de Révolution: Réflexions sur la propriété privée, le pouvoir et la condition servile en France (Paris: Rivages, 2024). Golumbia was disappointed by Malabou’s June 14, 2018 statement in Le Monde titled “Cryptomonnaie, stade anarchiste du capitalisme” [“Cryptocurrency–The Anarchist Stage of Capitalism”], where she explained her interest in cryptocurrencies, and specifically her rationale for endorsing John McAfee’s “Declaration of Currency Independence,” a cyberlibertarian document. In fact a number of prominent leftist theorists have expressed an interest in crypto. See, for instance, Brian Massumi, who in his book 99 Theses on the Revaluation of Value: A Postcapitalist Manifesto (Minneapolis: University of Minnesota Press, 2018) proposed a “maximally non-compromising, postblockchain speculative alter-economy” (20).

    [21]   These being the first and last lines of Tim May’s “Crypto Anarchist Manifesto” from 1992 (https://groups.csail.mit.edu/mac/classes/6.805/articles/crypto/cypherpunks/may-crypto-manifesto.html). A whole study could be done on how engineers and entrepreneurs have adopted the literary genre of the political tract, while almost completely inverting the political impulses of the old avant-garde manifestos or revolutionary cahiers de doléances. Another such representative, also discussed by Golumbia, is the “Magna Carta for the Knowledge Age” co-authored by Esther Dyson, George Gilder, George Keyworth, and Alvin Toffler. This new Great Charter of Liberty opened by asserting that “[t]he powers of mind are everywhere ascendant over the brute force of things,” before lapsing into a fairly predictable form of pro-market libertarianism. See Esther Dyson, et al., “Cyberspace and the American Dream: A Magna Carta for the Knowledge Age” (http://www.pff.org/issues-pubs/futureinsights/fi1.2magnacarta.html).

    [22]   Which prompts the necessary inversion: I’m an anarchist, and I do want to pay taxes. In other words, the best kinds of anti-foundationalism revolve around an invigorated sense of responsibility and commitment, not the general dissolving of social bonds. See, for instance, Kristin Ross, The Commune Form: The Transformation of Everyday Life (London: Verso, 2024).

    [23]   In the first new English translation in fifty years, Paul Reitter has opted instead for the phrase “original accumulation,” arguing that it is closer to the original German while also avoiding unnecessary connotations suggested by the word “primitive.” See Karl Marx, Capital: Critique of Political Economy, vol. 1, trans. Paul Reitter (Princeton: Princeton University Press, 2024), 650 and note i on 836-838.

    [24]   See Hannes Bajohr, “Operative Ekphrasis: The Collapse of the Text/Image Distinction in Multimodal AI,” Word and Image 40, no. 2 (2024): 77-90. According to Antonio Somaini, this kind of operative ekphrasis “does not describe pre-existing images but rather generates images by pre-describing them” (Antonio Somaini, “A Questionnaire on Art and Machine Learning,” October 189 [Summer 2024]: 112-120, p. 115).

    [25]   Friedrich Kittler, The Truth of the Technological World: Essays on the Genealogy of Presence, trans. Erik Butler (Stanford: Stanford University Press, 2013), 183.

    [26]   Indeed Kittler was less ambiguous elsewhere: “[Boltzmann’s] entropy formula is mathematically identical to Shannon’s later information formula” (see Friedrich Kittler, Optical Media: Berlin Lectures 1999, trans. Anthony Enns [Cambridge: Polity, 2010], 125). Although “mathematically identical” is imprecise even if Kittler’s sentiment was correct overall: Shannon’s formulation omits the Boltzmann constant, it uses log base two rather than the natural log (in base e), and it entails a summation of probabilities.

  • Karen Pinkus–Selected Cantos of the Inferno

    Karen Pinkus–Selected Cantos of the Inferno

    Selected Cantos of the Inferno

    Karen Pinkus

     

    A good bit more than halfway through my life I stood

    On a precipice looking down with dread

    When came my guide, with wiry hair, the very sage Ms. Atwood.

     

    “I’ll take you ‘round to see how certain souls are fairing

    In hopes to cheer you up a bit,” she offered.

    This, plus Xanax and some wine will make a pleasant pairing.

     

    ******

     

    We came upon a meadow that seemed verdant from afar.

    On close inspection, drought-fueled wildfires simmered

    And yet, small dogs were frolicking among the ashy chars.

     

    “Behold the plain of virtuous re-pugs,” Margaret indicated.

    “Being of that sort, they will forever chase their croppéd tails

    But will not suffer the tortures of others much worse fated.”

     

    “And who’s that silver-coated fox who yaps intrepidly?” I wonder.

    “That’s Liz Cheney. She sniffs and seeks her dad but finds him not

    For he resides where it is much, much more hot.”

     

    *****

     

    Next, we sailed upon a sea of men forever treading water.

    Bezos and Sir Keir I recognized among the many bobbing heads.

    “They did what they had to,” said my guide, “to find themselves safe harbor.”

     

    They can’t be blamed, I thought. And yet they might have spoken up

    instead of normalizing the approaching storm

    or diplomatic niceties continuing to perform.

     

    On the shore were others who, fearing they’d be uninvited to the party

    made pilgrimage to Sea-on-Lake and now are forced to dance without a spine–

    a monstruous ballet by some demonic Balanchine.

     

    Then we descended to a circle filled with men and women doomed

    to gaseous blustery emissions from both ends

    Hypocrites–the pose of twisted pretzels they assumed.

     

    My guide suggested I might speak to anyone I’d pick.

    A toothy smile popped right up: “Hiya! I’m Haley, Nick.

    Please. Bend me as you wish,” came from one or the other orifice.

     

    “And what’s that head contorted tight within a closet?”

    “That’s Lady Lindsay G, who has a place reserved forever more.

    Secret lover of boyish pages, he railed at ‘light shoes’ on the senate floor.”

     

    *****

     

    Descending, we approached one strung by hand and feet

    To what might seem a cross but was in fact an X

    Then suddenly came a driverless car bearing a T, to break his neck.

     

    “Decipher, please, these cabalistic forms,” I begged my guide.

    “That’s Mr. Musk,” she said. “And having squandered billions for his pride

    he’ll spend the rest of days in agony with bloody gashes on his side.”

     

    And all around a hideous cabinet of curiosities:

    There’s Marco, Oz and Putin’s Tulsi

    All sentenced to unending bending of the knees.

     

    And then—behold!—a bloated baby with red MAGA hat

    and skin so thin it appeared like saran wrap.

    His crimes so many, he’s bound forever to his sweaty avocat.

     

    The molten heat caused dye to fall into eyes of Rudy G.

    He’d stay forever blinded as he clung on in desperation

    covering his orange life raft with his vile perspiration.

     

    I naturally I supposed we’d reached rock bottom, and yet

    My guide elucidated: “These two are not as far down as you’d expect,

    Given their rather low intellect.”

     

    “The hottest places are still to come,” she pointed.

    “Reserved for those entrusted with the public good

    Who acted as they pleased, as tyrants self-anointed.”

     

    Swimming in a sea of shit, parasites came up for breaths of air.

    First gestated in the skull of one called RFK

    They seemed to grow more numerous each minute of each day.

     

    “That slimy worm who dons a robe is Justice Thomas,” my guide spoke.

    “a sycophant in life, in death reduced perpetually

    to choke on a can of pubic hair-infested Coke.”

     

    “And those mucked up white-shoed feet, to whom do they belong?”

    “Another justice, Sam Alito, destined to hang upside down

    Like the flag he claimed his wife had flown.”

     

    And farther still two Steves were heard in pain to howl:

    One, a Miller grew a new foreskin every day

    Only to have a fiendish mohel cut it repeatedly away.

     

    The other, Bannon, writhed and bellowed,

    As he conjured up conspiracies and lies

    consuming his own flesh along with larval flies.

     

    *****

     

    After this, I need a real vacation and may seek refuge in another nation.

    “Might I inquire, my kind guide, about residency in your Canadia?”

    “It’s no Paradiso,” said she. “At best a purgatory ‘til the end of this administration.”

     

    Karen Pinkus is a writer and professor emerita of Italian and Comparative Literature. She lives in New York City.

  • Experiments in Listening–boundary 2 annual conference

    Experiments in Listening–boundary 2 annual conference

    **PLEASE NOTE THE LOCATION CHANGE FOR SATURDAY DUE TO THE HUGHES FIRE**

    Experiments in Listening

    Friday, January 24-Saturday January 25, 2025

    University of Southern California and California Institute of the Arts

    Supported by the MA Aesthetics and Politics program and the Herb Alpert School of Music at the California Institute of the Arts; the USC Dornsife Experimental Humanities Lab; the Division of Cinema and Media Studies at USC’s School of Cinematic Arts; and boundary 2: an international journal of literature and culture

    With additional support from the Dean of the School of Critical Studies at CalArts; the USC Dornsife Graduate Dean and Divisional Vice Dean for the Humanities, the USC Department of Comparative Literature, and the USC Department of English. 

    This event is also supported by the Nick England Intercultural Arts Project Grant at CalArts. 

    Organized by Arne De Boever, Kara Keeling, Erin Graff Zivin, and Michael Pisaro-Liu. 

    “To anyone in the habit of thinking with their ears…” Thus begins Theodor W. Adorno’s famous essay “Cultural Criticism and Society”. But what does it mean to think with one’s ears? How does one get into the habit of it? And what are the critical and societal (ethical and political) benefits of thinking with one’s ears?

    “Experiments in Listening” proposes to address these questions starting from the experimental performing arts. Conceived between an arts institute, a university, and a contrarian international journal of literature and culture, the conference seeks to “emancipate the listener” (to riff on Jacques Rancière) into considering their ears as not only aesthetic but also political instruments that are as central to how we think, make, and live as our speech.

     

    Friday, January 24

    University of Southern California

    10am-12n

    ROOM: USC, Taper Hall of Humanities (THH) 309K

    boundary 2 editorial meeting for boundary 2 editors 

    Lunch for boundary 2 editors and conference speakers

    *

    1:30pm-3:15pm

    ROOM: USC, SCA 112

    Listening session/ Moderator: Erin Graff Zivin 

    Gabrielle Civil, “listening: in and out of place”

    Fumi Okiji, “To Listen Ornamentally” 

    Josh Kun, “Migrant Listening”

     

    3:30-5:30pm

    ROOM: USC, SCA 112

    Listening session/ Moderator: Kara Keeling

    Michael Ned Holte, “Looking for Air in the Waves”

    Mlondi Zondi, “Sound and Suffering” 

    Leah Feldman, “Azbuka Strikes Back”

    Nina Eidsheim, “Pussy Listening”

     

    6pm-7:30pm

    Dinner for conference speakers — USC

     

    8:00-10pm

    ROOM: CalArts DTLA building. 1264 West 1st Street. 

    8pm: Reception

    8:30pm: Screening of Omar Chowdhury, BAN♡ITS (17m22s, 2024) (in progress).

    Out near the porous, lawless eastern border between Bangladesh and India, a diasporic artist returns to make works with a band of washed up ban♡its who are obsessed with Heath Ledger’s Joker. As they comically re-enact their glorified past, we confront the divergent histories and philosophies of peasant banditry and political resistance and its unexpected causes and contexts. The resulting para-fiction questions its authorship and morality and asks: when the art world comes calling, who are the real ban♡its?

    9pm: Performance by Notnef Greco (Deviant Fond and Count G).

     

    Saturday, January 25

    The REEF building (1933 South Broadway, Los Angeles, California 90007)

    10-11:50am: 

    ROOM: Screening Room, 12th floor 

    Coffee and pastries.

    Listening session/ Performance. Moderator: Arne De Boever

    Arne De Boever, “Silent Music”

    Michael Pisaro-Liu, “Experimental Music Workshop” (1 hour). Performance of Antoine Beuger, Für kurze Zeit geboren: für Spieler/ Hörer (beliebig viele)/ Born for a Short Time: For Performers/ Listeners (as many as you like) (1991). 

    Conference speakers will participate in the performance. Performance will be audio/video-recorded and posted at boundary 2 online. A livestream will be available here. Composer Antoine Beuger will be joining us for the Q&A after the performance via zoom. 

    Lunch for conference speakers–Commons, 12th floor

    1:30pm-3:15pm

    ROOM: Screening Room, 12th floor

    Coffee and pastries.

    Listening session/ Moderator: Kara Keeling

    Gavin Steingo, “Whale Song Recordings”

    Natalie Belisle, “Inclination: The Kinaesthesis of Afro-Latin American Sound”

    Stathis Gourgouris, “The Julius Eastman – Arthur Russell Encounter”

     

    3:30-5:15pm

    ROOM: Screening Room, 12th floor

    Listening session/ Moderator: Erin Graff Zivin

    Edwin Hill, “On Acoustic Jurisprudence”

    Bruce Robbins, “Listening On Campus” 

    Jonathan Leal, “If Anzaldúa Were a DJ, What Would She Spin?”

     

    5:30-6:15pm

    ROOM: Screening Room, 12th floor

    Student Theory Slam/ Moderator: Arne De Boever

    Reina Akkoush 

    Jacob Blumberg

    Sean Seu

    Inger Flem Soto

     

    6:30pm-8pm

    Dinner for conference speakers–Commons, 12th floor

     

    8pm 

    ROOM: Screening Room, 12th floor

    8pm: Reception

    8:30pm: Tung-Hui Hu, “How to Loop Today”

     

    Listener Biographies

    Reina Akkoush is an award-winning Lebanese graphic and type designer currently pursuing an MA in Aesthetics and Politics at the California Institute of the Arts. Research interests include Middle Eastern design, Arabic typography, Marxist critical theory, cultural memory and decolonial thought in the global south. 

    Natalie L. Belisle is an Assistant Professor of Spanish and Comparative Literature in the Department of Latin American and Iberian Cultures at the University of Southern California, where her research and teaching focus on contemporary Caribbean and Afro-Latin American literature, cultural production, and aesthetics. Professor Belisle’s first book Caribbean Inhospitality: The Poetics of Strangers at Home will be published by Rutgers University Press in 2025

    Jacob Blumberg is an artist and producer working across the disciplines of music, film, photography, fine art, performance art, and religious art. Global in scope and local in focus, Jacob’s work as a collaborator and creator centers deep listening, voice, and play.

    Arne De Boever teaches American Studies in the School of Critical Studies at the California Institute of the Arts. He is the author of seven books on contemporary fiction and philosophy, as well as numerous articles, reviews, and translations. His new book Post-Exceptionalism: Art After Political Theology was published by Edinburgh University Press in 2025.

    Omar R. Chowdhury is a Bangladeshi artist and filmmaker. He creates para-fictional installations, films and performances that animate the fault lines of diasporic life and its various radical histories. He has had recent presentations and performances at Busan Biennial 2024 (South Korea), Contour Biennial 10 (Mechelen), Dhaka Art Summit, Beursschouwburg (Brussels), De Appel (Amsterdam), and screenings at International Film Festival Rotterdam, Film and Video Umbrella (London), Haus der Kulturen der Welt (Berlin), and Queensland Gallery of Modern Art (Brisbane) for Asia Pacific Triennial 8.

    Gabrielle Civil is a black feminist performance artist, poet, and writer, originally from Detroit, MI. Her most recent performance memoir In & Out of Place (2024), encompasses her time living and making art in Mexico. The aim of her work is to open up space. 

    Nina Eidsheim is a vocalist, sound studies scholar and theorist. She brings extensive knowledge, experience and innovative approaches to practice-based research that focuses on sound and listening. The author of Sensing Sound: Singing and Listening as Vibrational Practice and The Race of Sound: Listening, Timbre, and Vocality in African American Music

    Inger Flem Soto is a doctoral student in Comparative Studies in Literature and Culture at USC. She is interested in issues of sexual difference, continental philosophy, psychoanalysis, and Latin American feminist thought. Her dissertation focuses on the mother figure in Chilean works of literature and philosophy. 

    Stathis Gourgouris is professor of classics, English, and comparative literature and society at Columbia University. He is the author of several books on political philosophy, aesthetics, and poetics, the most recent being Nothing Sacred (2024).

    Edwin Hill is Associate Professor in the Department of French and the Department of American Studies & Ethnicity at the University of Southern California. His research lies at the African diasporic intersections of French and Francophone studies, sound and popular music studies, theories of race.

    Michael Ned Holte is a writer, curator, and educator living in Los Angeles. Since 2009, he has been a member of the faculty of the Program in Art at CalArts, and he currently serves as an Associate Dean of the School of Art. He is the author of Good Listener: Meditations on Music and Pauline Oliveros (Sming Sming Books, 2024). 

    Tung-Hui Hu is a poet and media scholar. He is the author of three books of poetry, most recently Greenhouses, Lighthouses, which grew out of his graduate studies in film, as well as two studies of digital culture, A Prehistory of the Cloud and Digital Lethargy: Dispatches from an Age of Disconnection, an exploration of burnout, isolation, and disempowerment in the digital underclass. 

    Kara Keeling is Professor and Chair of Cinema and Media Studies in the School of Cinematic Arts at the University of Southern California. Keeling is author of Queer Times, Black Futures (New York University Press, 2019) and The Witch’s Flight: The Cinematic, the Black Femme, and the Image of Common Sense (Duke University Press, 2007). 

    Josh Kun is a cultural historian, author, curator, and MacArthur Fellow. He is Professor and Chair in Cross-Cultural Communication in the USC Annenberg School and is the inaugural USC Vice Provost for the Arts.

    Jonathan Leal (he/him) is an Assistant Professor of English at the University of Southern California. He is the author of Dreams in Double Time (Duke University Press, 2023), which received an Honorable Mention for Best Book of History, Criticism, and Culture from the Jazz Journalists Association. His next book, Wild Tongue: A Borderlands Mixtape, is under contract with Duke University Press. 

    Fumi Okiji is Associate Professor of Rhetoric at the University of California, Berkeley. She arrived at the academy by way of the London jazz scene and draws on sound practices to inform her writing. 

    Michael Pisaro-Liu is a guitarist and composer. Recordings of his music can be found on Edition Wandelweiser, erstwhile records, elsewhere music, Potlatch, another timbre, ftarri, winds measure and other labels. Pisaro-Liu is the Director of Composition and Experimental Music at CalArts. 

    Bruce Robbins is Old Dominion Foundation Professor in the Humanities at Columbia University. He is the author of Secular Vocations: Intellectuals, Professionalism, Culture (1993), Perpetual War: Cosmopolitanism from the Viewpoint of Violence (2012), and, most recently, Atrocity: A Literary History (2025).

    Gavin Steingo is a professor in the Department of Music at Princeton University. He is working on a series of books and articles about whales, music, politics, and the environment. 

    Sean Koa Seu practices dramaturgy, theater direction, and production. He has credits with the National Asian American Theatre Company, Transport Group, and Lincoln Center Theater. He produced the short documentary The Victorias, which was acquired by The New Yorker in 2022. 

    Erin Graff Zivin is Professor of Spanish and Portuguese and Comparative Literature at the University of Southern California, where she is Director of the USC Dornsife Experimental Humanities Lab. She is the author of three books—Anarchaeologies: Reading as Misreading (Fordham UP, 2020), Figurative Inquisitions: Conversion, Torture, and Truth in the Luso-Hispanic Atlantic (Northwestern UP, 2014), and The Wandering Signifier: Rhetoric of Jewishness in the Latin American Imaginary (Duke UP, 2008)—and is completing a fourth book entitled “Transmedial Exposure.” 

    Mlondi Zondi (they/he) is an assistant professor of comparative literature at the University of Southern California. In addition to scholarly research, he/they also work in performance and dramaturgy. Mlondi’s writing is forthcoming or has been published in TDR: The Drama Review, ASAP Journal, Liquid Blackness, Contemporary Literature, Text and Performance Quarterly, Mortality, Canadian Journal of African Studies, Safundi, Performance Philosophy, Espace Art Actuel, and Propter Nos.

  • Christian Thorne–After Jameson

    Christian Thorne–After Jameson

    After Jameson

    Christian Thorne

    Fredric Jameson, who was a member of the boundary 2 editorial board for several years, died on September 22. One wishes to know what we have lost in his passing, and to know, too, something about what comes next, about who to read once we have leafed our way through his Nachlass; about what we had been counting on Jameson to do on our behalf that we will have to figure out how to do ourselves now that he is gone. Did Jameson leave a to-do list? Such questions are, in this case, unusually hard to answer, and this difficulty has something to do with the character of Jameson’s own thought, which, after all, had a lot to say about endings and aftermaths. His most quoted, if often misattributed, sentence concerns What Ends and What Obstinately Refuses to End: “it is easier to imagine the end of the world than to imagine the end of capitalism.” He was drawn at an early date to the term “postmodern”—not his coinage, of course, but sometimes treated as his contagious invention—which communicates the paradoxical claim that something can come after the definitionally and self-regeneratingly new. The word that he and others came up with for the book series they started at Duke went “postmodernism” one better. “Postcontemporary Interventions” they called it—whatever is later than now, which presumably just means “the future,” as in: interventions from the future. Or for it. One chapter in Jameson’s Postmodernism book offers to identify “Utopianism after the End of Utopias.” The corresponding chapter in The Antinomies of Realism announces a “Realism after Realism.” To this we should add a certain Jamesonian penchant for calling things “late”—late capitalism, late Marxism, late modernism—as well as his repeated claim that there are entire genres that we “no longer know how to read”: literary utopias, Renaissance allegories. Anything we would want to say about the end of this particular thinking life will jostle uncomfortably against that life’s many observations about what it means to perceive a terminus (or a survival or a novum).

    These several threads are best bundled under the rubric of “periodization,” which was itself one of Jameson’s abiding preoccupations. There was an interval of some twenty years when he seemed unable to finish an essay without introducing his 2 x 3 scheme of literary-and-economic periodization: realism, modernism, postmodernism; national capitalism, monopoly capitalism, late capitalism. (The only thing that changed over that span was that Giovanni Arrighi got swapped in for Ernst Mandel, as the argument’s catch-all citation for economic history.) The tributes and callings-after that have appeared since Jameson’s death themselves all flirt with periodizing claims. It is hard not to feel that theory has, in his person, died another of its serial deaths. Terry Eagleton’s After Theory was published all the way back in 2003; Jameson outlived that “after” by a handsome one-and-twenty. Along the way, in 2015, Rita Felski tried to bury the “critical” part of “critical theory,” with Jameson as its avatar. Jameson himself, in a book published after his death, said that theory came to an end with the election of François Mitterand in 1981, though anyone who has read 1994’s Seeds of Time or 2005’s Archaeologies of the Future knows that this can’t be true.

    But those multiple and contending dates are enough to remind a person of one of Jameson’s most consequential insights into periodization: that periods are not facts, not realia there to be discovered in the historical record; that they have to be posited and can always be posited otherwise. Exactly when do you think “the years of theory” ended (if, indeed, you do think they’ve ended)? When the University of Minnesota retired its Theory and History of Literature series in 1998? When Edward Said died in 2003? When Derrida died in 2004? When dissident thought got routinized in dozens upon dozens of tenure-track positions across North America, codified in C.V.-ready certificate programs and European prizes? Or when that one generation of theorists retired and the English departments decided they didn’t need replacing? Jameson was always quick to concede that the periods to which he dedicated some eight published books were devices or even contrivances—the mind’s way of organizing miscellaneous historical materials to particular (and nameable) ends. The history journals are crammed by the hundredfold with articles naming this or that previously unknown revolution—the Second Scientific, the Third Industrial, the antibiotic, the cybernetic, the “civil rights revolution”—all of them countered by an equal number of essays insisting that x turning-point in history “wasn’t really a revolution,” that 1789 (or 1917 or the fall of the Roman Empire) didn’t change anything we would care to call fundamental. Jameson always held to the entirely commonsensical position that in any historical conjuncture, some things will have withered away or been replaced and other things will have persisted, and he enjoyed rolling his eyes over the historians who argued as though the archive could tell you which it was really. The members of the AHA stand in opposite wings of the conference hotel yelling the words “Continuity!” and “Rupture!” across the bewildered lobby. This aspect of Jameson is most fully on display in A Singular Modernity, which argues that “modernity” is neither a date nor a datum; that it is a concept, rather; or, no, not a concept, but a narrative template, a story form. He then sets out to enumerate the features of the modernity narrative, as though it were just one more entry in the list of recognized genres, alongside the historical romance and the legal thriller, before scanning the ranks of theorists in order to show that they were all actually telling the kind of Big Stories about History that postmodernism officially disavowed.

    Those narratives were, of course, many and varied. A genre spins many stories—and not just one. The next point to grasp, then, is that Jameson did not just collect multiple modernity narratives—Heidegger’s and Foucault’s and Weber’s and de Man’s. His own efforts at periodization were themselves multiple. Even the most ardent readers of Jameson were slow to realize that he thought of most of his writing as so many volumes in One Big Book, a Hegelian world history of narrative types that we have come to know as The Poetics of Social Forms. That title itself went through stages, creeping into print in an early ‘80s footnote (“I discuss x in my forthcoming…); slowly worming its way onto the copyright pages of late-career monographs, where it hugged itself into the fastness of eight-point font (“The present book constitutes the theoretical section of the antepenultimate volume of….”); before finally breaking forth into reference-book entries and scholarly reviews and Verso promotional copy. The second surprise, after the initial awe of watching this narratological epic accrete surreptitiously and out-of-sequence over the course of forty years, arrives with the realization that Jameson was not in its pages telling the story that you might have thought he was always telling: from realism to modernism to postmodernism. Those stages were still there, each in a virtual volume, plus two more—a volume on post-capitalist narrative and a presumably unfinished volume on pre-capitalist narrative—but his characterization of those familiar literary-historical periods had begun to shift and multiply.

    Whenever Jameson inserted his threefold scheme into an essay on the fly, in that one compressed paragraph that he must have composed in fifteen or twenty variants, his position was always fundamentally Lukacsian: 1) The work of literary realism was to make complex social systems experientially intelligible. 2) Modernist literature pulled the plug on this intelligibility, letting the socius fog back over—or, if you prefer, faithfully replicating the opacity of everyday life—while offering as compensation a set of writerly and stylistic experiments that the sensitive reader would experience as so many “intensities.” 3) Postmodernism then neutralized these intensities in turn, withdrawing into flat affect and mimeographed irony while allowing opacity to spiral into full-blown spatial and temporal disorientation. Anyone who suspected that Jameson’s Marxism was finally a tad vulgar could see that he had, for an instant, vindicated Adorno and Brecht at the expense of Lukacs—reprieving modernism from its banishment by the Party—only then to reinstate the Lukacsian verdict against the newer art of the 1970s and ‘80s.

    Except this isn’t at all what we read in The Poetics of Social Forms, which went out of its way to scramble his beloved three-stage progression. The difference is clearest in the cycle’s two volumes on realism: The Political Unconscious, which traces the survival of the pre-modern romance across the entire body of nineteenth-century realist fiction (a fiction whose realism accordingly comes to seem less steady); and The Antinomies of Realism, which describes the swelling of literary affect across the same decades and in the same canon of novels. Realism thus preserves the storytelling impulses of its predecessor and rival (the magically heroic adventure story), while also undertaking in advance the very production of “intensities” that Jameson elsewhere told us was the work, distinctively, of modernism. What Jameson did not write is the one volume you might have expected from his hand—that neo-Lukacsian tract in which he enumerated all the vanished techniques of Balzaco-Dickensian cognitive mapping. The closest thing we have to that missing disquisition is his short book on Chandler, The Detections of Totality, which explains how one modernist-era writer was able in some fresh way to do the very thing that modernist writers were supposedly unable to do any more.

    Jameson’s writings are full of phase shifts of this kind, which we can conceptualize in a few different ways. The easiest approach would be to say that Jameson was unusually committed to the Raymond-Williamsite categories of the “residual” and the “emergent”: We must make the effort to discern historical periods, while also insisting that periods are never clean and discrete, that they all come before us bearing contamination and articulation and overlap. At the same time, Jameson’s variously romantic and modernist realisms are clearly dialectical figures, since one of the theorist’s more obviously Hegelian tasks will be to trace the incubation of a new mode in whatever seemingly inimical form preceded it—and then to trace its survival, as Aufhebung, even after its apparent obsolescence. If, meanwhile, you prefer your dialectics more negative than this, you could get away with saying nothing more than that Jameson seemed to prefer realism when it was least itself—and that he consistently looked to other literary modes to do the realist work that realism could no longer convincingly do.

    The issue, for now, is this: Measuring Jameson’s achievement (and our loss) requires us to periodize, and it was Jameson himself who did more than any other theorist to insist that periodization was both a) necessary, unavoidable; and b) a complex, non-empirical operation. So let’s reach back two paragraphs and say again: Periods are not realia; they have to be posited. Once you’ve grasped that point, it should be easy enough to make it, iteratively, for pretty much all of Jameson’s other master concepts. He was committed to periodization, but insisted over and over again that all periods were devices or mental constructs. Similarly, he was committed to thinking in terms of totality—to detailing what an anti-totalitarian thinking gives up when it tries to do without the very category of totality—while making it clear even so that the totality cannot be known, that all totality-talk is thus a conceit and model and more or less ingenious attempt at Darstellung, at representing a hyper-object about which we can properly say nothing. (Whereof one cannot speak, thereof one must tell stories.) This makes it harder than one might have thought to distinguish Jameson from the post-structuralists with whom he kept company and who are typically regarded as his adversaries. For Jameson was as much an anti-foundationalist as any other left-wing Francophile writing in the ‘70s and ‘80s: a philosophical skeptic and resolute anti-positivist, careful not to get caught making strong knowledge claims, quick to point out that what one had all along thought to be things were actually fictions or arbitrary categories or discursive contrivances. His erudition was legendary: It was Jameson who, in reply to some visiting Spinozist, would have remarks at the ready about Jan de Witt and the fate of seventeenth-century Dutch republicanism; Jameson, too, who would sit up front at the Pacific historian’s sparsely attended talk and toss off questions about modernist architecture in Hawaii. And yet Jameson’s general conception of history was itself more or less skeptical. For to say that “history is what hurts” is to ask us to think of history above all as failure and limitation—our failure and our limitation—as the world’s recalcitrance, its hard check on our desires. This is a materialism, no doubt, but of some traumatic and non-cognizable kind, a materialism of the Real, in which history announces itself only in the occasional and crushing realization that we had history all wrong.

    What was it, then, that distinguished Jameson from any old literary Lacanian? We can come at the matter this way. Your run-of-the-mill anti-foundationalist typically makes two moves in quick succession: First, they declare all grand narratives (or what have you) to be fictions; and then they withdraw belief from all such fictions, retreating into a wary and disabused agnosticism, embarrassed by their former gullibility. It is this stance of negation that Jameson, in this respect entirely unlike Adorno, dispensed with. Enthusiastic about fiction in all its forms, he set out to catalog all the grand narratives; and he proved deft at reconstructing the Big Stories about History that subtend even those philosophical systems that thought they could do without them; and, crucially, he devised two or three Big Stories of his own, to place alongside these others, constructions among constructions. This stance, of course, separated him from more than just the skeptics. If even Marxist readers have sometimes struggled to get the hang of Jameson, then this is surely because he extended his attitude of affirmation even to historical materialism’s most fearsome bogeymen, the things you might have thought that no Marxist could make friends with: ideology, say, which Jameson told us was just the other side of utopianism, and even reification, without which, he concluded, no politics was possible. (The lesson of a lifetime spent thinking about allegory boils down to: If you want to fight it, you have to reify it.) The post-critical types who have nominated him the paranoid taskmaster of Kritik have to that extent got him exactly wrong. Hegelianism is that peculiar point of view from which you can look out over a field of contention and see that everyone is right.

    But then what about postmodernism, which is, after all, the word with which Jameson’s name will permanently be linked? Did he affirm that? We would do well to remind ourselves here of a remark he made frequently around 1990, at the height of the postmodernism debates, which is that he had grown weary of interlocutors asking him whether he liked postmodernism. Did he think it was a good thing? Or was he, when all was said and done, calling for the revival of a Left modernism? Postmodernism, he said, was not the sort of thing that could be either celebrated or condemned. It was—and here we can refine our formulation a bit—the bad thing that had to be affirmed. This position has everything to do with Jameson’s implicitly Hegelian ethics—with Hegel’s resolve not to be alienated, with his warnings against the romance of marginality and the heroics of total refusal; and this, in turn, leads directly to a Hegelian political orientation, which holds that any future we might build will have to go by way of the dominant. The better society will not be a fresh start; we will get there only by traversing the most powerful institutions, the most public discourses, the most official culture and by transposing these where possible. Postmodernism might mark the epochal victory of consumerism and media society on the terrain of art and inward experience—that, too, was Jameson’s claim—but the task in front of is nonetheless to figure out what else can be built with its materials.

    It becomes possible to wonder, at this point, whether Jameson wasn’t himself a postmodernist—not just a student of postmodernism, but a postmodern writer in his own right, to be ranked alongside Ballard and Barthelme and Calvino. The jumbling of high and low? When you are done reading his article on Proust, you can queue up his essay on The Godfather and Jaws—or on Spenser or on spaceships or on Conrad or on a Stephen King story. Flat affect? Has ever a Marxist written with more equanimity, without the tones of indignant sarcasm and subaltern pathos that mark the entire tradition from the Communist Manifesto onwards? The triumph of the image and the canceling of the referent? It was Jameson who pointed out that Doctorow had given us, in Ragtime, a historical novel in which history seemed blocked and unknowable, in which “real history” had given way to mirages and animatronics, a “hologram” of the past that differed from the fictions of Walter Scott in that it wanted you to know that it was a hologram. But then didn’t Jameson re-do Marxism to Doctorow’s specifications, preserving all the old historical materialist schemes while confessing upfront that these were and always had been stories? Wasn’t it Jameson who gave us Marxism with a buried, never appearing, thoroughly mediatized historical referent?

    And with that, it becomes possible to explain why it is so hard to say what comes after Jameson or where his leaving leaves us. His thinking was so intertwined with postmodernism that to imagine a time after Jameson is to imagine a time after postmodernism. His passing thus compels us to ask: Are we still postmodern? Or are we now after postmodernism? And the answers to those questions are surprisingly uncertain. That ours is no longer the moment of Robert Venturi and John Barth and Terry Riley seems clear enough. And yet doesn’t the Berlusconi-Trump era of Western politics strike you sometimes as Baudrillard’s bad joke? Aren’t memes an intensified and grassroots postmodernism for the Internet age? Brian de Palma may not be making movies anymore, but Quentin Tarantino sure is. Should one therefore propose the term “late postmodernism” and see if it sticks? But then what do we make of the rise of “world-building,” as both a term and a narrative practice (in blockbuster film and video games and long-form television), so different from the discombobulated worldlessness of high postmodernism? Or what do we make of radical philosophy’s ontological turn, which has traded the epistemological skepticism of the post-structuralist decades for a downright neo-scholastic metaphysics? Or again, if we conclude that postmodernism is or was art in the age of neoliberalism, then what do we make of the breakup of the neoliberal consensus? Equally, though, if we are really beyond postmodernism—if we have passed through it and out the other side—shouldn’t we be able to describe the present and maybe even name it and then say in some detail how the 2020s are not like the 1980s? Are we still postmodern? If that question has gone largely unasked—if the very formulation is perhaps a bit embarrassing—this is precisely the sign of the Jamesonian intelligence that has gone missing. The good thing is not yet here. But can we name at least the new bad thing and say how we plan to affirm it?

  • William Clare Roberts—Three Varieties of Misunderstanding

    William Clare Roberts—Three Varieties of Misunderstanding

    This essay is published in response to Jensen Suther’s “Marxism as Idealism? Response to Roberts’s ‘Ideology and Self-Emancipation’.”

    Three Varieties of Misunderstanding

    William Clare Roberts

    Every author struggles against three varieties of misunderstanding. There are some misunderstandings for which authors themselves are culpable from lack of due care in writing. There are other misunderstandings for which readers are culpable from lack of due care in reading. Finally, though, there are misunderstandings for which no one is culpable, misunderstandings that arise from the conceptual impasses inherent in a given field of discourse or the ambiguities and treacheries of the common ground.

    I find all three kinds of misunderstandings in Jensen Suther’s response to my essay. I should have been more careful in how I discussed the relationships among the theories I survey so as to avoid the impression that mine is an idealist dialectic in which Habermas is contained already in Lukács and Althusser redeems Marx. Suther should have been more careful in how he characterized my development of the Lenin-Gramsci-Althusser tradition of ideology theory, so as to avoid the false claim that it amounts to “a form of institutional determinism.” Most crucially, Suther’s essay gives voice to a collective misunderstanding concerning freedom, a misunderstanding that conflates freedom as a political and social condition with freedom as self-determining agency. My response here will address each of these three misunderstandings in turn.

    Mea culpa

    According to Suther, I claim that Adorno and Horkheimer inherit Lukács’s account of false consciousness, and that Habermas’s theory of communicative rationality is merely a development of this inheritance. As a consequence, according to Suther, I make out Habermas to be the “endpoint” of a developmental story that leads from Destutt de Tracy’s project of ideology through Lukács and the early Frankfurt School. I can certainly see where Suther is getting this picture from my essay. I do say that the Frankfurt School “turned Lukács’s theory … into a generic theoretical practice of ideology critique,” and that Lukács inspired the Frankfurt School’s “conception of false consciousness as normative error,” which “finally petered out in the Habermasian notion of performative contradiction.”

    Suther also thinks that I portray Gramsci and Althusser as “the true inheritors of the Marxist project of the critique of ideology.” Again, I can see why Suther would take this impression away from my essay. I emphasize Gramsci as an alternative to Lukács, and tie the Sardinian Marxist’s understanding of ideology to his careful interpretive reading of Marx.

    However, I did not intend and do not believe either of these inheritance claims. The Frankfurt School’s reception of Lukács is decidedly partial and one-sided, and Habermas is only one possible resolution of the theoretical multivalence of Adorno and Horkheimer’s work. I certainly do not believe that Habermas is the logical telos of Lukács’s work. Nor do I believe that Gramsci is straightforwardly continuing the critique of “the German Ideology” texts, nor that Althusser’s theory continues Gramsci’s. Althusser’s account of ideology is discontinuous with Marx and Engels’s dismissive attacks on the ideologists. Indeed, Althusser and Therborn are not engaged in – do not even supply support for – a critique of ideology.

    I think responsibility for these misapprehensions lies with the manner in which I presented my argument. My goal was to identify the problems that both motivated and emerged from decisive mutations in the conception of voluntary servitude and ideology. However, because I identified and analyzed those problems as they appeared in the texts of the authors I examined – with only an occasional nod to the political context – my presentation took on the physiognomy of an idealist dialectic. Each author or cluster of authors seems to respond to the one before, inverting, negating, or recombining the elements of their predecessor’s theory. The reader understandably forms the impression that the history of ideology theory is a single argument developing across the centuries, with the failings of each theory corrected by its successor, at the cost of some new fatal error. The comprehension of the past leads to the sanctification of the present, with the Gramsci-Althusser-Therborn theory standing in the place reserved for Absolute Knowing.

    This impression is contrary to my actual beliefs and argument. I meant it when I wrote that the history I tell is one of “reasonable local interventions half-remembered and misappropriated, inserted into new contexts, and mutating further with every reinsertion.” Although I follow one set of branching paths in my essay, there are other paths not explored, some of which I am confident have not even been broken yet. What I find promising in Gramsci-Althusser-Therborn is not a redemption of everything lost on those winding paths, but a set of analytical tools for articulating ideologies with configurations of social power.

    Sua culpa

    In order to grasp the utility of those tools, however, one must clear away some confusion that Suther has introduced into the discussion. Suther believes that my account is a form of “institutional determinism” according to which human actions are reduced to “effects of dispositional regularities, which are themselves functions of structure.” He admits that I am “sensitive” to this danger and that I try to meet it by claiming that there are many, competing ideologies. However, Suther rejoins that, “given the basic understanding of the relationship between agent and structure, the pluralization of ideology would just entail more possibilities for being functionalized, not fewer. Social change would still not depend on the actions of agents qua agents […] but depend rather on the ‘chemical’ interaction among institutions which interpellate their members.”

    This is confusion entirely of Suther’s own making. He is foisting his own “understanding of the relationship between agent and structure” onto me, and then accusing me of being trapped in the aporias of his understanding, despite my explicit rebuttal of both structuralism and functionalism. He assumes that structure and ideology are opposed to agency, that structure and ideology are dominating, and that agency is the source of “social change.” All of this is foreign to the framework I am outlining in my essay.

    Agency is not opposed to structure or to ideology. Ideology elicits agency, and structure is comprised of action. Suther realizes that social change depends on human action, but doesn’t seem to grasp that social stasis depends on human action to exactly the same extent. Agency is not specially keyed to change, rupture, or emancipation. The enslaved are agents, too. So are cops. So is your conservative uncle who buys the same jeans and polo shirts he’s been wearing for thirty years.

    Suther is here trying to force me – together with Gramsci, Althusser, and Therborn – back into the mode of ideology critique, and back into the model according to which social structures are the outcomes of alienated human activity that have slipped from our control and now dominate us as something external.

    Long paragraphs of Suther’s response are therefore devoted to expounding matters about which we are in agreement and defending positions that I never attacked. I am accused of “assimilating the space of reasons to the space of causes” when that distinction is crucial to my account; it is precisely because ideology comprises “the space of reasons, the terrain where agency happens,” that ideology is not a set of “dispositional regularities” or other causal determinations, acting on us from outside. I am accused of rejecting “normative self-governance” and “the idea that norms are self-determined.” I would challenge Suther to indicate where I perform these rejections, as I cannot seem to locate any such rejections in my essay.

    Suther writes, “The space of reasons is precisely not just a structure of interdependently defined roles but the normative process of mutual struggle to determine how we live.” I completely agree. I only want to add one simple point: that is the field of ideology! “We can maintain ourselves as animals,” Suther notes, “only through initiation into the social space of reasons.” Yes, I agree, we are the ideological animal. It is tempting to go through sections II and III of Suther’s response in this manner, quoting him back to himself in agreement, and then adding “and that’s ideology!” at every juncture. I will stop though, my point hopefully being made.

    Sua sponte

    Underlying Suther’s confused accusation of determinism – and helping to motivate it, I think – is a misunderstanding that is not Suther’s per se, but is embedded in the conceptual heritage that we all use to try to think through our situation. We have inherited a word, freedom, that we use to name both one of our highest political aspirations and a basic aspect of human being – that we act “on our own.” This encourages us to think there must be some continuity between the two, that political freedom must realize or perfect our freedom to act.

    This is a mistake. To be politically free one must enjoy a common social status and the institutions that protect that status. But this does not enhance or magnify our ability to act in any metaphysical sense. Individuals are equally norm-directed, and their acts are equally undertaken on the basis of reasons, regardless of the social and political institutions under which they live. (Note that I am not saying that these norms and reasons are equally good regardless of the social and political institutions that encode them; bad reasons motivate action, however, in the same way as good reasons.)

    Reflecting the inherited confusion of political freedom with the freedom to act, Suther’s response conflates these two senses while not noticing that my essay tries to distinguish between the two. I reserve the word “freedom” for political freedom, and use “agency” to name the capacity to act in the space of reasons. The collision between these two ways of talking about freedom litters Suther’s response with glittering shards of incomprehension.

    “The space of reasons,” Suther claims, “is unintelligible except as a realm of freedom.” I agree – but only if we are clear that “freedom” here means agency. The space of reasons is not necessarily a space free from domination, however, and hence is not necessarily a realm of political freedom. The social fact that cops have the legal power to arrest and detain, and have broad latitude to use deadly force, is a reason to avoid them and to be cautious around them. Especially if you are a member of a marginalized or racialized group, who cannot be reasonably confident that the legal system will protect you from the police power; hence, this power is dominating, compromising your political freedom. Nonetheless, it operates entirely within the space of reasons: what you know about the norms governing actions in your society gives you reasons to act according to your own norms of caution and deference. Even coercion and direct threats operate within the space of reasons; as Hegel rightly notes, you must let yourself be coerced.

    Once we appreciate the fact that people are equally agentic – hence, equally “free” in the terms of “Hegel’s logical-metaphysical account of willing” – in every form of human society, we are forced to look elsewhere for guidance for our political aspirations and struggles. I propose looking to universal and equal freedom from domination for this guidance. Suther objects that this is a purely instrumental conception of freedom, which reduces freedom to “a mere means to the fulfillment of my actual end, my satisfaction of my contingent interests.” This objection, however, rests on the same substitution of agency for political freedom.

    Enjoying political freedom does not dictate to people what their actual ends must be – the whole point of being politically free is that you are free to live your life – but this does not at all entail that our agency is indifferent to the ends we choose for ourselves or the norms of action we adhere to. (Every author who writes about autonomy or self-determination recognizes that we can undertake practices that undermine our own agency; drug use and addiction are the favorite cases.) Nor does it entail that our commonly-enjoyed political freedom is indifferent to the ends people pursue. Some ends can only be pursued either by having or by seeking dominating power over others.

    Suther is incredulous. He asks, “what is to prevent my ends from including dealing heroin, polygamy, or anti-Black propagandizing?” Well, can you deal heroin, marry multiple women, or carry on racist propaganda without making others subject to a power they cannot control? If not, then my conception of political freedom certainly rules out the pursuit of those ends. If those ends can be pursued without using or accruing dominating power, however, then, while they might be ethical failings,[1] they do not rise to the level of being threats to anyone’s freedom. Kwame Ture’s distinction is a good guide: “If a white man wants to lynch me, that’s his problem. If he’s got the power to lynch me, that’s my problem.” What people want may very well pose a problem for their own happiness and flourishing; what they have the power to do, on the other hand, is the question for politics.

    But Suther is still not satisfied. Isn’t my conception of freedom “indifferent to content”? Don’t we have to rule out “obviously abhorrent, historically obsolete practices like slavery, vassalage, indentured servitude, and so on”? Once we do that, isn’t it obvious that “our interest must lie in mutually justifiable practices, that is, practices in which we mutually regard ourselves as the authors”? Every Rawlsian liberal will be nodding along at this point. I, however, want to be more cautious.

    Freedom from domination certainly rules out slavery, vassalage, indentured servitude, and so on, since those are all forms of domination. However, they are not ruled out as historically obsolete, since obsolescence does nothing to prevent them from persisting or returning. Only social relations and political institutions – arrangements of power – that make them impossible can prevent them. And we cannot be so sure that “our interest” excludes them, either, since they have very clearly served the interests of some wherever they have existed – that is precisely why they existed. Preventing them from recurring requires making sure that no one develops a powerful enough interest in making them recur.

    What’s more, mutually regarding one another as the authors of our social practices is far too capacious to serve as a criterion for picking out decent political institutions and practices. The dominant love nothing more than regarding the dominated as the authors of the social practices of domination. Israeli spokespeople, both paid and volunteer, will proclaim at great length that the Palestinians have brought everything on themselves, that the only way to stop the slaughter is to surrender completely, that the institutions of Gaza and the government of Hamas reflect the will and the voluntary action of the people of Gaza, and that, therefore, all Gazans must be held responsible for the – often imaginary – deeds of Hamas.

    This is not exceptional. The powerful intone breathless encomia to the moral agency and responsibility of those they enjoy power over. Police officers tell us that someone they shot created a dangerous situation and was responsible for their choices and for the outcome. Politicians tell voters we are obligated to vote for them, regardless of the substance of their campaigns, since we are otherwise choosing the worse. The poor are responsible for their poverty. The sick are responsible for their illness. The downtrodden, excluded, and oppressed – why do they make it so easy by being so unlikable? And to this monotonous chorus, the metaphysics of agency chimes in with its aria: “because you must always act on the basis of reasons, you are responsible for your actions and beliefs and called to account, asked to provide not exculpations but justifications.” Never mind that, in the empirically given world of grossly palpable human beings, there are some who – lucky duckies! – are never actually, legally and corporeally, called to account for their actions and beliefs, despite having immense power to compel others relentlessly to explain and justify themselves. Metaphysical responsibility is spread evenly over all of us. Empirical responsibility is not, but falls instead upon individuals and groups in inverse ratio to their social power.

    Generally, I think any account of freedom that leans on the metaphysics of agency will, for just that reason, perform this same counterpoint echo of the ideology of the dominant. It will tell the individual worker that their “immediate interest cannot be satisfied on its own terms” – i.e., that they are irrational for trying to earn a higher wage or to save up for a down payment on a house – and that their true interest lies in the good of all. It will tell workers who are organizing a union that “‘a fair day’s wage for a fair day’s work’ is structurally impossible under capitalist conditions” – the obvious implication being that cynicism and cheating are the only options available.[2] Selflessness or crime – being the devoted servant or the guilty enemy – are the only options available. Descended from the metaphysical realm into the world of power relations, the agent’s self-legislating freedom can comprehend only innocence or guilt.

    Political freedom is ethically indeterminate – Suther is right about that. Political freedom does not prescribe ends for people or societies. But metaphysical freedom – agency – is politically indeterminate. It does not differentiate domination from non-domination. It proscribes direct violence, which turns its targets from agents into patients – and which, conveniently, is often the only recourse of the powerless. But it cannot provide agents on the ground with any criteria for differentiating enabling from dominating forms of power. Because it focuses on rules and their enactment, it cannot see unexercised power at all, or tell us anything about its effects. For this reason, Hegel can provide us with a rich phenomenology of human existence, but he cannot guide us at all in our projects of emancipation.

    Don’t take my word for it. Hegel told us himself that philosophy always comes too late to tell us what to do. Maybe we should listen to him on this point.

    [1] Or they might not. Why should we be aghast at someone supplying opiates for medical and recreational purposes, or engaging in polyamory, where neither of these exploit or impose relations of domination?

    [2] Far from arguing what Suther attributes to him, Marx argues that “a fair day’s wage for a fair day’s labor” is the immanent norm of the capitalist system and the standard of justice for both worker and capitalist. Wages are not exchanged for labor, however, but for labor-power. And this exchange takes place, on average, as an exchange of equivalents. The problem with the capitalist mode of production is not that it makes a fair exchange impossible, but that it pumps labor out of workers, using them up, under the cover of a fair exchange.

  • Nitzan Lebovic–Complicity 4 Our Time

    Nitzan Lebovic–Complicity 4 Our Time

    Complicity 4 Our Time

    Nitzan Lebovic

    One buoyant image I’ll remember from the Gaza protests of last spring is the photograph of students at Sciences Po in Paris flashing victory signs over a placard that read “Sciences Po Complice” (Sciences Po is accomplice). The sign hung, alongside a number of Palestinian flags, from the rail outside a university room they had occupied. The protest in Paris followed similar protests, and signs, carried by students in the encampment movement, or activists in the Black Lives Matter protest. Like them, it constituted a rebellion against institutional complicity. The image from Paris was burnt into my memory not only because France has often been identified with the starting point of revolutionary movements, but because it captured a cultural and a discursive shift regarding complicity, a rejection of the politicized opposition between perpetrator and victim, active and passive, action and inaction. But before we discuss the present investment in complicity, what is it, exactly?

    The Word

    The term complicity was first used by Thomas Blount, a reader of Thomas Hobbes’s Leviathan (1651), in his Glossographia, which appeared in 1656. Blount wrote: “Complices: from complex, icis: companions, or partners in evil.”[i] Blount reached back to the 1400s, when the term complicare was current, applying it to the mechanism that enabled the sovereign to overcome the danger of stasis, or civil strife. For Blount, and his friend Hobbes, civil war (1642-1651) and complicity with tyranny were not abstract threats.

    The word did not catch on immediately, but resurfaced in North America, during the early nineteenth century, to describe the accountability of the individual before the law. After 1945 complicity felt different: if for Blount complicity was related to a new understanding of sovereignty and “a complicit multitude for good or/and evil,” after 1945 the word was privatized: In the “subsequent Nuremberg proceedings” against Nazi industrialists and legalists, the military tribunals insisted on linking complicity in genocide to named perpetrators, rather than hosts of complicit actors, or corporations. It was a surprising but wise idea to include “complicity in Genocide” as article IIIe of the Genocide Convention (1948), but the meaning of “complicity” was not explained. Two years later, the US Senate Foreign Relations Subcommittee conditioned its agreement to ratify the Genocide Convention by asking “the words ‘complicity in genocide’ to mean participation before and after the fact…in the commission of the crime of genocide,” so it is clear that the US, or its ally the West German government, cannot be accused of complicity. The Cold War made it necessary to separate the world into good and evil, right and wrong, Americans and Russians. Complicity changed its meaning yet again.

    Once it enters the language of modern power-relations, complicity grows like a fungus,  its etymological mycelia entwining (πλέκω, plékō: weave, tangle) social solidarity, cultural symbols, and political legitimacy. Within each of these elements complicity focuses on a short-term, present-oriented benefit. In other words, the political semantics of complicity follow its historical form as a passive-active entanglement that is always partial, and always hiding in the lowlands dominated by striking peaks. Digging it out means excavating a political mechanism buried deep underground. Complicity thrives where knowledge is suppressed. It spreads in hierarchical systems but is hard to explain if one looks for simple good vs. evil sort of rhetoric.

    Complicit Entanglement

    Complicity is a form of entanglement. It is impossible to understand complicity without knowing something about its context, the before and after of what one is complicit with. The writers who suffered the consequences of World War II knew that. They noticed that complicity proposes a better explanatory framework for atrocities than the usual focus on perpetrators and victims, leaders and the masses, generals and soldiers. The deeply traumatizing experiences the Jewish-Italian author Primo Levi analyzed in his writing, the dark coercive atmosphere the German author Hans Fallada portrayed in his novels, and the “perpetual state” the German-Jewish political thinker Hannah Arendt warned about were not the result of spontaneous acts of violence but the result of a carefully crafted system that made violence a condition. The Nazis made a systematic effort to blind followers to the act, while blaming its victims for it. As Levi wrote in The Drowned and the Saved, while gesturing towards T. S. Eliot, “most Germans behaved in the twelve years of Hitler, in the illusion that not seeing was not knowing, and that not knowing relieved them of their own share of complicity or connivance.” As for the victims, they “bind them with guilt, cover them with blood, compromise them as much as possible. A bond of complicity is thus forged between them and their masters, and there is no turning back.” Indeed, the Nazis made both their subjects and their victims accomplices to the crimes they designed planned and executed. Recent studies show that there were more Ukrainian, Romanian, and Baltic guards, Jewish capos, and simple German soldiers managing the killing than Hitlers, Himmlers, and SS sadists with whips. Said differently, though eruptions of evil tend to be associated with a single person, a single party, a single country, those who endure these crises know they can only happen when countless individuals—with and without jackboots—take on countless different chores. Complicity is moving on a spectrum, not a single static disposition. One can be actively complicit by aiding the criminal action, or passive as a bystander who ignores it and denies any knowledge of it. As Arendt explained, without complicity both totalitarian and liberal systems would break down, their terrorist or consumerist logic sapped of vigor.

    The most famous accounts of the Holocaust are taught as exceptional representations, the experiences of individuals. (We all know the name of Anne Frank.) Levi warned against this when he depicted the concentration camp as a “Grey Zone,” where victims were coerced into committing inhumane acts, with the implication that they shared responsibility with their torturers for what happened in the camps. Fallada’s protagonists experienced an emotional “state of emptiness” that made it possible for them to aid enthusiastic perpetrators, with or without agreeing with their ideology. And Arendt noted, in Eichmann in Jerusalem (1963), the different forms of “banality” with which Eichmann (who we now know was not just powerful but deeply committed anti-Semite)—and the Jewish councils he beat into docility—carried out the orders to transport Europe’s Jews to the death camps. But despite the efforts of some to insist on the uniqueness of their experiences, Levi, Fallada, and Arendt were not alone. Other postwar writers underlined the place of complicity in new forms of politics. In 1959 Eugène Ionesco, the French playwright of Romanian descent, nicknamed complicit behavior “rhinoceritis.” A few years later, Rolf Hochhuth accused Pope Pius XII of collusion with the Nazis (The Deputy, 1963). Shortly thereafter, Peter Weiss’s play The Investigation (1965) presented the accused in the Auschwitz trials as complicit with the Holocaust’s “industrial killing.” Ironically, it is precisely because complicity requires a context and a spectrum of, often conflicting, positions, that literature was quicker to realize its explanatory power.

    The Legacy of Complicity

    The lesson had not been learned. Since 1945, complicity did not just spread but it became the condition of our political lives. During the Cold War, intelligence services offered Nazi criminals impunity and prosperity. Later apartheid in South Africa (1948–94) and the ongoing colonization of Palestinian land (1948-present) met with self-serving justifications, and sometimes open approval, by the international community. By 1989, the anticolonial theorist Mihaela Mihai writes, complicity had turned into a social norm, “interstitial and anchored in a series of practices, relationships, attitudes, and institutions.” That same year, in South Africa the Durban Democratic Association declared, in a pamphlet titled “The State of Emergency Is beyond the Rule of Law,” complicity so evident and its attendent political condition, emergency, so normalized that the very purpose of emergency laws was to encourage complicity. And the Truth and Reconciliation report admitted the failure of the Commission “to spread wide enough its examination of civil society’s complicity in the crimes and misdeeds of the past.”

    One of the outstanding moments of the past year was Jonathan Glazer’s speech at the Oscars. By loitering in the walkway, potting shed, and bedrooms of the Höss family home beside Auschwitz, Glazer’s movie, The Zone of Interest (2023), spotlit the complicity of German civilians—even children—with all that happened on the far side of the garden wall. Philippe Sand’s The Ratline (2021) is dedicated to the family and friends of the Nazi criminal Otto Wächter. Paul Lynch’s Booker Prize–winning novel, Prophet Song (2023), focused on Eilish, a wife and a mother who’s doing her best to ignore a coming civil war, and whose father tells her, “You are lying to me, you are always lying, I knew you would be complicit in this.” All she wants is to close her eyes and nod off, so naturally she is told, “All your life you’ve been asleep, all of us sleeping and now the great waking begins.” Those who see complicity for what it is understand that change cannot occur without a complete shakeup of structures, without removing the agents of complicity from positions of power.

    And let us not neglect the academic discussion of complicity. After a recent wave of headline-grabbing resignations, the leverage elected officials and rich donors wield over university policies can’t be denied, the flipside of which is the presumption that deans, presidents, professors will wordlessly adopt the official line. Recent journal articles attest to the history of academic complicity, a given since neoliberalism brought university accountants to heel. For the political sociologist Thomas Docherty, intellectuals and academic institutions became complicit with power when they abandoned the vocabulary of dissent, adopting instead the lexicon of petty politics, social norms, and economic dictates. As Alice Gast, the president of London’s Imperial College (2014-2021) and a board member of Chevron, put it, professors are expected to behave like “small business owners.” Rather than offer a measured critique, business owners are expected to sell their products to customers.

    Michael Rothberg, an American professor of comparative literature, explains that implication, originated in complicare, forms “a realm where people are entangled in injustices that fall outside the purview of the law and where the categories into which we like to sort the innocent and the guilty become troubled.” John Hamilton, a professor of German and expert in classics at Harvard explains that “The complacent” [from the Latin verb placere “to be pleasing or satisfying”] are too “inappropriately pleased with [themselves] or with a situation to the point where any change, reconsideration, or improvement is dismissed as unnecessary.” He means his fellow academics.

    The historians of the Holocaust Robert Ericksen, Doris Bergen, and more recently Mary Fulbrook, updated the discussion of complicity and “bystanders” by applying it to those within academia who collaborated with the Nazi regime while “considering themselves respectable scholars.” The celebrated philosopher Susan Neiman argued, in recent articles to the New York Review of Books (October 23, November 3, 2023), that German institutions replaced their former complicity with historical anti-Semitism, with the Israeli apartheid. In a recent book, Maya Wind points to the deep and consistent complicity of Israeli universities with the security services and the occupation. Will universities learn the lesson its own faculty is warning them about? Probably not—there’s too much money at stake, as the baffling attacks on its own student bodies, in the different encampments and protest, proves.

    If change will not come from the academic institutions, where could it come from? The legal sociologist Francine Banner explained, “After decades of treating risks to society as stemming from individual bad choices, systems are being called to account for the risks created through processes of disenfranchise[ment]. . . . Complicity is at the forefront of these conversations.”

    The imprint of complicity is too visible to be ignored. After all, article IIIe of the Genocide Convention (1948) denounced “complicity in genocide,” and among those tried at Nuremberg were industrialists and judges deemed complicit in crimes against humanity. But the Genocide Convention did not trigger action against those complicit in genocides, and the big corporations that financed and armed Nazi Germany were acquitted or released with a slap on the wrist. A new branch of international law attempted—and failed—to figure out the right relationship between criminal law and complicity, but as the German legal theorist Helmut Aust explained, a “community-oriented law fails to provide convincing reasons why complicity is no longer to be tolerated in international law,” recommending instead a comprehensive international reform addressing state complicity. In contrast, Francine Banner’s freshly published book recommends a more cautious approach to complicity within the limits Aust identified as “community-oriented,” but also pointed out the failure of the justice system to take on complicity. She acknowledges that recent appointments to and rulings by the United States Supreme Court had led many interpreters to speak of “‘complicit bias,’ a recognition that institutions like courts are not neutral but play a significant role in sustaining inequalities.” So again, who will take complicity by its horns?

    Complicity 4 Our Time

    Complicity, complacency, and bystander are important categories because, as the historian Victoria Barnett observed already two decades ago, “they helped create a world in which genocide was possible.” Discussing “complicity” is not an easy task, and not only because we are not used to thinking of it as a historical category. Complicity adds another layer of institutional complication to an already dark story about the destructive character of humanity. More specifically, the question of complicity is relevant not only to the genocidal violence the US and the EU are currently supporting in the Middle East but to the planetary struggle against climate change. After all, lucrative weapon deals will not help fighting the massive process of desertification large swamps of the world is experiencing, at the moment. Not knowing complicity from dissent will not relieve us of our share of complicity or connivance with more and greater forms of destruction. The students in the encampments have shown us a different path.

    Nitzan Lebovic is Professor of History and the Apter Chair of Holocaust Studies and Ethical Values at Lehigh University. Nitzan published books about the history of life-philosophy and biopolitics, the history of melancholy, nihilism and catastrophe. His forthcoming book is titled Homo Temporalis: German-Jewish Thinkers on Time (Cornell University Press, 2025). For other essays of his about the history of complicity see Comparative Literature and Culture (2019), History & Theory (2021), and the forthcoming “Forms of Complicity: History and Law in the Kastner Affair” (Journal of the History of Ideas, 2025).

    [i] T. Blount, Glossographia; or a Dictionary Interpreting the Hard Words of Whatsoever Language, now used in our refined English Tongue (London, Tho. Newcomb, 1681 [1656]), 148.

  • Marc Kohlbry – The Last Manager (Review of Craig Gent’s Cyberboss: The Rise of Algorithmic Management and the New Struggle for Control at Work)

    Marc Kohlbry – The Last Manager (Review of Craig Gent’s Cyberboss: The Rise of Algorithmic Management and the New Struggle for Control at Work)

    The Last Manager (Review of Craig Gent’s Cyberboss: The Rise of Algorithmic Management and the New Struggle for Control at Work)

    Marc Kohlbry

    The common man wasn’t nearly as grateful as he should be

    for what the engineers and managers had given him.

    —Vonnegut (1952, 220)

    In early 2024, Bill Anderson, CEO of the pharmaceutical giant Bayer, took to the pages of Fortune to announce the end of management. Citing the difficulties posed to sustainable growth by cumbersome workplace bureaucracy and hierarchies, the op-ed details his company’s plan to fundamentally restructure 100,000 positions across its various business units. Under the banner of “Dynamic Shared Ownership,” Bayer will do away with 99% of its 1,362-page corporate handbook in hopes of becoming “as agile and bold as a startup” (Anderson). In its absence, employees will “self-manage,” forming “self-directed teams” endowed with the freedom to select new projects every 90 days and to sign off on one another’s ideas along the way—all “without a manager in sight” (Royle). This “radical reinvention,” he promises, will “liberate our people” and save the company upwards of $2.15 billion, notably by first liberating thousands of middle managers from their employment contracts.[1]

    While Anderson’s op-ed stops short of clarifying exactly how these self-directed teams will cooperate to achieve Bayer’s corporate goals (an equation typically solved by managerial personnel), a more recent New York Times article, “If A.I. Can Do Your Job, Maybe It Can Also Replace Your C.E.O.,” indicates what the means to such ends might be. There, journalist David Streitfeld suggests that emerging technologies, namely those driven by generative AI, stand poised to take over executive decision making by analyzing new markets, discerning trends, and communicating with colleagues. “Dark factories, which are entirely automated,” he ventures, “may soon have a counterpart at the top of the corporation: dark suites” (Streitfeld 2024).

    The rationale behind these structural shifts is simple enough: because middle- and upper-management positions are highly compensated, eliminating them can result in considerable savings for employers. Faced with a growing market bubble[2], companies like OpenAI might see in this an opportunity to deliver shareholder value by developing products capable of carrying out supervisory tasks and of supporting (that baleful corporate euphemism) workers’ efforts to manage themselves. As one former IBM consultant notes, the change delivered by AI in corporations could accordingly be “as great or greater at the higher strategic levels of management as [in] the lower ranks” (Streitfeld 2024). Indeed, for some, replacing managers with algorithms or LLMs appears as common sense: “[s]omeone who is already quite advanced in their career and is already fairly self-motivated may not need a human boss anymore,” intimates Phoebe V. Moore, a professor of management and author of The Quantified Self in Precarity: Work, Technology and What Counts (Routledge, 2017). “In that case, software for self-management can even enhance worker agency” (Streitfeld 2024).

    *

    But what might such changes actually mean for work and those who carry it out? Put otherwise, in taking up the managerial function, are information technologies truly capable of enhancing worker agency? Craig Gent’s Cyberboss: The Rise of Algorithmic Management and the New Struggle for Control at Work—an adaptation of his 2018 doctoral dissertation—responds by offering readers a powerful and timely excavation of how new workplace technologies are in fact making workers of all stripes less free—“not by chance but by design” (Gent 2024, 3). This “design,” Gent conveys across the text’s six chapters, is propped up by “algorithmic management,” “a way of organizing work in which workers are directed, monitored, tracked and assessed—all at once, in real time—by a computer system that doesn’t rely on a human manager to control it” (3-4). In an observation that recalls the motivations behind Bayer’s $2.15 billion experiment in self-management, Gent notes that, “for most practical work, human workers are simply cheaper, more reliable and easier to replace than robots” (4). Managers, it turns out, are not.

    Building on this logic, Cyberboss takes stock of the true consequences of work under algorithmic management, where “poor employment protections, high workloads and advanced technology conspire to create high-turnover jobs that come with a harsh toll of mental and physical exhaustion” (3). By concentrating his attention on these dynamics in the (UK) logistics sector (while acknowledging that they define the gig-economy as a whole), Gent identifies that the core goal of Cyberboss is to—as its epigraph from Mark Fisher would have it—“destroy the appearance of a natural order” held together by algorithmic power.

    In Chapter 1, “The Stakes,” Gent outlines three analytical strokes for fulfilling this goal. In the first, his study seeks to demystify the aforementioned natural order by tracking how contract workers are compelled to work in accordance with “objective” standards set by seemingly infallible calculations and analytics (3). Second, Cyberboss looks to illuminate a crippling blind spot of the contemporary labor movement, whose myopic focus on contract recognition and related concession that a company’s “right to manage” is “its business alone” both foster the unchecked exploitation of “flex” workers that is itself operated by management and workplace technologies (13). Finally, Gent endeavors to counter extant scholarship on algorithmic management in particular and gig-work more generally by identifying the limitations of calls for such technologies to be made more “transparent,” “explainable,” and “human-centered”; emanating from academics and trade unions alike, these demands, he will later insist, fall short by proposing a “technical solution to a political problem” (23).[3]

    According to Gent, what is needed instead is a “political understanding of algorithmic management on its own terms” (8). Yet, “it is important not to disappear into the abstract,” he cautions (23). Instead, “[b]ecause the politics of algorithmic management is so intimately entwined with the organisation of work, it is necessary to show how such workplaces function in practice” (23). To do so, Cyberboss concerns itself “more with discipline and management” than with wages or the effects of material precarity outside of the workplace (11). In sum, Gent explains, “I want to question what the stakes are for workers and work, and what it means for technologies of control and communication to be sites of struggle and contestation” (12). This line of inquiry ultimately permits Cyberboss to generatively account for how “workers are being managed by computers rather than replaced by them” “on the basis of cybernetic feedback loops” (6), then to reveal how workers are fighting back outside of the traditional organizational structures of the labor movement.

    To fully grasp how Gent arrives at these conclusions, it is instructive to read ahead to Cyberboss’s fourth chapter, “Technological Politics.” In this somewhat belated methodological introduction, Gent surveys several dominant views of technology’s relationship to sociopolitical dynamics. Judging “technological determinism,” “social determination” (109), and the “economic view of capitalist innovation” (113) as insufficient, he instead privileges a “theory of technological politics” aimed at accounting for the “political dynamics—in other words, class relations—that are immanent to technology” (114). In lieu of “saying technology is determined by political dynamics,” this perspective focuses on how “the scale, design or organisation of certain technical arrangements can engender technological imperatives that command particular social responses” (115).

    Rather than target capital’s conceptual abstractions, structural dynamics, or technical artifacts, Gent leans on the theory of technological politics to construct a markedly ethnographic methodology (119). “Uncovering the conflictual political interests that have been concealed, circumvented or naturalized,” he argues, “requires empirical investigation with the aim of showing that labour is never completely subordinated to capital” (132). The point, he continues, is not simply to understand relations of power, but to empower workers by unconcealing the “ongoing contingency of class struggle from within work, quite aside from any sweeping structural principles or managerial ideals we might identify” (133). Taking as a point of departure the so-called Trontian inversion—or, the insistence on “the primacy of working-class struggle within the development of capitalism”—Gent grounds Cyberboss in autonomist Marxism’s insights about how “the working class has political agency regardless of the conditions imposed upon it by either capital, the state, or traditional political vehicles such as trade unions or workers’ parties,” all while emphasizing workers’ ability to contest the dominative power of capital (117, 120). Indeed, he maintains, “the indeterminacy of technology […] leaves open the possibility that workers will contest managerial techniques as implemented through specific technologies” (123). With his sights set on the “indeterminacy” of algorithmic management, Gent finds in autonomism not only a political framework that registers how “technology is always subject to ongoing class struggle,” but a set of concepts and tools with which to effectively “develop an account of technology at work” (120).

    Among these, Gent singles out the workers’ inquiry (as developed by Romano Alquati in 1975’s Sulla FIAT) for its ability to trace “class composition,” a move that turns back the clock on post-operaismo by framing ethnography as a means of explicating particular sites of class struggle rather than zooming further out in an attempt to assess the composition of the working class as a whole (137). By centering pickers in UK distribution centers as well as couriers working for similar facilities or on lean platforms, Gent skillfully explicates how “capital and the working class are specific but relational” (130) by analyzing algorithmic management technologies as both “a prism through which to understand contemporary class struggle and an under-studied component of regimes of ‘control’ in contemporary workplaces” (137). Workers’ inquiries form the core of these analyses; however, they also serve as dynamic supplements to Gent’s assessments of the intellectual histories, media objects, and conceptual abstractions that gave rise to and continue to fuel algorithmic management. Woven together, these threads forcefully clarify the concrete fallout of this managerial mode as well as the forms of worker resistance that have risen to counter it.

    A pivotal moment in this approach comes in the third chapter of Cyberboss, “Management,” which details how algorithmic management “combines three key traditions in management thought: the scientific, the humanistic and the cybernetic” (65). Beginning with the observation that management is, “in its essence, a political project” representing “a formal and intentional division of power, information, communication and control in the workplace” (64), Gent momentarily brackets out the question of digital technology to trace the means and ends of the managerial function both historically and in the present. He begins by surveying the tradition of scientific management promoted by Frederick Winslow Taylor at the turn of the twentieth century. Understanding labor power to be a commodity that, when purchased, merely offers the potential for labor, Taylor identified the goal of management as the actualization of that labor power (68). The defining feature of this approach—or Taylorism—would ultimately be its deskilling of manual labor and subsequent separation of the conception and execution of work. This design made managers responsible for “applying detailed measurement to each element of work” (67). Under Taylorism, then, the managerial conception of labor consists of “the knowledge and planning of the labour process, the development of strategy” (76), while its execution is the eventual cooperative labor of workers themselves. Critically, the “knowledge put into the process by managers is initially gleaned” from the workers, which enables supervisors to “generate [the] general rules and targets that will govern the work process” (76-77).

    Gent continues his survey of capitalist management by registering an important corrective made to Taylor’s thinking by Frank Bunker Gilbreth, Lillian Moller Gilbreth, and Elton Mayo. In Gent’s retelling, this shift represents the “humanistic tradition,” which belies the realization that scientific management need indulge “the human factors of the labour process” (73). Together, these thinkers urged managers to concentrate on developing affable, personal relationships with workers in order to create “social units” in the workplace; Mayo, in particular, would identify sociality as workers’ primary motivation (73). This tradition would reach its apogee in the years following World War II, largely thanks to management innovations in Japan led by Yoichi Ueno and later by Taiichi Ohno, the father of Toyotism, lean manufacturing, and “total quality control.” These markedly humanistic upgrades to Taylorism, Gent explains, would break with the idea of a perfectible system by instead insisting on the continuous refinement of the labor process over time, or kaizen in Japanese (81).

    To these interrelated approaches, Gent adds an important third: the “cybernetic tradition,” whose principal feature is “the use of feedback loops to control or steer a complex system (in this case, a workplace)” (6). This name—from which Cyberboss draws its titular prefix—points to both total quality control’s roughly cybernetic nature as well as to the management theories that grew from the seeds sown by Norbert Wiener’s foundational 1948 text, Cybernetics: Or Control and Communication in the Animal and the Machine. “As an adaptive, continuous system,” Gent clarifies, “total quality control retains ideas from scientific management about the reformulation of knowledge to produce targets, but adopts a more holistic, and arguably cybernetic, form: beyond work rates, [it] is concerned with managing work relations through communication and delivering wide control to management through attention to intra- and inter-departmental dynamics” (82). “Cybernetic” management thus creates a company-wide circuitry of feedback-based control (called a “quality-control circle”) through which “management can control various aspects of the work process by communicating with workers and encouraging their cooperation” on the basis of the information gathered from those workers as they carry out their tasks (83-84).

    Further on, Gent turns to certain core thinkers of “cybernetic management” (namely Stafford Beer) to detail how, in viewing the firm as a cybernetic feedback system, this third tradition shirks purely hierarchical control and total knowledge of the work process to instead “exercise control […] by virtue of [managers’] position within communicative flows” (96). To illustrate how this approach underpins “algorithmic” management, Gent observes that the scanning guns used by Amazon pickers mediate a process of informatic feedback. While “the separation of conception and execution persists” and management was “still present [there] in a number of ways,” these Motorola WT4000 scanners would dictate to workers the next item to be picked all while displaying a real-time evaluation of their performance (88-91). Behind the scenes, the interface was tracking and collecting performance data and in turn using that information to adjust the labor process in keeping with established productivity targets. Yet even though (or because) “[n]o one could say how the […] targets were set” (101), each data-driven adjustment appeared as neutral, objective, rational, and, above all, “beyond question” (99-100). Further, while these workers at times would intermittently interact with a human manager, they were more often in communication with “the system,” another name for “a computer database (or databases) that manages stock or order progress, tracks the work of employees, time-stamps activity, calculates performance and assigns new tasks where necessary” (101).

    These ethnographic observations lead Gent to a series of sweeping theoretical conclusions about algorithmic management. In addition to drawing on “the separation of conception and execution advocated by Taylor and the continuous improvement impulse of kaizen,” digital tools such as the scanner mediate “performance-orientated feedback loops” all while introducing “new dimensions to the workplace that force us to rethink what communication and mediation mean at work” (105-106). In the logistics sector, these “new dimensions” weigh on managers and workers alike. For the former, technologies like the scanner maximize worker efficiency by leaving the calculative aspects of conception to algorithms, which frees them up to smooth out any kinks in the labor process through direct communication with workers. For these workers, the execution of labor comes to resemble what Jamie Woodcock calls the “algorithmic panopticon,” or a form of workplace governance without a physical managerial presence wherein interaction with digital interfaces and platforms contributes to a “feeling of being constantly tracked or watched” (107).

    Nevertheless, Gent insists that the control posited by this “algorithmic panopticon” is illusory, a position that he defends across the chapters “Algorithmic Work” and “Algorithmic Management.” In a way, these chapters take up the division of labor proposed by Taylorism, but in reverse: the first focuses more on descriptions and analyses of the execution of labor in the logistics sector, whereas the second concentrates on the means and ends of its conception (though, given Cyberboss’s privileging of workers’ perspectives, there is considerable overlap between the two). These examinations support Gent’s reasoning that “the principal idea governing contemporary logistics is to minimise ‘waste’” by (in part) ensuring that workers are as “productive as humanly possible” (16-17). This is where algorithmic management steps in: by assigning, administrating, measuring, and assessing this work in real time, its technologies

    cover the allocation of work, the direction of the employee towards particular items, the employee’s performance against a pick rate (itself set by the algorithm according to online order traffic), and the direction of supervisors towards workers who fail to meet targets. In such cases, algorithmic tracking and decision-making are either augmenting or replacing the traditional managerial or supervisory function. (26-27)

    Such an approach reduces logistics workers to a series of data points, or information, which is then measured on the basis of productivity targets and surveillance before being “fed back” into the system to maximize efficiency (and discipline workers who underperform) (28).

    To demonstrate how this takes place in the logistics sector, Gent elaborates specific forms of media that render workers as “tools of the algorithmic system” (40). Hardly dead media, the scanner, the barcode (41-42), digitally-augmented goggles (42), and even VR headsets (44) enable management to control individual workers by “transforming each […] into an embodied real-time data tracker” (42). The information gathered by such devices facilitates this determination in two movements. First, it allows “the system” to determine which workers will work and when; “[l]ike the goods in the warehouse, [these] workers are forever just-in-time” (152). Second, once workers are on-site, this same data is used to subject them to circular work patterns (a more concrete feedback loop), the instructions for which are set computationally and displayed on the digital devices themselves (147). “Much of the skill involved in successfully carrying out the work,” Gent goes on to highlight, “boils down to successfully acting on the basis of a digital interface” (149). This has the upshot of focusing workers’ attention on hardware and thus of minimizing communication between them (157). To prevent a total breakdown in sociality, then, the role of actual managers shifts toward “humanistic intervention” capable of ensuring that work (and its improvement) remains a “continuous process” rather than a “goal-oriented sequence” (169, 160). In sum, while “algorithmic management operates within a Taylorist paradigm, it signals a key development in terms of its ability to decentralise the managerial endevour by distributing power across the workforce in a more democratic way, but by way of a digital media infrastructure within which real-time cybernetic feedback loops produce a more generative form of control” (171).

    This new reality, Gent warns in “Guile Against Adversity,” “poses significant issues for how we think about the capacity of workers to exercise agency within the work process” (173): increasingly faced with a system able to “fill gaps in labour” and “redirect work processes to other locations in real time,” “we can no longer rely on forms of political mobilisation that have become our common sense” (176-177). Rather than lay plans for a future political strategy (predicated on unions, strikes, and so forth), this final chapter focuses on contingent employees’ resistance to algorithmic management in “actually existing workplaces” (203). Reframing instances of “everyday resistance” and “organisational misbehavior” (178) as “metic resistance” (201), or “workers’ guile,” Gent highlights “the use of situated wisdom and experiential cunning to seize or subvert, even momentarily, the current of managerial control” (203). But while such acts[4] are capable of “reappropriating personal dignity,” Cyberboss’s author also acknowledges that it remains an open question whether metic resistance—as well as the new forms of worker sociality and “chains of discovery” that make them possible (which he terms “metic commonality”)—can be “scaled up or generealised across a workforce as part of a collective endeavour” (198, 205). Still, “[b]y thinking about resistance in terms of metis,” Gent maintains, “we are forced to consider the situatedness of political action away from ideal types, such as those found in the organiser’s repertoire” (205).

    Beyond its contributions to our understanding of the gig economy and provocative assessments of the emancipatory possibilities available to workers under algorithmic management, Cyberboss also makes crucial interventions in pressing social-scientific conversations at the nexus of political economy and digital culture. Importantly, the text grounds scholarly interest in the logistics sector (as both a site of exploitation and a possible choke point for resistance) in what one might call a social history of algorithmic management—that is, a theorization of technology’s relationship to the capitalist division of labor rooted in actually existing workplaces rather than in idealism, however cogent its political leanings. This perspective informs Gent’s skepticism of “[a] growing number on the left [who] wish to see social movements emerge around the logistics sector” (60), which later leads him to conclude that locating the strategy of “fault lines and weak points” in logistics “falters against the scale of [algorithmic] managerial control” (202). One could certainly be persuaded by this point in taking seriously Cyberboss’s arguments; however, Gent’s account is also a complementary rejoinder to work on this subject by Aaron Benanav, Jasper Bernes, or Søren Mau, who have made incisive points about how, under capitalism, “mobility is power, and means of transportation and communication are weapons.” (Mau 2023, 273). To these more structural positions, Gent lends the voices of workers to reorient conversation toward, in the context of logistical power, what it is that’s to be done—though stops short of leveraging this essential move into an affirmative elaboration of the kinds of broader, coalition-based strategy that will be necessary to effectively fight back.

    Elsewhere, Cyberboss generatively nuances certain of Mau’s arguments about “economic power,” or that which is “not immediately visible or audible as such, but just as brutal, unremitting, and ruthless as violence; an impersonal, abstract, and anonymous form of power immediately embedded in the economic processes themselves rather than tacked onto them in an external manner” (Mau 2023, 4). Importantly for the present purposes, Mau postulates that management, or“[t]he authority of the capitalist within the workplace,” is the mere “form of appearance of the impersonal power of capital”; formulated otherwise, “[t]he despotism of the workplace is nothing but the metamorphosis of the impersonal and abstract compulsion resulting from the intersection of the double separation constitutive of capitalist relations of production” (233, italics in original). By this token, Cyberboss brings Mau’s cursory insights about how the managerial function directs economic power to bear on the question of algorithmic power, in turn pointing the way to a fuller understanding of how technology might mediate “mute compulsion” in the digitized workplace along “multifarious points of communication” (Gent 2024, 170). If “management at work is the primary means by which most people experience the phenomenon of capitalism in daily life” (65), Gent’s arguments suggest that, by replacing managers with technologies aimed primarily at the production of surplus value, algorithmic management presents workers with an experience of the value form that is paradoxically more abstract and concrete than that animated by previous managerial modes—more abstract because it is immaterial and non-human, more concrete because it offers a less mediated experience of the abstracting movements of capital. Here, more concentrated study of the place of technology in capital’s abstract domination of the concrete—particularly in the context of managerial practice—appears as particularly urgent.

    Gent’s study also vitally reasserts the centrality of management for cybernetics (and vice-versa), a point of convergence that is among the most enduring afterlives of the science; indeed, before migrating into anthropology, linguistics, or “French theory,” this model for communications engineering was motivating managerial thought and practice.[5] Read in this context, Cyberboss’s focus on “actually existing workplaces” provides a materialist explanation for the cybernetic underpinnings of contemporary capitalism, a welcome supplement to more recent studies of the ideological impact of the science of communication and control on neoliberal economics.[6] On this basis, Gent’s discussion of cybernetics underscores the need for research into how the science’s successive historical stages—i.e., first-order, second-order, or, later and by extension, systems theory—respectively modified the coordinates of the “scientific” and “humanistic” managerial traditions to which Cyberboss so urgently draws our attention.

    Further afield, Cyberboss should provoke similar (if perhaps uncomfortable) questions for scholars in the humanities. There, it is no secret that “cybernetic” thought has served as inspiration for a range of fields from posthumanism to poststructuralism thanks to the “ontology of unknowability” (Pickering 2010, 23) typically associated with cybernetics’ more reflexive second wave. With this in mind—and following Gent’s lead in registering that this same ontology has enabled capital to actualize labor power since the mid-twentieth century—one wonders about the extent to which some strains of humanities research have been unknowingly trafficking in managerial discourse for what would now amount to decades. Such a line of inquiry is only complicated by the fact that management scientists themselves have long-since realized the use value (and not simply the exchange value) contained in the thought of Michel Foucault (McKinlay and Starkey 1998), Gilles Deleuze (Linstead and Thanem 2007), or Judith Butler (Tyler 2019), as well as in certain fields often assumed to be the exclusive province of humanistic inquiry (de Vaujany et al. 2024).

    *

    Without undercutting its arguments or diluting its many contributions, Cyberboss ends abruptly. A three-page epilogue briefly addresses the topic of artificial intelligence by glossing the 2023 Writers Guild of America (WGA) strike and the demands made therein for the curtailment of AI use across the film industry. “The WGA,” Gent suggests in closing, seems to have understood what “other unions ought to”: “the infeasibility of leaving technology within the realm of corporate decision making” (Gent 2024, 211). Rather than content ourselves with this nod to generative AI, however, we should push Gent’s study further to illuminate the futures of work and component forms of exploitation that these technologies may make possible—some of which are already upon us.

    In early 2024, I received an unexpected job offer. The position—for which I had not applied—was that of an AI model evaluator with a company that I’ll call “Mute.” This was an opportunity, I read with some confusion, to “shape the next generation of AI with [my] expertise” while “enjoying the flexibility to work where and when” I wanted. Puzzled yet intrigued by how I might do so with a background in comparative literature, I accepted.

    It was not long before I discovered that the management of this work (which Mute refers to as “tasking”) was entirely algorithmic. Once I had created an account on the company’s platform and completed the necessary “enablement” modules, the system assigned me to a project, the two pay rates for which (one for “project” tasks and another for “assessment” tasks, themselves indistinguishable in all but name) were both conspicuously lower than the promises of Mute’s initial proposition. Undeterred, I clicked the “Start Tasking” button and a new interface appeared: at the top of this window sits a timer (typically longer than the maximum amount of time a user can be paid for—a detail buried elsewhere in a project description footnote) alongside a reveal of the task type at hand.

    For this first “Rewrite” project, Mute’s system instructed me to evaluate and improve single- and multi-turn LLM (large language model) responses according to the assessment categories of “instruction following,” “concision,” “truthfulness,” “harmfulness,” and the vaguer “satisfaction” (a catch-all for any issues that fail to fit neatly into another category). To move from one stage of a task to the next, I was required to “Verify” my recommendations by fixing any issues flagged by a series of inscrutable, AI-powered plug-ins.[7] Once my suggestions had been approved by these digital managers, I could “Submit” the task for evaluation by an anonymous “Reviewer”—a role, I learned following a later algorithmic reassignment, whose own tasks are evaluated by still other taskers using an identical 1-5 Likert scale. Regardless of one’s project or role, these scores contribute to an “Average Task Score,” which the system then uses to compute pay rates and assign future tasks, projects, and, if one is lucky, “bonus missions.”

    The managerial function animating this division of labor operates horizontally: thanks to the system’s opaque algorithms for allocating and evaluating tasks, each tasker is unknowingly managing the work of another. But this same process is also circular: because their communication occurs textually and is mediated by standardized assessment categories, Likert scores, and other veiled parameters, taskers are transformed into algorithmic managers; cloaked in code, they become indistinguishable from the LLMs they are training (who are training them in turn). This is evident as soon as one completes a first unpaid “enablement” program, at which point they are asked to assign it a rating between 1 and 5. Within this circuit, the question of whether tasks are being evaluated by a human or an AI (or, if they are being used to evaluate the work of one or the other) is thus irrelevant.

    While tasking on Mute is a solitary endeavor, it is still possible to communicate with fellow workers by clicking on a tab labelled “Community.” Doing so will launch an embedded Discourse forum featuring locked threads with updates and reminders about the project(s) to which one is assigned as well as open threads seemingly meant for more casual exchange. Among these is the “Watercooler Thread,” a name that cruelly parodies the social relations that have been dissolved by the machinations of algorithmic management. Indeed, every move on this platform is destined for capture and optimization; in Mute’s “Community,” for instance, taskers’ scrolling and keystrokes are tracked and calculated into a “Trust” level that will determine the threads and features (including personal messaging or the ability to post links) to which they have access.

    This brief window into Mute’s algorithmic management highlights the explanatory power of Cyberboss—even while revealing certain of its limitations. Though not pickers or couriers, for example, Mute’s workers are similarly directed, monitored, tracked, and assessed by non-human agents in real time. And, much as Gent describes of Amazon or Deliveroo, this company’s “system” facilitates the resulting flows of data through feedback loops intended to actualize labor power. In the absence of any discernible human supervisor, however, here AI stands in as the tasker’s last manager, creating an algorithmic panopticon wherein each is the source and subject of an automated mode of control. Alarming, too, is that the sociality shaped by Mute’s platform limits workers’ ability to fight back more comprehensively than a logistics facility might with its scanners and barcodes; for instance, even if taskers dream of staging a slowdown or mass log-off to improve their working conditions, every channel (and water cooler) for metic commonality is already subsumed by the system’s gaze. In difference to the logistical distribution of material goods that Gent analyzes, then, the algorithmic power governing Mute’s immaterial labor is hardly an illusion; rather, it is totalizing, a “quality-control circle” wherein each worker is compelled to (self-)manage.

    On a more speculative level, the possible ends of this self-management complicate Gent’s conclusions about the impossibility of automating the managerial function altogether. In sum, Mute’s evaluators are carrying out the microwork that maintains LLMs’ veneer of “intelligence,”[8] including editing responses for grammar and syntax, identifying and correcting hallucinations, and generating datasets through which such tools might be trained to better respond to contextual and affective cues. The technical name given to this more general form of labor—which, as one of my Mute training modules clarified, draws on taskers’ “human knowledge and expertise” to craft products “far superior to an AI like ChatGPT”—is unmistakably cybernetic: “reinforcement learning from human feedback,” or RLHF.

    But what of the products that these efforts might generate, and to whom could they be sold? After first being contacted by Mute, I quickly gleaned that the company is the labor-supplying subsidiary of a much larger B2B firm who counts OpenAI, Meta, Microsoft, and Nvidia among its clients. To prevent the most recent tech boom from becoming a bust, organizations like these have begun searching for ways to deliver AI solutions to businesses that will ensure model accuracy, secure company and customer data, minimize response bias, and, above all, feel irrefutably human. One path to this is the increasingly popular “retrieval-augmented generation” (RAG) approach, which allows the LLMs that it powers to retrieve information that is external to the datasets upon which they’ve been trained. In theory, AI infrastructures grounded in RAG can provide accurate and secure LLMs tailored to companies’ “enterprise resource planning” (ERP), “customer relationships management” (CRM), and “human capital management” (HCM) systems and needs. Conceivably, then, Bayer could hire Mute’s parent company (or one of its marquee clients) to build a RAG-powered LLM based on customized HCM datasets and the protocols laid out in their 1,362-page corporate handbook. By actualizing the necessary labor power correctly and at scale (e.g., by way of RLHF)[9], Mute’s algorithmic management could present IG Farben’s heir with its own algorithmic means of hiring, onboarding, and directing workers—or, of taking up the role of “humanistic intervention” to communicatively support self-management, much as AI is already doing for those of us on Mute’s lean platform.

    Nevertheless, it would be a mistake to hastily conclude that the algorithms fueling generative AI models and other digital technologies will soon (or ever) be capable of fully automating the role of management. This natural order Gent only partially decodes: because such objects will always require a self-organizing subject[10], we must summon whatever guile we can—together with the lessons of Cyberboss and the future work it should inspire—to collectively resist becoming our own last manager.

    Marc Kohlbry received his PhD in comparative literature from Cornell University in 2022. His research centers on the intersections of literature and media, digital culture, and political economy and has been published or is forthcoming in such journals as Social TextNew Literary History, and Cultural Critique.

    Thanks to Sam Carter for his incisive reading of a previous draft of this essay.

    [1] Shoring up stock valuations by cutting managerial positions is hardly novel, let alone “radical.” In 2023, for instance, middle managers—i.e., nonexecutives who oversee other employees—accounted for almost a third of global layoffs, with notable cost-saving measures being implemented at Meta, Google, Citi, and FedEx (Olivia 2024).

    [2] See Cahn 2024.

    [3] Relevant examples can be found in Rosenblat 2018, Aloisi and de Stefano 2022, and Ajunwa 2024.

    [4] These include “the exploitation of menu options to bring about breaks; the stealing and sharing of supervisors’ codes or computer log-in details; use of the knowledge of what supervisors can and can’t know, and how busy they will be at a given moment, to amuse oneself and create problems for the stock database; defiance of the narrow forms of communication demanded by interfaces; the shared experience invoked in slowing down to 70% of productivity, reasserting workers’ autonomy over performance; [and] the ingenuity of testing new equipment in order to find new ways to subvert it” (Gent 2024, 207).

    [5] For evidence of this, one might look to Norbert Wiener’s comments on industrial management (briefly discussed by Gent 2024, 12) as well as to Beer 1959.

    [6] For examples, see Hancock 2024, Oliva 2016, or Haplern 2022.

    [7] Frequently, these algorithmic management tools claimed that “AI [had been] detected” in an entry, an issue that I could “Agree and Fix” or “Decline”—there is no third option for informing the LLM that it was, in fact, mistaken.

    [8] See also Altenried 2020, Crawford 2021, 53-87.

    [9] At the time of this writing, these efforts—and any resulting profits—still seem out of reach. See Sam Blum’s recent reporting on the subject for Inc.

    [10] Still, the automation of management strikes me as somewhat more feasible than the “proletarianization” of artificial general intelligence (AGI) (Dyer-Whitheford et al. 2019, 135-138). For my thinking on the means by which digital interfaces might facilitate the former process, see Kohlbry 2024.

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