Category: b2o: an online journal

b2o: an online journal is an online-only, peer-reviewed journal published by the boundary 2 editorial collective, with a standalone Editorial Board.

  • Martin Woessner — The Pedagogy of Rage: Teaching Working Students During a Pandemic

    Martin Woessner — The Pedagogy of Rage: Teaching Working Students During a Pandemic

    This essay is a part of the COVID-19 dossier, edited by the b2o editorial staff. 

    by Martin Woessner

    It was Tuesday, March 24th, not two weeks into the transition to “distance learning,” and I was moderating a discussion of Bertolt Brecht’s play Mother Courage and Her Children on Blackboard Collaborate Ultra, a web-based videoconferencing technology I had been blissfully ignorant of just weeks prior. Between awkward silences and recurrent screen-freezes—Brechtian reminders of just how surreal a space the virtual classroom really is—I kept remembering a line somewhere in act four or five. “I’m right and you know it,” Mother Courage tells a young soldier, “your fury’s just a lightning bolt that splits the air, bright, noisy, then BANG!—all over. It was short-lived anger, when what you needed was long-burning rage, but where would you get something like that?”[1]

    Mother Courage and Her Children is a play about a camp follower in the Thirty Year’s War. The term “camp follower” is a euphemism: it describes civilians—usually women—who trail behind armies providing things without which no war could ever be waged: food, drink, supplies, and services—some essential, some less so. War has always been a gendered economy and Mother Courage personifies it. Feeding soldiers allows her to feed her own children. “War!” she exclaims at one point, “A great way to make a living!”[2]

    Most readers see Mother Courage as a heartless capitalist, a war profiteer. But some of my students, with whom I was now interacting solely online, found her far more sympathetic: tragic, but relatable, a victim of circumstance more than a villain. Indeed, many of my students believed Mother Courage had no choice: they saw her as yet another marginalized woman doing what she had to do to take care of her family and survive.

    “MC is a strong figure,” Elvia wrote on the class blog. “She becomes a businesswoman due to necessity. She must support her children, and this is the way that she found to make money.”  Sandy said something similar: “She is a single mother protecting and providing for her children.”  At the very least, another student wrote, Mother Courage was “a complex character.”  “When you live amongst catastrophe,” she argued, “I imagine that you become desensitized to it all.”

    Reading such perceptive comments, I realized Mother Courage was what we now call an “essential worker.”  In the same way that soldiers are thoughtlessly sacrificed by greedy generals, our selfish, me-first society sacrifices the essential worker to a market economy that simultaneously relies upon and demeans her. The first to be deemed essential and applauded, the last to be supported or even protected. I had a painful epiphany that day: my students could relate to the plight of Mother Courage because they knew it all too well. They were living it. The realization hit me in a lightning-bolt-that-splits-the-air kind of way.

    Essential workers are women. Mostly, they are women of color.[3]  And women of color make up the majority of my students. I teach at The City College of New York’s Center for Worker Education, an interdisciplinary division dedicated to educating working adults. My students work in hospitals and medical offices, in public agencies and social services, in grocery stores and bodegas. They work in public transportation, in community centers, and in shelters. They have continued working these past few months so the rest of us could retreat into our socially distanced bubbles. Like Mother Courage—who got her name because she once drove her food-laden cart straight through “cannon fire” to reach her customers—their work entails serving others while risking their own personal safety. Necessity puts them in this position. “I didn’t see that I had a choice,” says Mother Courage.[4]

    On the theme of necessity, Brecht is merciless, more so than Marx, more so than Hegel, who famously likened history to a “slaughter-bench.”  “Necessity trumps the commandments,” is the message of Mother Courage.[5]  The Threepenny Opera, the play that made Brecht famous, is even blunter: “first comes food, then comes morals.”  For Brecht, material inequality determines everything. Looking at the way the pandemic has affected marginalized communities more than affluent ones, it is hard not to think he is right. New York City may be the epicenter of the coronavirus crisis, but the boroughs and neighborhoods where the “essential workers” live—where my students live—are the epicenter of the epicenter. They are the neighborhoods of necessity.

    When I first started teaching at CWE, a working student was somebody slightly older, usually somebody whose first foray into higher education had been delayed for financial reasons or family obligations. Increasingly, our students are younger. One effect of rising rates of national inequality is that just about every student attending a public institution of higher learning is now a working student.[6]  To be a full-time student these days is an uncommon luxury, one my students do not enjoy. The responsibilities they juggle are tremendous. Many are the first in their families to pursue a college degree. Many are first-generation immigrants. Most of them hold down jobs while also caring for others: children, spouses and partners, parents, even grandparents. They do the work that keeps extended families together.

    I have always tried to imagine my classroom as a space of freedom, someplace where daily responsibilities can be put on hold for a little while my students and I think about ideas they may not have encountered before. Ideas from long ago or even far away. There are times, though, when current events just cannot be kept out of the classroom. Like the semester I taught a course called “Capitalism and Anti-capitalism” while the Occupy Movement took over Zuccotti Park just two blocks north of where we were discussing Adam Smith. Or that time in 2016 when, in the middle of a lecture about how totalitarian rhetoric demonized outsiders, one of my students told me that Donald Trump (demonizer of Mexicans, Muslims, and the “mainstream media”) was pulling ahead of Hillary Clinton in the exit polls. My Mother Courage moment, as I have started to think of it, is another example of how the present occasionally grabs hold of the past and refuses to let go.

    The pandemic upended my pedagogy. I found myself looking at everything through the lens of Covid-19. Each week, I scrambled to make the past into a tool that might pick the lock of the locked-down present. I failed, but I took heart in the idea that it could be done. After all, Brecht did it. He often used history to confront the injustices of his day. Mother Courage decries the devastation of the Second World War, but it documents the plight of a woman in the seventeenth century. Similarly, Life of Galileo contemplates the moral responsibilities of scientists in the age of atomic bomb, but it is set during the Scientific Revolution. The Resistible Rise of Arturo Ui, a satire of National Socialist racketeering, is temporally closer to its true subject, but is geographically displaced to the gangster underworld of Chicago.[7]

    This blurring of the lines between the historical and the contemporary, the far-off and the close-at-hand, is a powerfully generative artistic trick. But I worry, as a teacher, that it can produce a sense of defeatism, a feeling that nothing ever improves, that the gangsters always win in the end. Times of crisis compress the chronological continuum, pressing everything into a presentist purgatory, where everything seems the same as it ever was. They leave one feeling trapped.

    We historians take it as our duty to explain the phenomenon of change over time. But what happens when nothing changes: when the same problems, the same tragedies, the same injustices, persist? What happens when the terrible past becomes, again and again, the terrifying present? When fascism goes from being the subject of history books to the stuff of the nightly news?

    I had assigned Tony Kushner’s translation of Mother Courage. Kushner is, most famously, the author of Angels in America, which bears witness to another viral pandemic, namely the HIV/AIDS crisis of the 1980s. Kushner’s version of Mother Courage premiered in New York in 2006, at the height of the violence of the Iraq War, with Meryl Streep in the lead. I encouraged my students to watch John W. Walter’s documentary about the production, Theater of War, which highlights the connections between Brecht’s play and the American wars in the Middle East. I also encouraged them to watch the Frontline documentary For Sama, directed by Waad Al-Kateab and Edward Watts, which offers a harrowing account the more recent siege of Aleppo, Syria.

    All this frantic searching for contemporary points of reference was unnecessary, though. My students got Mother Courage and Her Children just fine. Every essential worker today understands the bind Mother Courage is in. They know what it is like to sacrifice one’s health and safety because there is no other choice. They know what it is like to be stuck between choices that are not really choices. Get sick or starve. Get sick or get evicted.

    “Necessity trumps the commandments.”  Mother Courage did what she had to do to survive: no wonder my students recognized this before I did. Like her, they are working—still working—in the middle of a catastrophe. Like her, they are providing for their families. Like her, they are running straight through the cannon fire. Those who would fault Mother Courage for making a buck off of an endless war, those who would deem her actions dubious at best, immoral at worst, are those who have the luxury of judging from afar, from the comfort of their work-from-home jobs, which ensure a steady stream of paychecks and all the packages you desire, delivered right to your door. But who does the delivering? Who does the shipping? Who does the sorting and selecting and packaging?

    My students have been unwittingly conscripted into a form of service that is potentially lethal. But they are unlike like Mother Courage in one incredibly significant way. They are not callous, dismissive, or cruel. They are not selfish. Just the opposite: my students brim with warmth and generosity. They exude positivity and solidarity, even when I test their patience with onerous texts about how awful the world was and continues to be. This even though some of them have been exposed to the virus, even though some of them have gotten sick, even though many of them have lost family members, friends, or co-workers. I keep asking myself: “How is it possible to bear such enormous physical, psychological, and emotional strain?”

    Why do my students have to be “on the front lines”? The militaristic metaphors are everywhere these days and I hate them, even and especially as I continue to use them. Anders Engberg-Pedersen is right: “the American mind needs to be demilitarized.”[8]  I am sick of being told, by a supposedly wartime president, that we must fight a silent enemy; that we are in the midst of a struggle unlike anything the nation has seen since the Second World War. All of this is nonsense. Cynthia Enloe called out such lazy rhetoric in an essay for the Los Angeles Review of Books.[9]  Since my students had read one of her essays earlier in the term—an essay about camp followers, in fact—I posted a link to the piece.[10]  I think I was trying to prove, despite everything, the ongoing relevance of our class. But honestly, I think I was also trying to justify the paycheck I was still receiving while working, non-essentially, from home. I was trying to justify my privilege.

    Let’s face it: in the face of a global pandemic, humanities professors are not much help. My colleagues working in the medical and social sciences are surely better equipped than I to lend a hand. But eventually, the humanities can still play role, if only belatedly, retroactively, imperfectly, as we always seem to do. This essay is a case in point. I have written it as an attempt to transform my own lightning bolt of fury concerning the dangers my students are weathering into something like a long-burning rage, the kind of rage that might actually make a difference. It is an idea I would not have considered had it not been for how my students taught me to read Brecht.

    Brecht composed Mother Courage and Her Children in exile. It was performed once during the war, in Switzerland, but it was the 1949 production of the play in war-torn Berlin that made its reputation. I have been thinking about that production, and what it must have meant for the people of that city. Whenever the people of New York City can begin to rebuild this fractured, unequal metropolis, which Covid-19 has both ravaged and revealed to us, they will need art like Mother Courage to challenge them, unnerve them, and enrage them. They will need a play—if I may be so professorial and didactic—to mobilize them. They will need a story about the injustice of a society that simultaneously relies upon and demeans “the common people who do the sweaty work.”[11]

    Who out there is writing the new Mother Courage and Her Children? I hope it is one of my students. I cannot wait to see it, to read it, to think about it. Better yet, I cannot wait to teach it, in a classroom, face to face. With students.

     

    For comments and feedback, I thank George Cotkin, Eduardo Mendieta, Serene Hayes, Arne De Boever, Jennifer Ratner-Rosenhagen, Roy Scranton, Robert Valgenti, and Andrew Hartman. Most of all, I thank my students.

     

    Martin Woessner is Associate Professor of History & Society at The City College of New York’s Center for Worker Education (CUNY).  He is the author of Heidegger in America (Cambridge UP, 2011).

     

    [1] Bertolt Brecht, Mother Courage and Her Children, trans. Tony Kushner (London: Methuen Drama, 2009), 54.

    [2] Ibid., 69.

    [3] Campbell Robertson and Robert Gebeloff, “How Millions of Women Became the Most Essential Workers in America,” New York Times, 18 April 2020: https://www.nytimes.com/2020/04/18/us/coronavirus-women-essential-workers.html?referringSource=articleShare

    [4] Mother Courage and Her Children, 9.

    [5] Ibid., 23.

    [6] See, for example, Madeline St. Amour, “Working College Students,” Inside Higher Ed, November 18, 2019: https://www.insidehighered.com/news/2019/11/18/most-college-students-work-and-thats-both-good-and-bad.

    [7] For more on the contemporary relevance of Arturo Ui, see Martin Jay’s recent essay in the Los Angeles Review of Books, “Trump, Scorsese, and the Frankfurt School’s Theory of Racket Society,” April 5, 2020: https://lareviewofbooks.org/article/trump-scorsese-and-the-frankfurt-schools-theory-of-racket-society/.

    [8] Anders Engberg-Pedersen, “Covid-19 and War as Metaphor,” b2o, April 22, 2020: https://www.boundary2.org/2020/04/anders-engberg-pedersen-covid-19-and-war-as-metaphor/?

    [9] https://www.lareviewofbooks.org/article/quarantine-files-thinkers-self-isolation/#_ftn4.

    [10] Cynthia Enloe, “The Laundress, the Soldier, and the State,” Maneuvers: The International Politics of Militarizing Women’s Lives (Berkeley: University of California Press, 2000), 35-48.

    [11] Mother Courage and Her Children, 62.

  • Adrian Parr — Pandemic Urbanism

    Adrian Parr — Pandemic Urbanism

    This essay is a part of the COVID-19 dossier, edited by the b2o editorial staff. 

    by Adrian Parr

    On December 31, 2019 an unknown case of the flu that had infected a group of people in Wuhan, China was first reported to the World Health Organization. The source was traced back to the Huanan Seafood Wholesale Market. Seven days later the Chinese identified the virus as a novel form of coronavirus, the same kind of virus that triggered Sars and Mers. On January 11, 2020 the first person died from Covid-19 in China. The first cases of Covid-19 in both South Korea and the United States were both confirmed on January 20, 2020. By the end of that month the entire city of Wuhan was placed under quarantine. On January 30, 2020 the World Health Organization announced Covid-19 to be a global health emergency; by 11 March it had moved to the status of a global pandemic (World Health Organization, 2020). Unlike an epidemic, which refers to a disease impacting a community or region, a pandemic is a disease that has spread across several countries and continents. Scientists now believe the virus was transmitted to humans from bats through an intermediary species, perhaps pangolins. As of April 15, 2020 there were 2,034,887 confirmed cases of the virus in the world, with 129,960 deaths spread out over 210 countries and territories (Worldometer, 2020).

    The rapid spread of the coronavirus throughout the world has dramatically changed the use of public and private spaces, as well as the way everyday life is understood and practiced. With the spread of Covid-19 urban space is being produced through a variety of contradictory forces working in tandem. The city is both a weapon to be wielded in the “war” on Covid-19 and the casualty of viral ubiquity; it is the real and imaginary threat urbanity presents; and it has splintered into a multiplicity of socially contained spaces that simultaneously depend upon widespread social cooperation to come into effect. This essay will articulate a concept of pandemic urbanism in an effort to study the production of urban space under Covid-19. How, under pandemic urbanism are people inhabiting spaces, navigating other bodies, and adapting to the restrictions being placed on the movement of people? How in turn does the rise of pandemic urbanism expose imbalances of power and reinforce asymmetrical urban spatial systems?

    Pandemic urbanism transforms the everyday physical proximity of people into an existential threat. There exists both the very real threat of contamination, as well as an imagined threat of an invisible enemy pervading all social life and public space. Physical distancing enforces very real separation barriers and imposes invisible barriers of containment. When combined, these real and imagined threats intensify covert inequities and racisms. In what follows I begin by describing the spatial and temporal production of zoonoses conditioning pandemic urbanism. I then examine the urban response to the current pandemic, highlighting the biopolitical production of space. I conclude by presenting the paradox of pandemic urbanism: it poses both a threat to and an opportunity for the realization of inclusive and equitable urban futures. Arriving at either outcome all depends on how pandemic urbanism is put to work.

    Zoonotic Territories

    Zoonosis refers to the movement of diseases, or infections, from non-human vertebrate animals to humans. Approximately 60% of emerging infectious diseases from 1940 to 2004 came from animals, with the majority of zoonoses deriving from wildlife (Jones, Patel, Levy et al., 2008). There are several reasons why infectious diseases transfer from animals to humans, but regardless of the specific epidemiological conditions, all cases involve spatial proximity. Whether we are speaking of humans living in close quarters to domestic or agricultural animals such as dogs or pigs, or more recently the growing trade and consumption of wild animals as wilderness zones decline, all amplify the epidemiologic conditions for the rate of animal borne infectious diseases in humans to increase.

    There is nothing new about zoonoses impacting human health. The bubonic plague that struck Europe and Western Asia back in the early 1300s, killing approximately 50 million people, was originally transmitted to humans from rats, fleas, and ticks. The uniqueness of the current pandemic situation is that zoonoses are increasing. This situation is directly connected to human land use patterns. Human population growth and urbanization, resource extraction, the demand for more agricultural land, and infrastructure developments such as the building of roads and dams, have resulted in greater human access into, and activity in remote natural landscapes. From 1990 to 2015 over 129 million hectares of the world’s forests were lost leading to greater soil degradation, drought, flooding, desertification, biodiversity loss, and the disappearance of natural habitats (World Bank, 2016: 32).

    Whilst reducing global deforestation is an important ingredient in curbing global warming, it can also assist in slowing the growing number of zoonotic pandemics (Intergovernmental Panel on Climate Change, 2018: 70). In so far as deforestation contributes to water scarcity and climate change, it presents an indirect danger to human beings. That said, wildlife habitat degradation and disappearance also pose a more immediate threat to human health because these result in people coming into closer contact with zoonotic hosts, amplifying pandemics such as severe acute respiratory virus, HIV, Ebola, bird flu, and more. As David Quammen cautions in his magnificent study of spillover diseases the “recent outbreaks of new zoonotic diseases, as well as the recurrence and spread of old ones, are part of a larger pattern … we should recognize that they reflect things we’re doing, not just thing that are happening to us” (Quammen, 2012 515).

    Despite their obvious differences, wilderness, rural, and urban landscapes are inextricably imbricated in each other. Simply put, in the context of global capitalism the boundaries between urbanity and its non-urban “Others” is not so sharp. Indeed, zoonotic territories are a symptom of global capitalism. A landscape in the way that I am using the term refers to the economic and cultural production of the earth. A landscape is both a pragmatic resource with a use value and an aesthetic representation of inherent value. Both treat the earth as an object involving human management and consumption. On the other hand, a territory is a relation formed through the connection of forces, matter, and bodies. It is both a spatial and temporal production that generates striated – the State, a sovereign, property ownership, and the hierarchies of order and fixed social organizations – and smooth spaces – nomadic, open, and fluid (Deleuze and Guattari, 1987: 474-500).

    Within this conceptual schema, a zoonotic territory is formed through the epidemiological forces of animal to human spillover; the economic forces of deforestation; the political forces of social inequity leading to the capture and consumption of wild animals from informal food markets (Wuhan’s wet markets) and the exploitation of wild bodies in the growing international market of exotic animal trade; the materiality of viral shedding and the circulation of infectious excretions; along with the ever increasing proximity of human bodies with other than human animals. This assemblage of forces, matter, and bodies combine to form zoonotic territories that extend throughout wild, rural, and urban landscapes. When a zoonotic territory proliferates throughout urbanity, as is currently the case with Covid-19, the public health crisis this prompts in the urban centers around the world catalyzes into a new form of urbanism: pandemic urbanism.

    Pandemic Urbanism

    Covid-19 is a respiratory virus and as such it spreads from an infected person through respiratory droplets, such as coughing and sneezing (Center for Disease Control). A person can catch the disease by touching an infected surface and by inhaling coronavirus contaminated mucus. Urban areas, where people come into close contact with each other and a variety of shared surfaces on a regular basis, present a very real and high threat of contamination. Unsurprisingly then, Covid-19 has impacted how people use and view the urban environment.

    Suffice it to say everyday urbanity under the conditions of a global public health crisis, such as Covid-19, has dramatically changed. In an effort to contain the spread of the virus, shelter-in-place orders have brought urban economic and social life to a near standstill. Bars, cafes, restaurants, and gyms have temporarily closed. People are working from home. They no longer gather in large numbers. Learning has moved online, as schools and universities close. The use of shared forms of transportation, such as taxis, trains, buses, and airplanes have significantly decreased and almost halted altogether. Public movement for the purposes of conducting essential activities – purchasing food, medical supplies, visiting a doctor, or those who are working as part an essential activity are exempt.

    People have begun using the empty streets to move throughout the city by walking, biking, and roller blading. Social life for the healthy has shifted from in-person modalities to video chats, texting, or telephone calls. As the pace of urbanity has slowed, wildlife ventures more and more into metropolitan areas. There are reports of bobcats visiting the front porches of homes in Dallas; marine life, never seen before in Venice, now swim through the pristine waters of the canals; deer are nudging their way into the urban core; urban parks and gardens are home to many more rabbits, birds, and ducks. Highways and bridges once bustling with cars, trucks, and motorcycles are near empty. Urban life has become quieter as the drone of peak hour traffic has vanished, the air is cleaner, and the skies appear bluer than before. Pandemic urbanism has certainly been great for the environment, providing much needed relief from escalating global greenhouse gas emissions.

    Emergency management and preparedness measures have led to the erection of new urban physical borders. To ensure people keep their distance at supermarkets lines placed at 6 feet intervals on the ground at grocery store entry points are spatial markers used to both control the space between people waiting outside the store and the number of people shopping inside. The elderly are allocated specific days and times to shop to help ensure their medical safety. People move through urban areas dressed in protective gear wearing masks and surgical gloves to further stop transmission in shared spaces. As people try to stay active, streets and parks have become important public spaces for walking pets, taking a stroll, and exercise. With the six feet physical distancing rule, these spaces have quickly reached a tipping point. Police are fining people who break the order to not gather and stay inside and checkpoints at state border crossings survey travelers, administering quarantine orders for potential cases of disease transmission.

    The spaces of pandemic urbanism are reorganized to maximize the distribution of public health services across multiple scales in both actual and virtual space. At the individual level more hand sanitizing stations are provided. At a larger collective level, pop-up medical centers are quickly infilling empty spaces. The image of healthcare workers in hazmat suits is the prevailing symbol of pandemic urbanism. Hotels in New York City in close proximity to treatment facilities are converting empty guest rooms to house medical staff. Telemedicine platforms are being used to diagnose the healthy and sick. Hospital emergency rooms are reconfigured to separate suspected Covid-19 patients from other patients into spaces exhausted from the outside so that air from infected spaces does not mingle with air in other parts of the hospital. As hospitals begin to overflow, many cities around the world have taken to converting stadiums, parks, closed factories, and convention centers into makeshift hospitals. In London the National Health Services and armed forces transformed an exhibition and convention center into a makeshift hospital in a few weeks. China built new hospitals in a matter of days to treat patients with Covid-19, going so far as to use robots in place of humans to treat the sick. Clinics have been converted to treat the sick, drive through testing stations have started, and ambulance bays are being converted into triage areas.

    Pandemic urbanism is organized around three distinctive extraterritorial spatial practices: social distancing, quarantine, and isolation. Social distancing, which would more appropriately be coined “physical distancing”, is a matter of maintaining a six-foot distance from another person when in common spaces. The irony is, the mandate requiring individual behavioral changes to keep society as a whole safe, rests upon extensive social cooperation to work. A two-week quarantine period conducted in a person’s home is recommended practice, and sometimes enforced, if a person has travelled to a highly infected area or has been in contact with an infected person. Anyone who becomes sick from the virus is ordered to isolate and to go to the nearest emergency room if they experience difficulty breathing. All are premised upon interrupting the collective sensory experience of the city, placing the inter-connectivity and experimental play constitutive of urban life on hold.

    The bodies of Covid-19 patients and the spaces they are isolated to and treated in are extra territorial urban islands fracturing the continuity of urban infrastructure, neighborhoods, and economic life. Anselm Franke and Eyal Weizman describe extra territorial spaces as ones where the “old political order has splintered into discontinuous territorial fragments set apart and fortified by makeshift barriers, temporary boundaries, or invisible security apparatuses” that are “externally alienated and internally homogenized” (Franke and Weizman, 2003).

    In addition to the new spatial relations and configurations that the islands of Covid-19 testing and treatment sites have instituted the pandemic is exacerbating prevailing socioeconomic disparities. It is now common knowledge that health insurance inequities in the US intersect with racial and ethnic disparities creating a differentiated experience of disease and contamination (Coleman, 1982; Rosenberg, 1962; and Sohn, 2017). A shelter in place mandate places a prohibition on venturing outdoors unless absolutely necessary. It therefore assumes all urban residents have a permanent home they can stay indoors at. In the US, millions of people, many without the financial means to weather the economic storm suddenly lost their jobs as restaurants and other non-essential businesses were forced to close when stay at home orders were issued. During the early stages of the pandemic in the US the nearly 30 million uninsured encountered challenges in gaining access to testing and treatment. At the same time, large numbers of those uninsured tend to work in the service and construction industries; all environments that carry a higher risk of exposure to the virus (Berchick, Barnett, and Upton, 2019). Uninsured people also find it harder to navigate the complexities of the US medical system, presenting further challenges to medical access. The pandemic accentuates sociospatial inequities between rural and urban spaces. Rural residents have fewer doctors and medical treatment options and they have to travel much farther for treatment than their urban counterparts.

    As the global economy begins to tank, businesses are forced to close, unemployment lines grow, and governments dip into their reserves to prop up national economies, the economics of global health re-enter political discourse as both a political subject and the object of political strategizing. Just as much as the rapid spread of the pandemic around the world marks an instance of biological life escaping management techniques of the state and private sector, power returns and is reasserted biopolitically. To paraphrase Foucault, pandemic urbanism does this by reintegrating life back into “techniques that govern and administer it”, becoming a “regulatory and corrective mechanism” that participates in the distribution of “the living in the domain of value and utility” (Foucault, 1978: 143-144). People are dying alone in hospitals from Covid-19 as the risk of contagion is too high to allow family and loved one’s to say their goodbyes in person. In Italy, as the state’s medical system is overrun doctors are forced to choose between who is given intensive care and who is not. The mounting number of unclaimed bodies in New York are unceremoniously buried at mass burial sites on Hart Island outside New York.

    Conclusion

    In a globalized world the localized scale of an epidemic quickly transforms into a pandemic. Covid-19 has been one such scenario. Pandemic urbanism offers one way to understand how the urban environment is produced and in turn produces urbanity under the conditions of global disease. On one side of the equation, social behaviors in the city dramatically change as people attempt to remain six feet apart from each other to avoid contamination, sanitization stations appear, mechanized transportation grinds to a halt and is replaced by foot traffic and bicycles, the pace and sound of urbanity slows and quietens, buildings and roadways are vacated, and air quality improves. On the other side of the equation, the burdens vulnerable urban populations bear increase, infected bodies are assigned to the archipelagos of tent hospitals, the spontaneous movement of urbanity becomes a variable to be administered, other bodies are abandoned and left to be colonized by infection, and mass burial sites on the edges of urban centers dispose of the growing number of dead without ritual. The stark differences between the two form a nexus around the production and reproduction of biological life, a life that it is structured and managed by asymmetrical socio-spatial relations of power.

    What now? How might cities be designed differently to mitigate the spread of disease? This is a question that could lead to turning current provisional measures into permanent urban features. Future commercial and public buildings might have many more antimicrobial surfaces and finishes. Sanitizing stations and temperature screening zones, such as the mass temperature testing that took place at the Venice airport when Covid-19 first began to gain ground there. The design and placement of pandemic specific structures could lead to the reorganization of urban space around pandemic zones. The once popular open office environment, now viewed as a major hurdle for pandemic containment, may be replaced with collaborative and isolated working zones. In an effort to curb direct physical contact with shared surfaces, robotic and automated elements become more frequent in public and shared commercial spaces, for example, navigating urban towers using voice activated elevators.

    At the same time, those who participate in and advance the design and planning of the built environment will need to be cognizant of the darker biopolitical underbelly of producing design and policy knowledges of the built environment under pandemic scenarios. Pandemic urbanism can both legitimate and be deployed in strategies that establish population health as the ultimate end goal of urban life. Moving forward the design and planning professions and research disciplines will need to navigate these biopolitical waters with criticality and caution so as to ensure Covid-19 does not become the Trojan Horse of our common right to the city, to paraphrase David Harvey (Harvey, 2008). The moment urbanism is a tool through which states can regulate and administer the health of populations is the moment in which human agency and creativity are switched with population control, and urbanity is politicized.

    The reinterpretation and re-representation of urban form and life through the lens of health and hygiene confronts our shared understanding and collective experience of urban spaces and times. The biopolitical interpretation of urbanity that pandemic urbanism could very well end up instituting, will require deeper critical engagement because it means that treatment isn’t just administered in specific spaces, like medical centers and hospitals, it is also administered urbanistically, whereby the built environment could be turned into a means through which disease is contained.

    The manner in which design, planning, and public health policy coalesce to form a pandemic urbanism sheds new light on how urbanism can quickly become an instrument for biopolitical governmentality. Without minimizing the importance of caring for the sick and averting the further spread of a vicious virus, the shadows of biopolitical control lurking in the urban corners of overflowing and adhoc medical facilities needs to be brought into the open and honestly addressed as we recover, move forward, and plan for the next iteration of zoonotic territories. As people work together to rebuild their lives, heal from economic losses, and basically repair the serious sociopolitical deficits Covid-19 has exposed the world over, urbanism is presented with a tremendous opportunity to ultimately embrace the idea of healthy cities, not as governing the biological life of urban populations and materializing these in a series of formal elements; rather a city that welcomes different people and environmental attributes configured in dialogue with climatic conditions and topographical constraints, all materialized around imaginatively bringing people together and spurring a variety of social interactions.

     

    Adrian Parr is the Dean of the College of Architecture, Planning and Public Affairs at the University of Texas at Arlington and a UNESCO Chair of Water and Human Settlements. In her capacity as a UNESCO water chair, Parr was selected by the European Cultural Center to curate an exhibition for the 2021 Venice Architecture Biennale on Watershed Urbanism where she will feature DFW and its current and future relationship to the Trinity River system. She has published extensively on environmental politics, sustainable development, and design in the public interest. She is the author of the trilogy Hijacking Sustainability (MIT Press), The Wrath of Capital (Columbia University Press), and Birth of a New Earth (Columbia University Press) in addition to other books of cultural theory. She is the producer and co-director (with Sean Hughes) of the multi-award winning documentary, The Intimate Realities of Water, that examines the water challenges women living in Nairobi’s slum face. She has been interviewed for her views on climate change by The New York Times, television news, and other media outlets, and is a regular contributor to the Los Angeles Review of Books.

     

    Berchick, R., Barnett, J.C., and Upton, R. D. (29019). ‘Health Insurance Coverage in the United States: 2018’, United States Census Bureau, November 8, Report Number P60-267 (RV). Accessed 13 April, 20200. https://www.census.gov/library/publications/2019/demo/p60-267.html

    CBRA, ‘Why Are Animals Necessary in Biomedical Research?’ California Biomedical Research Association, Sacramento California. Accessed 11 April 2020 https://ca-biomed.org/CSBR/pdf/fs-whynecessary.pdf

    Center for Disease Control (2020). ‘What you need to know about coronavirus disease 2019 (COVID-19). Accessed 22 April, 2020. https://www.cdc.gov/coronavirus/2019-ncov/downloads/2019-ncov-factsheet.pdf

    Coleman, W. (1982). Death is a Social Disease, Madison: University of Wisconsin Press.

    Deleuze, G., and Guattari, F. (1987). A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi, Minneapolis: University of Minnesota Press.

    Foucault, M. (1978). The History of Sexuality: Volume 1. Translated by Robert Hurley, New York: Pantheon Books.

    Franke, A., and Weizman, A. (2003). ‘Islands. The geography of extraterritoriality’, Volume, Issue 6. Accessed 3 April, 2020. http://volumeproject.org/islands-the-geography-of-extraterritoriality/

    Harvey, D. (2008). ‘The Right to the City’, New Left Review 53, (September-October): 23-40.

    Intergovernmental Panel on Climate Change (2018). Global Warming of 1.50C. An IPCC Special Report on the impacts of global warming of 1.50C above pre-industrial levels and related global greenhouse gas emission pathways, in the context of strengthening the global response to the threat of climate change, sustainable development, and efforts to eradicate poverty [Masson-Delmotte, V., P. Zhai, H. O. Portner, D. Roberts, J. Skea, P.R. Shukla, A. Piarani, W. Moufouma-Okia, C. Pean, R. Pidcock, S. Connors, J.B.R. Matthews, Y. Chen, X. Zhou, M.I. Gomis, E. Lonnoy, T. Maycock, M. Tignor, and T. Waterfield (eds.)], page. 70. Accessed 11 April 2020. https://www.ipcc.ch/site/assets/uploads/sites/2/2019/06/SR15_Full_Report_Low_Res.pdf

    Jones, K., Patel, N., Levy, M. et al. ‘Global trends in emerging infectious diseases’. Nature 451, 990-993 (2008). Accessed 10 April 2020. https://doi.org/10.1038/nature06536

    Kreuder Johnson, C., Hitchens, P., Smiley Evans, T. et al. (2015). ‘Spillover and pandemic properties of zoonotic viruses with high host plasticity’. Scientific Reports 5, 14830 (7 October). https://doi.org/10.1038/srep14830

    Mbembe, A. (2003), ‘Necropolitics’, translated by Libby Meintjes. Public Culture, Volume 15, Issue 1: 11-40.

    Quammen, David (2012). Spillover: Animal Infections and the Next Human Pandemic. New York: W. W. Norton and Company.

    Rosenberg, C. (1962). The Cholera Years 1832, 1849, and 1866, Chicago: University of Chicago Press.

    Sohn, H. (2017). ‘Racial and ethnic disparities in Health Insurance Coverage: Dynamics of Gaining and Losing Coverage over the Life-Course.’ Population Research and Policy Review, Volume 36, Issue 2 (April): 181-201.

    World Bank Group (2016). World Development Indicators 2016. World Development Indicators. Washington, D.C.: World Bank Group. Accessed 20 April, 2020. http://documents.worldbank.org/curated/en/805371467990952829/World-development-indicators-2016

    World Health Organization (2020., ‘Report of the WHO -China Joint Mission on Coronavirus Disease 2019 (COVID-19)’, 16-24 February. Accessed 5 April 2020.  https://www.who.int/docs/default-source/coronaviruse/who-china-joint-mission-on-covid-19-final-report.pdf

    Worldometer, ‘COVID-19 Coronavirus Pandemic.’ Accessed 15 April 2020. https://www.worldometers.info/coronavirus/

  • Diletta De Cristofaro — ‘Every day is like Sunday’: Reading the Time of Lockdown via Douglas Coupland

    Diletta De Cristofaro — ‘Every day is like Sunday’: Reading the Time of Lockdown via Douglas Coupland

    by Diletta De Cristofaro

    We’ve all seen a number of quarantine reading lists recommending post-pandemic novels for their resonance with the present moment and uncanny foreshadowing of the coronavirus. And yet, despite having access to a vast repertoire of these narratives – I’ve spent the last ten years researching and writing about post-apocalyptic fiction – the post-apocalyptic image I keep returning to is less about eerie parallels between a fictional pandemic and COVID-19 and more about capturing the lived experience of the crisis, specifically, the lived experience of time in lockdown.

    In Douglas Coupland’s post-apocalyptic novel Girlfriend in a Coma (1998), a pandemic of deadly sleep kills everyone except for a group of friends. Their life becomes so monotonous that time blurs into a perpetual Sunday, an image that Coupland draws from Morrissey’s ‘Every Day Is Like Sunday’, a song about walking on a beach after a nuclear war. As a character explains,

    Every day is like Sunday. Nothing ever happens. We watch videos. Read a few books. Cook food that comes out of boxes or cans. No fresh food. The phone never rings. Nothing ever happens. No mail. The sky stinks – when everybody died, they left the reactors and the factories running. It’s amazing we’re still even here.

    Feeling stuck in an undifferentiated time that doesn’t seem to flow, the boredom and restlessness produced by the endless repetition of mundane routines, an ominous threat encroaching – these elements capture the essence of how time feels in lockdown. Coupland himself, commenting on life in lockdown in March, has gone back to this image, posting a tweet in the style of his ‘Slogans for the Twenty-First Century’ that reads ‘Every day of the week is now Sunday.’

    As is the case with all resources under capitalism, time is, of course, unevenly distributed. Some might have more ‘free’ time in lockdown. Others, especially those juggling a full-time remote job with full-time childcare, might experience intense time pressure. And yet, there is a widespread feeling of the lockdown as a time that is not only undifferentiated but stagnating, a waiting time between the pre- and the post-pandemic world (whatever shape this might take) that stretches indefinitely and slows down, almost unbearably. Capturing this feeling, a popular tweet speaks of March – the month in which COVID-19 brought about lockdowns in most countries – in geological terms: ‘Experts say we may be as little as two days away from finally leaving the March Age. The next epoch is provisionally being called “April,” and is also expected to last 5-10 million years’.

    Time in lockdown feels stuck, as, to go back to Coupland’s image, nothing of note ever seems to happen inside our homes (and indeed, we hope that some things will carry on not happening, like being infected, losing loved ones, or our job). Filled as we are with mounting dread and grief over the virus and its consequences, the time of the lockdown is a time that we can only attempt to kill, more or less successfully, through activities that resemble those carried out by the characters in Girlfriend in a Coma. They ‘watch videos. Read a few books. Cook food’, just as we do yoga with Adriene, read the classics, or bake sourdough bread.

    This feeling of the lockdown as an amorphous and stagnating stretch of time is the product of a traumatic duration with no clear end in sight. As Frank Kermode discussed in The Sense of an Ending, we use endings to give structure and meaning to time but, at present, endings are hard to fathom. Nobody knows how long the COVID-19 pandemic will last and, even if lockdowns were to be relaxed in the near future, as indeed it’s beginning to happen in some countries, they might have to be reinstated further down the line because of new waves of infection. In this indeterminate duration, the only certain thing is that many will die and suffer, and not only from the virus itself, but from conditions it produces or exacerbates, such as domestic violence, mental health difficulties, unemployment, and the many ramifications of the economic downturn. ‘We are in the middle and the end is not in sight. We are waiting, which is among most people’s least favorite thing to do, when it means noticing that you have taken residence in not knowing’, Rebecca Solnit has recently observed.

    But what Coupland’s ‘Every day is like Sunday’ image also offers is a prompt to reflect on how we structure and value time under late capitalism and, in turn, on how the structures and values we attach to time in contemporary everyday life may help us understand our unease with time in lockdown.

    Coupland returns to the uncomfortable feeling of time blurring into a perpetual Sunday in the glossary that closes another of his post-apocalyptic novels, Player One (2010). Originally delivered as Massey Lectures, Player One is a novel in five hours that takes place as a peak oil apocalypse unfolds and that is inherently concerned, as much of Coupland’s oeuvre is, with exploring the contemporary condition. In the entry ‘Dimanchophobia’ (from ‘dimanche’, French for Sunday), Coupland discusses our society’s ‘Fear of Sundays, not in a religious sense but, rather, a condition that reflects fear of unstructured time’. Dimanchophobia is sometimes referred to as Sunday neurosis by psychologists like Viktor Frankl who, in Man’s Search for Meaning, writes of ‘that kind of depression which afflicts people who become aware of the lack of content in their lives when the rush of the busy week is over and the void within themselves becomes manifest’. Coupland maintains that dimanchophobia is a ‘mental condition created by modernism and industrialism’. Thus, we can infer that the ‘unstructured time’ at the core of the condition diagnosed by Coupland is the time not geared towards work and capitalist productivity.

    Sundays, and by extension weekends, are, after all, typically supposed to be time for rest, for recreation, free from the structures – and strictures – of labor. As Craig Harline writes in Sunday: A History of the First Day from Babylonia to the Super Bowl, ‘after 1800 or so, when industrialization introduced its long and rigid hours, its fixed workplace, and its discipline of the clock, the line between work time and free time became more distinct, and it was basically drawn around Sunday’.

    But in contemporary society, which celebrates productivity as its core value and worships hustle culture, the line between work time and free time is becoming increasingly blurred, courtesy also of digital devices that allow us to take work with us everywhere we go and be always available. Sunday time, understood as a stand-in for free time, is exactly the type of time that we are encouraged to see, at worst, as meaningless or even a hindrance and, at best, as valuable only insofar as it is allows us to recharge and prepare for the busy week ahead through leisure activities (the more these are aimed towards self-improvement the better), as well as activities of maintenance (e.g. cleaning the house, batch cooking) and care (e.g. family time). Maintenance and care are of course work too but, by virtue of being often unpaid, racialized, and gendered activities (the second shift discussed by Arlie Russell Hochschild), they are more easily relegated into the less meaningful and valuable sphere of ‘free’ time. Coupland’s dimanchophobia thus speaks to an entrenched sense that only productive time – time as organized by, and for, paid labor, or at least labor that carries with it the promise of future profit – is valuable and meaningful.

    Despite seemingly paving the way for capital’s dream of labor taking over every aspect of our lives, since we now do all of our work and non-work activities in the same few rooms and, with spatial boundaries collapsing, temporal boundaries between work and leisure should be more easily eroded too, the lockdown is a time that resists being organized primarily by, and for, labor. This is a time of widespread sickness, furlough, redundancy, and unemployment, where many are prevented from working, and even those who are working remotely face different rhythms. Full-time jobs clash with full-time childcare for some. Others are forced to live 24/7 in cramped spaces that are simply not conducive to work at all. Not to mention the psychological toll the pandemic is taking on all of us, which is inevitably affecting our ability to focus on work.

    Coupland’s ‘Every day is like Sunday’ image captures how the lockdown confronts us with a time that is less structured by labor and populated by activities that typically characterize our ‘free’ time, but also helps us frame our ambiguous feelings, dimanchophobic as it were, towards this time. We feel stuck in an unending Sunday-esque time that we have been conditioned to ‘fear’ and consider less meaningful and valuable than work time.

    We might even feel guilty about our lack of focus and productivity during the lockdown. Hardly surprisingly, a society that seeks to condition us to ‘fear’ Sundays and value time only when productive and judiciously invested in making us better late-capitalist subjects is now keen to instill in us the fear of the lockdown as potentially wasted time. Tips on how to work from home more effectively and lists of productive things to do with our newly-found ‘free’ time abound. All the while, supposedly inspiring social media posts remind us that Shakespeare wrote King Lear and Newton invented calculus under quarantine, and that ‘If you don’t come out of this quarantine with: (1) a new skill, (2) your new side hustle started, (3) more knowledge – You never lacked time, you lacked discipline!’.

    Resisting these calls for productivity and the dimanchophobia they reinstate is important. Dimanchophobia is instrumental in bringing about what Coupland terms ‘jeudism’ (from jeudi, French for Thursday) in The Age of Earthquakes: A Guide to the Extreme Present (2015), written with Shumon Basar and Hans Ulrich Obrist. ‘In the future every day will be Thursday’, Coupland posits, ‘We’re all working to the grave, and life will be one perpetual fast-food job of the soul. The weekend? Gone. And we all pretty much know it in our bones’. Jeudism evokes the terrifying prospect of a future of perpetual work as the logical culmination of late capitalism’s pervasive precarity and erosion of the boundaries between work and leisure time, an erosion that dimanchophobia only facilitates.

    For a while now, I’ve had as my laptop’s background one of Coupland’s ‘Slogans for the Twenty-First Century’ recently exhibited at Somerset House’s ‘24/7: A Wake-Up Call for Our Non-Stop World’. Against our non-stop world’s imperatives for incessant productivity, the slogan uncompromisingly demands ‘I want my time back’. I first came across this slogan as I was preparing to take part in UK Higher Education’s 2019-20 industrial action. ‘I want my time back’ encapsulated my main reason for joining the strike: excessive workloads, made only worse by the pressures placed on those who, like me, are part of the sector’s increasingly precarious workforce, make it very hard to have time for anything other than work. The final few days of the 2020 wave of industrial action took place just as COVID-19 was declared a pandemic, with pickets and rallies being called off. Yet, if we are to transform our world for the better after COVID-19, it will be important to continue this fight beyond Higher Education and demand free, non-commodified, and unproductive time back against capital’s imperatives and dimanchophobia.

     

    Diletta De Cristofaro is an academic based in the UK and the author of The Contemporary Post-Apocalyptic Novel: Critical Temporalities and the End Times (Bloomsbury). You can find out more about her work on her website.

  • David Lloyd — Justice Deferred: Palestine, Settler Colonialism and International Law (Review of Ronit Lentin’s Traces of Racial Exception and Noura Erakat’s Justice for Some)

    David Lloyd — Justice Deferred: Palestine, Settler Colonialism and International Law (Review of Ronit Lentin’s Traces of Racial Exception and Noura Erakat’s Justice for Some)

    by David Lloyd

    Review of Ronit Lentin, Traces of Racial Exception: Racializing Israeli Settler Colonialism (London: Bloomsbury Academic, 2018). ix + 268 pp. and Noura Erakat, Justice for Some: Law and the Question of Palestine (Stanford: Stanford University Press, 2019). xiii + 331 pp.

    For some decades now, Israeli propaganda (or hasbara) has managed to keep in play two quite contradictory self-descriptions that serve at once to obscure and to legitimate its ongoing subjugation of Palestinians through occupation, strangulating siege, dispossession and settlement, discrimination and collective punishment, not to mention its regular use of lethal force. Though each and every one of these routine practices has been found to be in violation of a panoply of international laws and human rights conventions, Israel and its supporters continue to repeat, with increasing vociferousness the more the facts challenge them, their shopworn incantation of these bipolar narratives: Israel is a normal (if admittedly “flawed”) democracy, indeed, the “only democracy in the Middle East”; Israel is an exception, claiming the right to exceptional allowances because of its precarious location in what President Obama liked to call, with the folksy affectation with which he was wont to disavow the racist formations of his post-racial epoch, “a very tough neighborhood” (Obama 2010). At other times, Israel also claims to be an exception because of its miraculous dispensation, as an improbable achievement that must be treasured as no other state on account if its fulfillment of a centuries-old desire for return enshrined in biblical prophecy. Less often openly acknowledged is that Israel maintains a perpetual state of exception, in its exercise of brutal sovereign power over its Palestinian subjects, deploying a variety of special or emergency powers some of which date back to the British Mandate and the origins of the Zionist settlement, while others are its own inventions.

    Ronit Lentin and Noura Erakat pull apart these familiar myths about Israel in two very different but often converging books. In Traces of Racial Exception: Racializing Israeli Settler Colonialism, Lentin explores at length the nature of what she understands as Israel’s racial state, bringing to bear a succession of intersecting analytical approaches, from the theory of exception to settler colonial and race critical paradigms, testing the extent to which Israel, far from being an exception, conforms to and largely reproduces quite typical elements of the settler colonial and racial state. Her extensively documented book, which draws on the now vast body of scholarship on Palestine/Israel and Zionism as well as on detailed and exemplary accounts of specific Israeli actions against Palestinian communities, synthesizes those approaches into a compelling account of “Israeli-Zionist rule over Palestine.” This account presents “a three-pronged critical engagement with Israel’s settler colonial racial regime in Palestine: first, a state of exception; second, a racial state; and third, a settler colony”, a triad to which, in Chapter 5, she adds a critical gender analysis that undoes that equally perduring myth of Israel as a model of gender equality and LGBTQ rights.

    A “normal” state of exception is understood as a temporary suspension of the rule of law to deal with one or other emergency. When Walter Benjamin famously noted that for the oppressed, the “state of emergency” is the rule, he may not have had Palestine in mind (Benjamin 2003: 392). But Lentin persuasively shows in her first chapter that, in relation to its Palestinian subject population, “Israel has been in a permanent state of exception, which means that in Israel exception is the rule.” [31] This leads her to find the standard accounts of the state of exception as “a space devoid of law” [47], largely drawn from Giorgio Agamben’s readings of legal theorist Carl Schmitt, to be “ultimately inadequate to theorize the state of Israel.” [31] In the first place, “the law, far from being suspended, actually works in the service of the racial state.” [30] By the same token, she later points out, “theories of exception and bare life are inadequate in theorizing the embodied centrality of race in the Palestinian context.” [119]

    Thinking of Israel not simply as enacting a state of exception in order to deal with security issues—as its advocates usually claim—but as a systematically racial state that regulates its subject population by way of racialized categories allows Lentin to show how the Israeli exception works not by the suspension but by the proliferation of laws. The military regime of occupation in the West Bank, indeed, daily performs “the constant production of exceptions” and the arbitrary use of categorizations such as “security threats” that make precarity and unpredictability the norm for Palestinians. Her analysis interestingly corresponds to the late Nasser Hussain’s theses in “Hyperlegality”, where he showed that far from representing a state of exception, the current global war on terror—for which Israel has offered a prime laboratory—should be seen as in continuity with colonial practices that constantly generated legal categories for its subject people, like “criminal tribes”, in order to manage and control whole populations (Hussain 2007). “Security threats”, “infiltrators”, “absentees” all function similarly to subject Palestinians to a regime of ongoing collective punishment, both within Israel and in Gaza and on the West Bank.

    The regime of military occupation and of domestic discriminatory laws within Israel[1] clearly does not apply to Israel’s Jewish citizens, including the settlers illegally located on the West Bank and in occupied East Jerusalem. At the end of this chapter, Lentin briefly considers the question as to whether Israel is an apartheid state, given its own policies of Hafrada (separation or segregation).  It’s important to note, since quibbles about the applicability of the comparison with South Africa have often deliberately confused the issue, that the question depends not on a loose or strict analogy with that apartheid regime, but on the legal definition of apartheid as a crime against humanity given by the Rome Statute of the International Criminal Court, that is, “inhumane acts … committed in the context of an institutionalized regime of systematic oppression and domination by one racial group over any other racial group or groups and committed with the intention of maintaining that regime” (Rome Statute 2002).  By that definition, as Noura Erakat shows at greater length in Justice for Some [213-8], Israel’s is indubitably an apartheid regime, whether or not its practices coincides in every respect with those of South Africa under white supremacist rule.

    In some respects, it could be said that to speak of the modern state as a “racial state” is virtually an oxymoron: almost every modern state governs through categories that are either racial or function in quasi-racial ways. Lentin seeks to define more precisely what kind of racial state Israel is, and the logic behind its “dehumanizing racial classifications [that] emanate from the aim of ensuring that Jewish Israelis live at the expense of the Palestinian other(s).” [88] Although she acknowledges that  this dehumanization is based on “separation, segregation and self-segregation” [88], Lentin’s emphasis falls more on the analysis of Israel as a settler colonial entity, beginning with early Zionism’s explicit understanding of its enterprise as a colonial project of settlement and expansion down to currently ongoing efforts to dispossess and displace—or “transfer”, as the Israeli euphemism has it—the indigenous Palestinian population.[2] Her devastating account of the origins of Zionism within the context of European racial nationalism not only substantiates her argument about “the centrality of race to theorizing Zionist settler colonialism”, but also brings out the eugenicist obsessions that underlie its ideology. This clearly informs Israel’s virulent anti-Arab racism, but Lentin shows that the Zionist belief in the necessity for the colonization of Palestine “to ‘regenerate’ diaspora Jewry by creating the racially superior ‘New Jew’” [84] persists in the continuing racial discrimination against the Mizrahim or Arab Jews and African-origin Jews in Israel. As Lentin also shows in Chapter 5, this eugenicist logic also informs the profoundly masculinist features of contemporary Israeli society that persist in the face of its official proclamations of gender equality and LGBTQ friendliness. Ironically, even as critics of Israel or anti-Zionists are accused of anti-Semitism [101-3], Zionism itself turns out to have a deeply embedded disdain for “Jewish characteristics”—as one early Zionist put it, “in order to be a good Zionist, one has to be a bit of an antisemite.” [97]

    Of course, the notion that colonization carries a regenerative force both for the colonizers and for the land itself is a widespread tenet of settler colonial ideology. Lentin’s analysis of Israel as a settler colony is persuasive precisely because it shows so well how the typical dynamics of settler societies account for Israel’s peculiar, but hardly exceptional, intertwining of eugenicist racism, segregation, and legalized discrimination. Apartheid is fundamental to settler colonial domination as is the dispossession and displacement of the native population. Lentin’s careful genealogy of the application of the settler colonial framework to the case of Israel is exemplary in its acknowledgement of the pioneering Palestinian contribution to that theorizing, from the insufficiently known Constantine Zurayk to Fayez Sayegh’s crucial Zionist Colonization in Palestine [62-4], even as she draws on the more recent theoretical work of Patrick Wolfe and Lorenzo Veracini. Despite the outrage that naming Israel’s identity as a settler colony arouses in some circles, early Zionists, as Lentin shows, would scarcely have disavowed the appellation. Despite the old canard about “a land without people for a people without a land”, Zionists have always been committed to that essential aspect of settler colonial projects, the deliberate displacement, or, as Wolfe famously put it, the elimination of the native. While some settler colonies, like Algeria or South Africa, required the native population to work the land and resources from which they had been displaced, Israel—not least on account of its ethno-majoritarian ideology—has constantly sought the disappearance or erasure of the Palestinian demographic majority. Its belated arrival on the colonial scene, just as the decolonizing movement was taking shape around the world, hampered and delayed its execution of that project, but, as Lentin shows in great detail throughout Traces of Racial Exception, the gradual but determined displacement of Palestinians from their own historic lands continues apace. One might say, indeed, that if Israel does indeed impose a permanent state of exception on the Palestinian people, that may be precisely what makes it a typical settler colony: the settlers, no matter how powerful they may be, retain the siege mentality that their determination to eliminate the native as an existential threat generates and sustains. As Memmi long ago observed, that also explains the inexorable rightward drift of the settler society: “every colonial nation carries the seeds of fascist temptation in its bosom” (Memmi 1967: 62).[3]

    Lentin’s work, indeed, has the great value of exemplifying how theoretically stringent work that seeks to furnish a framework for understanding complex but hardly incomprehensible phenomena also carries with it a certain predictive power: her painstaking supplementation of given theoretical models with other ones gradually assembles an analytical framework that combines, not eclectically but systematically, the means by which the “Israeli exception” can be comprehended. But she also allows us to see the rationale for tendencies that, for example, liberal Zionists may lament but cannot explain. If one buy the line that Israel is a modern democracy, flawed as it may be, its actual practices and steadily expansionist drive to dispossess the Palestinians—currently heading toward full annexation of the West Bank—can only seem like aberrations wishfully hoped to be temporary. Lentin’s analysis allows us to see how they emerge quite logically from the nature of the Zionist settler colonial state. That makes Traces of Racial Exception a work that will become indispensable to anyone seeking to understand and, optimally, to organize against Israeli apartheid.

    While Lentin emphasizes throughout Traces of Racial Exception the proliferation of legal terms and measures through which Israel maintains its settler colonial regime, Noura Erakat’s Justice for Some: Law and the Question of Palestine unfolds the terrain of international law on which the struggle for legitimacy has been fought for over a century. While its focus on the legal history that so deeply informs the fate of Palestine may make it seem daunting to the lay person, it is in fact a rich and compelling work that unfolds a story that at times has all the fascination of a court room drama. That is especially so in its chapters on the PLO’s legal maneuvers to achieve UN Recognition—the high point of the narrative from the Palestinian perspective—or the dismal account of the Oslo Accords that shows how abysmally the PLO leadership failed to understand the US and Israel’s maneuvering and, worse still, its reluctance to listen to the expert advice of its own legal counsel. The story that Erakat tells across this brilliant and finely documented book is crucial for anyone concerned with the Palestinian struggle and its outcomes to read. In general, the defense of Palestinian right against their constant violation by Israel, and in particular the claims of the BDS movement, have largely been articulated through appeals to international law and humanitarian conventions. But it is not always the case that the uses and, possibly more importantly, the pitfalls of the legal arguments are well understood. In that respect, Erakat’s painstaking accounting of Palestinian and Israeli legal and extra-legal maneuvers makes for an invaluable cautionary tale, alerting us to “the potential risks, and benefits, of appeals to international law.” [4]

    The risk of any appeal to international law, less as a body of doctrine—as Erakat shows throughout—than as the framework for a set of practices and negotiation, lies in its status as “a derivative of a colonial order”, a “sordid origin” that both ensures “an asymmetry of rights and duties among international actors” and makes it “structurally detrimental to former colonies, peoples still under colonial domination, and individuals who lack nationality or who, like refugees, have been forcibly removed from their state and can no longer invoke its protection.” [6-7] Nowhere is the maxim that “the rule of law is not synonymous with justice” [5] more telling than in the case of the Palestinians, who continue to insist on their rights under the law in face of decades of legally sanctioned erasure as a people with sovereign rights. This is not least because the peculiar modes of exceptionality that Israel has over and again claimed for itself constitute (as Lentin also observes), less a suspension of law than—to invoke Walter Benjamin again—a form of law-making violence (Benjamin 1996: 240-1).  Israel regularly asserts “that its unprecedented conditions authorize it to create new law for itself and everyone else” [183]. Israel’s capacity to make law in its very breach is one of the patterns that this book illuminates, but the lesson it offers is not for all that a counsel of despair in the face of massive disparities of power and access to rights; it is, rather, that in spite of the asymmetry of their respective positions both Palestine and Israel have succeeded at different moments in using international law to open up “legal opportunities” [4]. The condition of doing so is the recognition of “the imbrication of law and politics” [4]: without generating autonomous political movements and mobilizing the force they can exert, the weaker party cannot seize and exploit whatever legal opportunity the framework of international laws and conventions may offer.

    The ramifications of the asymmetry in the Palestinian case stem most evidently from the fact that Israel has been recognized as a state whereas Palestine has yet to gain that status. This enables Israel to declare, in various forms and at different times, the sovereign exception that constitutes “a zone of exceptional lawmaking wherein political necessity determines applicable law.” [15] But the inverse of that condition is that Palestinians, long “erased”, as Erakat puts it, both by British Mandate policies and by Zionist denials of their “juridical status” as a nation-people [39], could also be rendered legal non-subjects. As she shows in some detail in Chapter 2, in consequence of the post-1967 occupation of the West Bank, “the Palestinians would be suspended in limbo as non-citizens of Israel and as non-sovereigns under occupation, completely subject to Israel’s discretionary whims.” [63] Israel’s insistent claim that its actions are justified by “political necessity” continually trumps in practice the global consensus that it has in multiple ways violated international law and that its regime of occupation is in fact subject to the terms and regulations of the Geneva Conventions. Since there is “no general enforcement mechanism in the international sphere” [82], Israel’s capacity, with US backing, to continue to create and impose “facts on the ground”, whether through direct military violence or “under the veneer of legality” and special regulations [84], continues unabated alongside its steady incorporation of the occupied territory.

    Nonetheless, Palestinians have not been without agency in the sphere of international law and two chapters of Justice for Some relate the ways in which the PLO proved able both to seize and to squander legal opportunities. Chapter 3, tellingly entitled “Pragmatic Revolutionaries”, shows how the PLO under Yasser Arafat firstly succeeded in modifying international and humanitarian law regarding armed conflicts in order to establish the legitimacy of its own use of force and thus “to challenge the criminalization of its armed struggle”. This in turn led to its ability, through its diplomatic work with the UN, “to establish itself as an embryonic sovereign with the ability to exercise a monopoly on violence and a right to use it on behalf of an entire people.” [109] This considerable victory, largely won in the context of and in solidarity with recent and ongoing decolonizing struggles, would in turn open the way to General Assembly recognition, in the 1974 Resolution 3236, of ‘the Palestinian right to self-determination and to ‘national independence and sovereignty,’ as well as the right of refugees to return to their homes and property.” [120] Affording to Palestine non-member status at the General Assembly, the subsequent Resolution 3237 “definitively settled the question of Palestinian peoplehood” and its representation by the PLO, thus effectively reversing Israeli efforts to erase the Palestinians as a nation. [121]

    The successful passage of these resolutions in the face of major-power resistance, Erakat argues, not only demonstrated both the Palestinian capacity to create new international law and “the lawmaking authority of the global South” [122], but also the effectiveness of grounding legal strategy in political struggle and organizing. Nonetheless, she is alert to the dangers secreted in the ends achieved by the PLO: its legal work at the UN “exacerbated the tension between its vision for revolution and the vision for statehood” [111] That tension would play out catastrophically in the tragedy of the Oslo Accords nearly twenty years later, as Erakat shows in her dismaying account of the negotiations that led, in the view of many Palestinians, to the sacrifice of a struggle for liberation that had been significantly advanced by the First Intifada and its decentralized networks of popular initiatives, all for the sake of nominal political recognition and authority. In her view, in entering the peace process, a much-weakened PLO with diminished legitimacy “strove to save itself.” [139] The subsequent 25 years of endlessly deferred “final status” negotiations that have enabled Israel’s covert annexation of increasing segments of the West Bank, let alone the continuing violence of its occupation and siege of Gaza, have sufficiently borne home the fiasco of Oslo. Erakat analyzes in painful detail the now familiar concessions that the PLO made along the way, but also offers a compelling analysis of the willful failures of its legal and political strategies, “failures that reflected its leadership’s lack of appreciation for the law, and particularly for the law’s strategic malleability.” [159] Furthermore, what the PLO in effect sacrificed, to obtain a “ghettoized sovereignty” [171] and “a patchwork arrangement over Palestinian civil affairs and natural resources” [163], was its capacity to continue to appeal to international law. In effect, it returned the Palestinian cause to the purview of a “sovereign exception”, engendering “a specialized legal framework” that “suspended all applicable international law and norms in order to achieve an unfettered political resolution” from which Israel alone would benefit. [164] Subsequent decades have shown just how capable Israel has been in exploiting the legal and political opportunities that Oslo opened up for it.

    If the PLO proved for a moment capable of creating new international law, the Oslo Accords largely ceded that initiative to Israel. Chapter 5, “From Occupation to Warfare” focuses on the ways Israel has succeeded in delegitimating the hard won recognition of the Palestinian right to resistance [180] and in legitimating its own, increasingly regular violence against its subject populations, including its “extralegal, arbitrary, and summary executions, which are prohibited in law.” [178] The main and highly instructive logic that Erakat unfolds, a logic that goes not only to Israel’s conduct under the cover of “anti-terrorist” actions but also to the counter-insurgency tactics of the United States and other major powers, is summed up in a succinct subtitle: “The Malleability of Law: A Violation Can Also Be a Proposition.” [183] Having first “exceptionalized its in fact nonexceptional confrontations with Palestinians” [180], whose occasional and sporadic resort to violence fell far short of formal armed conflict, Israel was able to expand its right to use force outside the restrictive framework of existing laws of occupation. It did so by claiming to be in a conflict with terrorism “analogous to war” [181], an imprecise terminology that permitted it to claim “that no existing body of law had adequately contemplated the conflict between states and terrorists.” [182] In the upshot, its assertion “that its unprecedented conditions authorize it to create new law for itself and everyone else” [183, my emphasis] throws a critical light on “the nature of international law as a living instrument that is continually made, implemented, broken and remade.” [183] As Erakat goes on to show in examining the legal as well as military collaboration between the United States and Israel in the “global war against terror”, they together “shaped the customary [international] law regulating the use of force against terrorism” [191] thus seeking to “determine the law for all other states.” [193] Violations become customary practices and eventually constitute new customary norms. It has long been remarked that Israel wantonly exploits Palestine as a laboratory for counter-insurgency techniques and military hardware; Erakat shows that in its lawless use of violence it has been no less successful as a laboratory for international law in the service of colonial domination.

    Like Lentin, Erakat concludes her book with reflections on the failure of that framework for the peace process to which the international community has for so long paid lip service, the two-state solution that projects an independent sovereign state of Palestine on a much reduced land-base alongside that of Israel. As she says, that prospect is “obsolete”. [211] In practice, Israel’s legal maneuvers have had “an unintended consequence: it oversees an apartheid regime.” [213] In this, clearly, she agrees with the analysis that Lentin offers, including in her recognition that apartheid is the logical “consequence of Israel’s settler colonial ambitions.” [217] And, like Lentin, she recognizes in the BDS strategy a possible alternative to the armed struggle which, although it “remains available to occupied Palestinians as a matter of legal right” is, “as a matter of strategy … counterproductive and dangerous.” [227] BDS has shaped “new political space” precisely by deploying nonviolent tactics that appeal to international law and human rights norms. In other words, it supplies the political campaign that Erakat has shown to be essential to any legal strategy. At the same time, she perceives BDS as “a necessary but insufficient tactic” in a liberation movement that cannot be only for equality, but must entail “a struggle against settler-colonial dominance.” [231] This requires, she argues “a discerning political program” if the movement is not to confuse “the equivocating tendencies of a human rights framework with a practice of decolonization.” [233]

    This is by no means to abandon the still essential work of the boycott movement, but it is to ask that we see in the moral force that it exerts a counter-violence that reaches beyond the framework of law and rights it draws on. Such a line of argument leads her to differ from Lentin’s commitment to “one truly democratic state for all” [170] and to argue—in a way that extends her perception of the tension between a vision of decolonization and a vision of statehood—for a process of decolonization that would displace any outcome framed within the limits of the state form. Erakat’s final pages compellingly force the question as to whether “a state-centric legal order that sanctifies the sovereignty of settler states [can] rectify and stem ongoing possession and native erasure”. [235] That is the urgent task this crucial book prescribes to anyone, and not only to Palestinians, who feels the limits of state-sanctioned conceptions of law and their remoteness from any effective concept of justice. It asks us to imagine and shape a political future beyond anything that the nation-state can offer. Palestine has always offered radical hope to those engaged in emancipatory struggles globally in the form of samud, its persistence in resistance. Erakat suggests that, beyond the often dismal horizon of the present, it also offers a vision and a means to life in common forged in the crucible of dispossession and abandonment. This is a vision worth carrying forward and a project that demands to be pursued.

     

    David Lloyd is Distinguished Professor of English at the University of California Riverside. His most recent book is Under Representation: The Racial Regime of Aesthetics (New York: Fordham University Press, 2019).

     

    Works Cited

    Adalah, “Discriminatory Laws in Israel”, https://www.adalah.org/en/law/index. Accessed April 15, 2020.

    Benjamin, Walter, “Critique of Violence,” translated by Edmund Jephcott, in Selected Writings, vol. 1, 1913–1926, edited by Marcus Bullock and Michael W. Jennings. Cambridge, MA: Harvard University Press, 1996,  236-252.

    Benjamin, Walter. “On the Concept of History”, Harry Zohn, trans, in Selected Writings, Volume 4, 1938-40. Edmund Jephcott and others, trans. Howard Eiland and Michael W. Jennings, eds. Cambridge, MA: Harvard University Press, 2003, 389-400.

    Hussain, Nasser. “Hyperlegality”, New Criminal Law Review, 10.4 (2007): 514-531.

    Memmi, Albert. The Coloniser and the Colonised, trans. Howard Greenfield (Boston: Beacon Books, 1967).

    Obama, Barack, “Interview of the President by Yonit Levi, Israeli TV”, July 7, 2010. https://obamawhitehouse.archives.gov/the-press-office/interview-president-yonit-levi-israeli-tv  Accessed April 15, 2020.

    Rome Statute of the International Criminal Court. 2002.  https://www.icc-cpi.int/resource-library/documents/rs-eng.pdf. Accessed April 15, 2020.

    [1] Adalah,  the Legal Center for Arab Minority Rights in Israel, maintains a database of  over 60 such laws, “Discriminatory Laws in Israel”: https://www.adalah.org/en/law/index. Accessed April 15, 2020.

    [2] Article 7 of the Rome Statute also defines “Deportation or forcible transfer of population” as such a crime. https://www.icc-cpi.int/resource-library/documents/rs-eng.pdf

    [3] Given that the United States functions as Israel’s current mother country”—a function that Zionists have historically sought to supply through alliances with the dominant imperial power of any epoch, we might do well to attend to Memmi’s warning that “the colonialist is the seed of corruption in the mother country” (Memmi 1967: 64). Lentin discusses the close alliance between Netanyahu’s Israel and contemporary US white supremacist and ethno-nationalist movements, and with right-wing governments globally, on pp.  99-101.

     

     

  • Tony D. Sampson and Jussi Parikka — The New Logics of Viral Media

    Tony D. Sampson and Jussi Parikka — The New Logics of Viral Media

    This essay is a part of the COVID-19 dossier, edited by the b2o editorial staff. 

    by Tony D. Sampson and Jussi Parikka

    Up until recently, work on a universal theory of virality seemed to always cut a somewhat marginal figure in media theory. In the early 2000s, when we first started to publish articles referring to digital contagions, immunology, epidemiology and viral networks, it was no surprise to us that although our claim to universality seemed significant, it would remain of ancillary concern to mainstream media theory. After all, media and communication studies were supposed to be about establishing connection; not the opposite of it!  We were regularly questioned about our use of a ‘viral metaphor’ and what it meant to the development of a new model of digital media. The hyperbolic focus on viral marketing did not make it any easier for us to argue that there were deeper material levels of virality that required immediate attention.

    However, now, all of a sudden, unpredictably, and rather shockingly, viral media stands at the centre of contemporary issues both materially, economically, and socially. In the wake of global uncertainty and anxiety caused by the uncontainable spread of Covid-19, there has been an abrupt move to the viral – from the margin to the middle. As we are all now discovering, Covid-19 is an epochal pandemic. The health and survival of massive scale populations are at stake, engendering panicked political responses and exposing the underlying impact of years of austerity in public policy, not least in healthcare. Virality is, as such, both entirely relevant and resolutely non-metaphorical.

    This outbreak has also, understandably, drawn urgent attention to the workings of a viral logics that criss-crosses from biological to cultural, technological and economic contexts. We can now all see how, through sometimes direct experiences, universal virality becomes a techno-social condition of proximity and distance, accident and security, communication and communication breakdown. Indeed, it is in the current context of Covid-19 that our understanding of the movement of people and messages is framed by the logics of quarantine and confinement, security and prevention. Furthermore, virality automates affective reactions and imitative behaviours that relate to different visceral registers of experience compared to those assumed to inform the logic of the market. Which is to say, the mainstream cognitive models that are supposed to support the failing economic model of rational choice (if indeed anyone really ever believed in Homo Economicus) are replaced by seemingly irrational and uncontrollable financial contagion. Moreover, recent outbreaks of panic buying of toilet roll and paracetamol, some of which have been sparked by the global proliferation of Instagram images of empty supermarket shelves, are spreading alongside the early scenes of isolated Italians, impulsively bursting into songs of solidarity and support from their balconies followed up by similar scenes in many other countries and cities. All of these are peculiar contagions because, it would seem, they are interwoven with contagions of psychological fear, anxiety, conspiracy and further financial turmoil; all triggered by the indeterminate spread of Covid-19.

    To think these contagions through in a media theory frame is, for a number of reasons, a complex task. We are, after all, dealing with an ecology of technological, biological, and affective realities moving about in strange feedback loops. Contagious agents are not simply biological; their agency always arrives in plurality.

    Future predictions are taking place against a backdrop of contested epidemiological models, reliant on, for example, the uncertain thresholds of herd immunity or total social lockdown. Certainly, following a sustained period of comparatively stable risk assessment, mostly based on known knowns and known unknowns, we have just entered a vital, possibly game changing phase in which unknown unknowns will prescribe the near future.

    We have to concede that, from the outset, the universality of our viral logics has itself been contested. There have been at least two other models of media virus that we know of. Whether or not it was the first to do seems rather inconsequential now, but Douglas Rushkoff’s Media Virus, published back in 1994, proposed an early viral model that could be harnessed to manipulate the new media. The information-virus, and latter concepts of spreadable media, perceptively challenged the assumed entrenchments of the old ideological state apparatus model of media, pointing toward a novel McLuhanesque participatory culture. We can, perhaps, in retrospect, trace the celebratory nature of this viral logics all the way to the fantasy of revolutionary social media contagions during the Arab Spring.

    The second media virus appeared in the early noughties. It was extracted from a few loose remarks made in the latter pages of Richard Dawkins’s neo-Darwinian Selfish Gene thesis of 1976. In Susan Blackmore’s neo-Darwinian Meme Machine, for example, we find a media virus which functions according to an evolutionary algorithm. The neo-Darwinian meme doctrine emerged in various millennial discourses, mostly those associated with the rhetoric of viral marketing and the computer viruses/antivirus arms race. As some viral marketers claimed, contagion may seem accidental, but the pass-on-power of a media message could be memetically encoded (and harnessed) to spread as determined.

    The universality of the third media virus – the one we proposed in the early 2000s – was intended to be more theoretically nuanced, certainly in regards to its approach to mechanisms and the question of whom or what does the harnessing. To begin with, our universal virus was more closely aligned to a viral event, or accident of contagion, than it was analogous to, or metaphorically related to, its biological counterpart. We could indeed learn more from the capriciousness of computer viruses than we would by merely looking for analogical relations. As follows, digital contagion provided insights into the modelling of the contagious behaviours of autonomous agents. Similarly, just as computer security became a core focus of digital media practices, the broader implications for virality in network culture also implied the shared legacy with epidemiology and its goal to simulate the spread of diseases. Multi-agent-based modelling was one context where contagions were initially allowed to spread, creating a bifurcated discursive formation between the burgeoning field of artificial life research, on one hand, and the tight link between measures of security and automation, on the other. Along these lines, then, early automated software processes were often grasped as artificial contagions that went beyond the human control of complex computational networks, requiring a further automated immunological response.

    Another aim of the universal virus was to reject biological or technological determinism in favour of a transversal contagion. In short, this meant that no one mechanism determined contagion since the relationality and accidentality of the viral event superseded deterministic thinking. Contagious behaviours are not solely  predetermined by an evolutionary code, as such. The universal virus also clearly relates to the complex array of unknown unknowns triggered by environmental interactions. Indeed, the vectors of contagion, and any subsequent security response to these environmental conditions, will prove to be effective only after the fact. These are paradoxical environments in which the mode of future predictions, based on existing models and reliant on historical data and assumptions, becomes at odds with the necessary open-ended nature of a shared communication network.

    Of course, the story of contagion modelling – either as epidemiological modelling or as conceptualising theoretical models – is not reducible to contemporary network culture. To better grasp the bizarre nature of the kinds of contagious loops we are experiencing with Covid-19, the universal virus also made significant references to nineteenth century contagion theory. Most notably we borrowed from Gabriel Tarde’s society of imitation thesis, which, like Paul Virilio, focused on the accidents of mechanism, rather than a mechanism’s logic. Moreover, Tarde’s imitative social subjects were not the victims, but rather the products of contagion. It is, indeed, in the accidental relations of contagion, that Tarde’s subjects are continuously made and remade.

    Like the inexplicable behaviours of crazed shoppers panic buying toilet rolls in recent weeks, the subjectivities that are produced in Tarde’s society of imitation are conspicuously rendered docile sleepwalkers. However, Tarde’s many references to social somnambulism must not be misconstrued as an understanding of society founded entirely on collective stupidity. Importantly, his references to sleepwalking were informed by the absence of a distinction he made between a biological nonconscious inclination and sociocultural tendencies to imitate. In other words, Tarde’s social subjects, including those that were supposed to be making rational economic judgements, are never self-contained. They are both, simultaneously, etched by the affect of others and leaking their own infectious affects. Again, following the logic of the universal virus, recent outbreaks of panic buying and seemingly irrational market trading, are examples of further unpredictable automations of bodies and habits.

    Back in early the 2000s, we argued for a universal virus that made a resounding, yet subtle break from established media theory analysis of contagion, doggedly couched in representation. Viruses were not solely metaphorical, figurative or indeed myths that covered up an underlying ideological reality. Following the Covid-19 outbreak, the universal virus can certainly no longer be considered as a conjured-up fantasy, projection, or for that matter, in the current context, a crude biopolitical invention  strategically placed to justify measures of containment. Although, for sure, there are multiple levels of political aims at play, not least in terms of the recurring question of immunological borders, the logic of this virus is now, for the time being, the overriding power dynamic. Far from providing a convenient allegory for action, the very real viral event of Covid-19 is currently producing its own reality according to which our habits and worlds must bend and adapt.

    Universal viruses are nonrepresentational in the sense that they make their own physical and metaphysical infrastructures of connectivity, while exposing the underlying social strata upon which – as epi–demos – they function. Along these lines, the legal theorist Andreas Philippopoulos-Mihalopoulos contends that Covid-19 presents a Spinozian contagion in terms of how bodies relate to each other and their environment. The “challenge of Covid” is, he argues, “monumentally ethical.” This is because the virus “demands of us to accept a quintessentially Spinozan ethics of positioning, of emplacing one’s body in a geography of awareness of how affects circulate between us and others.”[1] This viral patterning of habit and behaviour is no longer merely a question of homophilic identification (connecting to friends, parents, etc.), but radically expands to modes of connection and disconnection co-determined by collective bodies that are being positioned in relation to each other, to space, to borders, to containment, etc.

    The viral patterning of Covid-19 will continue to spur a range of actions, habits, behaviours and affects that might take a hold of bodies in more predictable or previously unimagined ways. Certainly, some of the pegs that fix the future of biopolitical movements of people and messages will no doubt produce more docile sleepwalkers. It is not surprising that the UK government initially opted for a neoliberal version of herd immunity in which collective obligation was pitched alongside business as usual. Even now, in its current state of belated lockdown, the UK’s unequal distribution of Covid testing sees leading political figures and royal family members prioritized over frontline health workers. In the US too, Trump’s reluctance to accept Covid-19’s utter disregard for capitalism seems to be making his country a deadly hub for infection. Indeed, what seems to unify the far-right at this moment is its propensity toward Covid-denial, exemplified by Trump and Bolsonaro’s regime in Brazil. Apparently, sales of guns and ammunition are soaring across the US as fears of Covid-19 prompt bunker mentality and self-protection. It is also the case that the reported spread of the virus has been coupled to an intensification and extension of population racism. In the UK, again, the spread of so-called maskaphobia has led to many Chinese students having to opt between what sociologist Yinxuan Huang calls “two bad choices – insecurity (for coronavirus) and fear (for racism).”[2] Ultimately, urban spaces may well be redefined by state controlled measures of social distancing, on one hand, or these kinds of fear-driven detachments, on the other; both of which clearly contrast with the themes of the classical sociology of cities, which grasped urban spaces as locales of dynamic collective density.

    The logic of the universal virus might also produce novel spatiotemporal realities for collective grassroots systems of care. In the wake of Covid-19, we are already witnessing more than the spontaneous emergence of songs of solidarity. Spain is currently nationalizing private hospitals; Iran is releasing political prisoners from jails. These are new spatiotemporal realities produced by Covid-19 that could counter the broader context of what Achille Mbembe has referred to as necropolitics. After the dark refrains of Trump, Brexit and subsequent intensifications of population racism, for example, the horror of Covid-19 might actually clear the way for some kind of large-scale radical reaction that addresses these recent corruptions of the global political scene and its role in quickening climate change and the biodiversity crisis. After the applauding of brave health workers and songs of the shutdown subside, painful social, economic and political struggles will inevitably follow the virus. How these struggles manifest against the shifting backdrop of disciplinary confinement and control by way of statistical inoculation and the abandonment of eradication are yet to be seen.[3] New political assemblages might be triggered, at least temporarily. The question we need to ask now is: what are you doing after the lockdown? We do not mean this to be a catchy social media meme, or indeed a misquotation of Baudrillard, but instead we propose it to be the looming political question we must all face.[4]

    The French version of this text is published on AOC. You can find it here.

    Tony D Sampson is a critical theorist with an interest in digital media cultures. His publications include The Spam Book, coedited with Jussi Parikka (Hampton Press, 2009), Virality: Contagion Theory in the Age of Networks (University of Minnesota Press, 2012), The Assemblage Brain: Sense Making in Neuroculture (University of Minnesota Press, 2017) and Affect and Social Media: Emotion, Mediation, Anxiety and Contagion, coedited with Darren Ellis and Stephen Maddison (Rowman and Littlefield, 2018). His next book – A Sleepwalker’s Guide to Social Media – will be published by Polity in July 2020. Sampson also hosts the Affect and Social Media international conferences in east London and is co-founder of the community engagement initiative the Cultural Engine Research Group. He works as a reader in digital media cultures and communication at the University of East London.

    Jussi Parikka is Professor at University of Southampton (Winchester School of Art) and Visiting Professor at FAMU at the Academy of Performing Arts, Prague where he leads the project on Operational Images and Visual Culture (2019-2023). In 2019-2020, he is also Visiting Chair of Media Archaeology at University of Udine, Italy.  His work has touched on questions of virality and computer accidents in the book Digital Contagions: A Media Archaeology of Computer Viruses (2nd. updated edition 2016, Peter Lang Publishing) and he has addressed questions of ecology and media in books such as Insect Media (University of Minnesota Press, 2010) and A Geology of Media (University of Minnesota Press, 2015). The Lab Book, co-authored with Darren Wershler and Lori Emerson, is forthcoming in 2021 (University of Minnesota Press). Parikka’s site is at http://jussiparikka.net.

    [1] Andreas Philippopoulos-Mihalopoulos “Covid: The Ethical Disease”. Critical Legal Thinking: Law and the Political, 13 March 2020: https://criticallegalthinking.com/2020/03/13/covid-the-ethical-disease/

    [2] Sally Weale “Chinese students flee UK after ‘maskaphobia’ triggered racist attacks: Many say China feels safer than Britain amid coronavirus crisis and increasing abuse”. The Guardian, 17 Mar 2020: https://www.theguardian.com/education/2020/mar/17/chinese-students-flee-uk-after-maskaphobia-triggered-racist-attacks

    [3] Philipp Sarasin “Understanding the Coronavirus Pandemic with Foucault?” Foucault Blog, March 31, 2020: https://www.fsw.uzh.ch/foucaultblog/essays/254/understanding-corona-with-foucault?fbclid=IwAR0t0C9bY3D-j-gyjtxj1f6CDz-0kY0KtgnCUhj9LAuOwMc4r7CC0BxAjSc

    [4] See also Tuomas Nevanlinna “Poikkeustilan julistaminen on äärimmäistä vallankäyttöä, mutta ratkaiseva hetki koittaa kun se lakkautetaan (Declaring a state of emergency is an extreme exercise of power, but the crucial moment comes when it is lifted)”. Kulttuuricocktail, 26 March 2020: https://yle.fi/aihe/artikkeli/2020/03/28/tuomas-nevanlinna-poikkeustilan-julistaminen-on-aarimmaista-vallankayttoa-mutta

  • Mimi Howard — Ontology’s Exhaust (Review of Fred Moten’s consent not to be a single being)

    Mimi Howard — Ontology’s Exhaust (Review of Fred Moten’s consent not to be a single being)

    This essay has been peer-reviewed by the b2o editorial collective

    by Mimi Howard

    In Freiburg 1919, Martin Heidegger explained in a lecture on phenomenology that everyone in the room had a functional relationship to a lectern that stands before him. It is not simply a box but an object that occasions a particular etiquette, something that calls forth certain rituals of social conduct. In a boiler-plate illustration of perspectivism, Heidegger then asked the room to imagine that a “Senegalese Negro” is suddenly planted before them. This troubles the whole arrangement, Heidegger claimed, because he would not know what to make of this lectern at all. Further, there is no way for Heidegger to access his perception, given that “my seeing and that of the Senegalese Negro [Senegalneger]  are totally disparate [grundverschieden]” (Heidegger 1987, 72).

    The German lectern, a neat stand-in for the enterprise of knowledge production, is possibly meaningful, is a possible object of phenomenological description, only because its value is culturally determined according to pre-existing conditions into which ‘we’ have been ‘thrown’. But something else is at work here. When Heidegger performs this self-imposed delimitation of phenomenology’s remit, blackness gets figured as the horizon-line of philosophical inquiry, marking out a constitutive edge where the study of ‘things in themselves’ falls short, fails to answer a question, or ceases to formulate one. Such epistemic failures flag up the relation between phenomenology and ontology, the region of inquiry towards which Heidegger’s would turn in later work, largely in attempt to address precisely the fundamental underlayers of experience that are resistant, or unavailable, to phenomenological description.

    In the past years, Fred Moten has been concerned with parsing the interrelation between blackness and ontology, tacitly interrogating the legacy of Frantz Fanon’s famous claim that “ontology—once it is finally admitted as leaving existence by the wayside—does not permit us to understand the being of the black man” (Fanon 1986). Fanon’s insights have been a provocative starting point for black studies in recent years, particularly for Afro-pessimist thinkers like Jared Sexton and Frank B. Wilderson. According to their purview, blackness is contained precisely within the impasse that Fanon described, within a “political ontology” whose ground is always-already constituted by a refusal of the “being of the black man.” As Wilderson has put it, black people are thereby assigned to “a structural position of noncommunicability” that countersigns the safeguarding of ideal subject-citizens (Wilderson 2010).

    The Afro-pessimistic appeal to political ontology has arisen alongside similar tendencies in ‘continental’ political philosophy. Since at least the end of the post-war period, political theorists have struggled with the problem of how to ground their analyses after the expulsion of God, progressivist history, and Enlightenment reason from the philosophical toolkit. In th­­­­­e intervening decades, the task at hand has been to cobble together a framework that holds onto some faith in political praxis while rejecting the predication of that praxis on some transcendental a priori. Heidegger’s ontology has been revived as an antidote to this absence of bannisters (to use Hannah Arendt’s famous phrase). His schematization of groundlessness, contingency, and non-identity of the subject has proven a powerful paradigm for partisans of post-foundationalism. This resurgence of Heideggerian ontology has gained traction enough to have some declare an ‘ontological turn’ (Marchart et al., 2017).

    Political ontology has been especially attractive to some anti-liberal theorists for a few reasons. (As Bruno Bosteel’s has noted, though many political ontologists claim to be leftist, there is nothing formally emancipatory about an ontological approach to politics.) From a methodological perspective, toward traditional questions about liberty, justice, or the good life, a political-ontological framework allows for spontaneous human action to become the center of analysis. Ontology ostensibly shifts the political-philosophical gaze towards the conflictual, dynamic, and improvisatory nature of politics ‘on the ground’, serving as rejoinder to liberal political philosophy and its hawk-eye view of the State and its Citizens. In contrast to this liberal paradigm, political ontologists declare a low threshold for what constitutes political action, and thereby pluralize the kinds of possible political subjects. In the words of one if its preeminent theorists: “Every action becomes politics when it at least is touched by antagonism” (Marchart 2010, quoted in Saar 2012).

    The ontological character of antagonism is equally important to the Afro-pessimistic framework. According to Wilderson’s influential paradigm, the historical appearance of slavery develops a new “ontological category” whereby political discourses became predicated on grammars of antagonism, “forging a symbiosis between the political ontology of the Human and the social death of Blacks” (Wilderson 2010). Ontology’s refusal to think blackness is thereby inextricable from structural, historical anti-blackness. Yet, in agonistic tandem, Moten has wondered whether the turning of Fanon’s insight into the basis of a ‘political ontology’ has a productive function; if it boxes itself into, and to some extent supports, the world of the “artificial, officially assumed position” it would want to rebuke (Moten 2013a, 741).

    To endorse a political ontology that describes the refusal of black being is to support an epistemological regime that participates in co-creating the world after political theory’s image (citizens, power, sovereignty, etc.). Without throwing Afro-pessimism’s envisioning of anti-black racism by the wayside, Moten asks if it is possible to depose the reigning political-ontological framework, a framework wherein “blackness and antiblackness remain in brutally antisocial structural support of one another like the stanchions of an absent bridge of lost desire.” (Moten 2013a, 749). Ontology, from Moten’s standpoint, is not just unable to think antiblackness, but rather produced and given by that incapacity. His task, contra Fanon and contemporary theorists, is then to “refuse subjection to ontology’s sanction against the very idea of black subjectivity,” by exhausting ontology itself (Moten 2013a, 749). What would it mean, Moten asks, “to desire the something other than transcendental subjectivity that is called nothing?” (Moten 2013a, 778)

    This intervention, and injunction, to ‘exhaust’ ontology’s special claim to ‘the political’ is sustained by Moten’s approach to a form of theoretical writing that re-formulates the task of critical philosophy, while also contesting political ontology’s ‘pessimistic’ aversion to Marxist tradition, showing that one need not dispense with dialectics in favor of static Manichaeism. The following review attempts to trace (by no means comprehensively) how Moten has continued to unfold this argument over the course of more than a decade of writing, collected in the recently-published three-volume series consent not to be a single being (2018), paying particular attention to the way that he intervenes in debates in contemporary political and critical theory.

    ***

    consent not to be a single being, titled after a phrase of Édouard Glissant’s, ranges across an impressive number of disciplines: black studies, performance studies, aesthetics, phenomenology, ontology, ethnomusicology, jazz history, comparative literature, critical theory, etc. Without announcing its intervention as interdisciplinary–Moten deftly renders discipline beside the point. Instead, his “devotional practice” explicitly proceeds with heart, not quite stopping long enough to fix upon, objectify, or possess the shifting locus of study. The goal, in fact, is the contrary. As he writes in the preface to the trilogy’s opener Black and Blur, this is a celebration of the “animaterial operation-in-exhabitation of diffusion and entanglement, marking the displacement of being and singularity” that is blackness (BB, xiii).

    As Deleuze and Guattari would have it, liberated desire is difficult to pin down. Unlike popular desire, encoded by the flows of capitalism, liberated desire eludes authority and escapes the “impasse of private fantasy” (Deleuze & Guattari, 2009). Desire’s amorphous capacity is its genius—to get plugged into different outlets, to reemerge through collective expression. You know it, in other words, when you don’t see it. Moten’s books capture something similar. His is a language that resists appropriation but has, paradoxically, become companionable to a great many projects. (One wonders how many reading groups have indebted themselves to Moten and collaborator Stefano Harney’s idea of the “undercommons”; few figures are as dear to activists, academics, and artists alike.) Ultimately, the zeal for Moten says as much about him as it does about our moment—desire for a politics beyond sanctioned discourse, sociality salvaged from social media, and, maybe most of all, some vindication that the lives we create under the noses of capital might already imagine another world.

    Harney and Moten’s The Undercommons (2013), a widely shared and beloved book, was marked by an activist lyricism (“I just need you to recognize that this shit is killing you, too, however much more softly, you stupid motherfucker”). The essays of cntbsb similarly pair philosophical questioning with sonorous phrasing. Though Moten aligns himself with the black radical tradition, his particular voice is reminiscent of none of its famous luminaries. Thankfully the right to write like he does is never made the subject of its own analysis. Unlike with Derrida or Spivak or Lacan or Heidegger, resistance to clarity is not in the service of a meta-point about the trace of writing, or the restaging of knowledge’s limit. Rather, as with the jam session, everything is already going on at once. As readers, we’re along for the ride; feeling out the repetitions until they become concepts behind our backs, carrying provisional definitions until they get displaced, rejigged, and transformed anew from page to page.

    On the whole, the series is a veneration of friendship and the unproprietary nature of thought. Moten continually lays his cards on the table, and his co-conspirators are called out in the body of the text: he’s “thinking along with” Hartman, “moving by way of” Mackey, “being taught” by Miyoshi and José (Muñoz)—indeed, in an interview, Moten has called this writing a form of name-dropping (Moten 2004).[1] But it’s also an ode to adversaries. We’re told at one point that “Mingus was a genius at showing contempt” (BB, 88) and perhaps the same can be said of Moten himself. Contemporary thinkers like Bryan Wagner, Catherine Malabou, and Eric Santner, Giorgio Agamben are put at affable risk. Paul Gilroy receives exasperated rebuttal in a particularly memorable footnote. Neither do earlier thinkers like Immanuel Kant, Hannah Arendt, Emmanuel Levinas, and Fanon emerge unscathed. They do emerge, however, irreparably transformed.

    cntbsb is not the product of one Fred Moten, but the result of an evolution across fifteen-odd years, written for a variety of academic and artist publications that display Moten’s ability to shift genre. Still, each of the books have, if not a particular focus, then something of a mood. Black and Blur concerns the status of creative life (especially visual and musical art) under capitalism. Stolen Life breathes force into the philosophy of subjectivity and acts as a sustained struggle with the kinds of philosophical questions that also animate a range of black thinkers. The Universal Machine offers a rigorous deconstruction of post-war phenomenological thought, pivoting around brilliant engagements with Emmanuel Levinas, Hannah Arendt, and Frantz Fanon. Taken together, the series amounts to a powerful argument for black study—as an analytic, an impetus, a mode, the collective shout from a radical vista, whose bellow requires nothing less than “passionate response” (Moten 2003).

    ***

    Primarily concerned with art, literature, music, performance, and the black radical tradition, Moten’s Black and Blur picks up where In the Break: The Aesthetics of the Black Radical (2003) left off. There are certainly some points of overlap—Cecil Taylor, Charles Mingus, Cedric Robinson and Immanuel Kant are important figures in both. But Black and Blur is not just a continuation, it’s also a corrective. Moten tells us at the outset that the essays collected in the entire series are an attempt to figure out what’s wrong with the opening sentence of In the Break: “the history of blackness is a testament to the fact that objects can and do resist.” That sentence, over which Moten claims to have suffered in the intervening fifteen or so years, should have read: “Performance is the resistance of the object. The history of blackness is a testament to the fact that objects can and do resist.”

    What exactly has changed here? Parsing the difference brings us back to the disagreement that Moten has staged with Afro-pessimism. Moten concedes that his original statement “blackness is x” submits to the claim that the study of blackness must necessarily move within the political-ontological field that has already defined blackness as objectivity. In the Afropessimist Frank Wilderson’s words, there is an unbridgeable gap between the ontological status of “the Human as an alienated and exploited subject” and of “Blacks as accumulated and fungible objects” (Wilderson 2010). This realist dichotomy necessarily undergirds any study or analysis of black life. Moten doesn’t totally disagree. He says that the “weight of anti-blackness upon the general project of black study” is also the very thing that animates and enables the “devotional practice” that he wants to put forth (BB, viii).

    Still, this is something more than devotional practice. Moten writes:

    to be committed to the anti- and ante- categorical predication of blackness—even as such engagement moves by way of what Mackey calls “an eruptive critique of predication’s rickety spin rewound as endowment,” even in order to seek the anticipatory changes that evade what Sadiya Hartman calls “the incompatible predications of the freed”—is to subordinate, by a measure so small that it constitutes measure’s eclipse, the critical analysis of anti-blackness to the celebratory analysis of blackness.” (B&B, viii, emphasis added).

    Herein lies the double movement of Moten’s (corrected) project. First he treats critically, and committedly, the way in which blackness is predicated through anti-blackness, but also turns (as Marx did Hegel) that construction on its head. What if, after Nathaniel Mackey, predication was spun back around, so that the ground of the political ontology that gives blackness through anti-blackness could be shifted? This inversion consists in subordinating Afro-pessimism (the critical analysis of anti-blackness), to Moten’s black optimism (the celebratory analysis of blackness). Celebration, then, means seeing how black art predicates. “Mobilized in predication,” Moten writes, “blackness mobilizes predication not only against but also before itself” (BB, viii). One need not begin with the ontological given of anti-blackness then, but see how blackness comes prior to the givenness, how it gives the given.

    Illustrating this ‘anoriginality’ by way of movement through black art, literature, and music propels the book forward. The opening chapter “Not-in-Between” is representative here, a kind of synecdoche that contains threads of the argument that are woven through the rest of the text. He moves through Patrice Lumumba, C. L. R James, and Cedric Robinson to outline nothing less than a new post-colonial philosophy of history. Moten takes James’s The Black Jacobins as a form of history-writing that theorizes its own limits by interweaving lyric with the official discourse of historical narrative. James’s lyricism marks the entry of a kind of black radical corrective to Hegelian historical struggle—a transfiguration of “dialect into dialectic.” Moten argues that James’s historico-radical writing is embodied in such “ancient and unprecedented phrasing,” which mark the impossibility of a “return to Africa that is not antifoundationalist but improvisatory of foundations” (BB, 13). Of course, Moten is describing his own combination of verse and prose here too, employing form to ask how one can tell a story without origins, without grounds (and without ontological predication).

    Unlike the other two books in consent not to be, Black and Blur consists of many short chapters, some of which were originally written as essays for artist monographs. It’s no coincidence that this is the book has already been taken up by the art world—understandably hungry for something different amidst the long reign of Adorno. Thankfully, Moten has a lot to offer by way of new theoretical horizons, and Adorno explicitly forms the antagonistic point of departure. In one chapter, Adorno’s dismissal of popular music as the functionalist “culinary” byproduct of capital is swallowed up by Moten’s analysis of two cultural products: “Ghetto Superstar” (1998), a single performed by Pras, ODB, and Mya, as well as an attendant novel co-written by Pras and kris ex. The book version contains a scene that mimics almost precisely Louis Althusser’s famous description of interpellation. The protagonist Diamond St. James recognizes an old security guard at his high-school, now community cop, but doesn’t allow himself to be ‘interpellated’ and gives the officer a fake number. In this refusal, Moten argues that Diamond is the “sentient, sounding object of a powerful gaze” and as such a prime example of what Moten has been interested in since In the Break: the “becoming-object of the object, this resistance of performance that is (black) performance.” (BB, 33).

    This celebration of the object’s resistance forms the basis of Moten’s disagreement with Adorno. Moten later contests Adorno’s distaste for the infiltration of cinematic qualities–repetition, syncopation, and sequence–into music with an appreciation of Glen Gould’s “montagic” performance an actor and pianist. Yet another chapter continues this line of thought, but this time in tandem with photographic representations of black female bodies. Here Moten takes issue with Adorno’s definition of music as the only ‘temporal’ art, aiming to show how the resistance of the photographic subject embodies the lapse of time through fugitivity. Summing up the thrust of both his debt and contest to Adorno’s aesthetics, Moten responds to Adorno’s famous distaste for jazz exclaiming: “How unfortunate for Adorno that the music one most loathes might best exemplify the fugitive impetus one most loves!” (BB, 85)

    After the first half of the book, a kind of breakdown occurs—signaling that the contestation with Adorno is over and we’ve moved (by measure’s eclipse) from the critique of anti-blackness into celebration. The pace runs a bit quicker, with a new numbering scheme that unites subsections through chapters, and formalizes the assembly-like character of the whole enterprise. Now come texts dealing more particularly with the artwork, music, and literature of contemporary figures: Theaster Gates, Thornton Dial, Adrian Piper, Oscar Zeta Acosta, Ben Hall, Rakim, and many others. This is where the party begins, and where Moten is dealing explicitly with what celebration means: “Celebration lets being-special go, but under an absolute duress” he writes. Moten argues that the artwork has no tendency towards redemption, promises no final salvation. Rather art’s worth lies in the permission it grants to cross oneself out, to activate and realize Marx’s living commodity in a way he never imagined—to be, or become, “a changing object called object changers” (BB, 222).

    Is this perhaps too optimistic, too crudely dialectical a view of what black art can do? Moten anticipates such contentions in the preface. Speaking to his (pessimistic) detractors, he writes:

    Some have been content to invoke the notion of the traumatic event and its repetition to preserve the appeal to the very idea of redress even after it is shown to be impossible. This is the aporia some might think I seek to fill by invoking black art. Jazz does not disappear the problem; it is the problem, and will not disappear. (BB, xii)

    Black & Blur is not about recovery, redress, and rejoicing. It is certainly not about ‘uplift’ (the idea is a focus of a chapter in Stolen Life). It is about dwelling in the aporia of slavery as a “philosophically-induced conundrum,” a problem that has been made so by unjustifiable “metaphysical and mechanical assumptions.” Blackness is a problem, Moten tells us, which derives not from “redress’s impossibility” as Afro-pessimists would have it, but rather from the obliteration of commonplace formulations, the overall inordinacy of thought’s self-expression. It is art’s task to illuminate that inordinacy; and it’s the duty of black study to celebrate its effort.

    ***

    Stolen Life takes thought’s limitation as its starting point. After Cedric Robinson’s definition of the black radical tradition as a contestation of Enlightenment, Moten moves through an interrogation of staid philosophical standards to unleash a “radical social imaginary” that flies in the face of traditional political theory. As he writes, wants to effect “the reversal of an all-but-canonical valorization of the political over the social” (SL, xii). Much of the book has to do then with sociality and learning, including an essay drawn from a letter to one of his classes. Another concerns the task of black study. Another powerfully asserts the role of the academy in the Boycott, Divestment, Sanctions movement.

    A rare low moment in the series occurs with Moten’s Derridean paean to Avital Ronell. Moten presents fragments of their near-misses and close calls; first as colleagues at Berkeley and, flashing-forward, today at New York University (where Ronell will, amid protest, resume her position this Fall). There is an explicit uneasiness thematized here, and one wonders toward what end, exactly? Moten notes that he’s “embarrassed” to be talking about himself when he should be writing about Ronell, but he’s “incapable of that separation” between him and her. Comparisons between Ronell and his mother abound, complete with Freudian slippages. “All that was just to say that I never have been and never will be either willing or able to separate myself from this paragraph,” Moten writes in close before quoting Ronell’s Telephone Book (SL, 239). Even disregarding the recent revelations of Ronell’s abuse of professorial power, there’s something unsavory here. Surely lots of Moten’s project has to do with the attempt to inject something like care into intellectual life – but at what cost? The essay serves as a reminder that Moten’s intervention takes place against the backdrop of systemic complicity and corruptions in academia; something can’t simply be addressed with “embarrassed” Derridean adoration, but with institutional safety and support that explicitly refuses charismatic models of intellectual intimacy.

    Nonetheless, the Ronell episode does not detract much from the main event. If Adorno was the primary target of Black & Blur, Moten is more occupied with Kant’s legacy here. Phantom-like, he also occupies Kant, moving within him to tease out his grittiest internal contradictions and limits, showing the breakage of the outside into his system of philosophical criticism. Moten speaks to the legacy of modern philosophy more generally, with its concomitant models of freedom, justice, knowledge, transcendental subjectivity, cosmopolitanism—the “metaphysical and mechanical presuppositions” whose overturning were prepared in Black and Blur. As he writes in the preface, blackness “anticipates and discomposes the harsh glare of clear-eyed (supposedly, impossibly) originary correction, where enlightenment and darkness, blindness and insight, hypervisibility, converge in the open obscurity of a field of study and a line of flight” (SL, x). Philosophical tradition can be neither corrected nor redeemed; but it can be probed to open out the lines of flight, forms of resistance, that emerge from the parallaxing gaze of black study.

    Moten richly thematizes this interplay in the remarkable first chapter “Knowledge of Freedom,” altered from an article originally published in 2004. Following the work of Winfried Menninghaus, he looks at how Kant’s definition of reason admits the existence of an irrational surplus; a notion of rational understanding that requires we “clip the wings” of imagination. According to Moten’s gloss, this sacrifice leads Menninghaus to identify a “politics of curtailment” and policing in Kant that shows how the latter also apprehends “the prior resistance (unruly sociality, anarchic syntax, extrasensical poetics) to that politics it calls into being” (SL, 2). Moten is interested in how Kant is playing himself. He writes:

    To engage Kant, our enemy and our friend, is to be held and liberated by the necessity of alternative frequencies, carrying signal and noise, that thinking blackness–which is what it is to be given to the reconstruction of imposition–imposes upon him as well. An already-given remix of the doctrinal enunciation of the end is amplified and he becomes our open instrument. (SL, 10)

    How does blackness put pressure on Kant, and how is that pressure self-imposed and presupposed by Kant himself? Sitting with Kant’s philosophy of race can release an alternate frequency of blackness that enables another possible definition of freedom, one that acts in resistance to critical regulation. There is, Moten proposes, a “radical sociality of the imagination” that acts as the spectral prelude to Kant’s carceral philosophy.

    By ventriloquizing a “black chant” through Kant, Moten puts forth a vision of what critical theorists might call immanent critique. As Titus Stahl has recently put it, this is the kind of critique that derives “the standards it employs from the object criticized,” an attractive tool of successive generations of Critical Theorists given that it does not need to theorize norms into existence. Thus, immanent critique does not imbue the theorist with the superpower of an Archimedean moral vantage point, but rather uses those immanent to society as a way to parcel out critical judgements (Stahl 2013). Moten writes, in echo: “all that intellectual descent neither opposes nor follows from dissent but, rather, gives it a chance.” We would do well to see the ways in which our inherited concepts give us the tools for dissension.

    Moten is, however, resistant to the ways in which critique has also been a vehicle for “sovereign regulation and constitutive correction.” As he writes in the preface, “certain critico-redemptive projects” are content to “submit to a poetics of condensation and displacement when blackness, which already was an was always moving and being moved, stakes its claim as normativity’s condition” (SL, x). In riposte to critical theory, and to Kantian criticism, Moten is asking us where normativity comes from, and if we should truly like to use it as a moral measure. As he states powerfully throughout the book and series, the very conditions for norms and values are predicated and figured through the thought of blackness as pathogen, generativity, irrationality and formlessness. The question then, is of seeing “how the generative breaks into the normative discourses that it found(ed)” (SL, xi), of seeing the escape, insurgency, and “irreducible sociality” of black life which both disrupts and gives the given paradigm.

    Moten sharpens this point by pitting himself against historicizing theorists like Bryan Wagner, who has looked at what blackness comes to mean against the backdrop of the law. Wagner has argued that blackness indicates a certain set of qualities that appear when looking at its juridical regulation. As with the appraisal of Afro-pessimist political ontology, Moten argues that there is a category mistake going on. “Being black in Wagner’s more self-contained Fanonian formulation is an anti- or non-subjective condition” that precludes one from having standing in the world system (SL, 24). According to Moten, Wagner et al. have forgotten what Heidegger called the ontological difference between Being and beings, or more precisely, what Chandler calls the paraonotological difference between blackness and black people. “Wagner writes,” Moten says, “from a position that many contemporary critics now occupy, a position structured by this presumed incapacity for ontological resistance.” Such a presumption, or assumption of rigidity, allows theorists to suspend the analysis of ontology and forego any inquiry into “the pressure that blackness puts on both ontology and relation” (SL, 24).

    To get at this pressure, Moten invokes Chandler’s paraontological difference to show that the actual standing (the “facticity”) of black people is not the same as the ways in which blackness is seen through the eyes of the state. “The history of blackness,” Moten writes, “can be traced to no such putatively, and paradoxically, originary critical or legal activity. (SL, 28). Following Frege and Mackey’s “eruptive critique of predication’s rickety spin rewound as endowment,” Moten suggests that there is instead something called blackness “that has, itself, in turn, been altered by that to which it refers”—a referent that exists before its naming, a primordial and shifting being – of displacement, generativity, and fugitivity (SL 23). Amid a long lineage of debates in black studies about the status about what kind of ‘thing’ blackness ‘is’, whether it is in Michelle Wright’s words “in the eyes of the beholder or the performer,” Chandler’s paraonotological difference permits both readings simultaneously (Wright 2015).

    Still, an unfathomable task remains; that of trying to imagine a phenomenology that moves beyond the relational polarity between self and other, subject and object, sovereign and citizen. These are the binaries that also organize political philosophy, and the ways in which we can possibly imagine ‘agents’ in the first place. Moten notes that the dismantling of such categories has been the focus of a number of thinkers, including Fanon and Merleau-Ponty, Agamben, and most recently Catherine Malabou. Malabou (along with others in the New Materialist vein) has sought to dethrone the concept sovereignty from political philosophy by collapsing the split between the “King’s two bodies,” between the material and transcendental. Yet as Moten persuasively argues, Malabou’s reliance on biology or neuroscience has also inadvertently allowed her theory of “plasticity” to reinscribe the brain as ‘sovereign’ over the body. Who gets to have a body in any case? Who are the ‘we’ who possess ourselves over and against our own bodies? Borrowing instead from Hortense Spiller’s distinction between the body and the flesh, Moten presents a notion of flesh-in-displacement, a kind of reinvigoration or reanimation of (a warily-) humanist materialism. Perhaps we don’t need new-fangled philosophical tools at all, but rather a phenomenology that could finally take seriously the so-called thing in itself that it claims to study.

    ***

    The Universal Machine sets the task of re-imagining post-war phenomenology. It is, in Moten’s words, a “monograph discomposed,” a (Deleuzian) “swarm” containing three essays on Levinas, Arendt and Fanon (UM, ix). In a lucent intervention into the history and legacy of twentieth-century philosophy, Moten returns to those thorny subjects and objects that had troubled him in Stolen Life, whittling phenomenology into an estranging shape rather than discarding it completely. Mobilizing an idea of swarm—an composite of ontology, phenomenology, and politics—Moten’s aim is then a semi-reparative one: “not so much antithetical to the rich set of variations of phenomenological regard; rather, it is phenomenology’s exhaust and exhaustion” (UM, ix).

    Moten gives exhaust provisional form. It is embodied by figures who have put forth a “dissident strain in modern phenomenology.” Edmund Husserl, he claims, is phenomenology’s exhaust, so too are Levinas, Arendt, and Fanon. That’s to say that their thinking takes place beyond subjectivity’s pale; they “operate under the shadow of a question concerning humanity that they cannot assume” (UM, xi). As with his critique of Kant’s legacy, Moten argues that phenomenology provides us with all the tools we need to think otherwise. It’s just a matter, after Deleuze’s explication, of exhausting the possible through the art of “the combinatorial” (Deleuze 1995).

    The opening chapter of the book takes flight from a remarkable epigraph. In an interview concerning his relation to Heidegger and the phenomenological tradition, Emmanuel Levinas remarks that “the Bible and the Greeks present the only serious issues in human life; everything else is dancing. I think these texts are open to the whole world. There is no racism intended” (UM, 1). In keeping with Deleuze’s combinatorial spirit, Moten considers the implications of this claim in several different directions. First, he asseses Levinas’s Eurocentric conception of the Other, which is tethered to Levinas’s tautological belief in the heritage of the Bible and the Greeks. Levinas’s famous face-to-face encounters, Moten writes, “are mediated by a highly circumscribed textual canon and by whatever force is deployed to open the world to the texts that he declares are open to the world.” (UM, 19).

    Moten further explores the consequences of Levinas’s “unintended racism” by looking at the very status of intention in phenomenology. Though phenomenology usually concerns the ‘intentionality’ of human consciousness towards an object – were are always conscious ‘of’ something, or have an experience ‘of’ something – Moten argues that racism resides precisely in a “fundamental unintendeness,” or the failure of phenomenology to attend to the humanity of things (UM, 17). Moten’s injunction to ‘return to the thing’ thereby draws upon other recent attempts to overcome a supposedly recalcitrant Cartesian dualism, especially among theorists working on the proximity between human and animal life like Giorgio Agamben and Eric Santner.

    Yet Moten objects to what Santner has conceptualized as “creaturely life”:

    If Agamben and Santner are right to suggest an interplay, at the border, between inside and outside, then perhaps it would be, as it were more right to consider that the internal and the external presuppose one another within the general field—or, if you will, the borderless surround, the common underground–of the out from outside. My point is the necessity of imagining a productive difference, a political differing, a differential city or city-ing, that is irreducible to the distinction between friend and enemy. (UM, 41)

    Santner, pace Agamben and Heidegger, views the creaturely as the “threshold” at which point life takes on a biopolitical intensity. Moten, in contrast, wants to “identify not with the creaturely life but the stolen life of imagining things” (UM, 57). Moten’s identification permits a different vision; not of a life animated by its entrance into ‘the political,’ but a life that refuses being called into being by a sovereign power. “There is,” he writes, “an insistent previousness that evades the natal occasion of the state’s interpellative call” (UM, 44). In rehearsal of his general dissatisfaction with political ontology, Moten is interested, he clarifies, in “what there is before the throw, before the call” (UM, 34), and demonstrates that this prior refusal  is thinkable by engaging with the black radical tradition, conspicuously absent from Agamben’s corpus.

    By way of Moten’s discussion of natality, the space of the political, friends and enemies, we also move, necessarily, towards Hannah Arendt. The second chapter presents a vision of her blurred beyond recognition. Building on recent work concerning the force of racism in Arendt’s thought, Moten’s criticism of Arendt is roughly organized through two sets of letters written by her. The first is to Mary McCarthy, in which Arendt privately bemoans the threat posed when “Negros demand their own curriculum without the exacting standards of white society” (UM, 72, letter quoted in Young-Bruehl 2004). This sentiment was also given public form in Arendt’s 1959 essay “Reflections on Little Rock,” which she opens by discussing the famous image of Elizabeth Eckford on her way to school. Arendt writes (and Moten claims we ought to speak of her in the present tense given her hold on American intellectual and political life today), “Under no circumstances would I expose my child to conditions which made it appear as though it wanted to push its way into a group where it was not wanted” (UM, 75).

    Moten discusses Eckford’s performance in relation to a performance piece by artist Adrian Piper in 1970, in which she entered famed art bar Max’s Kansas City, letting herself be absorbed into the environment as a “silent, secret, passive object” (Piper quoted in UM, 81), Moten shows that Arendt is incapable of thinking the transformative capacity of dwelling, as Piper does, in a “sly alterity.” What Arendt opposes, and refuses to see, in short, is black study. This was made explicit in On Violence when she expressed a distaste for so-called “soul courses.” But, as Moten argues, this is not just a curricular dispute. Arendt’s opposition is also connected to the ways in which she valorizes and emblematizes a certain kind of intelligence. She insists being intelligent is a moral matter—as she famously said, we have to “think what we are doing.”

    This insistence, Moten claims, is connected to yet another: Arendt’s dogged belief that there is something called “politics” that it needs to be thought of in particular ways. A letter written to James Baldwin, in the aftermath of the publication of his “Down at the Cross: Letter from a Region in My Mind” in the 1960s illustrates this. Despite calling his essay a “political event of a very high order,” Arendt claims that Baldwin’s faith in love is misplaced— “in politics,” she writes, “love is a stranger” (UM, 84). Love is not a political concept, Arendt argues. Moten retorts: Baldwin was not a political theorist.

    By this point, we are unsure if something called politics can possibly exist, a practice and ritual that would be unthinkable without the presupposition of the modern liberal paradigm. As Moten asks, can political theory ever be severed from Kantian categories—from a critical, critically-delimited notion of what reason itself can do aside from ‘putting itself on trial’? What if our frameworks for interpretation are presumptive beyond repair? The breakdown of all of these questions resounds in a powerful denouement. Moten shifts from the Arendtian polis to the undercommon social realm, by way of a formal innovation that he sometimes calls aesthetic/poetic sociology, or social poetics. It is a turn towards appreciating and celebrating the activities which occur at the “underbreath” of the polis, activities that threaten the “normative order the city can be said to have agreed upon” (UM, 103).  It is a science (or art?) of looking at relations of nonrelationality.

    I’m wary, at moments, that Moten’s aesthetic-sociological backdoor depends upon the strawman of a totalizing ‘political sphere’ as its counterimage, presented here in terms of rhetorical reliance upon, or a willful caricature of, Arendt as its systematic theorist. This leaves Moten to the simple task of transvaluating the values, flipping Arendt’s hatred of sociality into the non-normativity we should celebrate. (If we want to do away with political ontology, let’s do away too with the idea of an ontological polis!) We are perhaps left to wonder if this approaches a dichotomous political order, achieved in a similar if anterior way to the political ontological equilibrium of Afro-pessimistic realism. If phenomenology is the thing to be revived here, the relation between law and lawlessness, polis and undercommon, could stand to be a bit more dialectical. Does Moten’s thought have room for Geist, or has he rejected a speculative moment in favor of reflection, or perhaps what he calls celebration—the (non-relational) movement, as Hegel described it, from nothing to nothing?

    In his embrace of sociology, Moten’s enters into a tradition stretching from Simmel, through Lukács, Adorno, and Habermas, that, as Gillian Rose has pointed out, is haunted by a problematic Kantian-esque construal of ‘the social’ as a value (Wert) in and for itself. By focusing instead on the production of subjective meanings that re-present  actuality, sociology (aesthetic, Marxist or otherwise) suppresses the capacity to present actuality; lacking a concept of material contradictions (in law, media, or property relations), it forecloses upon the possibility of conceiving transformative social activity (see Rose 1981).

    Moten seems mostly to sense the threat of a non-transfromative sociological pitfall, particularly in the final chapter of the book on Frantz Fanon. In contradistinction to Fanon’s “sociogeny,” the phenomenological tracing of development through social factors, Moten claims his “sociology” (taking after Du Bois) is explicitly about the “sociopoetic cognizance of the real presence of the people in and at their making, where that retrospective ascription of absence that Fanon’s inhabitation of the problematic of damnation…is given in and to a lyrical, analytic poetics of the process of revolutionary transubstantiation” (UM, 228). Sociology as analytic poetics, rather than social analysis full-stop, would seem somewhat to resolve Rose’s concerns about transformative (or transubstantive) activity, but perhaps by falling back on an aestheticized notion of political process (which has a problematic history of its own).

    Moten’s discussion of Fanon here is a lightly amended version of his 2013 essay on Afro-pessimism. It groups together the most urgent concerns in the book, if not the series on the whole: the interrelation of ontology, (stolen) social life, and the resistance of the object. Beginning with Fanon’s project of “narrating the history of his own becoming-object,” Moten argues that Fanon disturbs the Heideggerian distinction between das Ding and Dasein. Moten, however, is “most interested in” the beings that are always escaping the ontological binary, who unsettle the very possibility of being accounted for. Moten, in other words, wants to argue for that the problem of the inadequacy of ontology to blackness is actually a problem about the inadequacy of “already given ontologies” (UM, 150). The lived, ontic, social life of blackness is, Moten argues, in constant demand for a different way of articulating being that lives in the impossibility of origins.

    Moten’s capacious thinking in this final volume of his series—about foundations, origins, “the political,” Schmittian residues, the impossibility of political theory, and Heidegger’s legacy—also dovetails with recent trends in contemporary European political thought that I mentioned at the beginning of this essay. By way of conclusion, I consider how cntbsb provides powerful critique of some of those tendencies.

    ***

    Despite the flurry of interest, there has been little consensus about what political ontology stands for. Its usage remains broad, having been applied to thinkers like Judith Butler and Charles Taylor alike; it can also appear in ‘strong’ or ‘weak’ forms depending on who you’re looking at. In an attempt to weld together some common traits, Marchart has argued that political ontology, at a metaphilosophical level, inquires after the “fundamental ontological presuppositions that inform political research and theory” (Marchart 2018). It appears, more particularly, when thinkers claim that politics has a structural analogy with Heidegger’s “ontological difference” between Being and beings (Sein and Seinendem).

    Pace Carl Schmitt, thinkers like Jean-Luc Nancy, Alain Badiou, Ernesto Laclau, and Giorgio Agamben argue that there is a difference between ‘the political’ and ‘politics’ (le politique/une politique, das Politische/die Politik). Like Heidegger’s Sein, ‘the political’ is what is ineluctably given; it is marked by conflict, exclusion, or better yet by “antagonism” (the term Marchart prefers). Thus, any action against the given or ‘the political’, thinking included, constitutes a political intervention, and constitutes a political subject. In this regard, political ontology emphasizes the latent political nature of every social being.

    In compendiums on political ontology, or in the work of theorists they describe, there has been no mention of a similar turn to political ontology in black studies, and its critical function in Afro-pessimism. When political ontology is said to have any relevance to ‘ontic’ matters it is usually, following Heidegger, linked ecological concerns only. How one can think antagonism without centering that concept around an analysis of race, gender, or class is a question that proponents of political ontology have yet to satisfyingly answer, and maybe one that they don’t want to get tied up in at all. One of the self-proclaimed advantages of political ontology is, apparently, that it can transcend the “relativism” and “identity politics” that have taken hold of leftist imaginary in recent years (Strathausen 2009).

    Excepting its distaste for the ontic, Moten’s intervention illuminates yet another reason that we might want to be skeptical of political ontology. If Marchart is concerned with the ontological presuppositions that undergird political theory, Moten is concerned with the inverse. How does political theory, or ‘politics’, as a mode of thought concerned with regulating difference, antagonism, the production of an Other, give ontology its grounding? To re-appropriate Heidegger, how is ontology occasioned by a phenomenological refusal to understand Black being? If ontology cannot but move from its denial of world, perhaps its absorption into politics does nothing more than preserve the “officially assumed position.”

    This is not to fully discount political ontology in either its continental or Afro-pessimisitic iterations. From Moten’s perspective, there is at least value there as a descriptive framework, as a way of illuminating projects of emancipation that fly by the official eye. But, must political theory – understood properly as: “the remains of hope” – be content to simply interpret the world? Political ontology stalls within the realm metatheoretical description, securing itself as tantamount to an emancipatory opening. Moten offers, on the other hand, a necessarily partial, unfinished conception of theory that can only be met on another side by aesthetics, by poetry, by praxis. For Moten, Marx’s old distinction between interpretation and change remains at play; political ontology clings glibly onto one side of the phrase.

     

    Mimi Howard is a PhD candidate in Politics at the University of Cambridge, writing a dissertation on method and critique in 20th-century German political philosophy.

    Acknowledgements

    To our Lesekreis “Rehearsal” (Berlin), and to Merve Fejzula for her insightful thoughts and edits.

     

    Works Cited (aside from reviewed work)

    Agamben, Giorgio. 2017. The Omnibus Homo Sacer. Stanford: Stanford University Press.

    Deleuze, Gilles and Felix Guattari. 2009. “Capitalism: A Very Special Delirum.” In Chasosophy ed. Sylvere Lotringer. New York: Semiotexte.

    ———. “The Exhausted.” 1995. Trans. Anthony Uhlmann. SubStance 24. 3: 3-28.

    Chandler, Nahum Dimitri. 2000. “Originary Displacement.” boundary 2 27.3: 249-286.

    Fanon, Frantz. 1986. Black Skin, White Masks. Trans. Charles Lam Markmann. London: Pluto Press.

    Heidegger, Martin. 1971. “…Poetically Man Dwells…” in Poetry, Language, Thought, trans. Albert Hofstadter. New York: Harper & Row.

    ———. 1987. Zur Bestimmung der Philosophie: Gesamtausgabe 56/57. Frankfurt am Main: Vittorio Klostermann.

    Marchart, Olivier. 2018. Thinking Antagonism: Political Ontology after Laclau. Edinburgh: Edinburgh University Press.

    ———. and  Mihaela Mihai, Lois McNay, Aletta Norval, Vassilios Paipais, Sergei Prozorov, Mathias Thaler. 2017. “Democracy, critique and the ontological turn,” Contemporary Political Theory 16.4: 501-531.

    Moten, Fred and Charles Henry Rowell. 2004. “’Words don’t go there’: An Interview with Fred Moten,” Callaloo 27.4: 954-966.

    ———. 2013a. “Blackness and Nothingness (Mysticism in the Flesh),” The South Atlantic Quarterly 112.4:  737–80.

    ———. and Stefano Harney. 2013b. The Undercommons: Fugitive Planning and Black Study. Brooklyn: Autonomedia.

    Rose, Gillian. Hegel contra Sociology. 1981. London: Athlone.

    Saar, Martin. 2012. “What is Political Ontology?” Krisis 1: 79-83.

    Stahl, Titus. 2013. Immanente Kritik. Elemente einer Theorie sozialer Praktiken. Frankfurt am Main: Campus Verlag.

    Strathausen, Carsten ed. 2009. A Leftist Ontology: Beyond Relativism and Identity Politics. Minneapolis: University of Minnesota Press.

    Taylor, Paul C. 2013. “Bare Ontology and Social Death.” Philosophical Papers 42.3: 369-389.

    Wilderson, Frank B. 2010. Red, White and Black. Durham & London: Duke University Press.

    Wright, Michelle W. 2015. Physics of Blackness: Beyond the Middle Passage. Minneapolis: University of Minnesota Press.

    [1] “In the end, that’s probably all my writing is—dropping names and droppin’ things, like Betty Carter.” In Charles Henry Rowell and Fred Moten, “’Words don’t go there’: An Interview with Fred Moten,” Callaloo 27.4 (2004), 954-966.

  • Jonathan Ratcliffe — Rebooting the Leviathan: NRx and the Millennium

    Jonathan Ratcliffe — Rebooting the Leviathan: NRx and the Millennium

    Jonathan Ratcliffe

    This essay has been peer-reviewed by “The New Extremism” special issue editors (Adrienne Massanari and David Golumbia), and the b2o: An Online Journal editorial board.

    Recently something rather unexpected happened. Curtis Yarvin began writing again. A decade ago, back in the spotty youth of the internet when blogs meant something, Yarvin, a Silicon Valley computer programmer, made a cult name for himself under the nom de plume of reactionary political philosopher Mencius Moldbug. Often memed, frequently cited as an important ancestor of the “alt-right” (but largely left unread) and father of the online political movement known as NRx/neo-reaction (which has been declared dead endlessly since at least 2013), Moldbug may well be the only notable political philosopher wholly created by and disseminated through the internet.

    In his journey from Austrian Economics to attempting to update early modern absolute monarchy for the information age, Yarvin regularly churned out tens of thousands of word screeds on his blog Unqualified Reservations (UR) about the need to privatise the state and hand it over to an efficient CEO monarch to keep progressives out, the Christian roots of progressivism, and encomia to nineteenth century Romantic Thomas Carlyle. All of this was so liberally coated in rhetorical irony and Carlylean bombast that it was often difficult to tell what was supposed to be serious and what was not. Moldbug was among the first to discover the power of reactionary post-irony, though these days of course, playing long-read rhetorical games to affect ideological change seems a rather primitive affair. The work of post-irony can now be compressed into a couple of memes very easily.

    Between 2007 and 2010 Moldbug was immensely prolific. Thereafter UR petered off as Yarvin turned his efforts increasingly towards developing a blockchain-based data-storage scheme called Urbit.[1] By 2014, when Moldbug began to become a household name across the internet as the social media platforms were increasingly politicised, Moldbug was pretty much finished writing. In April 2016 UR was wrapped up with a “Coda” declaring that it had “fulfilled its purpose.” The same month attendees threatened to withdraw from the LambdaConf computing conference because the “proslavery” Yarvin would be speaking at it (Towsend 2016).[2] To this Yarvin (2016a) wrote a reply insisting on the innocence of his Moldbuggian stage as simply a matter of curiosity about ideology. The same year in an open Q&A session about Urbit on Reddit, Yarvin (2016b) was more than happy to answer some questions about Moldbug and defend both projects as parts of a dual mission to democratise the current monopolies controlling the internet and to dedemocratise politics for the sake of enlightened monopoly.

    In early 2017, following Trump’s election, rumours began to circulate that Yarvin was in communication with Steve Bannon, though nothing came of this (Matthews 2017b). Around the same time Yarvin was quoted as supporting single-payer healthcare (Matthews 2017a). News also surfaced that Yarvin was on a list of people to be thrown off Google’s premises, should he ever make a visit (Atavisionary 2018). Then, early in 2019, Yarvin (2019a) quit Urbit after seventeen years on the project, causing some to wonder whether Moldbug might now make a return. Old rumours also began to get about the place that Yarvin was behind Nietzschean Twitter reactionary Bronze Age Pervert (BAP), especially after Yarvin passed a copy of BAP’s book Bronze Age Mindset to Trumpist intellectual Michael Anton (2019) with the insistence that this was what “the kids” are into these days. And now Yarvin has started publishing again, under his own name, a decade on from the salad days of UR. On the 27th of September 2019 the first of a five-part essay for the conservative Claremont Institute’s The American Mind landed, titled “The Clear Pill.”

    If Moldbug/Yarvin is famous for one thing, it is that he’s the fellow who put the symbol of the “red pill” into reactionary discourse. The “Clear Pill” promises to be a reset of ideology in which progressivism, constitutionalism and fascism will each receive an “intervention” through their own language and values to show up how “ineffectual” each is (Yarvin 2019b). Thus far this “clear pill” sounds all rather typically Moldbuggian–for Yarvin it has always been about resetting the state and the rhetoric of undoing brainwashing. Anyone passingly familiar with the oeuvre of Moldbug knows that Yarvin is more than capable of speaking all three of these political dialects reasonably well, even if, as Elizabeth Sandifer (2017) astutely notes, Moldbug is so deep in neoliberal TINA, he is unable to take Marxism seriously as a contemporary opponent at all. For Moldbug the American liberal pursuit of equality was always more “communist” than the USSR, which is to say, paranoid reactionary hyperbole aside, that he only ever regarded Marxism as an early phase of progressivism.

    And yet, six months on from the first part of the “Clear Pill”, only a second of the promised five parts has thus far been published. Part two (Yarvin 2019c), or “A Theory of Pervasive Error” appeared on the 25th of November, and, so one might surmise, even the most die-hard Moldbug-fans must have found it somewhat lacking. The initial purpose of the piece seems to be to outline a theory of human desire that utilises the Platonic language of thymos (courageous spirit), but ends up sounding far closer to a Neo-Darwinian Hobbes than anything else. Human beings are petty and selfish beasts, we are encouraged to believe. The essay meanders on until it finally arrives at the simple old Moldbuggian point that because liberal “experts” in governance and science have a touted monopoly on truth, they should not automatically be trusted. That’s it. By taking such the long way around to say something so simple and banal, the result is more than a little anticlimactic. Perhaps after all these years the bounce has gone out of Yarvin’s bungy; his lemonade has gone flat.

    The only other piece to appear on The American Mind from Yarvin since “A Theory of Pervasive Error” has not been part of this “Clear Pill” series, but a stand-alone essay published on the 1st of February 2020 titled “The Missionary Virus”. In this Yarvin argues that the recent coronavirus pandemic offers an unparallel opportunity to dismantle American “internationalism” and reboot a politically and culturally multi-polar world while economic globalisation continues. Imagine, Yarvin asks the reader, what it would be like if the virus did not go away and the travel bans lasted not a month, but a decade, or centuries. One thing can be said about this essay that cannot be said of the “Clear Pill” so far – at very least it is entertaining. Perhaps parts three to five of the “Clear Pill” will actually say something interesting after all.

    Indeed there are all sorts of questions that are still left unanswered. Will the crescendo of part five simply restate the need to privatise governance and let the market system work? Will Yarvin take some drastic new turn or even disown Moldbug? Will he finally acknowledge eccentric death-cultist Nick Land, who, for the best part of this decade has largely been the “king” of NRx as a political ideology? We must wait and see.

    ***

    Obviously, a great many people of all manner of political bents will be lining up to release their takes on the “Clear Pill” when it is finally done and dusted. I most certainly will be among them because, sad to say, I’ve been trying to work out Moldbug/Yarvin for years now. It’s very easy to brush him off as something archaic and nasty and even structurally predictable–a little racist ghoul who wants a CEO emperor–a desublimation of the Silicon Valley unconscious, a monstrous giving the game away about the fears and imperial pretensions of our techno-optimist masters. On this account Moldbug is very, very important indeed. Ten years ago, for Moldbug the solution was as simple as handing over California to Steve Jobs to run as a business, because Steve Jobs is very good at solving problems. The Moldbuggian wedge (esp. 2008a) was the belief that in the US, the two elite groups are “Brahmin” progressive intellectuals (who are bad) and the pragmatic businessmen (who are good), which is bizarrely very close to the recent terminology (but not ideology) of Thomas Piketty’s research (2018) on American and European elites in the Post-War Period.

    Nevertheless, today the remnants of Moldbuggery as an ideology seem to spend their time bemoaning “woke capital”–that those with the talents and power to make something like Moldbug’s “patchwork” of privatised city states come true all seem to be believers in the various progressive gender and racial talking points of the present. But here’s the thing–Moldbug was never one to spend his time huffing and puffing about gender politics like just so many of his tradcath monarchist and other old school reactionary fans do, who somehow seem to imagine him as some new Joseph de Maistre. In spite of his night terrors about ghetto warlords and migrant invasion (see: Moldbug 2007d, 2008a), Moldbug/Yarvin always made efforts to appeal to “open-minded progressives”–there will always be room in the “patchwork” for dope and death metal (2008c); a privatised California’s welfare system of dividends would be so good it’d give the sick bionic wings (2008b: 99); prison in the future will be replaced by being put to sleep forever in VR (2009e); the American Empire sucks because it pretends that the world is made of independent countries, but rather than improving things, it keeps them as quashed clients and puppets (esp. 2008b).

    But what if Moldbug always-already was “woke capital?” As I have written at length elsewhere (Ratcliffe 2018a, 2018b), the godawful possibility is that Mencius Moldbug was a kind of political basilisk that once thought, cannot be unthought–that he is a left liberal arriving from a cursed future, the obscene image of the juggernaut of hyper-capital with a human face haphazardly sutured to the front of it, like one of those awful homemade Thomas the Tank animations one finds at the bottom of YouTube at three in the morning. Although she doesn’t mention Moldbug, Vicky Osterweil’s diagnosis of a Silicon Valley liberal “left fascism” decidedly hits the nail on the head concerning certain aspirations of Amazon and friends to buy up whole towns and to remake the globe:

    Rather than invoke Herrenvolk principles and citizenship based on blood and soil, these left fascists will build nations of “choice” built around brand loyalty and service use. Rather than citizens, there will be customers and consumers, CEOs and boards instead of presidents and congresses, terms of service instead of social contracts. Workers will be policed by privatized paramilitaries and live in company towns. This is, in fact, how much of early colonialism worked, with its chartered joint-stock companies running plantation microstates on opposite sides of the world. Instead of the crown, however, there will be the global market: no empire, just capital. (Osterweil 2017)

    Does this not sound so terribly Moldbuggian that it makes the skin itch? Against this sort of thing what is needed is a healthy combination of strong local communities committed to telling Google and Amazon to shove it–or whatever else it is that might succeed them–matched with commitments by governments to break up these companies and prevent private police forces. Even better would of course be nationalisation of these companies and handing them over to worker-control. Nonetheless, the dismal old Guild Socialist localist in me finds contemporary dreams of simply nationalising the miserable and soulless infrastructure of our present, such as we find in recent texts like The People’s Republic of Walmart (Phillips and Rozworski 2019), not only supremely vulgarian, but at present as unlikely as the possibility that the neo-reactionaries will ever get their future of a consciously reactionary world governed by Megacorps.

    For now, at least, we’re all stuck with the political and corporate monopolies we let happen–none of us can “head for the exit,” not even the Zuck. We’re all locked in the same room together. Leviathan is not going to be letting anyone’s people go, not for all the hyperstitional meme magic of a couple of cut-price Twitter occultists thinking that NRx v.2.0 is simply supporting all secession movements and waiting for a rich papa to make the private state a reality. Liberalism is a jealous “Mortalle God,” as its primordial violent father Thomas Hobbes would say. As we will see later, Hobbes remains the most important figure for understanding NRx, its “woke” corpocratic mirrored other, and liberalism in general.

    The possibility of the “left fascist” Moldbug draws out attention to the oft-overlooked fact that there was more than one Moldbugpolitik outlined on UR over the years. I think I’ve managed to isolate at least three strains thus far. Moldbug 1 is the Moldbug we’ve been talking about. This is the “neocameralist” of the 2008 “Open Letter to Open-Minded Progressives” who is simply trying to make anarcho-capitalist Hans Hermann Hoppe’s “patchwork” of private states sound cooler by adding some extra monarchy aesthetics and criticism of the American Empire (Moldbug 2008b). This is the Moldbug from which (with an added injection of race and IQ sorcery and the removal of Carlyle in favour of Malthus) Nick Land builds his variant of NRx. You have ideology as a parasitic virus, the powerlessness of populist reaction, open borders chaos, shiny futuristic city states. While this Moldbug might on the surface look like he is all about the sovereign One–the single absolute ruler–the “king” is of course simply someone hired by a body of shareholders to get their city to make money. If the mediaeval Christian monarch had “two bodies”–one mortal and the other his immortal perpetuation down the generations–then the immortal body of the Moldbuggian CEO is that of the corporate personhood of the joint stock company behind the scenes. You may go to sleep for hundreds of years, but when you wake up Wayland-Yutani will still be there.

    Moldbug 2, from the “Gentle Introduction,” on the other hand, is the Moldbug (2009d) of what its section 9d calls “The Plinth”: an unabashed attempt to theorise a vanguard party like Hitler’s or Lenin’s with cells everywhere and then simply taking over government. This is the “populist” Moldbug that Nick Land doesn’t want you to know about, though some of the more “trad” reactionaries have been interested in it, as I have discussed in the past on my Mechanical Owl blog (Ratcliffe 2018a, 2018b). Moldbug 2 is a total departure from Moldbug 1 because the earlier version seemed so adamantly convinced that popular reaction in America is instantly crushed by the liberal media: it is “a mile wide and an inch thick … like taking on the Death Star with a laser pointer” (2008b, 116). One wonders what Moldbug 2 thinks of Trumpism and its effectiveness thus far.

    Then we come to Moldbug 3. This is a strange theocratic Moldbug (2013) we find in a single late post on UR, in which he praises the political coherence and mass appeal that Christian reactionaries in the US such as Lawrence Auster sometimes seem to possess. We are told by Moldbug that because of this it is highly likely that “when our dark age ends and the kings return, if ever, it will be under any banner but the Cross,” which of course the tradcaths have endlessly cut and pasted across the internet without context. What is most interesting about Moldbug 3 is that Moldbug/Yarvin is an avowed atheist “secular humanist.” In the post in question he even writes about telling his daughter that God is just Santa for grown-ups. It is, however, not so uncommon to find atheist reactionaries who believe that Christianity has an important utility as a “social technology”–whether for supporting patriarchy, keeping Islam at bay or providing a collective myth that can be used to bolster nationalism.

    Nonetheless, this Moldbug 3 stands in stark contrast to the main Moldbuggian discourse we find in the 2007-8 Moldbug 1 in which Christianity is found historically to be the root behind “progressivism.” Moldbug 1 (2008b, 58 & 104-7) is especially fond of colourful language about American political history as “creeping Calvinism,” “Quaker thuggery” and “applied Christianity” concerning the pursuit of equality and universalism. This is perhaps why I keep coming back to Moldbug and giving him the time of day. Moldbug 1’s only truly remarkable idea was his grand narrative about millenarianism and modern liberal politics. Millenarianism is the idea of the imminent (and immanent) arrival of a “Third Age” of Christianity in which the world becomes a realm of plenty and universal equality after the old order is scoured from the Earth by the Apocalypse. As Revelation 21:4 promises: “And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away.” As we will see below, such notions have had a profound formative effect on the progress narratives of modernity.

    Moldbug 1 avidly believed that progressivism is the mainstream American political tradition, a “W-Force” child of Calvinist and Quaker universalism that developed through the seventeenth century British Whigs. In a very early blog entry entitled “Universalism: Post-War Progressivism as a Christian Sect” Moldbug claims:

    Universalists, as descendants of Calvin’s postmillenial eschatology, are in the business of building God’s kingdom on Earth. (The original postmillennialists believed that once this kingdom was built, Christ would return–a theological spandrel long since discarded.) The city-on-a-hill vision is a continuous tradition from John Winthrop to Barack Obama. In Britain, the closely-related Evangelical movement used the term “New Jerusalem,” which I’m afraid never really made it across the pond, but expresses the vision perhaps best of all… What’s really impressive about Universalism is the way in which this messianic teenage fantasy power-trip has attracted, and continues to attract, so many people who don’t believe at all in the spirit world, only smoke weed on the weekends, and think of themselves as sensible and down-to-earth. Of course, the belief that all Universalist ideals can be justified by reason alone is a necessary condition. But Christian apologists have been deriving Christianity from pure reason since St. Augustine. You’d think these supposedly-skeptical thinkers would be a little more skeptical. (Moldbug 2007a)

    Moldbuggian rhetoric aside, it is difficult to find anything shocking about the millenarian ancestry of progressive thought. But then again it is not 2007 and thankfully our collective social neck is not quite as gormlessly bearded as it once was. I think it is a dashed good thing indeed that there is a long history of marvellous radical Christians like the Baroque Levellers and Diggers of the Civil War who “turned the world upside down” (Hill 1991), the Anabaptists of Thomas Müntzer who called for the princes to be killed (Cohn 1962), and even earlier, mediaevals like John Ball, who famously asked during the Peasant’s Revolt “When Adam delved and Eve span, who then was a Gentleman?” One cannot do nigh on two millennia of something and not have it rub off in a myriad of strange ways, even if the End always seems to defer and remain not yet. America especially is no exception to this.

    As Jonathan Kirsch (2006, 185) in his astounding History of the End of the World pertinently puts it, America is the land of two millenarian “tectonic plates” that developed out of the radical protestant belief that the New World was where the New Israel would be built. The first plate, that of aspirations towards theocratic “dominionism” and purchasers of rapture insurance is the obvious one and remains primordial. The other, however, increasingly secularised from the 17th century under the belief that America was the exceptionalist future land of techno-commercial and social progress. The “two plates” give us all the worst parts of Moldbug 3 and Moldbug 1, the theocrat often predictably accompanied by the vilest forms of prosperity theology and racism and so too the Silicon Valley techno-optimist. But this weird mutant geology also gives us the only force Moldbug could really be scared of, the ghost of a radical “applied Christianity.” The gap between Moldbug 1 and Moldbug 3 must be drawn out in consideration of hidden theological core of NRx itself. So too will I suggest that to attempt to recuperate and come to love the Moldbuggian accusation of “Quaker thuggery” might be a very useful idea indeed.

    ***

    There is nothing odd at all about the notion that a great deal of modern values are secularised theological ones. Nearly a century ago now Max Weber (1976) and R. H. Tawney (1948) famously had a great deal of insightful things to say about Anglo-American Calvinism, the protestant work ethic, and the spirit of capital. Moldbug, curiously, mentions Weber only once to my knowledge, concerning the ruler and “charisma” (Moldbug 2009a), yet somehow manages to avoid having to talk about the theological ancestry of his own very American arch-capitalist belief system. For that matter, he never says anything about one of the most frequently-cited (but generally rather shallowly analysed) heroes of monarchist reactionaries, Carl Schmitt.[3] In the 1920s Schmitt (2005) launched the field of juridical genealogical investigation called “political theology” that declared that the modern secular ruler is modelled on the voluntarist God of Ockham who acts with trans-rational potentia absoluta (absolute power) to create a miraculous “state of exception” during emergencies.

    Through leftist thinkers such as Giorgio Agamben (esp. 2011) and Roberto Esposito (2015) “political theology” has undergone a revival in recent years, exploring the political-theological genealogies of subjects such as neoliberal economism, personhood, human rights, ownership, victim-blaming and imperialism. So too from Ernst Bloch (2000) and Walter Benjamin (1940) to Slavoj Žižek (with Gunjevic 2012) there has long been a recognition of the Jewish and Christian apocalyptic and universalist roots of Marxism. From the more conservative side, not only Schmitt, but Oswald Spengler (1926) in his discourse on “Faust” and “Gothic Christianity,” Eric Voegelin (2000a) on “Gnosticism,” and Carl Löwith (1949) too, all had a great number of valuable things to say about the history of secularisation and the pursuit of the millennium. Thus, when NRx torchbearer Nick Land claimed in a 2017 interview for reactionary podcast Red Ice Radio that “hardly anyone, still, has really begun to dig down into [the destiny of Western Christianity’s] contemporary relevance” concerning leftist universalisms (Land and Palmgren 2017, 27m.20s-28m.10s), it is hard to think how Land could be any more incorrect if he tried.

    But from where did Moldbug get his “creeping Calvinism” thesis? I have often wondered if it was from Eric Voegelin, who occasionally garners a passing mention or two in American “paleocon” circles. Voegelin (2000b, 71-2 & 185-7) argued that in the Anglosphere something very strange had happened after the Reformation, a “Second Reformation” in which the newer branches of Protestantism, such as Wesleyanism and Methodism, had been instrumental in the push towards democratisation through their belief in social equality and community participation. This, so Voegelin believed, had immunised the Anglosphere against the worst of Fascism, Communism and Positivism compared with continental Europe. Voegelin (2000b, 61-2), however, was also very much aware of the less savoury aspects of this “Second Reformation.” The idea of building a totalising community of elect believers could end up in the sort of paranoid pressure cooker epitomised by Calvinist Geneva, or many of the other “perfectionist” efforts that we find in early America attempting to build the New Israel. It is a startling idea indeed to ponder whether the American reactionary religious commune and the experimental hippie commune might be two sides of the same coin of “election.” Even stranger would be to wonder if the inverse of the language of theocratic “dominionism” is that of egalitarian social justice.

    Nonetheless, the only mention Yarvin has ever made of Voegelin was during his apologia of Moldbug in relation to the LambdaConf scandal (2016a). Here Voegelin is invoked in relation to his thesis that the variety of Christian thought that has informed so many of modernity’s “political religions” is Gnostic–that is, it makes a claim to totalising knowledge of reality and its manipulability in order to replace God with its own unshakeable race of supermen as the agents of history. To Voegelin in order to produce his total system, the Gnostic, whether Positivist, Fascist, Marxist or Liberal, must forbid the asking of questions about doctrine and must selectively forget extremely obvious problems that could get in the way of remaking the world. As Yarvin (2016a) quotes him:

    In the Gnostic dream world…non-recognition of reality is the first principle. As a consequence, types of action that would be considered as morally insane because of the effects that they will have will be considered moral in the dream world. (Voegelin 2000a, 226)

    Voegelin continues that the gap between the real and the desired world is then used to project the immorality onto some other for not behaving in accordance with the thinker’s personal fantasies. Yarvin (2016a) utilises this to claim that what he finds real may seem like a daydream to others and vice versa.  Now, all this may well have simply been Yarvin attempting to find an obscure thinker he liked to feed back to left liberals the cliché cultural relativism and perspectivism he believed they would accept. There’s little chance anyone would have accepted the idea that it’s okay to be reactionary simply on the basis of it’s just, like, my opinion, man. The thought that deep down “free speech advocate” Curtis Yarvin (as his reply to his critics titles him) might really be Richard Rorty saying we’re all numinously entitled to our own truths and will just live together in pragmatic tolerance is rather hilarious. Moreover, it is hard to believe that he could possibly read Voegelin so badly as to think that he’s saying that we are all supposed to be deluded like this. To Voegelin, who was a highly complex Christian Platonic realist, this sort of consciousness was a very bad thing indeed.

    Rather, the earliest articulations one might find of Moldbug’s “creeping Calvinism” thesis (2007a, 2007b) seem to come from a different place, from a previously undeveloped libertarian discourse that anarcho-capitalist Murray Rothbard had conspiratorially hinted at in “World War I as Fulfillment: Power and the Intellectuals”:

    Also animating both groups of progressives was a postmillennial pietist Protestantism that had conquered “Yankee” areas of northern Protestantism by the 1830s and had impelled the pietists to use local, state, and finally federal governments to stamp out “sin,” to make America and eventually the world holy, and thereby to bring about the Kingdom of God on earth. The victory of the Bryanite forces at the Democratic national convention of 1896 destroyed the Democratic Party as the vehicle of “liturgical” Roman Catholics and German Lutherans devoted to personal liberty and laissez faire and created the roughly homogenized and relatively non-ideological party system we have today. After the turn of the century, this development created an ideological and power vacuum for the expanding number of progressive technocrats and administrators to fill. In that way, the locus of government shifted from the legislature, at least partially subject to democratic check, to the oligarchic and technocratic executive branch. (Rothbard 1989)

    Can we trust Rothbard as an historian? When American libertarianism began to self-consciously develop after WWII and create for itself a grand narrative against the dominant Keynesian economic consensus of the time, it fixated on and hypertrophied conservative beliefs that the New Deal and events leading up to it were the Fall and betrayal of a “real America” of laissez faire and free trade, transforming the Gilded Age into a primaeval Golden Age now lost. In the earliest stages of his thought, Moldbug 1 simply seems to be working from this rather typical right-wing American position. He even insists (2008b, 193) that should 1908 America suddenly appear in the middle of the Atlantic Ocean, it would be able to outcompete 2008 America hands down. Nonetheless, Rothbard appears to have opened up the religious dimension as an answer for this Fall to Moldbug. In early Moldbug 1 (2007a, 2007b) the Fall is augmented with obscure conservative texts on the role played by the evangelical churches in encouraging the New Deal, occasionally supplemented by more mainstream sources now forgotten.

    For instance, in the June 2007 UR post “A Short History of Ultracalvinism,” we find a small 16th of March 1942 article from Time magazine cited, titled ‘American Malvern” that reports on “the high spots of organized U.S. Protestantism’s super-protestant new program for a just and durable peace after World War II.” These include “Complete abandonment of U.S. isolationism…International control of all armies & navies…A universal system of money so planned as to prevent inflation and deflation… Autonomy for all subject and colonial peoples” (with much better treatment for Negroes…).” Should it be at all shocking that the churches, both liberal and conservative, ever had a key role to play in encouraging the idea of a beneficent American imperialism? No, I do not think it is, not a jot. Moldbug, however, simply takes the article to indicate that in the intervening half century Time “has become as stupid as its audience,” the implication being that the average reader in 1942 would have been as suspicious as 2007 post-Iraq II Moldbug about America’s global “civilising mission.” Let us not forget that the tiny isolationist paleoconservative movement of people like Pat Buchanan was only rediscovered by Moldbug, Richard Spencer and others following the collapse of faith in the myths of neo-con missionary interventionism with Iraq War II. As Moldbug (2008b, 6) says at the start of his “Open Letter,” in recognition of both the openly religious and crypto-religious faith behind interventionism, the American military was now busy “doing donuts on the road to Damascus.”

    Having been led by Rothbard back to the 19th century in search for a solution to the Fall, Moldbug then decided to go back much further into the 17th century to trace a history of protestant radicals undermining the power of the absolute monarch. Moldbug’s actual evidence for this period is very thin. We find Hooker’s complaints about non-conformists, but that is about it. One might expect Moldbug to cite something like Christopher Hill’s The World Turned Upside Down (1991) on the relevance of 17th century British radical non-conformism to twentieth century politics or the astounding appendix on the pantheistic and free-love heresies of the Ranters in the 1962 edition of Norman Cohn’s The Pursuit of the Millennium. He never does.

    But why is Moldbug so interested in early modern absolutism? This he seems to have acquired from anarcho-capitalist Hans Hermann Hoppe’s anti-democratic screed Democracy: The God That Failed (2007) in which monarchism is celebrated for being simply the vast private ownership of land. The absolute ruler is thus reinvented as the ultimate capitalist landlord, the perfect model for creating a future world of privatized territories. One is strongly reminded of Xenophon’s Oeconomicus in which the Persian Great King is represented as simply a very big and powerful homesteader in a world of patriarchal homesteaders. Nevertheless, the fact should remain that Austrian Economics is infamous for its beliefs that capitalism has always existed and that economics began not in primitive accumulation or ritualized gift economies, but in barter. There are no changes in economic modes for the Austrian, and the long history of the temple in the development of money, loans and credit is completely ignored. The eternal foe is simply those who would threaten the natural right of the eternal “rugged individualist’s” private property.

    Thus, for Moldbug, the history of modernity is reinvented as a wrong turn–the rise of Christian radical egalitarian movements through the Whig Party who sought to undermine the rights of the absolute ruler as private owner. One wonders what Moldbug would make of Carl Schmitt’s (2009) marvelous Hamlet or Hecuba in which Shakespeare’s character is found to reflect the absolutist James I as a weak decision-maker being undermined by the growing forces of piratical capital. For Schmitt modern techno-capitalism’s desire to “neutralise” political violence requires the quashing of the absolute ruler of decision. But then again, Moldbug seems absolutely blind to ever having to ask about the mercantile aspects of the birth of radical, egalitarian “creeping Calvinism” that Tawney in particular addressed so well. He is never able to realise, even in his belief that the American elite is the radical universalist intellectuals versus the merchants, that genealogically much of this is an “inhouse” Anglo political-theological problem.

    The way Moldbug sweetens the anti-democratic rhetoric of Hoppe is with recourse to Thomas Carlyle. Although now largely unread, Carlyle was one of the most widely-popular political and historical authors of the 19th century, infamous for his impassioned appeals against laissez faire abandonment of the poor to poverty and starvation (see esp. Carlyle 1915, esp. 85-6; Carlyle 1971,  71-84). Carlyle’s answer to these problems was better rulers, Great Men, whom he could find in abundance and celebrate in just about every other period of history except his own. This caused Carlyle to become increasingly bitter and apocalyptic as time wore on, leading to what Voegelinian Richard Bishirjian (1976) aptly identifies as a thoroughly “Gnostic” outlook in search of some kind of soterical God-man ruler to save the world from chaos and to bring about the millennium.

    While it is obvious that Yarvin loves Carlyle for his florid language (who doesn’t?), the real appeal seems to be his paternalism, the conviction that the true Great Man should care for those who are subservient to him. Moldbug 1 especially wants you to know that he cares, that in 2008 the Great Man looks like Steve Jobs because Steve Jobs is cool and cares too. When Moldbug (2008b, 117) argues that black Americans living in the ghetto should be forcibly re-educated in panopticon communities, this is because he cares compared with liberals who have abandoned them to crime and welfare. The obvious model here is Carlyle’s (1915, 302-33) “Negro Question” speech, in which he had insisted to his shocked 19th century liberal audience that he really did care when he argued that freed blacks in the Caribbean should be forced to labour for their masters for their own moral good rather than living on cheap pumpkins.

    One should emphasise that Moldbug’s affection for Carlyle is in strict contrast to the few other libertarians who seem to have ever heard of him, predictably regarding him as a feudal remnant, a bad guy who defended slavery, compared with noble 19th c. laissez faire liberals (e.g. Levy 2000). On the slavery question, Moldbug (2009b) can certainly admit that his beloved Carlyle wasn’t “perfect,” but perhaps only because he dismissed the “financial” side of things. Yet, just when we might be expecting Moldbug to try to fold chattel slavery into some kind of wretched anarcho-capitalist discourse that it was just another form of harmless voluntary wage labour all along (and he does very nearly get there), he instead takes a sharp turn towards romanticising feudal hierarchy and comparing it to the strict efficiency of Japanese companies. In a direct homage to Carlyle we find him castigating liberalism for allowing Haiti to become a failed state. Nonetheless, Moldbug is, without a doubt, a “proslavery” thinker: he even believes some people (especially those with a low IQ) are “natural slaves,” but this shouldn’t mean that they need to be treated cruelly. The new corporate Great Men feudalists of the 21st century will treat them very nicely, thank you very much indeed.

    It is ponderously obvious that Silicon Valley has long possessed a penchant for believing that its “thought leaders” are of equal historical importance to the Great Men of the past, as is evidenced by the great sea of pulpy awfulness on learning the business secrets of Julius Caesar and Genghis Khan that spills out of the self-help section of crummy bookstores everywhere. Most notable is former student of anthropologist René Girard and NRx-ally Peter Thiel’s gormless Zero to One (2014) that pulls no punches in comparing today’s entrepreneurs and celebrities to sacred kings. Seen in this context, Moldbug is doing very little that is original. It’s certainly easy to scoff at the notion of Divus Marcus Zuccus and so on, but, as has been emphasised, one should not underestimate for a moment the possibility of a Silicon “left fascism” with its garish attempt at appearing kind and “progressive.” It is perhaps not necessarily that our Silicon masters literally wish they were pharaoh, but, far worse, that perhaps they think that they already benevolently determine the direction of the world and should simply branch out slowly into governance in order to formalise it for its own good. Maybe like Carlyle they’ll even pay their wage-slave chattels the compliment of saying how handsome and cheerful they think they look when put to work for a pittance with no toilet breaks. Hang on–Amazon already does that.

    ***

    What Moldbug is doing with his discourse on “creeping Calvinism” is not a “secularisation thesis” in the manner of Weber, wherein one is simply looking for the roots of current social formations, however dour they might be, or a “political theology” as Schmitt and his Foucauldian leftist successors do, wherein it is often debated whether an “exit” to the political-theological machine is even possible. What Moldbug is doing is part and parcel with a certain kind of Enlightenment ideological discourse and genealogical fallacy–compare anything to a religion, you demystify and delegitimise it; if you find that something actually has religious roots this is thus even better for delegitimising it as fantasy. One only need think of John Gray’s Black Mass (2007), written around the same time Moldbug was actively blogging, in which the Christian millenarian ancestry of modern ideologies from Communism and Anarchism to the American liberal “end of history” all testify to the idea that progress is a rather worthless religious delusion.

    Perhaps this sort of thing is simply a vulgar attempt to “own the libs” by rubbing in the educated leftist sceptic’s face the idea that he is a religious lunatic. As an educated leftist religious lunatic, I am not fazed one iota by this. One could simply stop here and say no more, but what Moldbug (and Gray) are up to has in itself very particular crypto-theological roots worth discussing. Both Moldbug and Gray are deployers of a cynical materialism most clearly presaged in Thomas Hobbes’s need to cut down the competing religious claims of his dissonant age of Behemoth (Civil War) by reinforcing the image of man as little more than a dangerous animal that needs to be kept in line. Man is a wolf to man; life is nasty, brutal and short under the state of nature. For Gray the political religions have been a psychotic disaster unable to grasp Neo-Darwinian cosmic indifference. Climate change is the only real Apocalypse, likely to bring what fellow climate-cynic James Lovelock calls “global decline into a chaotic world ruled by brutal war lords on a devastated Earth” (Lovelock 2007, 154; cf. Gray 2007, 202). For Moldbug the Behemoth is instead liberal naïveté about “open borders.” He wants to tell you that America is run by a “Cathedral” of crazed post-Christian hippies who are so blinded by their ideological “blue pill” called “Millennium” (2008b, 241), that they cannot possibly understand that what they are doing is dangerous. The perfect Hobbesian Moldbuggism is perhaps found in Yarvin’s Urbit “Ask Me Anything” session on Reddit of all places:

    I think that when we use the word “human” we often really mean “angel.” So, yes: we are all subhuman. Black people included. I’m not just saying this: I think the main flaw of 20th-century political systems is that they’re designed to govern angels. If you plan for apes and allow for angels, I think you get a much better result (especially when there’s a Y chromosome in the mix). (Yarvin 2016b)

    What hard cruel realism! Surely Yarvin is the modern sceptical Hobbes speaking the truth to the deluded, just as Hobbes’ works were blamed in parliament for being a cause of God’s wrath visiting England in the form of the Great Fire of 1666! But, strangely, Moldbug has close to nothing to say about Hobbes, except perhaps a passing comment or two that in the 17th c. as a materialist he was the “leftist” compared with the divine right absolutism of his contemporaries such as Robert Filmer (Moldbug 2009c). Amusingly some Ur-Catholic reactionary thinkers have considered Moldbug little more than a godless “leftist” for his materialism and have compared him explicitly to Hobbes (Charlton 2013; cf. Nostalgebraist 2016). Several centuries earlier of course the idea of an absolute monarch on the basis of divine right would have been regarded as equally radical and heretical for its usurpation of the authority of the church and the complex myriad of local political institutions, as John Milbank (2019) has recently pointed out to the NRx and “post-liberal” crowd at Jacobite. But then again Moldbug has nothing to say about the Middle Ages at all. History starts with absolutism as though it had always been in place.  More than anything this should draw our attention back, once again, to the fact that Moldbug 1’s claim to “Jacobitism” is all shallow aesthetics to stitch together Hoppe and Silicon Valley aspirations towards governance. Nonetheless, Moldbug cannot escape from Hobbes and his legacy so easily.

    As John Milbank and Adrian Pabst (2015, 22-24) argue, in the tradition of Tawney’s secularisation thesis on British Calvinism and capitalism, with Hobbes what we see is not some new cynical variant of a reborn version of antique materialism, but the materialist rendering of the Anglo Calvinist belief in absolute human depravity and selfishness. This attitude developed from the rising emergence of a society that had uprooted and alienated agricultural labour, professionalised governance and established its grip on the New World primarily through piracy. Man is a very fallen and wicked little animal indeed to the cynical leveller and this, so Milbank and Pabst claim, continues to haunt the Anglo mindset through John Locke, Bernard Mandeville and Thomas Malthus, down to liberal selfishness in the present. That which appears sceptical and “realist” concerning human nature stems from a debased Christianity that cannot imagine the human soul to have anything good in it at all but a selfishness that might be put to use making contracts, consuming and perishing.

    This alternative aspect of “creeping Calvinist” especially seems to leak out of Nick Land’s “Dark Enlightenment” (2013 pt1) of “Hobbesian undercurrents” like there’s no tomorrow. So too his race and IQ “naturalism” and neo-reactionary deity Gnon (Nature or Nature’s God) that punishes those who go against the “nature of things.” Land’s decades-long revulsion and boredom with the human and demonology of entities like Cthelll (2011, 498-9), the primaevally wounded world-soul of the Earth passing on its misery and horror to all its children, were already more than half-way there. If anything, this earlier more bombastic, body-horror-obsessed phase of Land’s thought has always smacked to me of the worst of Christian “vale of tears” masochism, as epitomised in Luther’s hyperbole that the Earth is “a gaping anus,” the “Devil’s arse,” a “worm bag” and a “rotten chicken’s crop” because of its domination by evil merchants. Perhaps Norman O. Brown’s (1959, 222-7) old Freudian political theology was correct to read in these sentiments of Luther’s the origin of the protestant work ethic and its fixation with accumulation as an extended “anal stage”–a masochistic falling in love with the world as shit. Land’s attempts in the 90s to embrace the consciously worst aspects of neoliberal TINA to its masochistic limits simply seems to recycle this process.

    By now just about everyone with an internet connection is familiar with Land’s (2017a) eccentric views that the forces of capital are the real agent of history, some kind of “intelligent” insentient egregore. Nonetheless, as Jean-Pierre Dupuy (2014, 91-101) has argued in Economy and the Human Future there is something very similar to the dominant neoliberal view of the almighty economy today and the Calvinist belief in predestination–that only God knows who is saved and who is damned and that any and all human good and bad works are powerless before it. Land is torn between, on one hand. a kind of deterministic triumphalism sneering at any and all mass action as failed (2016), and, on the other hand, a kind of deep terror that salvation is very unlikely indeed–that the Anglosphere will collapse under immigrant invasion, that high IQ states with low birth-rates are “IQ shredders” (2017b), and that only some fantastical vision of “Neo-China” completing the system of cyberpunk idealism can make up for this. That, or simply the weak theurgy of “hyperstition”: trying to force memes into reality under the bizarre belief that what one is actually doing is bootstrapping an already-realised future that is retrojectively invading the present.

    It is very much worth noting that while Land may have developed this invasion from the future idea from watching too many sci-fi films (see: Reynolds 2009), as Catherine Pickstock (2013, 55-8) has observed this retrojective motion is an integral part of his old hero Gilles Deleuze’s cosmology in Difference and Repetition (1994). Here, so she noted, “difference” bootstraps itself by invading from the future in a blatantly theurgical gesture reliant on mediaeval millenarian Joachim of Fiore’s belief in a Third Age that completes history (Deleuze 1994, 296-7; cf. Pickstock 2013, 57). Land, so one might say, seems to have exchanged the fantasy of pure difference in favour of all too ponderous identity in the form symbols like cyborgs, post-human supermen and AI overlords. These were symbols cooked up in the atmosphere of the Post-War Boom, when people were a great deal more confident that both Paradise and imminent Judgement Day were at hand; but then, like the millennium, these have remained put off, not yet, for all the rumours otherwise. That scholar of “Accelerationism” Benjamin Noys (2014, 63) made reference to Norman Cohn’s (1962) study of millenarianism Pursuit of the Millennium when he referred to Land’s ideas as “apocalyptic acceleration” was very much on the right track.

    Land has a long history of being a hyperbolic contrarian, a sort of pantomime Satanist of theory. Elizabeth Sandifer (2017) has even considered whether the entire thing, from Land’s early left cyber-anarchism in the 1990s to his embrace of neo-reaction in the early 2010s, is one long postmodern “dirty joke.” Maybe Land became a neo-reactionary simply because he had run out of edge to lord, so to speak, and decided it was worth LARP-ing the evil capitalist Kantian white man attempting to immunise himself from the world he was pillaging, as Land’s first famous essay “Kant, Capital and the Prohibition of Incest” (Land 2011, 55-80) set out to oppose. Perhaps resentment for the cyberpunk future not arriving as quickly as he had imagined in the 90s was what led him to the “Dark Enlightenment’s” (2013 pt 1) condemnation of the welfare state as the chief means of the capacity for capital to waste itself rather than liberating technology. This self-wasting (though not on welfare) in order to cheat liberation with “antiproduction” was one of the few instances in which Deleuze and Guattari (1983, 262) took Freud’s dread “death instinct” seriously, it being Land’s (2011, 123-44 & esp. 261-88) pet cause for reinsertion into their work in the 1990s. Maybe Land dwelt so much on the “death instinct” that he ended up turning Deleuze and Guattari’s Reichian-Rousseauian rejection of Death back towards a more Freudian-Hobbesian position out of fear of human beastliness cancelling the future. All manner of things might be posed, but Land seems to have a strict policy of not explaining his shift, instead claiming that he was always an anarcho-capitalist all along and that much of his early work was simply naïve.

    ***

    Thus, one thing then seems clear about NRx. It wants to tell you that human beings are fallen and dangerous creatures and that “progressivism” naively and conveniently forgets this fact. But does it really? Let us turn things around for a moment. It is very easy to acknowledge that the old meme of conservatism and reaction being based entirely in irrational fear and ignorance is a popular one, evidenced, obviously, by recourse to the shorthand of bigotry as -phobias. However, when I have put it to common or garden progressive types that they also seem to draw a great deal of their politics from threat perception and fear (climate change, the return of fascism, theocrats, that bigoted language is implicitly violent), one is often met with the reply that yes, but these threats are real. Out come the charts, out come the think-pieces and rarely is anyone ever convinced that anything but strategic silence and bad faith is at work. From all sides the world is filled with a great tribal refrain of “But why don’t you take X seriously? It is very dangerous!” “Because they do and they are terrible people who believe other terrible things.”

    The internet is very good at endlessly reminding us of the existence of this species of communicational deadlock, but it is an aspect of human being that has existed long before the electronic “echo chamber.” For Schmitt (2005) this is the “friends vs enemies” division of the political-theological emergency, a great irrational Two based in the dualism of God and his people versus the Other. Thinkers such as Roberto Esposito (2015) have gone to great lengths to try to deconstruct this Two and its violent aspects–to the point of eccentrically claiming that to rid ourselves of it, the whole concept of “personhood” (theological and legal) would have to be done away with first. Esposito never tells us what such a “depersonalised” world in which all thought, guilt, authority and existence is deprivatised would look like. It seems almost impossible to imagine such a thing. Instead we remain stuck with incommensurate claims to the “right side of history” imagining that the apocalyptic day shall eventually come on which the Other is, at very least ideologically, completely eradicated.

    This faith lies at the core of Moldbug’s “Open Letter” (2008b) and its dreams that his reactionary future will be so well-run, hi-tech, luxuriant and happy that socially “progressive” ideas will be reduced to the position that reactionary ones held in 2008: if not a hilarious lost cause, then something virulently dangerous that must be suppressed. In our era when it is often lamented, especially by the Left, that it has become impossible to conceive of a “different world,” perhaps the goad towards imagining such things again should be that the reactionary right is frequently not quite as afflicted by the omnipresent fear of recuperation and failure. Cross this with Silicon Valley techno-optimism, and no matter how ridiculous or facetious Moldbug’s visions of VR prisons or handing over the state to airline pilots to privatise it might seem (2008b, 216-7), the fact remains that he was naïve enough to stake a claim on the future when hardly anyone else would dare do such things. That should be concerning (and perhaps a little shameful).

    But how did Moldbug get there? Social habitus of course plays a very important part in the formation of the political Two in our age. This is especially obvious regarding NRx, which seems mostly peopled by college-educated middle-class white guys reacting with boredom towards the largely left liberal cultural pod in which they have been raised and educated. Reaction promises a totally different series of moral imperatives and threat-perceptions, an exciting virgin land untouched by hardly a soul smarter than a rock since the days of Real Existing Fascism. The mixture of excitement and resentment at the fact that a whole ideological continent had long been reduced to Neo-Nazis in the trailer park was palpable in Moldbug writing a decade before the “alt-right.” At the opening of his early declaration of a search for a new politics, entitled “A Formalist Manifesto,” Moldbug says:

    My beef with progressivism is that for at least the last 100 years, the vast majority of writers and thinkers and smart people in general have been progressives. Therefore, any intellectual in 2007, which unless there has been some kind of Internet space warp and my words are being carried live on Fox News, is anyone reading this, is basically marinated in progressive ideology. (Moldbug 2007c)

    Even though a complex reactionary news-ecosystem now exists, there still remains a profound need for reaction to distance itself from the image of the conservative as the angry uncle shouting at Fox. As a friend once put it–you piss off anarchists by telling them to move to Somalia, you piss off Marxists by telling them to move to North Korea, you piss off Neo-Reactionaries by telling them to move to Alabama.

    Nonetheless, a particularly curious side-effect of this acting out against “the libs” is the fact that Moldbug, like a great many reactionaries today lurching between fantasies of some Sorosian League of Doom and “clownworld,” can never make his mind up whether his “Brahmin” enemies are evil geniuses trying to unite “high and low against the middle” by teaming up with “Dalit” POCs to replace white America (2008a), or zombified morons unable to perceive that: “History is not over. Oh, no. We are still living it. Perhaps we are in the positions of the French of 1780 or the Russians of 1914, who had no idea that the worlds they lived in could degenerate so rapidly into misery and terror” (2008b, 264-5). Thus, it will be particularly interesting to see which threats Yarvin will acknowledge in the rest of the “Clear Pill” as the Real upon which to found his touted new alternative to Progressivism, Constitutionalism and Fascism. Will he concede things to each of these ideologies? Can we imagine a Yarvin who believes in catastrophic climate change, “the great replacement” conspiracy and civic nationalism all at once? That one would not be hard at all to imagine, nor a Yarvin of slavery with UBI, nor a Yarvin that simply repeated everything from between Moldbugs 1-3 all at once. However, it is highly likely that the “new” alternative will simply be another modification on the same basic ingredients of authoritarian capitalism, and it is on this matter that we should draw this essay to a close.

    Perhaps the soberest approach to Yarvin/Moldbug would be to contextualise him as but one example on a growing list of specimens of the now obvious American “libertarian-to-alt-right pipeline,” in which one might enrol the Tea Party and a fair slab of the recent US “alt-right” (especially the Hoppe enthusiasts), but also things much older. Perhaps we can find rumours of it first in Thomas Hobbes’s belief that if the monarch of Leviathan is installed to keep the religious factions down then supply and demand will simply make everything work out: “The Value of all things contracted for, is measured by the Appetite of the Contractors: and therefore the just value is that which they be contracted to give” (1651, 208). A number of thinkers including George Dyson (1997, 159) and Philip Ball (2004, 34 & 221) have taken note of this line in Hobbes and consider it possibly the first example of economics represented as an autopoetic system. But, of course, one can only “let the market system work” under the authoritarian conditions that neutralise selfish, violent human brutes into homines oeconomici.

    This machine is the “lizardbrain” of liberalism, a reactive Calvinist mess terrified of what men might do if the market were not there to tame them. The libertarian inversion of this, to find the market eternal and the state a parasite, is a marvellous delusion indeed, and one of very recent invention that is belied by the fact that the movement so easily flirts with authoritarianism and even outright Fascism when it gets frightened. The Austrian Economics dons Ludwig Mises and F.A. Hayek were more than happy to shill for both Mussolini’s promise of a “free market stage” and Augusto Pinochet’s brutishness under the belief that at very least a temporary dictatorship to keep out the communists was not an entirely bad idea (Robin 2013). Nonetheless, of course the libertarian refrain always remains that Fascism is a leftist qua collectivist movement. No one wants to be left holding that hot potato any more than the mainstream American libertarian scene is willing to acknowledge the problem that the work of Hoppe keeps on churning out self-titled “fascists” dreaming of playing Pinochet and “physically removing” people.

    For instance, in early 2017 there was a great internal furore among American libertarians over the Hoppe Caucus’s invitation of Richard Spencer to the 2017 International Students For Liberty Conference. This ended in a punch up and several of the website Liberty Conservative’s writers being “doxxed” by self-titled “Antifa libertarians” for covering the event (Lucente 2017). In October 2017 in a speech titled “Libertarianism, the Alt-Right and AntiFa” Hoppe responded by simultaneously expressing his disappointment in Spencer’s embrace of “white nationalist socialism” and commending the “alt-right”–in spite of its ideological disorganisation–for its ethnocentrism, belief in natural hierarchy, refusal to be cowed by Antifa, and distrust of academia. As far as Hoppe was concerned, much of the “alt-right” seemed part and parcel with the tradition of American “paleoconservatives” such as Pat Buchanan and thinkers like Moldbug, links with whom he admits have earned him “several honourable mentions” from the SPLC over the years. Moreover, in early 2018, following concerns by the Mises Institute over the white nationalism of an upcoming book titled White, Right and Libertarian, for which Hoppe had agreed to write a foreword, Hoppe retracted the foreword and distanced himself from the author (Rachels 2018).

    What can we make of all this? Should we concentrate on the phylum of reaction that is clearly fascism qua hypertrophied authoritarian capitalism and desire to get a better look at its subspecies, we find ourselves caught in a strange triangle of a sort. On one side we have NRx as a Utopian patchwork of shining privatised Neo-Singapores, as Moldbug 1 and Land would seem to desire. On another side by the sort of shiny Google “left fascism” of “woke capital” Land and his minions would obviously abhor. On a third we have good old fashioned, blood-soaked Pinochetian brutalism, Leviathan with its sword raised. In this triangle no single side can be folded into another–each continues to haunt the others. It would be too easy to turn them into a spectrum running Left Fascist-M1-Pinochet in increasingly open brutality, but this would of course obfuscate the “niceness” that the information age society of cybernetic control likes to affect through technological means of repression in order to appear to soften the blow (including futuristic fantasies of VR prisons).

    In this we should not pass over the fact, once again, of the plurality of Moldbugs. Moldbug 2 is far closer to Pinochet, as too would Moldbug 3 very likely be. The Landian accelerationist “patchwork” vision of things doesn’t stand a chance in hell of existing because there’s nothing to support its fantasies of secessionism, not even in some tiny imagined gap between the US Empire’s decline and some Neo-Chinese Empire rising. Nonetheless, “left fascism” will certainly have a go at eating the world given half a chance, even if it must beg the existing liberal Leviathan to turn a blind eye, for Leviathan increasingly cannot do without the informatic monopolies of Google and friends to maintain governance. So too, one can never underestimate the possibility that at some point the “libertarian-to-alt-right pipeline” will bring forth something truly nasty, blunt and simple in the manner of a Pinochet in America and that it is only likely that it will lean on a certain sort of cold, cruel Calvinist Christianity in order to support itself.

    It is against both of these forces that one would do well to look back over the counter history of “creeping Calvinism” and “Quaker thuggery,” for, in America at least, Christianity still retains the power to build images of alternative worlds, some hellish, some paradisiacal. That the American Left in the second half of the 20th century was so keenly and myopically willing to abandon Christianity as something primitive and irredeemable, fit only for the bigots, is perhaps one of the most politically foolish decisions ever made. Back in the 1960s epochal thinkers like Norman Brown (1959) and Theodor Roszak (1973) understood well that they were the inheritors of the tradition of radical non-conformists like William Blake. This was soon forgotten in efforts to be as far away as possible from anything even vaguely mystical for fear of its commercial recuperation, lifestylism and naïveté.

    OrbGang meme
    Figure 1. OrbGang meme
    OrbGang meme
    Figure 2. OrbGang meme

    But strangely, this old spectre recently re-appeared again in the online “Orbgang” meme-factory of Democratic presidential candidate Marianne Williamson that managed to unite all sorts of people across political, racial, age, gender and religious spectra (Figure 1, Figure 2). More than any public figure in recent memory Williamson with her message of politics-as-love and Course in Miracles embodies a bizarre distillation of the weirdest aspects of non-conformist Christianity that could only still be cooked up in America. It’s very easy, of course, to put down Williamson as a New Age hack and a joke (though the memes about her are a great deal of fun and we do live in a meme-war economy in these times). But one rarely finds a New Age hack interested in politics, let alone one with practical proposals on matters such as reparations and climate change to the left of just about all of her competitors. Williamson was always very unlikely to get anywhere, and the American Left were particularly cruel to her. But one does wonder whether something very powerful could be done against our age’s overwhelming atmosphere of pessimism, fear, jealousy and bad faith if the powers of both Christian and post-Christian love, harmony and mercy could be harnessed once again for political purposes.

    _____

    Jonathan Ratcliffe was educated by mad Guénonians, holds a doctorate in Mongolian Studies from the Australian National University, and writes the occasional piece on political theology. He blogs at Mechanical Owl.

    Back to the essay

    _____

    Notes

    [1] Back in mid-2017 the main page for the Urbit website contained the very Moldbuggian libertarian motto that: “If Bitcoin is money and Ethereum is law, Urbit is land.” This seems to have been removed as part of an overall renovation of the page between then and now–likely following Yarvin’s departure. One should also note Moldbug’s (2010a) old idea of Feudle, a feudal search engine where the trustworthiness of information was controlled by tiers of experts.

    [2] Also note that in 2015 Yarvin’s invitation to another conference, Strange Loop, was cancelled. This drew a fair amount of momentary media attention. See Auerbach (2015) in Slate, and, for comparison, Bokhari (2015) in Breitbart on the issue.

    [3] Perhaps the most profound difference in vocabulary between Moldbug and Carl Schmitt is that while both of them take the sovereign absolute ruler to be the superior form of government, Schmitt of course regards this as “the political” historically threatened by attempts to neutralise it using religion, technology, metaphysics. In comparison Moldbug (2008b esp. 55, 2010b) is avidly against “politics,” which is what happens once more than a few people are involved in the decision-making process. Moldbug even as a quasi-Platonic scheme of degeneration of a sort. Imperium in imperio (absolute sovereignty of the ruler) passes from the decisionism of a monarch “…to oligarchy, oligarchy to aristocracy, aristocracy to democracy, democracy to mere anarchy” (2010b). Schmitt fears a world without conflict; Moldbug fears chaos.

    _____

    Works Cited

     

  • Nitzan Lebovic — Biopolitical Times: The Plague and the Plea

    Nitzan Lebovic — Biopolitical Times: The Plague and the Plea

    This essay is a part of the COVID-19 dossier, edited by the b2o editorial staff. 

    by Nitzan Lebovic

    Related article: Christian Haines — A Lyric Intensity of Thought: On the Potentiality and Limits of Giorgio Agamben’s “Homo Sacer” Project

    “Nous savions alors que notre séparation était destinée à durer et que
    nous devions essayer de nous arranger avec le temps.” (Camus, Le Peste)

     

    Addressing coronavirus disease 2019 is a struggle against time, perhaps the first warning of a future world, or the last our species is going to get before losing to global warming. It is a lesson that is meant to teach us the importance of time, how we’re running out of it.

    The spread of the virus and the global response have illustrated how growth and reduction, acceleration and slowing down, belong to the post-postmodern world. From the jet-speed global spread of the virus, with its exponential expansion, to the governmental and local top-down response—a coordinated effort to slow it down, defer its full effects, and stop it—both problem and solution seemed to move to the rhythm of industrialization and globalization. The attempts to contain this catastrophe resonate with biopolitical control: individual isolation, social separation, governmental control, police and medical surveillance. In short, we are living in a new age of catastrophes. Unlike catastrophic world wars caused by late industrialization and mass mobilization, now we experience the catastrophe brought by profit-based consumption and the destruction of our environment and our world, an existential threat imperiling the very idea of human time.

    A recent analysis by Tomas Pueyo gave a name to the desperate need for more time: by comparing different instances of the spread of the coronavirus and the effectiveness of the response, Pueyo showed that the single most important factor is the time between what he calls “the Hammer” of forceful suppression of the spread and the creation of an effective vaccine. He calls this interim period “the dance of R” and concludes: “What,” he asks, “is the one thing that matters now?” His answer: “Time.

    Pueyo’s analysis emphasizes time because it looks, first and foremost, at life. Ironically, the philosopher of “bare life” (Zoë), Giorgio Agamben, disagrees with such estimates. A panel of experts headed by Agamben recently scrutinized the national emergencies (in Agambenian terms, the “states of exception”) declared by many governments in order to contain the spread of COVID-19. (For a better translation of Agamben’s “clarifications” see  here) In his remarks on the situation, published on February 26, Agamben chose to declare quite dogmatically that any state of emergency, even with lives at stake, was a violation of individual autonomy and the fundamental principles of civil society. After comparing COVID-19 to the flu, he argued that Italians were “faced with the frenetic, irrational, and entirely unfounded emergency measures adopted against an alleged epidemic of coronavirus” and that the “disproportionate response” grew out of “the tendency to use a state of exception as a normal paradigm for government” as well as a “general state of fear” encouraged by Western governments for populist and capitalist reasons. Agamben’s remarks were followed on March 17 by “Clarifications” that made explicit his assumption that “our society no longer believes in anything but naked life.”

    These admonitions are not unfounded; populist regimes, from Orbán to Netanyahu and Modi, have already taken to the emergency declarations in order to tighten the screws of control and anti-democratic measures. Yet, Agamben’s two statements also bring to light an unfortunate structural element that is embedded in his theory: a focus on bare life misses the temporality of life. After all, as Schmitt and Agamben have acknowledged, our understanding of bare life assumes the suspension in toto of democratic constitutions (Homo Sacer, 15. Emphasis in the original). Agamben’s recent attack on nuanced analyses such as Pueyo’s “dance of R” proves that his resistance to the idea of sovereignty has blotted out all consideration for life and politics, incidentally identifying an inherent blind spot within his theory. I mean the absence of temporality, or the lack of interest in living time as such. Without a temporal understanding of the biopolitical apparatus, we cannot estimate the dynamics of management and enforcement. We cannot separate a Merkel from a Modi. More specifically, without a temporal analysis of our reality, we have no way to estimate either the spread or the response of the virus. Furthermore, ignoring the temporal dimension causes Agamben to miss a crucial element for contemporary biopolitical critique: the fact that as we run out of time in our search for a better politea we tend to lose sight of our duty as a species to bring our temporal existence—as individuals and as a political community—in line with the planet, as Dipesh Chakrabarty has shown (in History & Theory and Critical Inquiry).

    Let me explain this by the use of a political and a historical case. The history of plagues is convincingly theorized, in a biopolitical vein, by the political philosopher Adi Ophir—an English version of its first half is expected next year from Fordham University Press. Ophir believes that disasters have gradually been secularized and biopoliticized. While the first half of the book engages with biblical disasters, the second half traces the modern biopolitical mechanisms accompanying crises such as bubonic plagues. Ophir goes back to Daniel Defoe’s Due Preparations for the Plague, as Well for Soul as Body (1722) and A Journal of the Plague Year (1722), and Jean-Pierre Papon’s De la peste, ou Époques mémorables de ce fléau et les moyens de s’en préserver (The plague, or Memorable times of this pestilence and the means to prevent it, 1799). The texts are well known to historians of science and intellectual historians, who have used them to show a growing pressure to regulate the means of prevention. What is new in Ophir’s analysis is the attention he gives to the biopolitical means as a form of secularization. For him, plagues are a typical case of the secularization of divine authority, something quite different from the liberal presentation of the evolution of the state as a necessary, positive development. (This is in line with Walter Benjamin’s thinking about “divine violence.”) From this perspective, Defoe and Papon demonstrate that political authorities must rely on emergency decrees and a swift enforcement of isolation to manage and contain the spread of highly infectious diseases. Yet during the eighteenth century any effort of that kind triggered the flight of elites from infected areas, with the concomitant surrender of position and authority to the middle class, a power reclaimed once the danger passed. Ophir, following Michel Foucault’s analysis in Security, Territory, Population and Agamben’s in Homo Sacer and State of Exception, presents the typical management of a national population in troubled times as a coupling of governmental carelessness and abuse of power, usually in the service of the economic interests of the elites and the divine legitimacy of the ruler. As the evolution of such state institutions shows, it is often difficult to separate incompetence from abuse and procedural authority from divine one; both grew out of the abandonment and consolidation of power by emergency decrees. How does it help us understand the politics of the plague better? Looking at such governmental mechanisms from a nonliberal, nonprogressive point of view, one cannot help but note the practical importance of intervening to slow the spread of a dangerous virus by implementing “systematic territorialization.” Seclusion, closure, isolation, and surveillance in times of troubles enabled the court—operating from a safe distance—to save lives. From a different angle, the operative question asked by governments—these troubled Defoe and Papon in the eighteenth century—related to “proper abandonment.” “From the perspective of the state, it is clear,” writes Ophir, echoing those early plague chroniclers, “abandonment is a form of containment, and the seclusion of infected areas is . . . temporary and partial, an urgent need of the hour and aimed at saving the state as a whole.” The measures, in simple words, may help saving lives, but the we must be able to block emergency measures and divine-like authority from becoming the rule, once the elite decides it’s time to come back home.

    Back to the present, back to Agamben and the problem of leaving out temporality. If the most important question in the present moment is that of gaining time (vis-à-vis both earthly plagues and the environmental apocalypse), then a structural analysis of emergencies cannot suffice. A dogmatic insistence on bare life misses the need to take emergency situations seriously; at certain moment, the Hammer needs to fall, for the benefit of the public. Agamben misses, I believe, the real political point of this situation, which is the critique of proper abandonment” and the temporary use of biopolitical measures. Simply put, our struggle should not be about an affirmation or a negation of the state of emergency as such, but an attempt to realize when such decrees diverge from the temporality of life, rejecting the temporal democratic principles that follow the logic of the public in toto (demos and ochlos, rather than a separation between the two). This need not be about sovereign territorialization, economic interest, or bare life. Yes, such analysis requires a history and an understanding of procedural processes, but where would we be if not for Foucault’s emphasis on the gradual shaping of the biopolitical apparatus? Without time, we are left with nothing but bare life.

    Nitzan Lebovic is an associate professor of history and the Apter Chair of Holocaust Studies and Ethical Values at Lehigh University. He is the author of The Philosophy of Life and Death: Ludwig Klages and the Rise of a Nazi Biopolitics (2013) and Zionism and Melancholy: The Short Life of Israel Zarchi (2019) and the coeditor of The Politics of Nihilism (2014) and Catastrophe: A History and Theory of an Operative Concept (2014) as well as the editor of special issues of Rethinking History (Nihilism), Zmanim: Tel-Aviv University Journal of History (Religion and Power), The New German Critique (Political Theology), Comparative Literature and Culture (Complicity and Dissent), and Political Theology (Prophetic Politics).

  • About the Local and What All Hold in Common: Belarusian Human Rights Activist Ales Bialiatski in Conversation with Olga V. Solovieva

    About the Local and What All Hold in Common: Belarusian Human Rights Activist Ales Bialiatski in Conversation with Olga V. Solovieva

    Note on Belarus

    Wlad Godzich

    Belarus has not figured prominently, if at all, on most anglophone readers’ attention horizon. Things are beginning to change, and Belarus will prove to be interesting geopolitically and even epistemologically.

    Belarus is a landlocked country in Eastern Europe, bordered by Russia to the East, Poland to the West, Ukraine to the South, and Lithuania and Latvia to the North. It is roughly the size of Spain but has only nine and a half million inhabitants. Forty percent of the land is covered with forests, including the last primeval forest in Europe, shared with Poland. It owes its name to medieval chroniclers who divided the land invaded by Vaerengians (Eastern Vikings), called Rus’, into Black Rus’, White Rus’ and Red Rus’ (Ruthenia in Latin.) The boundaries of these color-coded lands were not clearly established, nor do we know why these three colors were used. Belarus is the contemporary version of White Rus’.

    No country existed under that name in the middle ages, when some of it was ruled by a local dynasty. It was absorbed into the Grand Duchy of Lithuania, and then into the Commonwealth of Poland-Lithuania when the two countries merged. It became an object of contestation between the Grand Duchy of Muscovy and the Commonwealth, with many of the battles between the two fought on its territory. It was eventually absorbed into Muscovy, which took on the name of Russia, with the decline of the Commonwealth. When the Russian Revolution broke out, a Byelorussian Soviet Republic was proclaimed, and this Republic joined the Russian Soviet Federation and the Ukrainian Socialist Republic in the foundation of the Union of Soviet Socialist Republics in 1921. Much of the war between newly independent Poland and the USSR was fought on Byelorussian territory, and large part of the west of it was awarded to the victorious Poles by the Treaty of Brest-Litovsk.

    World War II devastated Byelorussia. Under Hitler’s master plan, all of its land was to be cleared of its inhabitants and then accommodate German settlers in need of Lebensraum. All the cities were levelled to the ground and one third of the population was killed by summary execution, including almost all of the Jews. To this day, mass graves are discovered in the Belarusian forests. Belarus rebuilt its cities during the Cold War and, as a result, has some of the most modern cities in Europe. The capital, Minsk, is particularly well-designed with large avenues, parklands, and an excellent subway system. Belarus became an important industrial producer during this period, with raw materials imported from the rest of the USSR and then resold within it. It became one of the world’s largest manufacturer of heavy agricultural equipment and the foremost producer of tractors.

    The Byelorussian Soviet Socialist Republic retained a largely Stalinist structure and ethos up to the end of the Soviet Union. The breakup of the Soviet Union was legally effected by the signing of the foundational charter of the Commonwealth of Independent States (C.I.S.) with headquarters in Minsk and a Byelorussian as its head. Belarus, as it now called itself, was ruled by Aleksandr Lukashenko who described himself as an “authoritarian.” He rejected all attempts and calls to liberalize his country. He entered into a prolonged negotiation with President Yeltsin of Russia to define the relations between the two countries. In 1997, with Yeltsin very diminished by alcoholism and illness, a treaty was signed. It stipulated that the two countries would form a “Union State,” have a single joint parliament, one defense and foreign affairs policy, free circulation of citizens, and a single currency. A rather long and sloppy document, it cribbed the European Union treaties, with some echoes of the treaty that created the Commonwealth of Poland and Lithuania several centuries earlier. Lukashenko did not hide his ambition to eventually become the President of the Union State, expecting the transition to this position to occur upon Yeltsin’s death. He was taken by surprise by Vladimir Putin’s rise to power. He even went as far as to propose that Putin be Prime Minister of the Union State that he would head. In later years, he claimed it was a joke. What was not a joke was his distrust of Putin.

    Putin began to assert his dominance by tightening the screws on Belarus’ economy, raising the price of oil and gas, among other things. During the Soviet period, Byelorussia refined a great deal of Russian oil that it imported as low cost and then resold to Russia at a handsome profit. Putin viewed this arrangement as a subsidy to Belarus and he kept raising the price of the unrefined oil, and thus breaking Belarus’ growth.

    Putin’s interest is twofold. The extension of NATO deep into Eastern Europe and the Baltics made him fear what he perceived as a policy of encirclement. It was the prospect of NATO and EU membership for Georgia and Ukraine that led him to wage open war on the former, and semi-covert war on the latter (including the annexation of Crimea). Belarus had to return to its historical role of buffer and glacis between Russia and a hostile West. The largest ever anti-NATO maneuvers were staged on Belarusian territory, and over a hundred thousand Russian troops have stayed in Belarus. Putin has asked Lukashenko openly to give Russia a military base, something that Lukashenko has refused.

    Putin’s second interest is personal. By 2024 he will have exhausted his right to stay on as President of Russia legally. For some time now, he has been looking for an escape and he recently proposed amending the Russian Constitution. On the surface, the proposal is surprising: the President would be limited to two terms, whether consecutive or not; his powers would be greatly diminished, with many of them being transferred to a Prime Minister answerable to a greatly reinforced Duma (Parliament). In speeches presenting these proposals, Putin evoked what he called the sad spectacle of the Soviet Union in the eighties when, lacking an orderly mechanism for the transfer of power, it had to go through increasingly ill old leaders waiting for their death. In effect, Putin has coopted the arguments of his opponents. At the same time, he has been holding long and pressing discussions with Lukashenko about the Union State that he now claims must be properly set up. In his view, the Union State, as a new entity, would have to create a new position of Chairman of the Council. In effect, he proposes the return of the Politburo with himself as Chairman for life. Belarusians, including Lukashenko, see this as a step toward the annexation of Belarus within Russia, and his citizens have staged large demonstrations against this prospect. Political demonstrations have been severely repressed by Lukashenko in the past, but these were tolerated, and even surreptitiously encouraged by him. Talks between Putin and Lukashenko have broken down and, by December 31, 2019, Putin cut off oil and gas supplies to Belarus. Their flow has been restored recently when Lukashenko negotiated a makeshift arrangement with Norway (a NATO member.)

    Lukashenko understands his predicament well. He may have a hope of staying in power if he is able to establish quickly good relations with the European Union, an organization that has criticized his constant violation of human and civil rights, the rigging of elections, and his maintenance of the death penalty (the last European country to do so), earning him the description of “the last dictator in Europe.” His immediate goal is to show his own population, as well as the European Union, that he has a plan for a viable Belarus independent of Russia. The central element of this plan is drawn from the history of the Varangians, who sailed from the Baltic to the Black Sea (and the Caspian Sea) to trade with, and occasionally raid and sack,

    Constantinople and its possessions, and the Arab merchants of what is today Azerbaijan. Lukashenko proposes to enlarge an existing canal in Poland, dredging rivers between

    Belarus and central Ukraine and building port facilities on the Black Sea. Belarus has been trading agricultural equipment to Turkey and other nations of the Eastern Mediterranean. It has also developed tourism with the Gulf States, offering mild temperatures and safe surroundings for families during the high-temperature months of the Gulf area. Lukashenko has discussed these plans with the Poles, who seem interested: they are building a Liquid Natural Gas port on the Baltic to bring in American and Norwegian gas, and thus freeing themselves from Russian dependency. He has also held talks with the Ukrainians who are more lukewarm to the idea. Much of the dredging would have to be done in the north of Ukraine in the area of Chernobyl, and the Ukrainian do not see themselves as beneficiaries of the waterway. Lukashenko, with the help of Sweden, has calculated that the canal and river work would cost around six billion Euros, and he has started negotiations with the European Union for this sum. He is aware of the fact that the EU will want action on all the conditions and practices it has condemned. He has not indicated whether he intends to comply with EU demands, stressing instead that he alone can prevent Russian annexation.

    The second part of his strategy is to secure the support of his population, a rather daunting task, given his history of repression and his boasts of being an authoritarian. He has released some prisoners as a gesture of good will. His principal tool is to reinvent himself as a Belarusian nationalist and as the leader of a populist movement. On this score, he is falling back on an established historical force in Central and Eastern European history of nation-building: the defense and illustration of the national language.

    This is where the epistemological dimension of what may be called, by historical analogy, The Belarus Question emerges on the horizon of attention. Language-grounded arguments for national identity and independence were the products of the German-style national philology that emerged in the eighteenth century and became dominant in the nineteenth. The object of this philology was to identify, describe and purify the “true” language that expressed the “real spirit” of a “people.” These ideas were central to the project of German unification and they animated the Romantic view of language. National philology brought together the resources of historical linguistics and literary studies and fostered nationalism. We may want to recall how French philologists, forced to acknowledge the importance of Germanic tribes such as the Franks in the formation of a country named after this tribe, nonetheless argued that only barbaric elements were inherited from this source and they were offset by the rational and harmonious contribution of Gallo-Romans, apparently evident in the Latin derivation of the language.

    Invoking national philology to help create a Belarusian national-populism [no hyphen?] runs quickly into a series of problems: whatever Ruthenian (the preferred designation of philologists) may have been like, its speakers were subjected to forceful acculturation first by the Poles and then by the Russians. The philologists at the universities of Vitebsk and Minsk were trained in German methodology and worked in Russian and saw other “Ruthenian” languages as adjuncts of Russian. We ought to bear in mind that the word ‘ukrainets’ (Ukrainian) designated a nationalist rather than a status. In any case, only one third of the inhabitants of Belarus speak Belarusian at home; the rest speak Russian, with small minorities of Polish, Ukrainian and Lithuanian. Asserting the primacy of Belarusian would require a major effort and many years to succeed.

    The major reason that national philology has been retreating is that its foundations have crumbled. These foundations were ontological: there is a language X, there is a spirit X’, there is a people X”, and therefore there is a nation XXX. All of these claims are fictions: their objects have no ontological status. They are constructs of ideologically driven disciplines. It is not surprising that the Poles, who believe they survived the partitions of Poland thanks to their faith in their language and their religion, have supported Belarusian nationalists living in exile in Poland and broadcasting in Belarusian. The revival/invention of Belarusian is not going to save Lukashenko.

    What could unite the inhabitants of Belarus is a reflection on the exterminating policies of the Nazis in World War II. Unlike the genocides carried out against Jews and Roma, and the killings of homosexuals, political opponents, and disabled—all of which targeted people because of who they were, that is, on the basis of their ontology— the mass massacres of Belarus were carried out on the basis of where people were. The first, “ontological massacres” were entrusted to the SS; the latter “place-based” genocide to the Sonderkomandos (special units) of the Wehrmacht.

    Belarusian, as a language, needs to be described not through an ideal type grammar, but through actual practices and competencies of its speakers. Many areas of the world, from the Middle East to China, would benefit from such an approach. Such areas are inhabited by people who have various levels of competence in the registers and speech genres of more than one ‘language.’ They achieve varying degrees of comprehension and mutual understanding over an area that would best be described through the resources of fuzzy logic rather than clearly delineated maps. Such an approach would bring out the fact that cities are overlaid with many communicational competencies and may well differ from their surroundings.

    The subjective dimension of whereness, i.e. hereness, could well be the starting point for building a sense of community and belonging. This starting point already exists: many people in the lands of Rus’ and beyond describe themselves as “tuteyshe,” a word that means “from here.” They do not invoke borders, boundaries, nation states, languages or religions, but the facticity of location, a location defined by a deictic and therefore portable. Deictics do not have coordinates but they do have horizons.

    About the Local and What All Hold in Common: Belarusian Human Rights Activist Ales Bialiatski in Conversation with Olga V. Solovieva

    This interview took place during the workshop “Cultures of Protest in Contemporary Ukraine, Belarus and Russia” at the Neubauer Collegium for Culture and Society at the University of Chicago, 03/01/2019.

    Transcribed by Ekaterina Lobanova
    Translated by Oliver Okun

    Olga V. Solovieva

    Ales Bialiatksi was born September 25th, 1962, in Vyartsilya, Sortavalskiy District, Karelia, in the Russian Federation. He is a Belarusian human rights activist, a specialist in literature, and an essayist. In 1965 the Bialiatski family returned to the Svietlagorsk District of the Gomel Region of Belarus. Starting in 1982 Ales Bialiatski began taking part in an illegal national-democratic youth movement. In 1984, he completed his studies as a specialist in teaching Belorussian and Russian language literature at Gomelsk University. In that same year he entered the Institute of Literature at AN BSSR in Minsk as a graduate student. In 1985 through 1986 Bialiatski served in the Russian army and simultaneously continued his graduate studies. He became one of the founders of the informal partnerships of young literary specialists, «Тутэйшыя», and actively participated in communal democratic processes during Perestroika. He was one of the organizers of the large-scale civil act known as «Дзяды», in 1988 in Minsk. He was also one of the founders of the first mass protest by the Belorussian People’s Front. In 1989 Bialiatski was elected as the director of the museum of literature Maksim Bogdanovich, and worked there until 1998. In 1990 he became a deputy of the Minsk city council. Bialiatski managed the Human Rights Center «Вeсна», which was engaged in aiding the victims of political repression. In 1998 Bialiatski began working full-time at «Вeсна». He was arrested in 2011 and held in prison until 2014 for his human rights activities. While in prison he received the first human rights award from the European Union Václav Havel. He was nominated several times for a Nobel Peace Prize, and he is the author of eight books.

    Olga Solovieva: Ales, to begin with could you please say a few words about Belarus as a state? Even though it is a large country in the very center of Europe many of our readers don’t know about its existence. It is the classic proverbial elephant in the room. What’s going on here?

    Ales Bialiatksi: Not long ago a huge area in the east that stretched from Brest to Kamchatka was considered one country, and there lived the Soviet people. But, for various reasons, the Soviet Union collapsed and the citizens of Europe realized, much to their surprise, that to the east there were not only Russians, but also countries like Ukraine, Belarus, and Moldova in Eastern Europe, each with its own people, culture, and history. This was the discovery of the Eastern European Atlantis. Throughout the last two-thousand years Belarusians, either independently or in partnership with neighboring peoples made an effort to preserve, establish, and find themselves. They were heavily influenced by their neighbors, who by the way were also influenced by us, but the Belarusians never lost their own identity. Belarus’s development was not simple, and in some historical processes we developed slowly, but we are definitely not outsiders on the map of Europe. While president Lukashenko says that Belarus is the geographical center of Europe, in reality we live along the eastern outskirts of Europe. But Europe itself is made up of such outskirts. Oslo, Lisbon, Istanbul are all on Europe’s outskirts, just as Minsk is.

    The problem is that thanks to the post-Soviet politics of the contemporary Belarusian authorities Belarus has long been a closed country, a reserve or a fragment of the Soviet regime, and a terra incognita for the whole world. It was only in 2018 that the visa system was changed, allowing citizens of the EU and the USA to come to Belarus for one month. That is the beginning of the gradual opening of the country.

    Olga Solovieva: The whole world knows you as a human rights advocate, but you were not educated as a sociologist, a political scientist, or a lawyer, but as a philologist, and a specialist in Belarusian literature. How did you go from literature to human rights advocacy? What is the link between literature and human rights?

    Ales Bialiatksi: It’s natural. Many journalists, and intellectuals with background in humanities end up working in human rights. I’m no exception. Many of my colleagues involved in human rights were also educated in humanities. Actually, the main reason behind human rights activism can be expressed with the rather banal slogan, “let’s make life a little better for the people around us.” This desire to make life better lies at the foundation of all human rights endeavors. Therein lies the motivation for my work. I have been involved with the civil activism for a long time, since I was a student. Back then, in the Soviet Union of the 1970s and 80s, we had groups that tried to stop the processes of denationalization and russification of Belarus. I took part in such groups. They were national-democratic groups. The various values that we searched for and tried to develop were not just nationalist, but also democratic. This connection had always existed. Not long ago I was looking over the documents that we published in the early 80’s. They express an entire series of democratic demands, including freedom of speech, freedom of information, and equal rights. In the Western world these values were so widely accepted, that they are considered incontestable. At the time these values, along with the vision of an independent and democratic Belarus sounded to us like a revolutionary idea. We saw the ideas of independence and democracy as deeply interconnected.

    OS: In Belarus as in many other former Tsarist and then Soviet regions, democracy was understood as the right to national self-determination. But what would guarantee that the national-democratic balance would not turn into nationalism? Consider what happened with such revivals of national consciousness in the post-Soviet Russia and Poland, where the cultivation of national specificity turned into nationalism, chauvinism, and racism. Tatars, Jews, Roma, Russians, and Poles all live in Belarus. Where is their place in the national-democratic model?

    AS: Vasil Bykov, the famous Belarusian writer, a contemporary of ours, who was very concerned with the future of the Belarusian people said, “a large nation’s nationalism inevitably leads to chauvinism, while a small nation’s nationalism is firstly directed towards its own survival among other nations.” The government has a huge responsibility to preserve the rights of minorities. But in today’s Belarus paradoxical things are happening. Mentally, Belarus remains a post-colonial country. Belarusian language and culture continue to die out, just as they did in the Soviet Union. The government does not support or promote the Belarusian national identity, as if we were further constructing the common “Soviet People.” But as I advocate for the development of Belarusian culture, I don’t want the rabid nationalism ever to come to power in Belarusian politics. In prison, where I served my sentence, one of the major rules of co-existence was “live and let live.” I consider this to be the golden rule of uttermost importance to us as citizens of Belarus, as well as in all other situations in life.

    OS: Was your decision to study the Belarusian language and literature in the context of the russification of Belarus a political decision?

    AS: In the beginning, no. I simply wanted to study philology and, above all, Belarusian literature, before we, already as students, came to realize through our experience that the government’s politics was directed towards containment and, in fact, destruction of Belarusian culture and language. The government’s position had an impact on schools and the press (which were generally in Russian), and the study of Belarusian history and culture. The official doctrine was that all peoples would integrate. The official doctrine was about the fusion of all nations. We were taught that all nations will merge into one mythical, large nation of “Soviet citizens.”

    OS: And nevertheless, this mythical Soviet nation was being created on the foundation of the Russian language, and not on some language like Esperanto. By the way, this truly international language was outlawed in the Soviet Union. But Russian, of course, was served up to the people in the form of the Soviet ideological cult of personality. Do you remember Mayakovsky’s verse “I would learn Russian for that alone that Lenin spoke it…”?

    AS: As students of Belarusian philology we did not like this disregard for our culture. We fought back because we understood that with the implementation of this doctrine there would be no place for our and other cultures. This destruction took place right before our eyes and aroused feelings of protest.

    OS: And which language did you grow up speaking?

    AS: Russian. My parents lived in Russia for a long time. My father lived there for twenty-five years and my mother for fifteen years. And when they returned to Belarus they came back to an industrialized city, Svetlogorsk, where they could find work in the 60s. Kindergarten through high school were all in Russian. I heard Belarusian from the older generation. My grandmothers spoke only Belarusian. One of them lived in Russia for twenty-five years, but never stopped speaking Belarusian. My other grandmother didn’t speak Russian at all. She lived in Polesie her whole life. When I would go and visit her when I was five and chatter in Russian, they would laugh. Older women of my grandmother’s generation would put me on the chair and ask, “Sashik, say something in Russian,” and they would laugh because they so rarely heard Russian. So I always had this ancestral connection to the Belarusian language. It was hurtful when I started realizing that this all was vanishing. My parents spoke Russian. My mother resumed speaking Belarusian when I changed to Belarusian.

    OS: What is the difference between Belarusian and Russian? What are the particularities of the Belarusian language? At Moscow State University we learnt that Belarusian was considered a Russian dialect, and only in 1944 earned its status as a separate language.

    AS: That’s complete nonsense. I’ve also read how the state “scholars” of the 19th century wrote about Polish as a Russian dialect. In the medieval state of Belarusians, Lithuanians, and western Ukrainians known as the Grand Duchy of Lithuania, Belarusian was the language of the government, and they conducted all state affairs in Belarusian. Belarusian was the first East-Slavic language in which the Bible was printed. And where did the folklorists hide the tens of thousands of folk songs, fairy tales, sayings, legends written in poetic Belarusian? Was this all put in an archive and forgotten?

    The particularities of all Slavic languages lie in the fact that we all came from rather similar closely related accents and dialects, but that was so long ago! Many common words were preserved, but often these words have entirely different meanings in our languages. For example, the word, благо (good) is добро (good) in Russian.[1] Полночь (midnight) in Russian, as in the middle of the night, is поўнач in Belarusian, which means “north.” Листопад in Russian entails the process of leaves falling, while in Belarusian лістапад means “November.” [2] “Dog,” “medal,” and “steppe” are all masculine in Belarusian, whereas the same words are feminine in Russian. In Belarusian there is no soft “r” (р) or “shch” (щ), sound, but there are “dz” and “dzh” sounds in Belarusian etc. As far as lexicon is concerned Belarusian is much closer to Ukrainian. We understand each other without translation. Perhaps in Belarusian there aren’t as many sonorous sounds as there are in Romance languages, but it is rather soft and with many aspirations. As for pronunciation, Belarusian is somewhere between Russian and Polish. In Belarusian there are very few Old Church Slavonic words, but there are many ancient Slavic words that were long forgotten in other Slavic languages. I very much love the Belarusian language.

    OS: It is interesting that you identify with the Belarusian language of your grandmothers and not with Russian of your parents, the language in which you thought and spoke.

    AB: It was a certain process, but there was also a trigger that led to all this. After my second year at the university, during my travels around Belarus to visit historical memorials, I encountered artists who spoke Belarusian. It was the first time I saw people who weren’t paid to speak Belarusian. Cultured people, artists, who painted and spoke Belarusian. I stood there with my mouth agape. One of the artists turned to me and asked in Belarusian, “what’s your name?” I said, “Sasha.” He replied, “No, you aren’t Sasha, you are Ales.” And ever since I have been Ales.

    I changed to Belarusian when I was nineteen. At the time it was a provocation. In the beginning all of my peers laughed at me, because they knew me as a Russian speaker. In the Belarusian classes we spoke Belarusian, but after class everyone would instantly switch to Russian. Even my good friend, the poet Anatol Sys, would say, “Just give up! You won’t manage it.” All these guys who studied Belarusian philology, like Sys, were from villages and Belarusian was their mother tongue. They always spoke Belarusian. They studied in Belarusian schools. When they went to university they switched to Russian to be like everyone else, or they spoke Trasianka, a mix of Belarusian and Russian. But just in two months everyone was surprised when I had to speak Russian for one reason or another. I started speaking Belarusian alone after that memorable encounter with the artists, but my friends quickly joined in. We formed a group. In our circle there were first just five or six of us. Two years later, by the time we finished our studies at the university there were already about forty people speaking Belarusian.

    By speaking Belarusian my friends and I propagated Belarusian culture. Some professors looked at us askance. Even though Belarusian philology was our official specialization, some professors considered us nationalists. I remember how one professor was outraged and tried to convince me that the future lies in Russian. And what is Belarusian? A return to the past? That was the relationship many had to Belarusian.

    OS: Belarusian is connected with the idea of challenging the Soviet regime and protest. What is Russian associated with? After all you grew up speaking Russian.

    AB: Russian is, first of all, a huge cultural layer – it represents an understanding of things connected with good and evil, with right and wrong, and all that’s connected with classic Russian literature, as a part of European literature. I’ve read through many of the Russian classics many times. But at the same time there was an understanding that Belarusian literature also exists, is quite developed and offers enough material for building one’s character and for grasping some universal human concepts. One could grow and mature as a person by reading it. A rather rich body of literature written in Belarusian was and still is one of the arguments for the Belarusian language. We have medieval literature and modern Belarusian literature, and such authors as Vasil Bykov, Vladimir Karatkevich, Yanka Bryl, Vyacheslav Adamchik, Ivan Shamiakin among dozens and hundreds of others. Literature is what gives languages the right to exist if not for eternity, then at least for a long life, that’s for sure. For me, the switch to the Belarusian platform of world view was a civilizational, cultural, humanitarian, political decision – everything was connected. At one point after university I completely refrained from reading Russian literature in order to better immerse myself in Belarusian culture. To better understand what Belarusian writers were writing and living I needed to limit myself. It was a professional decision.

    OS: In the long run the choice to study Belarusian philology became an act of political dissent. But was Russia and the Russian language, besides being the layer of culture and classics, associated with Soviet ideology?

    AB: It was and still is. Russian was an instrument of Soviet ideology, and that is why it is important to Lukashenko. It is an ideological symbol, like a flag or emblem, Soviet street names, death penalty. It’s a full set of symbols that underline the continuity of the Soviet Union in today’s Belarusian regime.

    OS: This connection brings to mind an analogy. The poet and film director Pierre Paolo Pasolini, as a young man during the Second World War, started studying and eventually writing poetry in Friulian dialect because he considered the literary Italian language to be compromised by the official structures of the government during fascism. It seems to me that your turning to a different language was done in the same spirit.

    AB: That’s not entirely the case, in the sense that I never considered Russian to be “my” language. Belarusian was not an alternative, but a return to my own culture. I quickly realized that opposing this governmental system alone is impossible, and so we started broadening our connections and building a network of likeminded individuals. The artists introduced me to a larger group of students in Minsk who were more focused and active. Our group of students at the university in Gomel joined them. We consciously gathered people who spoke the same language and thought about the same things. We were trying to dig things up from our forbidden Belarusian history and shared it with each other through samizdat (underground publications). The first youth organizations in Minsk were formed in 1978 and 1979. The understanding that we were not alone was very important, and these connections have endured to this day.

    OS: How did the authorities react to this?

    AB: The KGB quickly became interested in our activities because speaking Belarusian at that time was considered suspicious. In the 1930s there were executions, and there was a merciless fight against the Belarusian underground youth organizations in the 1950s. Everything related to the Belarusian language was considered nationalist. There was even such special term as “bourgeois-nationalist.” There was however also a corpus of Soviet Belarusian writers who were permitted to write in Belarusian. Perhaps some of them were not Soviet, but they didn’t demonstrate their sentiments of opposition. The state allowed for one official part of Soviet Belarusian culture, which was kind of Belarusian ghetto.

    OS: And you traveled throughout Belarus in order to study the part of the culture which was not sponsored by the state?

    AB: Yes, so I could see the historical sites. For me it was a blind study of Belarus. At the time there were no normal travel guides. It was all considered unnecessary and was being destroyed. From various small articles I gathered information about where certain monuments and historical sites might be, and I created a route for myself. For a month I traveled around Belarus, either by foot or hitchhiking.

    OS: It is remarkable to see how culture and politics overlap in your personal and Belarusian history, how this purely cultural interest ultimately triggered your conversion to the political activity.

    AB: Yes, during this trip I met these artists who put me in touch with my better organized peers. After a year of contacts with them, I learned about the existence of a political and conspiratorial group with its own structure and rules, whose goal was the independence of Belarus. This was already not a merely cultural goal, nor merely cultural program. They called themselves a political party, but in reality they were just about fifteen people. But they were very motivated. I joined them. We paid membership fees, were buying type writers, and circulating samizdat. We often printed the negatives of photographed banned books. A part of Belarusian literature was banned for one reason or another, and was kept in special archives. Those who had access to them photographed them, and then I brought the negatives to Gomel, where the negatives were printed by red light in bathrooms in the old-fashioned way. We then glued the pages into the covers of permitted Belarusian books and read them like underground literature. This was 1982 to 1984. In 1984 I graduated from the university.

    OS: And was the liberation of Belarus understood as liberation from the Soviet regime, or from Russia?

    AB: Both. We considered liberation as creation of an independent and democratic state. In the 80s dreams of an independent Belarus were completely fantastical, and moreover, very dangerous. If the KGB caught wind of our activities, the whole thing would have ended very badly. We were lucky; in our group there was not a single informant.

    OS: That’s rare.

    AB: Yes indeed, but the KGB was all around us, because one of the goals that we set for ourselves was the formation of “informal” groups. Perestroika began in 1985. I served in the army for a year and a half from 1985 to 1986. When I returned in the autumn of 1986 the situation had completely changed. It wasn’t clear what direction we were headed, but there were already various informal groups and discussion clubs. Rather quickly a network of informal groups covered all of Belarus. in 1987, with just one year of development, there were already over one hundred organizations involved in preserving monuments, folklore, historical research, restoration, ecology, and culture. For example, a group of technology students started publishing a magazine “Студэнцкая думка” (Student Thought). And two young writers and I who were part of our underground group called “Liberation,” created an organization of young Belarusian writers that created quite a stir. The group was rather scandalous and quite successful. At first there were seven of us, but after three months we were eighty strong. We practically gathered everybody in our generation who wanted a change.

    OS: And what did you do?

    AB: It was an explosion of freedom. We traveled around Belarus, listened to lectures, helped with excavations and restorations, took part in ecological protests, and, most importantly, we gathered and discussed our texts, and organized group readings. We called ourselves the Comradeship of Young Literati, “Tuteishye” (Тутэйшые), which in translation means, “those who are from here,” or “locals” (in Russian “тутошние”). Instead of saying that we were Belarusians, we referred to ourselves as simply locals. This meant: “Are we Belarusian? The language is dying out, the culture is in shambles. We are simply locals (tuteyshie), not Belarusians. We’re not yet Belarusians.” At the time that name was also a challenge to others.

    OS: Locals? This name was meant critically to emphasize the lack of identification with the Soviet State on the one hand, and the lack of Belarusian national identity, on the other.

    AB: Yes, locals…  One of our goals was to strike the bell and to awaken a sense of national self-consciousness among Belarusians. We met practically every week and discussed what we could accomplish together, what kind of burning questions we had, the questions that we needed to turn our attention to. That was really important because we didn’t have sufficient education in a political sense, and we didn’t have enough new ideas. The youth organization gave us the opportunity to discuss, create, and publish. Then for the first time we openly proclaimed that we had our own coat of arms, our own non-Soviet flag, and that we had our own rather rich history that was withheld from us.

    OS: Since your “Belarusian platform” was not merely about language, but also about a worldview and civil stance, I would like to ask you about the concrete topics you were interested in as a literary scholar.

    AB: As a specialist in literature, I published several articles about the banned poetry, several dozen poems by the Belarusian classic Yanka Kupala. For the first time in many years, I analyzed the works of Belarusian writers and social activists whose names had been erased from the history of the cultural and political life of Belarus.

    OS: Why did they ban Yanka Kupala’s poetry?

    AB: Because it was anti-Soviet. In 1918 he wanted an independent Belarus. He was very wary of the arrival of the Bolsheviks. When the Bolsheviks were not there he wrote the marching hymns for the Belarusian army. Yanka Kupala wrote also other poems which were banned for touching on this national problematic.

    OS: I would like to ask you about the Perestroika period. What did Perestroika mean for Belarus? How was all this political activity connected with Perestroika? Was it Perestroika that make this all possible?

    AB: Yes. All of our activity became possible within the framework of Perestroika, but it seemed to me that we went a step ahead. The generation before us, born right after the war, were also rather active. But they fell under repressions. When the so-called nationalist groups were discovered in the 70s, some of the activists were fired from work, others were removed from their studies, and they even revoked some scholar’s PhD. It also affected artists and historians. Some were permitted to publish and put on exhibitions, but some were prevented from doing the same. Therefore, there were significantly less activists left from that generation, and psychologically they were impeded by their previous negative experience. In the 1960s and 1970s they were in deep defense and constantly under surveillance. When Perestroika began in the mid-1980s they were very wary, and did not believe it was truly happening. Based on their life experience it was not clear to them where this was all going. As for us, well we weren’t afraid and flew forward, and we tried as best as we could to accomplish and seize this opportunity … Although it wasn’t clear to us either how it would all end. Would they arrest us? Would they stop us, or not? In 1987 and 1988 the situation was still very uncertain. For example, they were expelling me from my graduate program. There was a big meeting at the Belarusian Academy of Sciences where I was a graduate student, and the scholar and writer Ivan Naumenko figuratively said, “I can’t understand how one graduate student could screw up two members of the Academy and eight professors!”

    OS: Why?

    AB: Because in 1988 I was among the organizers of the demonstration called Dzyady (Дзяды), and was detained, brought before a judge, and fined.

    OS: What kind of demonstration was it? Can you explain what Dzyady means, and where you got the idea?

    AB: The word signifies the traditional commemoration of our dead ancestors. It’s an ancient holiday of sorts that we have for the departed loved ones in our region, in Poland, Lithuania, Ukraine, and Belarus. In the 19th century Adam Mickiewicz who was from Novogrudok wrote an entire poem called Dzyady. Evocation of this holiday was one of the ways we used to show the terrifying results of Stalin’s repressions. We first organized a demonstration in 1987. It was fifty years after the mass repressions of 1937, and we demonstrated without state permission. We did however apply for authorization beforehand, but the authorities didn’t even respond. Unexpectedly two hundred people showed up. It was one of the first of those kinds of actions that started to happen in Minsk after a long period of time when nothing was happening.

    OS: How did you get the word out?

    AB: Well, by word of mouth between informal organizations, writers, artists, and among those who were hooked by the idea, a lot of people who heard about it joined in.

    OS: You protested the Stalin era repressions by using a traditional holiday. How did the authorities react to your activities?

    AB: Yes. It was, of course, unexpected. The authorities had to outlaw the holiday. Even though we didn’t officially celebrate it in the Soviet Belarus, it still wasn’t explicitly forbidden in the Soviet times. The authorities did not know how to react. They ended up in a very uncomfortable position. We gathered in the center of Minsk at the monument to Yanka Kupala, and we read the names of the poets who were shot on October 30th, 1937, some writers spoke, one of our older friends sang a song. Our guys from “Tuteishye”  read poetry. It all turned out quite beautifully.

    The next year in 1988 when we started organizing Dzyady, the authorities did not permit our demonstration. We had a month-long fight with the authorities where they tried to somehow prohibit and smear our actions. They formed a security detachment in charge of protecting the monuments in order to control us, and it didn’t work, but in the end they managed to prohibit us. I was one of the organizers along with the poet Anatoly Sys, who also applied for permission for the demonstration. They summoned us to the prosecutor’s office, and officially warned us that we would be held responsible for the possible mass disorder to come. It really felt like they could just imprison us at any moment, provoke some kind of disorder, and that would be it. We put up the announcements all around the city. We secretly printed twelve thousand little invitations somewhere in the institute of physics, where they printed drafts. We had friends there. But the authorities made the mistake of announcing on the radio that our demonstration was prohibited. This is how it became well known from that moment on. As a result, much to our surprise, in 1988 thousands of people came to celebrate Dzyady. The year before, in 1987, only two-hundred people came, but in 1988 ten to twelve thousand people showed up.

    OS: That was already after they opened the NKVD execution site in Kurapaty? [3]

    AB: Yes, that happened soon thereafter. Information about Kurapaty was made public in the summer of 1988. The information was already gathered and prepared a year before. Zenon Poznyak, the man who had been investigating this issue, did not reveal the truth about Kurapaty earlier because he was afraid that all the evidence could be destroyed. He gathered testimony from eye-witnesses from neighboring villages. He gathered material evidence from the digs of the “shadow” diggers, who were probably looking for gold in the mass graves. There were bones along with the rotting clothes of the executed scattered about. But most importantly, his article about Kurapaty was based on the memories of the people who were young at the time, or even young children, and who saw all this with their own eyes. The area was surrounded by tall fences, but children climbed over it, hunting for berries or mushrooms. They would witness the executions, but didn’t speak of it their entire lives. People who lived nearby would hear the gunfire from the executions, and some of them even had family members in the NKVD who took part in the killings. Poznyak gathered dozens of pieces of living evidence and held on to it in absolute secrecy, and once the opportunity arose and the newspaper “Literature and Art” started publishing bolder things during Perestroika, such as banned poetry and information about the repression of writers, he arranged with the editor to publish his materials… When they published his article it was, of course, an explosion.

    OS: It was one of the very first revelations about the execution sites, right?

    AB: At the same time there were findings in Ukraine and Katyn. And it became very topical. But for us it was, of course, the place of foremost significance because the scale of it was enormous. Tens of thousands of people were executed there.

    OS: Did you learn about this from the newspaper?

    AB: Yes, and that newspaper had an edition of twenty or thirty thousand copies, which is pretty large for Belarus. Peole read it to pieces. It was a bestseller, and that information of course significantly changed society. The truth about these mass executions resonated with people in a powerful way. Initially, we didn’t plan to lead the demonstration Dzyady of 1988 to Kurapaty. We gathered at the Moscow Cemetery, where famous Belarusian poets and artists were buried, but the militia dispersed the demonstration with batons and tear gas, and detained dozens of people, including me. It felt like a catastrophe to me, we didn’t even get to hold our rally. However, people organized themselves and divided themselves up; and then one group went to Kurapaty and another group of a few thousand people went to an open field on a hill and held the rally there. There were so many people that militia didn’t know what to do with them.

    The community’s reaction was completely different from what the authorities expected. The dispersion of the rally caused intense indignation and anger, and from that moment one a democratic movement began rapidly developing, quickly becoming a social and political movement that had as its goal the removal of the communists from power. By not admitting their crimes the authorities were in fact confirming that they were the successors of the Stalinist ideological foundations of the 1930s. This was a punch in the government’s gut. Plus, at the time the economic situation was so bad that people had nothing to eat. That combined with the state’s desire to cover up the Chernobyl catastrophe, and our efforts to reveal the true picture of what happened there caused everything to evolve very quickly. This all lead to the signing of the 1991 Belovezha Accords. In 1990 the first elections were held, and a few democratic deputies entered the Supreme Soviet. It was a small group, but they were very active. They managed to force the Supreme Soviet to implement democratic reforms in 1990 and 1991. With the fall of the Soviet Union in 1991 Belarus at last became an independent state.

    This all happened right before our eyes. If in 1987 we were an underground organization, four years later in 1991 the Soviet Union collapsed, and I became a deputy of the Minsk City Council, I was twenty-nine years old. We had real opportunities to influence the general situation of our country at various levels.

    OS: You became known in connection with Kurapaty and through the organization of these demonstrations?

    AB: Well, in narrow circles.

    OS: Clearly the circles weren’t that narrow if you were elected for city council…

    AB: No, it wasn’t because of Kurapaty. First, they elected me as director of the Literary Museum of Maksim Bogdanovich, who was a classic Belarusian writer, and a modernist. People knew me as the director of the museum, of course, because earlier I worked at the Museum of Belarusian Literary History. There was an election campaign throughout the Soviet Union. Directors were elected at all institutions and levels, directors of factories, businesses, collective farms, etc., and so they happened to select me as the director of the museum.

    OS: Did you have to stop your graduate studies then? Or did you complete them?

    AB: In 1989 I completed my graduate course work and wrote a dissertation, but I did not defend it, because I became the director of the museum. I ran for municipal elections as part of the Belarusian People’s Front, which was a social movement for Perestroika, and as the director of the museum. The Belarusian People’s Front was a proto-party, we can’t even call it a party because it contained people with many different political views, but it was a large democratic movement. We actively advocated for our campaign, and people believed us and voted. I was, however, very young, but that’s what it was like back then.

    OS: I am interested in your experience with official state institutions such as the university, academy, and the museum… On the one hand we have these governmental institutions and on the other hand we have your informal cultural-political activism. How did the two coincide? Did they allow you to do all that within these state-sponsored organizations?

    AB: Well, at the university they didn’t come around to expel us by the time we graduated. The KGB did however show up right after our graduation in 1984, but they were too late. They were trying to kick me out of the graduate program at the Academy. But two weeks after they said in a general meeting, “that’s it, you’re expelled!” I went to the director to pick up my documents and he said to me, “just go on working, Ales, go on working.” They played as if they were expelling a black sheep for the Academy’s party committee and for the KGB, but in fact they were protecting me. I was lucky. But the minister of culture didn’t touch me at the museum. I looked at the museum as a platform for realization of my initiatives and ideas.

    The museum is in the center of the city, a great location. And everybody was gathering there, and all kinds of things were done there. Uniates gathered there, along with Christian democrats, democrats, youth organizations, the Belarusian People’s Front, and worker movements, and they even held various kinds of concerts there. In the early years the first independent democratic Belarusian newspapers, “Svoboda” (Freedom) and “Nasha Niva” (Our Pasture), worked there. I allowed all the democratic groups and initiatives to use the museum’s address for legal purposes. Several dozens of NGOs were registered in a small room of just eight square meters. The minister of culture did not bother us. The major thing for them was that we did our work in a professional manner. And we worked well, because I had a young collective that was prepared, educated, and motivated to work hard. We opened new branches of the museum, and installed new expositions and exhibitions. We worked really hard, and others took us as their model. We even did an exposition at the museum of Maksim Bogdanovich in Yaroslavl, where the Bogdanovich family lived at the beginning of the 20th century.

    OS: How did you go from that type of activity to human rights? And why in 1996? At that time you created a human rights center, what was the reason for doing that?

    AB: Already back in 1988 we organized “The Martyrologue of Belarus,” it was an organization dedicated to memorializing the Stalin era repressions. We were collecting information about the repressions. One of the problems our organization was addressing was the question of how to memorialize Kurapaty, and so gathering information, preserving the memory of the repressions, finding survivors and helping them has been part of my work since 1988. Then when I became a deputy of the City Council I joined the city commission for the rehabilitation of the victims of political repressions. We worked on the rehabilitation of the people who, for various reasons, haven’t been rehabilitated yet.

    OS: Did you have access to KGB documents?

    AB: Yes, the access to the documents of the victims was guaranteed by the format of our work. If there was an official request from people, then KGB would give us information about that person, and we would make decision about rehabilitation, and the decision would become legal.

    OS: And now that committee probably doesn’t exist?

    AB: No, that committee has been disbanded as soon as Lukashenko took power. Everything was dissolved.

    OS: But the committee had worked for several years?

    AB: Yes, yes. And while I was a deputy, this all was interesting and important to me, and I took part in it all, but…

    OS: 1996?

    AB: Lukashenko rose to power in 1994…

    OS: And you created a human rights center in 1996?

    AB: Yes, he came to power in 1994, and the repressions began. After the first crackdown on demonstrations in 1988, they practically ceased to combat the demonstrations. There were some clashes with the authorities, for example in 1990 there were an anti-communist demonstration. They opened a criminal case about that demonstration, but they still didn’t disperse it. The first demonstration that they actually dispersed in 1996 was a march called the Chernobyl Way (in Belarusian, Чарнoбыльскі шлях), dedicated to the problem of recovery from the atomic disaster in Chernobyl. These marches took place annually since 1989, when the Belarusian People’s Front raised the Chernobyl issue, and showed that tens of thousands of people were still living on contaminated land, where they shouldn’t have been living. The government was concealing this information, and when these facts were made public it really angered people, and so in 1990-1991 the government was forced to relocate those living on polluted land. From that moment on, the Chernobyl Way march became a tradition, and we held it every year to memorialize the catastrophe in Chernobyl. In 1996 the protest took on an anti-Lukashenko character. About forty-thousand people gathered, which is a pretty large crowd for Minsk, and they mercilessly dispersed it. And yet again we found ourselves in the same situation as we were in 1988. We organized a quick response team to gather information about people who were arrested because they would hide them, and no one knew where they were held. Generally, people were imprisoned on administrative charges, two organizers were imprisoned on criminal charges.

    OS: And what were these charges?

    AB: Public disturbance. “Public disturbance” was a provision of both administrative and criminal law. I attended a few of these legal proceedings as a witness.

    OS: Not long ago Arseny Roginsky, the late director of “The Memorial,” spoke of the direct connection between the historical research and political activism, and about a connection between the collection of facts about the crimes the government committed against its citizens and the fight for a different democratic form of government that respects and defends human rights. This is exactly the connection I see here, the connections between recognizing the rights of those killed in Kurapaty and the political activism recognizing the rights of the living citizens and your human rights work for acknowledging the victims of historical and of contemporary crimes of the government. What was your experience in this human rights organization in 1996? How long has it been around?

    AB: We have been around for twenty-two years. We started to develop it as a public initiative with practically no money at all. We worked for two years as volunteers as we looked for money. I just grabbed a plastic bag and walked around rallies, and people would toss me “bunnies” (money) – that’s what we called Belarusian currency because some animals were printed on it. Bags because of the inflation money was cheap. We would give out this money to the families of the victims of political repressions, because ever since 1996 there was essentially never a time where there were no political prisoners. And that’s how the bitter opposition between civil society and government began, and it continues to this day.

    OS: And the government didn’t object to the existence of this organization?

    AB: It was an informal initiative. At first, in 1997, we registered as a city center. It was possible back then. I still worked as the museum director then, and was detained for the first time in 1997 for 24 hours. Several months after I was released, they summoned me to the ministry and said, “Choose; either you continue your political activities, or you are the director, because we’re being strangled from above.

    OS: And for what reason did they detain you?

    AB: Because we picketed and protested against detaining the activists. They detained me for 24 hours pretty often, or fined me. There were literally dozens of people being detained. I was younger then, and I was eager to fight. The years 1997, 98, 99 and 2000 were very rich in activism.

    OS: Those were very liberal years in Russia.

    AB: Those were terrible years for us. We were losing one position after another, and it all went along with the tightening of laws. They created even harsher laws regarding public activism, dissemination of information, and public organizations. The first re-registration process began in 1999.  But still we continued developing as an organization, because there was such public …

    OS: … support …

    AB: Need, I would say. We simply saw that our work was needed.

    OS: And did you accomplish anything? Did you see any results? Did they release anyone?

    AB: Yes, yes, we even had the opportunity to participate in the legal criminal proceedings as public defenders. But then they forbade us to act in this role. We participated in proceedings, we connected with the defense lawyers, and searched for help for the victims of political repression. In 1998 I definitively left the museum and started to work professionally at the Human Rights Center “Viasna” (Spring). We constantly had problems with the authorities. They searched our offices, confiscated our first computers, and oppressed us in various other ways. But the group of people that had gathered around me were truly brave.

    OS: And how did you financially support this organization? Through donations?

    AB: We received our first grant in 1998. And from then on we searched for legal grant opportunities, whichever we could find. At first it was legal, but eventually the government closed everything and created laws making it impossible. No human rights organization has received a single legal grant since 2000. All of that help is called “humanitarian aid” and it passes through the Office of Presidential Affairs, and nobody ever gets anything. Neither the Helsinki Committee, nor journalist organizations, human rights organizations, nor us for that matter, have received any type of official support.

    OS: Are there many human rights organizations in Belarus?

    AB: There are quite a few because there is a need for such organizations. In spite of the fact that the government is constantly trying to limit us, there are people who take the risk and continue their work, thank God. I’m not just talking about people in our organization, there are others too. Generally, in the last few years young volunteers have become more and more numerous. For a long time there had been a problem that young people simply didn’t show up. They preferred to get involved with political youth organizations, but now they volunteer for various human rights organizations, and that is really good. This is not political activity, but all the same it is activism and what they are doing is real and effective, and people see that.

    OS: And you were the leader of “Viasna”?

    AB: Yes, I am still the chair of this organization. We have a council and regional branches. We are active in sixteen cities all over Belarus. We are always looking for support not just in Minsk, but also in every region in Belarus. That fact is important to us because it gives us the opportunity to gather information about human rights violations, and to monitor elections all throughout the country. We work closely with other human rights organizations. The Belarusian Helsinski Committee has branches in various cities. Then PEN International and the Belarusian Association of Journalists defend the freedom of the press and free speech, along with directly defending journalists themselves. We also work in tandem with other human rights organizations who might not be as strong as we are, but nevertheless are quite active. All of this is important for the creation of an environment that is conducive to human rights. It is easier to kill one single organization, but our statements regarding political prisoners are usually signed by ten to twelve different organizations. When many different human rights organizations all declare someone a political prisoner it is very difficult to refuse such declaration. Working together is crucial for us, and life simply forced us to stick together, and for the time being that is how we carry on.

    OS: What lead to your arrest specifically, … if I may ask?

    AB: Of course. In 2003-2004 the government purged the sector of nongovernment organizations, just as they did in Russia in 2012. In Russia they called them, “foreign agents,” here they withdrew various organizations’ registration and effectively liquidated them. They conducted a concentrated campaign. With the decision of the Supreme Court they eliminated the registration of about three-hundred nongovernmental organizations. And we were affected by this purge. They took away our registration in 2003. As a result, we were yet again an informal organization. For me, psychologically, it was not a catastrophe, because back in the 80s I had experience with exactly the same situation. Back then there was no registration and everything was done de facto.

    OS: Under what pretext did they close your organization?

    AB: They used a rather formal pretext. The government found fault with us for allegedly breaking law as we observed the elections in 2001. Two years went by, and then they took away our registration. We turned to the United Nations Committee on Human Rights. The Committee found the Belarusian Court’s decision to be unfounded. They requested that the Belarusian government renew our registration, but the government, of course, did nothing. They simply ignored the U.N. Committee and their request regarding our registration. In 2006 the Belarusian authorities criminalized activities organized by unregistered organizations, and things suddenly became really dangerous.

    They started to investigate mainly young activists, those involved in informal youth organizations and groups. They still considered whether to harass us or not, but for the time being they didn’t. In 2007-2008 a particularly strong wave of propaganda against us came out in all the government owned means of information, including television, practically implicating us as enemies of the ruling power. But at that same time, in 2007, the government began flirting with the European Union, and Lukashenko was required to release all political prisoners, and so they left us alone as well.

    This is how it went on until the presidential elections of 2010 which ended up in a crackdown on all oppositional parties, and many people were imprisoned. Dozens of criminal proceedings were held against political activists, and in the midst of that mess they did not forget about human rights organizations and set their sights on our organization. The problem was that the financial grants were transferred to our accounts in Poland and Lithuania, and we reported directly to these foreign grant giving foundations and organizations. The KGB gathered information on the accounts that belonged to me and to the deputy director of our organization, Valentine Stefanovich, and the Belarusian Ministry of Justice appealed to the governments of Poland and Lithuania. In Poland the General Prosecutor’s Office dealt with this issue, and in Lithuania the Minister of Justice was responsible for doing the same. The Department of Financial Investigations, responsible for conducting the formal review, ended up receiving this information because there was an agreement between these governments about the information exchange in the struggle against corruption. But it was clear that on the Belarusian site, the KGB was behind the Ministry’s audition request.

    OS: I heard that the Polish government later apologized for this.

    AB: As did the Lithuanian government. They didn’t think that their bureaucratic system under the auspices of the fight against corruption would give up financial information about human rights defenders and their organizations. It was a shock for them too, at least in a political sense. They made an official apology to my wife because I was already in prison.

    OS: And what were the accusations against you?

    AB: Tax evasion, because the money that went to the organization passed through my personal account and through the account of my deputy. Well, at least what they found. The sum found in Valentin Stefanovich’s account was not large enough to constitute a criminal offense. They punished him through an administrative procedure, whereas the sum in my account was larger. They seized all of our grants and the total sum was large enough to incur a criminal offense for tax evasion. However, before the trial they gave me the opportunity to escape.

    OS: Escape, you mean emigrate?

    AB: Yes, they just wanted me to leave. Then they would be able to say that this so-called human rights advocate is actually a vicious criminal, who doesn’t pay taxes, and that’s why he left the country. That is how they wanted to compromise my reputation and the reputation of Viasna, and of all human rights organizations. They waited for a month and a half but I didn’t go anywhere. I didn’t do anything on purpose, because I knew that there would be no way to defend my reputation from abroad. No matter what, you’re guilty, if you ran away. I was happy with the court hearing because it came out that this was all a KGB operation. The financial review at the core of the process was indeed requested by the KGB. The information and the xerocopied documents, their argument was based on, were obtained illegally. We didn’t know that! And the KGB documents were all part of the trial. They showed the documents to me and throughout the trial I had been reading them. The documents demonstrated that the head of the KGB wrote to the state inspection agency: “I am requesting permission to review the computers that were confiscated from the “Viasna” offices. Perhaps you would find information about Bialiatksi and Stefanovich that would serve as the foundation for criminal charges against them.” There were such documents in our case. Everyone was in shock. The trial made it clear that there was a meeting between two KGB officers and a prosecutor where they discussed tactics concerning the review of our accounts. All of this information came to light during the trial, as did the documents proving that money from the Dutch government and from our Swedish partners was given in support of our organization’s activities. Still they considered the money to be part of my personal income, even though on the eve of the trial the Dutch government sent an official letter where they confirmed that they received complete records on how the funds were spent, and had no complaints against us. It also became clear during the trial that the majority of the grant was spent in Lithuania.

    By sending me to prison the government and the KGB thought that they were sending a message to the entire human rights community in Belarus – look, the same will happen to you if you continue. At that time we were very active because dozens of people were sitting in jail. We were crying out in their support at the top of our lungs, appealing to international organizations such as the OSCE, the European Council (even though we are not the members of the European Council), and the European Union, to do something to get our government to release political prisoners.

    OS: Did you return to your literary activities in prison? You published your first book after graduation, and there was a kind of break, or did you continue to write throughout that period?

    AB: There was a while when I stopped writing at all. It felt irrelevant, as if the printed word’s time had passed. Nevertheless in 2006 I published a book Пробежки по берегу Женевского озера (Jogging Along the Shore of Lake Geneva), a collection of essays about human rights work, observations, and various travels – so I was still writing. After ending up in prison I suddenly had the time that I didn’t have before … However, paradoxically, I actually didn’t have much time there at all.

    OS: Imprisoning intelligentsia is dangerous because in prison they start writing … Think of Gramsci…

    AB: If they give them that kind of opportunity, or at least don’t bother them … I was writing and sending off what I wrote in letters, although all letters had to pass through a censoring process, and was sent out with a stamp “checked,” or returned.

    OS: So you wrote in the form of letters?

    AB: Those were letters that I wrote to my colleagues. Two topics were taboo: anything about Lukashenko, or about the prison location, which at first was the pre-trial detention center and then a penal colony. But we were allowed to write, for example, memoires. I practically wrote an entire book-length essay about the troubled period of 2010 before I was imprisoned, more precisely before August 2011. The book was called Ртутное серебро жизни (The Silver Mercury of Life). There was not much there about Lukashenko. If I wrote about him I would mask it by either writing “he” or something similarly ambiguous. I depicted those troubled months, and each moment connected with their efforts to force me out of Belarus, and everything about the arrests, and the crackdowns on demonstrations during elections. I depicted it all in detail. The searches were endless. They searched our offices three times after the elections. They immediately ripped all of our computers right out of our offices the first night after the elections. A month later they raided our offices again. We were on the ground floor, so my colleagues took their laptops and jumped out the windows in a neighboring kitchen. They evacuated. Valentine Stefanovich and I opened the doors together. Much to the surprise of the KBG agents they found an empty room. Afterwards they summoned me to the Attorney General’s office and gave me a warning. Then they searched us again. I was in Vilnius when they searched us that time. I wildly screamed on the phone, “Don’t let them in!” When my colleagues gave phone to a militia man I yelled at him, so he started apologizing, “oh well, they sent us here…” Strange.

    OS: So being imprisoned gave you time to document all this history.

    AB: Yes, and support of my colleagues…

    OS: During your time in prison did your organization continue its work?

    AB: Yes, and this was the strongest moral support for me, because the government’s goal was to destroy our organization, and they failed to do that. The organization remained, and no one left. Everyone continued to work even though they confiscated our office space. The office was registered under my name as personal property, and so they confiscated the apartment. This was a huge challenge for us. We did not know if the organization would survive or not. I did my best to support them through my letters. I would tell them that I was fine. “You guys keep doing your job, and I’ll keep doing mine – sitting in jail.” All that I wrote in prison can be divided into two parts: everything that I wanted to say about literature, because during that time my desire to write about literature came back, and the other part is made up of memories and essays about what was going on in the country. These were memories about the 80’s and 90’s. There I recorded everything that I’m telling you now.

    OS: It is considered that you introduced the term “Belarusian prison literature”?

    AB: I don’t know if I introduced it or not, however I did write about our poets Vladimir Negliaev’s and Aleksandr Feduta’s first books; they were arrested in December of 2010. They wrote their first books in prison, and when I was imprisoned they sent me their books. I received them and wrote a short essay about them, and recalled that in the past other Belarusian writers wrote from prison as far back as in the Tsarist times, not to mention those who wrote from prison under Stalin between the 30’s and the 50’s.

    OS: So Lukashenko, so to say, revitalized this literary genre …

    AB: In that essay I first used the expression “Belarusian prison literature,” and it took on. After that other political activists who had been imprisoned published their memoires. We then started publishing an entire series of Belarusian prison literature. Six books came out, all written by former political prisoners. We started this literary process.

    OS: It is interesting how in your story the development of literature directly intersects with politics, and how in response to politics new genres appear or reappear, just as the genre of “martyrologue” appeared after the discovery of Kurapaty, and how this genre of prison literature came to be…

    AB: That’s not new. A rather large corpus of similar literature exists in Russia, not to mention the books written by Andrey Marchenko, Vladimir Bukovski, Pyotr Grigorenko, and the memoirs of Andrey Sakharov, along with other political prisoners such as Eduard Kuznetsov, and Yuri Orlov among others. They left behind very powerful books that became part of the canon. They aren’t just any ordinary notes. They have been a source of amazement for me for a lont time. I wanted that we also have something similar in order to record what is happening right now, because right now in Belarus this period of political persecutions is not over – it continues. It is vital that this remains in people’s cultural memory.

    OS: You found a kindred spirit in the literature of Russian political dissidents.

    AB: Yes, and not only in Russia. I admired the collection of poetry called Песня прощания (Farewell Song), written by the former Turkmen minister of foreign affairs Batyr Berdiev who was imprisoned in 2002 by the Turkmen government; he then simply disappeared. But he managed to prepare a small collection of poems which by some miracle made it out of the Turkmen prison and was released in Russia. Aesthetically speaking the poems are not strong, Russian, after all, is not his native tongue, and he wrote there under whatever conditions, but this is definitely a literary testament to the hundreds, if not thousands, of political prisoners in Turkmenistan. Almost twenty years went by and still no one knows Batyr Berdiev’s fate; we do not know if he’s alive or dead, imprisoned or free. These things concern our entire post-Soviet community.

    And my Georgian friends. Levan Berdzenishvili, a politician and social activist, wrote his memoirs about the 1980’s. He still managed to experience that period before they imprisoned him for three years. Not long ago, he wrote his memoirs about the 1980’s, and his prison entitled Святая мгла: последние дни ГУЛАГa (The Sacred Darkness: The Final Days of the GULAG). This tradition comes from the severe realities of our lives, starting in the Soviet Union, and then under post-Soviet regimes where a confrontation between civil society and authorities continues to this day.

    During my time in prison I wrote, and wrote, and wrote. Some of what I wrote was published while I was still in prison. Some of it is still coming out now, because my goal was to write at least one page a day. While in prison I worked in a garment factory as a packer, and that took up most of my time. Whether you liked it or not you had to work for eight hours in addition to inspections. We had one day off, Sunday, one day to pull yourself back together. On Sundays there was always something to fix, or clean, or what-have-you. There was almost no free time. I adapted, and had about one or two hours a day, sometimes three, where I responded to letters and managed to write my one page a day.

    OS: Three-hundred and sixty-five pages a year.

    AB: Yes, each year, and I spent almost three years there, so I wrote quite a few pages. That kind of thing doesn’t happen when you’re free.

    OS: It is ironic that your imprisonment not only gave you time to record all of this, but also drew international attention to human rights in Belarus, and to you personally, resulting in you becoming well known throughout the world in addition to receiving many international awards.

    AB: These awards were sent rather as “black spots” to the Belarusian government: “You should do something! You should release political prisoners, and not just Bialiatski, but others too…” These awards were acts of solidarity and pressure on the Belarusian government. I understood perfectly well that the prize wasn’t as much for me as it was a tool to draw attention to human rights issues in Belarus. The same thing happened with Oyub Titiev in Chechnya. In 2018 he received the Václav Havel Human Rights Prize from Europe, and I received the same award earlier in 2013. I was its first laureate. After me my good friend from Azerbaijan Anar Mammadli won the prize. He was involved in monitoring elections and he too spent time in prison. In 2017, before Oyub, the Turkish lawyer Murat Arslan was awarded the prize, who is in prison now. It is a sad prize to win… It turns out that they only give this award to prisoners and those who have seriously suffered….

    OS: All your friends… Your biography gives quite a strong impression of fearlessness from the beginning to the end. Where does this fearlessness come from in a society built on fear?

    AB: Well, it is difficult to talk about fearlessness, because we are all products of the society in which we live. Still there are some compromises that you make in life. They’re there and they’re not going anywhere. Uncompromising people don’t last long in Belarus, or in any authoritarian societies. There system either eats them up or tosses them out.

    OS: But you knew and understood that you could be arrested at any moment during any of your activities…

    AB: I was intensely motivated to change life for the better, and to do my best to at least do something, and that motivation remains to this day, I want to do something more with the time I have.

    OS: Does that motivation come from your family, or just from your personal character?

    AB: I don’t know. Maybe it comes from a little bit of everything, because I wouldn’t say that my family had a strong spirit of opposition. At the same time my family was cold toward the Soviet Union. My mother just laughed the Soviet reality off whenever she could, even though she was a simple worker. My father however perceived the Soviet power as something foreign. They were forced to leave Belarus because practically everything was taken from them. They escaped Belarus because of the famine that occurred in Belarus at the end of the 30’s. My father suffered from serious trauma his whole life, because at one point they had a financially secure life, but then they ended up fighting for survival. I remember how they dragged him to join the party. He was also a worker. They would come and say, “Come, Ustinovich, you’re such outstanding worker.” But he would always refuse: “No, I’m not worthy.” And then he would discuss it with my mother: “They must think I’m an idiot.” As to my mother, it bothered her that he would have to contribute to the party from the worker’s salary.

    OS: The Soviet authorities prohibited any kind of grassroots initiative, along with any kind of activism, and yet your whole life is based on activism and various kinds of initiatives and organizing activities; where does this come from?

    AB: It happened gradually. All of my years at the university were a farewell to the Soviet ideology and customs, which had been hand-fed to us since birth. Everything happened quickly, but unevenly. It was not as if I just woke up as a different person one morning. I was in the communist youth party until 1988, until it almost fell apart. It was my way of compromising with Soviet reality. If I were truly and honestly one-hundred percent anti-Soviet I would have left that party a lot sooner, but I didn’t. What really opened my eyes was stumbling upon the archives where I saw the names of banned writers, like Ales Garun, a wonderful Belarusian poet who wrote at the beginning of the twentieth century. This made an impresssion. Garun was banned because he was a member of the Socialist Revolutionary Party (SR), and one of the members of the Belarusian Military Commission, which was in charge of creating the army of Belarusian People’s Republic in 1918-1920 to protect Belarus as an independent state. He was simply erased from literature and history. No matter that he served ten years of hard labor in the camps under the Tsarist regime. They imprisoned him when he was barely twenty years old for his work in an underground printing house of the Socialist Revolutionary Party in Minsk. No matter that he became a classic of Belarusian literature and the Belarusian literature of the 1920’s all the way until the Stalin era is unimaginable without him. No matter what enormous talent he had, from 1931 to 1988 this writer was simply erased from our culture. He was only published abroad. And there are dozens of other names that met the same fate. Learning about this shocked me. It was clear that we were being robbed of what we should know, of what should be a normal part of our culture. It incited protest.

    OS: Ironically, activism, the desire to change one’s situation was presumably at the foundation of Soviet ideology. Revolutionaries wanted to change the Tsarist regime, and free many national minorities from oppression…  But liberating revolutionary ideas of the pre-Bolshevik Russian Empire ultimately transformed into the rigid Soviet dictatorship. To a certain degree your opposition to Soviet oppression goes back to these liberating, revolutionary ideas of the many revolutionary groups fighting for independence already back in the late nineteenth- early twentieth century…

    AB: Yes, we also wanted to change Belarusian reality but then Lukashenko came over our shoulders…We still have not achieved our desired outcome. For the moment everything remains uncertain.

    OS: Is there any hope?

    AB: Well, yes, of course. But it is a slow process. At the end of the 80’s and the beginning of the 90’s we thought we just needed to take one decisive step forward, then the democrats would take power, and all the changes would be final. We thought everything would go the same way as it did in the Baltic countries and in Poland. We saw it happen. These were all demonstrable examples of positive change, that all took place in countries belonging to the so-called socialist camp. It seemed to us that we just needed a bit more time and then it would all change for us. But no. A significant portion of the population lived under different laws, about which Svetlana Aleksievich wrote in Second Hand Time. The majority of people perceived the collapse of the Soviet Union as a catastrophe. For us it was a liberation; the prison of nations fell apart in the end. We couldn’t imagine that this would happen in our lifetime. But 1994 was like being doused in ice water. It was only then that I understood that we had a long march ahead of us. It was a process of returning to the past. It was clear that Lukashenko came not just for a year or two. So we had to be patient and simply do what we felt we should do, and the rest would be what it would be. He was almost impeached in 1996. History could have drastically changed, but not much depended on us. At that time everything depended on the deputies of the Supreme Soviet, and those who were in charge of making decisions. Unfortunately, they were not able to actively prove themselves, and as a result Lukashenko stayed in power and usurped this power completely. We then understood that this will be a long process, and in an open confrontation one would only lose. It means we needed different methods, based on profound societal changes. If we don’t help society to change, after one Lukashenko will simply come another. We see this happening all the time. When the first Orange Revolution took place in Ukraine President Viktor Yshchenko had all the power to make changes. What exactly kept him from enacting democratic reforms? The elites surrounding him were not ready. And the society did not force him to make these changes, as a result they returned to Yanukovich, who practically led Ukraine to catastrophe.

    OS: Approximately what happened also in Russia…

    AB: And in Syria? Revolutionary spirit passes quickly, but the social problems remain. That is why during the last few years our programs have been directed at supporting democratic activists, education, and at changing such crucial things as the death penalty and torture, which are integral parts of this regime. If changes occur in people’s minds, and in their system of values, only then we will win, but such changes won’t happen in one year’s time. We have to work calmly and diligently and there will be enough work to do for a very long time. Yet again, we see how quickly people return to reactionary positions even in democratic societies in response to problems which have very little to do with you or even your country. One million refugees appear in Europe, and bam! suddenly right parties rise to power. Who would have thought that in France of all places Le Pen’s team would come in second?

    OS: Without conscious solidarity nothing will work out.

    AB: And that is precisely why we continue with our work and will work further.

    OS: Thank you.

    [1] Both words exist in both Belarusian and Russian, but have different meanings.

    [2] In both cases the two words are almost identical, but have different meanings in Belarusian and Russian. For instance in Russian the word “midnight” is almost the same as the Belarusian word for “north.”

    [3] A Stalin era execution site in the forest outside Minsk.

  • Unearthly Sovereignties and the Unsovereign Earth:  Arne De Boever in Conversation with Anthony McCann

    Unearthly Sovereignties and the Unsovereign Earth: Arne De Boever in Conversation with Anthony McCann

    In Shadowlands, poet and non-fiction writer Anthony McCann writes about the 2016 occupation of the Malheur National Wildlife Refuge (in Eastern Oregons remote Harney County) by Ammon Bundy and his followers, a group McCann refers to as The Bundyites. McCann, who teaches creative writing at the California Institute of the Arts, describes and analyzes with generous feeling and a razor-sharp intelligence the occupation: its history, politics, philosophical grounds, assumptions, and consequences. The result is a work of in-depth political journalism that helps its readers navigate the current times.

    In this interview, literary critic and political theorist Arne De Boever speaks with McCann about the politics of his book. While they share an office at CalArts, the interview was conducted by email as 2019 was coming to an end. 

    Arne De Boever: We live in complicated times, and Shadowlands strikes me as a book for these times. I struggle to describe the contemporary moment. “Confusing” is a word that comes to mind: it seems many of the old terms no longer make sense—many of them are being reevaluated—and that we haven’t quite come up yet with the new terms that will help us make sense of our situation. It’s no coincidence, I think, that the dictionary and the encyclopedia have become popular book formats recently in this time of disorientation: people need help redefining old terms or designing new ones to navigate the world. Or: people no longer know how to narrate the present. News often reaches us as leaked information, without a framing narrative, as if we’re no longer bothering to understand it all. When/ If narrative is provided, it’s often ideologically slanted, on both the “right” and the “left” (to use two terms that are also under pressure today).

    Shadowlands stands out in this situation as a book that does provide a narrative, one that is, I would say, open-minded and honest. It does not bother with many of the traditional distinctions, even if it often goes back to tradition—the foundation of the United States of America, for example. Instead, it describes situations and assesses them, with feeling but especially through careful thinking. In that sense, it’s a rare account, one that’s about the desert but could perhaps also only have come from the desert, from the point of view of a person who’s tried to distance himself to some extent from the madness of the present. Was part of your goal in the book to provide a narration, some kind of orientation, in confusing times?

    Anthony McCann: I’d say probably not in a direct way in the sense you describe, though it’s fair to say that I was trying to orient myself in some sense, through description—and descriptive narrative. I envisioned a narrative pinned to the momentum of the occupation tale and stained with its dark but also antic tonalities. I wanted a narrative that described lines, tangled-up narratives really, of political theology, of different kinds of messianic time, of different sovereign and un-sovereign geographies and of the psychic operations of history—of historical ontology. And I did hope that such a narrative would be one story of our present cultural/ political crisis, a story manifesting in deeply resonant landscapes of the American Intermountain West.

    Those landscapes, their ecologies, and the relations—and non-relations—of those narratives above—of sovereignty, theology, etc.—to these specific patches of western earth were an important part of what the book needed to describe. If there’s an orientation going on here, I hope that some of it is toward the earth where we dwell, and must learn to dwell better—and I think that does happen at key moments in the high dramas of the Malheur occupation story, where the violence and absurdity of political abstraction manifests as the tragedy, comedy, and suicidal theatre of sovereign geographies as played out in these complex living landscapes, and in the relationships and huge timescales they bring into play. For example, in the very end of the occupation, where we have the settler dream of the Bundyites reduced abjectly to a patch of occupied dirt—their piece of claimed, Sovereign Property—out in the sagebrush, surrounded by the armed men of the State.

    Q: Some of our times’ confusion congealed for me around the figure of David Fry, the last man standing at the Malheur Occupation, and one who only agreed to walk out if everyone praised him with a Hallelujah. “How had it come down to David Fry,” you write, “a long haired-young man from the outskirts of Cincinatti who had little to no familiarity with issues of public land? Like many Patriots, he was a libertarian. He was pro-gun rights, anti-abortion, and pro-marijuana legalization. Like Brand and Ryan Payne, he called himself a Messianic Jew—but he was also pro-Islam and liked to cite the Koran. The issue that seemed closest to his heart was the death of the oceans, an ongoing catastrophe he worried had dramatically accelerated with the nuclear disaster at Fukushima. Half-Japanese, Fry was also one of the only nonwhite participants in the occupation. He’d clashed with some of the occupiers over their bigotry; he’d been ready to leave over the issue, but in the end he’d thrown his farewell note in the trash. His friend LaVoy Finicum had helped convince him to stay. LaVoy was the main reason he was here in the first place” (212). Fry seems very lost, and his lost-ness reflects, I think, the lostness of many others today: people are just all over the place, confused in complicated times.

    A: And one of the reasons David seems so lost, is that he was literally lost. He had no idea where he was. He had no conception of East Oregon ecologically or historically, and never seems to have developed one. That the occupation—an occupation about land and the history of land use and public land policy—didn’t require this of him or anyone involved—including the national and international media—is symptomatic not just of a curious pathology limited to the Bundyites. It is generalized, I see it everyday, in everyone around me and I see it in myself. We have no idea where we are. We often live in and through our phones, for instance. This is a pathology that has many names. “Property” is one of the names it has in this book. David Fry’s lostness is the alienation involved in making the earth the ground of abstract value, exchangeable economic values, as well as the abstract political theology that the Bundy crew seemed to be extracting from their time on the refuge. If the Bundy thing seemed suicidal in some ways, and it did, it is partly because it is an expression of what we now must accept to be a patently suicidal civilization—and one that certainly does seem lost today. It was fitting—if horrifying—that the end of the occupation consisted of the FBI talking David Fry out of blowing out his brains, while he also argued—at the same time—on his other phone with his allies about the nature of Jesus’ sacrifice. David was arguing that Christ’s death was really a form of suicide, while his comrades were giving the familiar counterargument that Jesus, in choosing sacrifice, had transcended earthly life and therefore really chosen “life”, not death. I happen to think David wasn’t exactly wrong in that moment about Christ—this is something that troubled me throughout my devout early childhood. The form of life Christ chose does seem deathly; eternal, non-earthly—extraterrestrial even. The foundational sacrifice of Jesus, that pain ceremony and its martyrology, remains profoundly operative in our secular cultural and political life, and in our sovereign geographies. That in our panicked present the continued operation of this suicidal/ sacrificial logic manifests in more panicked forms—like the meltdown at Malheur—is probably unsurprising.

    Bruno Latour has described really effectively—to my mind—the current political disorientation regarding “right” and “left” and so forth that manifests around the crisis of the earth we are now facing, and which manifests also in the Malheur story and in the seeming political confusion of someone like David Fry. Given that the narrative of progress toward the unified and global is effectively dead, given that modernity has discovered in the climate crisis its real earthly limits, it doesn’t seem strange that the political categories organized around the debate about the meaning and goals of progress have become unmoored. “Right”, “Left”, and “Center”, partake of a certain investment in “Progress” and in certain modes of controlling, channeling progression, or preserving certain local traditional forms of life against its homogenizing force. If “Progress” is over, then our politics tends to become incoherent, because they lack a referent, they lack a future. Latour proposes that what must come to pass is that the earth itself, as a new, enormous actor, up till now insanely unacknowledged in the Modern global order, becomes the new attractor for politics—as opposed to the dream of global progress. Coming “down to Earth” replaces “Progress.” This re-mapping of the political has a certain—perhaps too easy—descriptive elegance. It lends immediate coherence to our mess. With this map we can see that Elon Musk and much of the tech world, Donald Trump, the Koch Brothers, ISIS, American right-wing evangelical Christianity, all manner of business-centrists, et cetera all share an orientation away from the goal of common dwelling on Earth, toward what Latour describes as extra-terrestriality. Whether that non-earth oriented goal is hunkering down with your wealth and your power in the bubble (perhaps walled) that that wealth and power enables you to build around yourself, or whether it means becoming a cyborg in space or dwelling in heaven in eternity, all of it is oriented away from the reality that now confronts capitalist civilization: the imperative to turn toward the earth and toward each other and our fellow non-human creatures as earthlings. We are not space people, almost none of us are billionaires, and none of us are celestial beings passing through this earthly life on our way to a more glorified existence elsewhere, as Malheur occupation leader Ryan Bundy, a devout Latter Day Saint, explicitly describes himself and his brother Ammon in Shadowlands. Those of us among the “we” that, to paraphrase Latour, come to assemble in the feel of the pull of the terrestrial, do not, cannot conceive of our existences in this non-earthly way. How do right and left and center remain relevant categories in this new trajectory—I don’t know. Maybe they can, maybe they cannot. David Fry strikes me as someone pulled in multiple directions by old and new political (and religious) orientations—as most of us are in some way or other, if considerably less dramatically.

    Q: Is Shadowlands is a book about American (U.S.) exceptionalism? You start the book by saying that much of what can be found in the book’s account is “disturbing”; but you also note that “the book is a tale of a country where the possibility of a truly dynamic popular democracy has not wholly died a quiet death at the hands of corporate money and power, nor been subsumed in the arena-worship of a post-Nixonian, proto-fascist demagogue. It’s a story where a vision of civic life remains at the core of human purpose and being” (xviii). Did that second dimension of the book always stand out clearly to you, or was it something you arrived at gradually, reluctantly perhaps, maybe even in spite of the assumptions with which you’d entered into this project?

    A: Some of my initial concerns, which I think remain among my strongest concerns, had to do with the ways in which what gets called in the language of American Exceptionalism “the American Experiment” is pinned to the Earth making American worlds, territories—sovereign geographies. And also in how people negotiate living in the fiction of the nation, which is a sovereign fiction, with a horribly violent history that is also failing to operate in the present according to its supposed ideals. In one sense the book is concerned, as that quote you cited suggests, with people insisting—in very different ways—that those ideals, those beautiful, exceptionalist words come true. But the book seems and generally always seemed to me to be more concerned with the various (often theologized to some degree) practices through which Americans negotiate their relationships to their nation, to each other and the living earth that sustains them. Because of the nature of the movement at the center of the main events of this book—the Bundyite faction of what is called the Patriot movement—the language of American Exceptionalism is constantly present, which meant I had to engage with it and its uses, and also with its uses by others opposed (like myself) or simply indifferent to the particular anti-federal land program of what I call the Bundy Revolution. Which meant also that I encountered mobilizations—pragmatic and otherwise—of these concepts that were at times quite compelling, at times troubling and confusing, and at other times wild and frankly bizarre. At the same time the world views and ecological and political understandings I often found most compelling omitted or eschewed rhetorics of American Exceptionalism—as in the world views articulated by members of the Burns Paiute tribe who emerged quickly in January 2016 as some of the main and most effective opponents of the Bundy program at Malheur.

    Q: Can you talk a bit more within this framework—American exceptionalism—about why you consider the Burns Paiute tribe’s opposition to the Malheur occupation to be so effective? What is it about the tribe’s relation to the land that frustrates “the American experiment”? I’m curious about the terms we might use to describe that opposition.

    A: The tribe insisted immediately, with clarity and persistent messaging, that all of us understand that the occupation was basically what I called in Shadowlands “a Neo-Homesteader reenactment.” From the tribe’s perspective, here was a group of armed white men, amped up on nostalgia for the era of the white men who’d wrested the tribes’ land from them in the first place, taking over land that had been absolutely central to the tribe and their ancestors for thousands of years. The Paiute name of the Burns Paiute band—Wadatika—ties them intimately to the territory Ammon and friends had occupied.  Wadatika means “eaters of Wada”: wada is seepweed, a type of alkaline marsh plant that in the region grows in the territory of what is now the refuge. Its seeds were a key food source traditionally for the tribe.

    When Ammon Bundy said—in one of the first of the occupiers’ picturesque press conferences out in the icy sagebrush—that the group was here to give the land back to “the rightful owners,” he presented the tribe with a perfect entry point into the conflict. The Wadatika didn’t bother addressing in depth the issue of who “the rightful owners” would be. Tribal chair Charlotte Roderique instead used Ammon’s remarks at the tribe’s own packed press conference in the gathering center on their tiny reservation as an occasion to joke about how she’d been preparing her letter of acceptance for the returned territory, before undercutting the laughter in the room with a dry remark: “we know they didn’t mean us, we know they meant themselves.” She followed this with a brief primer on Wadatika history. In the nineteenth century, that history becomes a tale of violent removal, and then the refusal of that removal—a powerful story of attachment, of deep entanglement with the specific land formations and ecologies of Harney County. “We were the ones who came back,” she told me later that year, “nothing could keep us away.”

    The story the Wadatika told was one in which no land is equivalent to any other—it’s one where a specific old Juniper tree has the cultural value that outsiders might associate with a ruin, or an artifact. At this deeper, perhaps harder to grasp level, of the Wadatika intervention, the tribe’s entrance into the conflict made the Bundyites look like not just a traveling settler re-enactment camp, but also like extraterrestrials, touching down on Earth from their usual circulation in the ether of the internet, to plant a flag in terrain they knew nothing of at all. Some of Charlotte’s humor at the press conference was dedicated to highlighting this—with joke offers of heading down to the refuge to teach the crew local survival lessons, how to make jackrabbit fur blankets and so on. Meanwhile, out at the occupied compound the Bundyites had begun rooting around in the records of the refuge following the main paths of knowledge they seemed interested in applying to this unknown terrain; the property and land transfer records stored in the files of the Fish and Wildlife Service.

    This is one place where the book really lingers with what you frame as “American Exceptionalism”—what I call in the book Ammon’s “beautiful pattern”, borrowing one of his own terms. In Bundy’s “beautiful pattern”—a very nostalgic, and idealized Jacksonian vision of western expansion—land is claimed, settled and turned into the invisible of freedom. Ammon sees this as the proper path of God’s chosen nation, America, homeland of Liberty in the Latter Days of human time—and it was the work of he and his patriot friends at Malheur to restore it.

    Q: Yes, what Bundy calls a “beautiful pattern” is definitely part of the disturbing material that can be found in Shadowlands. I’m wondering, on the one hand, if you’d include the tribe’s opposition to the Bundy occupation under what you call, in your book’s opening pages “the possibility of a truly dynamic popular democracy”? “Popular democracy”: does that term, not part of indigenous history, apply in this context?

    On the other hand, I’m asking about this because it seems to me that when you hint at “the possibility of a truly dynamic popular democracy”, you’re actually frequently talking about the Bundys. This is something that surprised me in your book. The split between the “disturbing” elements of Shadowlands and its hinting at the “possibility of a truly dynamic popular democracy” seems to match the split between the first and the second parts of your book: your account of the Oregon standoff ends on page 216, and the book then goes on for another 200 plus pages, following the trial of those involved. It’s part one that, by and large, I found the most disturbing; it’s in part two that I found the most indications of hope for a dynamic democratic life—sometimes coming from the Bundys, sometimes coming from elsewhere. You open part two of your book by explicitly recalling the first few pages Shadowlands, when you write that while attending and writing about the trial, “I had a glimpse of another kind of American public life, different from the corporate-dominated one I knew, I saw flickerings of a different kind of nation, a dynamic one that could be lived everywhere, both inside institutions like courts and city halls and also out in the open, in the streets, face-to-face, every day” (220). Sometimes this is described as “a sovereign circus” (220); sometimes you call it, more neutrally, “sovereign practice” (242). Earlier in our conversation, the word “un-sovereign” also came up. Which is it? How to differentiate?

    Am I wrong to say—and at some level I can’t believe that I am saying this—that your book also associates aspects of the Bundy revolution with “the possibility of a truly dynamic popular democracy”?

    A: I don’t know if this book is a hopeful book about American Democracy—I think that depends on the reader. Which is not to say that the book doesn’t catch glimpses of what a less moribund, more democratic republic might look like. While I’d say that for me personally the more lastingly hopeful moments in Shadowlands re: democracy probably come in the third section and not with the occupiers, the book does catch glimpses of a more vital public life through watching the Bundy Revolution at trial in section two, and later in a month-long anti-private prison protest in the Mojave Desert. Something changed when the occupiers made the jump from the specific earth of Harney County, with its ecology, its complex history—of Natives and Settlers—into the abstract space of federal court, the terrain not of landscapes and bodies in living relation, but of the necro-palimpsests of the Law.

    I’d certainly place the successful engagement of the Burns Paiute tribe in the scrum of the occupation in the realm of a vital democracy. Absolutely. That such terms would be foreign to a tribal leader in 1830 or whenever is true, but it is not true now. Charlotte Roderique, Jarvis Kennedy and other tribal leaders adroitly used the platforms the occupation made available to them to mobilize their history and perspective in defense of their tribe’s interest and also the interest of the larger community—non-natives included—in being left to work out their own relations to federal power and the landscapes and ecologies to which most folks who live out there are profoundly attached, if in different registers. In the third section of the book you also get the story of the High Desert Partnership that has gathered erstwhile antagonists into consensus-based groups that ground their work in their common attachment to the local earth of Harney County and have thus made for themselves a new successful political form, capable, since federal agencies are among the participants, in directing federal sovereignty to the enactment of interventions in the troubled ecology of the region’s wetlands, sagebrush steppe, and dry pine forest. This to me, this form, is the one where I would personally locate the most “hope” about a vital democracy in the book—not in the theater of the Bundyites. But there was much of interest in their political theater.

    That the Bundyites had seemed to know nothing (and mostly care nothing) about the particular ecologies and histories of Harney County was, to my mind, at the heart of the offense of the occupation. They brought all this calamity and real danger (the situation could have ended so much worse in Harney County than it did, there are a lot of guns out there) to a terrain they didn’t understand or have much interest in understanding beyond how it might give temporary body and power to the set of abstractions they carried with them. It was those abstractions: Freedom, God, Property, which—as theologized as they were in that group (in both explicitly Mormon and more secular ways)—lit them up one and all with the sense of camaraderie and jolly, apocalyptic fervor. And that sometimes seems to have been the real purpose of their whole endeavor, as if they were there merely to fuel those feelings, as if they were extracting their fervor from land to which they were otherwise indifferent, land that when it comes to the refuge, had been home to the Wadatika’s ancestors for thousands of years.

    But when they brought their sovereign circus into the space Ammon and others declared was the space they were hoping to get to all along—that space of reified, near extra-terrestrial abstraction that is Federal Court—suddenly I had to admit that the game had changed along with the terrain. Now they were proposing to disrupt the conviction machine that is the justice system, and were also being charged in a way that reinforced dangerous precedents—and potentially set new ones for the prosecution, and potential persecution—of contemporary and future protest movements of all stripes: conspiracy to impede federal officers from doing their duty. To be clear, the charges were being used against the Bundyites in a way that could absolutely make it a federal felony for two people to discuss a plan to do something like stand in the driveway of an ICE detention facility, and shout slogans in the attempt to temporarily halt an ICE vehicle, or discuss a plan to publish the names of ICE officers online in order to shame them. That’s totally the kind of behavior the charge could criminalize should a federal attorney’s office choose to move in this way, or should they be directed to do so by the Attorney General.

    And it turned out the Bundyites had some talent and knowledge when it came to bringing life to those necrotic chambers of the Law. Suddenly their histories didn’t seem so entirely faked up—as they had when it came to their narratives about land in Harney County. They had points to make and they made them—and they all coalesced, I’d say, around one major issue. That the judicial system is a key part of the American republic, and that its life depends on the participation of the People, and perhaps even on their assertion there of their ultimate sovereignty. The sovereignty of “We the People” is the core tenet of their movement, and in court it was fascinating to watch them insist on it, and consider alongside that insistence the question of popular sovereignty and whether or not under our Constitution what they were saying about it was true. Under the US Constitution, are the People really sovereign? Or was the patrician intent of the Constitution precisely to dilute and restrain this sovereignty from operating effectively? And has that intent been largely realized? Suddenly in court these were the questions for me—and they are important questions (to put it mildly). They are at the heart of our political crisis, a crisis that’s been building for a long time but exploded in the fall of 2016, which was exactly when the first Malheur trial took place.

    If there is anything instructive to be found in Bundyite agitation, and I think there really is, it would be mostly in the agitation itself. It would be in their specific, often successful— and I think actually transferable—tactical efforts to inject public life into the deathly spaces of court. It would not be found anywhere in the content of their specific demands re: public land which are both tiresome and dangerous, being essentially re-iterations of white settler grievance restaged for a post-frontier age.

    I also found something very important in the way that their theologized faith in the Constitution exposes how theologized faith in the Constitution really is across demographics; this was brought home for me by how often liberal and centrist voices have sententiously cited the Constitution in recent years, sometimes even producing their own pocket copies of the document—just like the occupiers at Malheur—as a kind of magic talisman against Donald Trump. It turns out the Constitution wasn’t coming to save us any more than Robert Mueller was—it’s a highly flawed, ambiguous document that creates an enormously powerful executive, something that alarmed many people from its very beginnings.

    Q: Shadowlands presents much of this Bundyite insistence on sovereignty using the language of “feeling”. Let me ask you about a passage early in the book that addresses political feeling directly. Perhaps you can briefly situate it in the book, and comment on it: “He and his comrades seem to have had a direct, brief experience of what, in political theory terms—terms foreign to the Bundy Revolution—is called Constitutive Power. This is the power to institute a nation and law that in a modern democracy is supposed to be invested, in the final instance, in the citizenry. It’s related to Popular Sovereignty, the name in political thought for the ultimate rule of the People that is central to all notions of democratic republican governance. Constitutive Power and Popular Sovereignty, when they descend from their throne in the lofty realm of political ideas, manifest in human bodies and experience primarily as feeling. It’s a rare emotion. If it is sustained and successful, it is called Revolution.” (31) This is about the transformation of the people—lowercase p—into the People.

    At the beginning of part two, you write that “Where in our world did the People properly take place?” (220) was and remains one of your questions in the book.

    In your book’s second part, it appears to be especially during the trial, in what you just called “the necrotic chambers of the Law”, that a practice of sovereignty you might actually appreciate comes to life?

    A: The first quote you cite is about the experience of sovereignty as an experience of revolution—or the intimation of it—that the Bundyites who were there the big day in April 2014, down in the Toquop Wash (near Bundy Ranch in Bunkerville, Nevada) experienced. This happened two years before the Malheur occupation; it was the moment when federal agents backed down due to the mass of protestors (a number of them militia members armed with long guns) that had gathered to support the Bundy family cause and halted confiscation of the Bundy family cattle for non-payment of grazing fees. (The Bundys had stopped recognizing federal jurisdiction on the public land near their ranch as part of a 20-plus year conflict involving the listing of the desert tortoise as an endangered species, and the growth of Las Vegas, among other things.) This is the foundational moment of the movement, when the people I call Bundyites came into being. (They call themselves “Patriots” if they use any term at all.) The Bundyites I met and the Bundys themselves refer to this moment constantly. (Those who weren’t there that day still refer back to it, visit the wash, post pictures of themselves there, et cetera.) That moment in the wash is what Alain Badiou would call an Event, and the subsequent subjectivation of the faithful—the militants—then birthed, as it does in Badiou’s theoretical model which derives from his reading of St. Paul as well as other sources, a form of life built of faithfulness to that event, to that subjectivation. And the Bundyites are nothing if they are not a messianic band of the faithful, living in their version of the final times where the God-inspired holy document of the Constitution “hangs by a thread.” Mostly the band is united through the connectivity of the internet, but just like many internet-based communities, that online sociality refers always to key face to face encounters—in this instance court cases, protest gatherings, and the famous standoffs at Malheur and Bundy Ranch.

    But to the question of sovereignty. The moment of sovereignty the group experienced in that first, foundational event in the wash, to what degree it was illusory or not (they did drive the federal government from American territory for a long time), is an experience or intimation of what we call constitutive power. John Locke, so influential for the founders of the American Republic, wrote that sovereignty resides in the People only in these moments, of abolition and constitution of government. Otherwise, he says that sovereignty, if we are speaking of a republic, lies solely in the legislature. Given the tendency of the Bundyites, or the ones among them who read such things, to quote Locke, this formulation struck me as helpful in describing their activity. They sought out these extreme moments of constitutive—or abolitionary—power in Toquop Wash and at Malheur—and I think that the feeling of agency that was produced in those moments is no small part of why they did so. It’s also why their use of the land of Malheur for their sovereign settler ceremony gave so much offense—I’d say rightfully. They were appropriating territory they knew nothing of, in order to—in the language that Ammon explicitly uses—turn it into “freedom”.

    But court was a very different territory. Now they were inside a State that had not at all been abolished. There they were in that big dead—or undead—thing that the State is, manifest as courtrooms and marble and armed marshals and security scans and judges and the churchly hush of the courtroom chamber itself.

    When, on the first day of the trial, defendant Ken Medenbach, a chainsaw artist and anti-federal land activist (and now a congressional candidate) from the eastern Cascades, showed up in court with a custom-made shirt with the words of one of perhaps the most interesting court determinations on jury power, the majority opinion of Judge Leventhal in the United States V. Dougherty anti-war protest case of 1972, a decision that’s still basically in effect—it signaled to me as much as the whole court ritual and all that marble did that I was in a new terrain, not in Harney County anymore.

    Q: There is a lot on this in the book. Can you briefly explain?

    The Leventhal decision essentially states that the people as the jury have the power to determine law—that this power is essential to the functioning of the republic—but that the people need not be, and should not be informed of this power, because they already know it well enough. Leventhal states that added reminders of this power could lead to its abuse and that that abuse would be disastrous for the proper functioning of what I think we have to understand as a secret portion of popular sovereignty stowed away in the procedural folds of the Law. This is the legal situation now. Jurors have the right to judge Law, and the application of the Law in any case—but only if they don’t talk about it. Judges have the right, and most or all do, to sternly remind jurors that they can only judge the facts, but do not have the right to do anything about a jury’s not-guilty verdict.

    It’s worth quoting from Leventhal’s decision which came in an appeal of Catholic anti-war protestors who’d vandalized Dow Chemical DC Headquarters in protest of the use of Napalm in Indochina. “Law is a system, and it is also a Language,” Leventhal wrote, “with secondary meanings that may be unrecorded yet are part of its life.” As it worked, he said, the jury system provided “play in the joints that imparts flexibility and avoids undue rigidity … with the jury acting as a ‘safety valve’ in exceptional cases.” As an example of exceptional cases Leventhal gave the federal Fugitive Slave Act, which numerous northern juries had refused to convict under—this had essentially overturned the law in practice in some northern states. Informing the jury of their right would ruin this flexibility, Leventhal says. “The jury knows well enough.”

    This secret zone of flexibility where a jury can override the errors of the legislature or the overzealous prosecutor or both is exactly the sort of space that the more Sovereign Citizen-minded of Bundyites sought out (there are many “armchair attorney” types in the movement) as an occult space of popular sovereignty in the Law. This kind of space was where—and in a sense what—many of them seemed to want to be, regardless of if it meant going to federal prison for years for their stand. Ken Medenbach himself seemed especially indifferent to the prospect—it was a lot better than going to jail for drunk driving, he told me, which he said he knew about because he’d done that too.

    And when Medenbach and friends were standing up to the increasingly juryless conviction machine of a justice system that incarcerates more people than anyone in the world, my interest, shall we say, took on a different quality and tone. Especially given the nature of the conspiracy charges they faced and how they might be used against dissenters in the future. (And are a bit less likely to be used now, after the failures of federal prosecutors to make them stick in this case.)

    Q: So this is when a change happened.

    A: What the Bundy crew was arguing for out in the desert strikes me as a huge mistake, one that would actually hurt the constituencies they claim to represent, the small-scale rancher especially, as well as further open up our wondrous remaining public lands to more industrial scale destruction just when climate change is making their ecosystems even more vulnerable. But in court what the Bundyites were fighting was something else: a specific set of charges, dangerous ones. What they were advocating—not taking plea deals, representing yourself, turning the space of the court into a public forum for political debate, empowering the jury to judge the Law and the proper applications of the Law as well as the facts in appropriate moments—were all things that need, to my mind to be considered if we are interested in making our governance structures more life-like, more invested with the energies and needs of the populace to find flexibility and life in the Law as Leventhal’s decision described it.

    Q: Yes, that seems right—that’s what the book conveys.

    A: I’ve been thinking about all this a lot recently as two deeply committed climate activists–Jessica Reznicek and Ruby Montoya—head to trial in Iowa facing massive federal charges. They are being egregiously overcharged, as is the way of federal prosecutors—who seek to avoid jury trials through intimidating defendants into taking plea deals. This in a case involving desperate sabotage of a number of sites of the Dakota Access Pipeline in the defendants’ home state of Iowa. Reznicek and Montoya were leaders among the Iowa resistance to the pipeline, which runs down from the Dakotas, through Iowa to the Mississippi. The defense they plan to make—the necessity defense—goes right to the same sort of place that the Bundy defense went (if in a very different cause) arguing that the people have a right to intervene in dangerous situations (like climate change) regardless of the law, including in refusing to convict folks for breaking laws that are being unjustly applied. (Curiously, opposition to the DAPL and support of Standing Rock was actually a galvanizing cause among some in the Bundyite crowd, something I think really surprises coastal folks unfamiliar with the complexities and glaring contradictions of Intermountain Western libertarianism.)

    Reznicek and Montoya’s acts of sabotage can be seen as attempting to both overcome and draw attention to a huge problem Amitav Ghosh and others have brought attention to in our current political life and in the struggle against all the various forms of Climate Denialism. I mean the way politics tends to be confined to what Ghosh calls “individual moral adventure” if there is no way, in the last instance, to interfere meaningfully in the material infrastructure of power, namely the flow of oil.

    While the Bundy movement is mostly climate denialist (though their denialism takes the form of what sometimes seems like a more explicit, apocalyptic and paranoid, acknowledgment of what we are facing than we see among pro-capitalist, nominally Green progressives) they were addressing the problem of the people having no leverage at all, of popular sovereignty being successfully diluted through layers of representation so much so as to be practically inoperative. This brings up a huge historical question in the American context. Is this dilution a result of the Constitution being ignored (as the Bundy Rebels would argue), or is it the actual intention of the original document to dilute popular sovereignty as much as possible? This issue was one that really fascinated me while watching the Bundyites at trial, and becomes pretty important in the final chapter of that trial section, which interrogates, among other things, the phrase “We the People” and whether the document so fetishized by the Bundy crew empowers a popular sovereignty or leaves “the People” essentially deluded by its promise.

    A quote that was a touchstone for me in thinking about all this in our contemporary political life comes from 1788, from the public debates leading up to the far from unanimous ratification of the US Constitution. Zephaniah Swift, a Connecticut attorney, early abolitionist and author of America’s first legal dictionary, wrote of the new large voting districts enabled by the new charter, that they (the districts) were “calculated to induce the freeman to imagine themselves at liberty, while they are thus destined to be allured and driven around as if impounded, being at the same time told that nothing confines them, although they have not the powers of escape.” As historian Woody Holton (in whose important work on popular democracy in the Constitutional Era I first came upon this quote) pointed out to me, the impounded cattle metaphor—besides having strange resonance with the Bundy movement and their UR-moment with the Bundy family cows—had special meaning in Connecticut at that time. The young state was a cattle center in those days and protests against the confiscation of the property of impoverished farmers (many of them American Revolutionary War veterans) unable to pay high taxes destined for the coffers of the speculators who’d financed the war at considerable profit, often took the form of the armed liberation of impounded cattle.

    Q: That’s fascinating. Your reference to Badiou earlier on—a communist—seems just right and draws out a charge that’s been levelled at Badiou (by Jean-François Lyotard among others): that his theory of the Subject (capital S, who is faithful to an Event etc. as you describe) shares a lot with Carl Schmitt’s theory of the sovereign as whoever decides on the state of exception (Schmitt, it’s worth noting, is usually associated with facism). Part of what interests me in your answers, apart from the specifics that it brings to our attention and that deserve another interview altogether, is the mix of elements here, which is characteristic of your book. There’s the Bundyites; there’s Alain Badiou; there’s John Locke; there’s the climate activists, the Dakota Access Pipeline, and Standing Rock; and there’s Zephaniah Swift, and the cattle. Some of these are combinable, but not all; and not all of each one of these is combinable with all of each other.

    I’m wondering if I could present a few quotes to you to draw out some of this improbable mixing—they’re all quotes about sovereignty. You’ll recognize the first from your book; I don’t know if you’ll know the second and third. Let’s do this old-school: don’t look for them online. I’d just like you to comment on how they resonate with your book. I can tell you after where they’re from.

    Here’s the first—could you situate it and explain?

    “To Jason’s mind, popular sovereignty had by no means been given over to the government in the act of creating it, of constituting it. ‘The power absolutely remains there. The government does not exist without our consent,’ he said. That the founding charter was a contract, to his mind, established certain serious responsibilities—for the people as well as for the government. ‘If it’s a contract, who enforces it? You have rights but only if you claim, use, and defend them. And I claim them, I use them. I show up to be the press.”

    A: Sure. Jason, in the above, is Jason Patrick, one of the most intriguing of the people who joined the core group of the Bundy Revolution. Jason’s a roofer from rural Georgia whose fortunes suffered severely in the crash of 2007-2008. When he was a child, his father, a Vietnam veteran, died of agent orange related cancer. Jason explicitly dates his distrust of the federal government and of the US military to this life event. (He personally holds that a standing army is unconstitutional, or has done so in the past—though I’d say he’s eliding anti-militarist tendencies in the early republic with the Constitution, which did provide the circumstances under which a standing army could be and was created.) Politically Jason’s a Ron Paul libertarian, and credits the Paul campaign with getting him involved in politics. Much of his activism has focused on opposition to police militarization, a huge issue for many libertarians. He’s protested about police shootings, SWAT raids, and the acquisition by local rural law enforcement in his area of a bear-cat type armored vehicle—the ridiculousness of which Jason drove home by pointing out that the only injuries suffered by local cops had been self-inflicted accidents. In 2014 he was moved by video of Ammon Bundy being repeatedly tased by Bureau of Land Management officers to travel to Bundy Ranch in Nevada where the Bundy cause became his.

    During the Malheur trials he attempted to forge an alliance with Don’t Shoot Portland—a local Black Lives Matter community organization—over shared concerns about police militarization. He was not successful in this effort, as I describe in the book. The leader of Don’t Shoot Portland, Teressa Raiford, now a candidate for mayor in the city, becomes an important character in this part of the book as well.

    Teressa’s explanation of why Jason was unable to get the traction he sought with her group is a key moment: she accuses Jason of making the error of thinking that he is his ideas. (“His views are who he thinks he is. He can’t let go of that.”) I think we can see in Jason’s “claim, use and defend” rhetoric above a bit of what Teressa is talking about. The phrase “claim, use and defend”, which is a refrain of the Bundyites, and which Jason liked to repeat in reference to more abstract political goods, like constitutional rights, the right to be the press, etcetera, emerges out of a settler context of land acquisition, and the claiming of things like water rights. Claim, use and defend refers to the sorts of land rights historically only white folks have been able to claim, use and defend, save in exceptional circumstances. That meaning lingers in those words, it is part of their historical being, what they are, beyond and beneath whatever immediate contemporary views regarding protest of police abuse and militarization Jason deploys them in, even if they are in support of the positions and actions of someone like Teressa. Still, I think it’s important to understand that Jason’s opposition to police militarization comes out of much thinking and research and a deep and impressive commitment of the sort few are willing to make. That commitment is a good reminder that dedicated opposition to police militarization, private prisons, mandatory sentencing, and the like comes not only from the left.

    Q: Absolutely, and that’s something your book shows clearly. Here’s the second quote, which for me resonates with the first: “As democratic theorists have argued for some time, elections do not fully transfer sovereignty from the populace to its elected representatives—something of popular sovereignty remains nontransferable, marking the outside of the electoral process. If not, there would be no popular means of objecting to corrupt electoral processes. In a sense, the power of the populace remains separate from the power of those elected, even after they have elected them, for only in its separateness can it continue to contest the conditions and results of elections as well as the actions of elected officials. If the sovereignty of the people is fully transferred to, and replaced by, those whom the majority elect, then what is lost are those powers we call critical, those actions we call resistance, and that lived possibility we call revolution.”

    A: This sounds a bit like Judith Butler? The prose doesn’t feel translated to me, and it sounds somewhat like what she was saying the last time I saw her speak, which was some time ago, at CalArts.

    Q: You’re right, it’s from Butler’s public assemblies book.

    A: I see why you’re bringing it up. I’d say it is almost the same argument that Jason is making, but without the American Exceptionalism. (Which is not a superficial distinction, by any means.) But I feel comfortable saying that Jason would agree with this statement. Whether the so-called founding fathers agreed with Judith Butler, Jason Patrick or each other is another story entirely. As is how much those intentions and confusions matter in the end.

    Those who opposed the Constitution or were worried about the consolidations of power it enacted helped to push the reading of the “We the People” of the preamble toward a vision of a retained popular sovereignty and to limit just how much the Constitution was able to curb the popular powers of “democracy” which convention delegates had openly considered it their mission to curtail. This is one of the arguments of Unruly Americans and the Origins of the Constitution, historian Woody Holton’s excellent book about the making of the Constitution and its suppression of popular democracy in the early days of the republic.

    And yet, pushback from historical opponents and critics of the Constitution notwithstanding, it’s still hard not to see the preamble in the light that Holton casts—as he said when I interviewed him for Shadowlands: “The Preamble starts with a bullshit phrase, ‘We the People’—‘don’t worry, you aren’t going to lose your popular sovereignty.’ But the rest of the preamble consists of very honest phrases about how the federal government is going to assert power over the people… ‘domestic tranquility’ doesn’t mean me sitting by the fireside with my family and my cat.”

    Q: Let me give you the third quote, also taken from elsewhere, and also resonant for me in this context: “constituent power … can never exhaust itself into the institutions it has constituted. … a people ‘anterior to and above’ the constitution, that is, the presupposed people behind every democracy, can never quite reduce itself into a people ‘within’ the constitution, that is, into the people that the constitution identifies and recognizes as an institution. A constituent residue will, namely, always remains dormant in the institutions that the people may have constituted, and will re-emerge and activate itself if its political existence becomes threatened.”

    A: That seems like it could be a lot of people. “A constituent residue” is what I’d venture the Bundyites imagined themselves personally to be, only they’d say they were simply “The People.” This is quite grandiose of course, claiming to be The People—though maybe it’s fair to say it partakes of a general grandiosity at the heart of politics in action. It takes a lot of nerve to proclaim a version of the People in the hope that that articulation will become a gathering site for a greater flock of living bodies of collective action, feeling and thought. (It wasn’t just because of the important role of real birds in this story that I thought often about flocking behaviors in the writing of this book.)

    Because of the emphasis the Bundyites put on the actual text of the US Constitution, I keep returning to the question of whether a retained popular sovereignty or “a constituent residue” is figured in that document, or whether the American charter should be seen as an effort to restrain popular sovereignty to such an extent that it becomes mostly meaningless, as in the Zephaniah Swift quote above. There is certainly much historical and textual evidence to support this latter take. And I think this then dovetails with questions in our own time about how “the People”—whomsoever they might be—are effectively distanced from the levers of real material power in a petroleum-based economy. Still, at certain moments, the more optimistic take of someone like Butler can seem accurate to me as well.

    A: The third quote is Panu Minkinnen summarizing Carl Schmitt’s Constitutional Theory, and pointing out that Schmitt’s position can be found in the work of democratic theorists Bruce Ackerman and Jason Frank. It’s not too far from Butler either.

    My point is that there is some overlap between Jason Patrick’s discourse, left liberal discourse as it can be found in Butler, and Schmitt’s thinking about democracy. What do we make of this? What does it have to do with our times?

    Also, and going to your repeated point about the Constitution’s effort to restrain popular sovereignty: from another point of view, of course, the popular sovereignty that is evoked in the three quotes above appears as “anarchy” (Butler in fact uses this term to characterize what she calls the “interval” between popular and state sovereignty; Schmitt abhorred anarchy so the term certainly couldn’t be used to characterize his position). Does anarchy have a role in your thinking about the Bundys—you suggest that it does at least once in your book (208)? You note that seen from another point of view, the Bundys’ identification with “We the People” appears as “a kind of proto-guerilla insurrection” (37). What’s your position on insurrection? I’m trying to think, somehow, of how Shadowlands relates to The Invisible Committee’s The Coming Insurrection, or Joshua Clover’s Riot Strike Riot. Is it a criticism of those more radical politics? It seems that at some points in your book, you’re definitely more with the State than with the Bundy insurrection?

    A: In response to your first question here—I think this is a time, as Wendy Brown has written of, of a major crisis in sovereignty for democratic republics—maybe this is the political crisis of “neo-liberalism” or “supply-chain capitalism” or whatever you want to call it. As Brown pointed out before we got our wall-building president, one way this manifests is in the right-wing dream of a walled sovereignty, as if the simple reifying magic of a wall could stop national and popular sovereignty from draining away, or being “contaminated” or whatever. I think it also has a lot to do with petroleum and the manufacturing of consent in the petroleum era. People of various political orientations are well aware of how distanced they are from the levers of power, and what the consequences are.

    I do remember having conversations with anarchist-oriented friends during the occupation—and my own political yearnings are in anarchistic directions—about how strange it was to see this anti-State insurrection in which we had far more sympathy for the federal position, or for the position of those supporting that position. The Bundy position on land, while it is informed at times by an inchoate theory of the Commons (some even speak of the era of enclosure in England and so forth)—is really a disaster if applied in the current dispensation. There are too many billionaires ready to buy up land from cash-strapped states and localities should federal public land ever be turned over to those entities—and public land transfer to states and counties is the main stated goal of Bundyism. This would result in even further distancing of the rural proletariat from being able to work on and enjoy what are our current public lands, it would be disastrous for ranchers who would lose access to public grazing and it would be terrible for the public at large. Except in isolated cases of enlightened despotism where the billionaire in question locked up the land for conservation, it would be frightful for conversation efforts and all the non-human communities that struggle and thrive in the wildlands of the west. Federal public land is probably America’s greatest single common good, to lose it would have negative consequences on the society that I think would be irremediable.

    An abstract or universal position on insurrection is always going to be problematic, especially since I’d say there’s no one—besides an absolutist tyrant (Kill them all! And make sure it really hurts!)—whose position is going to be consistent. Thomas Jefferson comes to mind, because he’s such a presence in Shadowlands. When it came to the desperate rural folks who rose up in Shay’s Rebellion of 1787 against regressive taxation, which targeted poor farmers—often American Revolutionary war veterans—as the source of funds to repay the loans of war speculators, Jefferson’s take was a tolerant, lenient, if patronizing defense of insurrection as an expression of retained popular sovereignty. As he wrote at the time: “What country can preserve its liberties if their rulers are not warned from time to time that their people preserve the spirit of resistance? Let them take arms. The remedy is to set them right as to facts, pardon and pacify them. What signify a few lives lost in a century or two? The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants. It is its natural manure.”

    Jefferson is also the figure among the aristocratic leadership of the revolutionary moment who was closest to more populist radicals like Thomas Paine and whose position comes the closest to admiration for what we now think of as anarchism, stating famously that he thought it possible that a society that existed without government might be best, but was “inconsistent with a great degree of population.” But even Jefferson’s position on popular insurrection was deeply inconsistent, and along painfully predictable lines. The enlightened thinker was also a racist slaveowner—and so the man who rebuked his fellow aristocrats for creating an over-powerful executive in the Constitution, who scolded them specifically for—to his mind—using the false justification of the insurrection of Shay’s rebellion in order to create a more powerful and centralized federal government—is also the same man whose deep fear of the successful insurrection in Haiti found him enraged at the minimal diplomatic openness of his far more conservative sometime-friend/ sometimes-enemy John Adams to the government of that new republic. Jefferson remained terrified to his dying day of the prospect of handing enslaved persons what he called “freedom and a dagger.” And, of course, his is far from the only famous “universal” position to reveal itself as actually not universal, but white.

    As for anarchism and the Bundyites—yes, they are often described as anarchists. And there is much in their antinomian milieu, and their emphasis on leaderlessness, sharing all and horizontal networks that sounds like some kind of right-wing Christian anarchism. And there are some among them who really bend this way. But the core tenets of the movement, if we take the ideas of Ammon and people like LaVoy Finicum as the core—are really something else, with a long history in the United States. If we listen to somebody like LaVoy—with his notions of governance reduced to the Constitution, private property, and the ownership of guns to enforce mutual neighborliness, we are talking about a fantasy of white frontier democracy. It’s Jacksonian settler democracy—revamped in the contemporary form of a nomadic, internet-based community, an assemblage of political feeling. The ideological parallels to the ideology of Jackson and his populist movements are pretty consistent in the words of the Bundy family and close allies like Finicum. It’s about minimal government, claimable land and the resultant freedom that was absolutely explicitly white and male in Jackson’s day, if it is only implicitly or latently so in the rhetoric of Bundyism—which tries to profess a contemporary version of universality that Jacksonianism most certainly did not.

    Q: You mentioned Wendy Brown, whose work explicitly appears in the book. You add a section at the end of your book discussing some of your sources (Giorgio Agamben for example appears there as well, and you and I have discussed Agamben’s work together over the years). I know that some of your recent teaching was closely related to this book—your course on “Magic and the State,” for example. But Shadowlands treads remarkably lightly when it comes to all of that theoretical homework. Was that your choice? Your editor’s? I recall that two advance publications from the book that appeared in the Los Angeles Review of Books were a little heavier on the theory.

    A: Yes, those articles did make a few more—if brief—direct references to theorists, not so many really, but a few notable ones. When it came to writing the book, it seemed to me pretty quickly that the story of Malheur and the landscapes and the histories that traverse it were incredibly rich. It seemed to me that I needed to mostly stay in that story—but in a rather ample sense of the story, one that included its places and histories. There is a lot of thinking in the book, but to keep from thinking about the tale too much and too often from outside its own idioms, I wanted a lot of the thinking and primary terms of the book’s thought to emerge from the story, from its words, from its places and from its people, contemporary and historical, living and dead. It seemed to me the book needed to think inside the images and language of the tale, of the landscapes it touched, and the histories it pulled into view; it needed to get with those images and figures and phrases and stay with them.

    A much more theoretical book wouldn’t have allowed that to the extent that seemed needed to me. It would have been abstract to a different degree than a more literary approach, and to me this story was partly about the potential dangers of really big abstractions—particularly the set of abstractions Ammon and friends sought to impose on the particular earth and history of Harney County, Oregon.

    And I was pleased with how naturally the book found its own terminology in the words of the people in it: “The Beautiful Pattern”, “Communities of Dirt”, etc. So, the limiting of direct, extended and overt engagement with Theory with a capital T and with particular theorists, was a conscious plan of mine from the outset. That said, the work of certain theorists which I’d spent a lot of time unpacking with students at CalArts, proved very helpful in thinking about the story of Malheur as it unfolded.

    Q: Michael Taussig’s work was an important reference for you.

    A: Yes, Taussig’s work around magical practices of the State—especially his attention to the way State fetishisms congeal around ceremonies and objects which leak an aura of violence—was tremendously helpful in thinking about the lethality and the deathliness of State Magic that so marked the story of Malheur. An example would be in the shooting death of LaVoy Finicum, where the video images of his death became—seen through Patriot movement eyes—the images of a sacrifice in which Finicum, the living, breathing person with all his interesting flesh and blood complications and contradictions, was transformed into a political martyr, into a kind of secular (and not so secular) Holy Name. In the weeks before the combined FBI and Oregon State Police operation in which the leadership of the occupation was taken into custody and in which Finicum was killed, the undergirding teleology of the occupation, its theological drive, seemed to be funneling events toward some kind of culminating sacrifice of this nature. Harney County Sheriff David Ward, commented on this, calling the Bundyites a death cult. I don’t think Dave was wrong in that analysis. The theologized logic of the State is quite deathly and the occupation was dependent on that logic for the meanings—often expressed as intense feelings of community—the occupiers were able to extract from the “standoff” situation and circulate via the internet just through gathering and lingering in the proximity and under the continually building threat of lethal stately punishment. This was the dark side of what one of the wittier occupiers termed “Our Rural Electrification Project.”

    The role of violence and death was brought home for me especially in the way patriot supporters of the occupiers flocked to the death site of Finicum in the days after his death—and the way this activity contrasted with the totally different traditionalist approach to sites of violent death described in the book by Burns Paiute Tribal Archeologist Diane Teeman. Diane describes how such sites are to be avoided, or only approached with ritual caution—how they are not sites for the ritual foundation of human geographies, not sites for congregating in and for the planting of flags and such. In the web of relations that traverse a living landscape, and intertwine the living and the dead, death sites are sites of danger for Diane and other Paiute traditionalists. Her take highlighted for me how much sovereign stately geography is pinned to earth with monuments to violent sacrifice of some kind, how deathly that geography is, how dead our official maps are with their unknown soldiers, battle memorials, Dead Father statues, tombs of great leaders, and all those dead Holy Names.

    Q: This takes us back to the question of feeling. There is a lot of “feeling” in the book, especially on the side of the Bundys. But you too confess to having some strong feelings—about the land you live in, move through, and write about, for example. At the same time, you’re careful to say at several points in the book that you “disagree” or “agree” with your interlocutors—a choice of words that I read as deliberate, naming a mode of engagement that’s different from the “feelings” that are on display in much of your account. After completing this book, how do you feel about feeling? Is there too much of it out there (or in here, in us?)? Does it eclipse agreement or disagreement? You’re a poet as well, and poetry is sometimes—rightly or wrongly—associated with “feelings,” not so much with agreement/ disagreement. Did you come to this book because of your interest in feeling, and then somehow ended up agreeing and disagreeing in its pages? Was Shadowlands always intended to be a work of non-fiction? Was there a moment where you conceived of it as poetry?

    A: I don’t know if I understand “agreement and disagreement” as being distinct from “feeling.” Opinion seems a site where reason often works in the service of passion. I think—and I get this simple argument from David Graeber—that our societal over-investment in our opinions may be partly a symptom of how democracy is impounded in the American Republic at present, or maybe structurally from the beginning as in Zephaniah Swift’s image. Overinvestment in opinion, Graeber suggests, is a symptom of, among other things, alienated voting—of political life being reduced to one gerrymandered vote, or one blue state or red state vote. If one doesn’t believe one actually has influence in the creation of meaningful consensus and collective action all you have is your opinion and you can make your stand for freedom there. I’d say there is some truth to this take and maybe that is why standoffs—and government shutdowns—seem such a political form of our time. I’d venture that in our now regular government shutdowns perhaps we see our legislators—and our media—become expressions of the dead end of opinion that they help to create.

    When it comes to Shadowlands, I don’t think I came to the book out of a specific interest in feeling, and I don’t think that the book for me is mainly about agreement or disagreement with any of its parties, though there is plenty of that. As I say more than once in the book, I think the Bundyite position on public land is terrible. My “opinion” on that never changed really, but if the book had been about exposing how Bundy ideas about public land are bad—well—there’s just no book there. They are obviously bad ideas if you are ecologically minded at all. If you think just for a moment about local rural communities, they are also bad. (That’s not the same thing as saying that the federal government’s land management practices are uniformly good, they are certainly not. They are often quite dysfunctional. But that’s just simply widely known throughout the West—and it is one thing everyone, including federal employees, can mostly agree on, even if there is much dispute on the specifics.)

    None of this is what’s really interesting about the people who occupied the refuge. More interesting is: why did this set of patently bad ideas—the Bundyite solutions to federal land management conundrums—energize these people, essentially none of them ranchers, in this intense way? “Feeling” is certainly part of the answer. Politics is always about mobilizing currents of feeling and turning them into power, which is one of the reasons I was so struck by occupier Neil Wampler’s figure for what he and his friends were doing: “Rural Electrification.” But more specifically, I found that the answer to what galvanized people about the Bundy thing had to do with the specific sorts of feelings the Bundys were offering, huge religious impulses really. That I found tremendously interesting, especially in the way that religious current connected to the ways history and past theological modes of understanding and being—“sovereign feelings” if you will—remain operative in living persons. All these feelings are surging in our apocalyptic moment. And I think we have to be serious about that: that this is a properly apocalyptic moment. That’s not hyperbole, it’s description. This specific human world we live in in this country will not last, it is not working, despite its present seeming—I’d say illusory—daily (often marginal) functionality, despite its ability still, for the moment, to maintain a large amount of people in relative physical comfort—fed, clothed, et cetera. The psychic discomfort, however, is marked across all sectors of American life.

    And how could it not be. We have the return of the repressed past—and the ongoing white backlash that’s characterized our domestic politics since the Civil Rights era—fracturing the amnesia on which American dreams of an ethical freedom and prosperity are based. Meanwhile, dystopian hints of the world to come continually undermine hopes of a just future of shared prosperity—one example would be the realities of large homeless encampments in our largest richest cities, now partly populated, in California and elsewhere, by people displaced by climate change related calamities.

    Given all that, I don’t know if I think there is too much feeling going on exactly. I think some people are just having to have more ugly feelings these days about American life than maybe they used to. And certainly the persistent, historical experiences of folks whose voices have been actively excluded from the public sphere, are now being heard with more frequency and amplification.

    So I think what we are talking about when we talk about feeling right now is the distribution of feeling and the qualities of feelings in question, and the insistent demands they have on us. To me this seems to have a lot to do with technology on one hand—how present feeling can be made in a super-intimate but also freakily disembodied way through our devices and hyperconnectivity—and also, on the other hand, to have much do with the fact this this country as an idea simply doesn’t work right now, and may never work. The nation is largely built on amnesia and on lies about itself that it needs to believe to function. It seems often that it simply cannot handle its own historical weight. At the same time its economy, like the global economy, depends on ideologies of modernity and progress to not seem like institutionalized brutality, and those ideologies, like the economy itself have been revealed to be unsustainable. The Earth itself as an actor is informing us of this, of the limits of our American civilization. In response some dream of building walls, while others dream of expanding the American frontier myth to Mars—which seems mostly like a fantasy of finding a way to live like settlers inside our phones. Meanwhile in the milieus that flicker through the worlds that the Bundyites emerge from, some are preparing for societal breakdown in apocalyptic prepper or armed militia fantasy modes, or both. The conspiracy images that pass from mouth to mouth—and Facebook page to Facebook page—in that world include stories of how “rural Americans” will soon be rounded up and placed in FEMA camps in service of a global, secular humanist environmentalist agenda. These images—Mars Colony, Border Wall, FEMA Camp—are figures conjured in the various collective minds of a body politic that knows that at least some of the institutional forms of its world are soon to enter their death throes, or be massively transformed. If an American “we” exists, it knows something else is coming. We know that we don’t seem capable of authoring that future with any collective, compassionate, consensus of purpose. And we have a lot of feelings about that. Those feelings cannot be ignored or reasoned away; they must be collectively acknowledged, engaged, sat with and worked through. It’s very difficult to imagine that happening at the moment. Poetry is one place—a very small one!— that some people try to imagine this sitting with/ working through as possible. That said, I never thought to tell the story of Malheur in verse.

    Q: One of the things I appreciated most about the book—and this continues our conversation about “feeling”—is that Shadowlands does not include knee-jerk reactions. When people “in your spheres” react to the trial of the Malheur Occupiers conveying “horror and shock”—“How could these guys get off? White privilege strikes again, etc.”—you don’t join “the chorus”. You write that “being at the trial had changed the terms for me—it had become a different battle in a different terrain” (318). Again and again, I was struck reading this book how much careful reading the Malheur Occupation and the trial afterwards requires. It seems only a very good reader could have made sense of it all. Is this part of what you tried to convey in the book? Were you reading the occupation and the trial in part to counter knee-jerk reactions on all sides? Another way of asking this would be: did you ever hope—perhaps in vain—that the book would be able to establish some common ground among more or less reasonable folks? Also—and we can perhaps close with this, we’ve covered a lot of ground: What are some of the reactions you’ve received to the book from people you’ve interviewed, or from the audience at your public readings?

    A: Well, I want to be clear that the book does chronicle some of the “knee-jerk” reactions of its narrator, as well as the narrator’s sympathy with certain kinds of reactions—notably in the example you give above. I’m sure I would have seen the verdict in the same way, if I hadn’t been there—especially given how out in the Harney Basin the Bundyites had basically assembled a live-streamed wild-west reenactment of white settlement in a place where the violence of that original settlement was considerable and, crucially, in doing so had positioned themselves in the role of the aggrieved, a move that had become very familiar to anyone paying any attention to Fox News and other reactive expressions of white right wing grievance politics during the Obama years. In the milieu of 2016, without there being much coverage of the trial, and with most folks knowing little of the details of the events of the occupation, it’s understandable many people would have seen the trial results as an offense. Nobody knew, for example, that the federal government had built its case around a key piece of high impact evidence—occupier video footage of a crazy seeming weapons training, with semi-automatic rifles, out in the snowy marshlands of the refuge. It turned out, thanks to the intrepid work of two defense attorneys, Lisa Maxfield and Tiffany Harris, and the hunch of one of the many curious characters among the occupiers—Matthew Deatherage, an anti-Trump libertarian, and Montessori education and Tibetan independence advocate—that the person who led that training in that key piece of video evidence was an FBI informant. This was revealed literally at the very last moment of the trial—the defense tracked down this guy in Vegas and subpoenaed him, and so under oath he was forced to reveal his true identity on the stand. And that was the end of more than a month of testimony. The FBI, through the actions of its paid informant, was essentially leading the weapons training that was the government’s main image and proof of intimidation, and intimidation, specifically the intent to intimidate, was the fundamental issue in the trial, due to the nature of the conspiracy to intimidate charges.

    The issue of intimidation is part of why the terrain had changed, now that we were in court. For one, as I said earlier, the use of the conspiracy to intimidate charge in the Malheur trial should probably be seen as potentially ominous by activists of all kinds. Anyone who has been involved in unionization campaigns has likely been accused of “intimidation” –disingenuously I’d say—for the simple act of knocking on doors and asking folks if they wanted to talk about the labor issues involved in the campaign. The Right consistently clamors for Black Lives Matter to be labeled a domestic terrorist organization, for its supposed intimidation of police officers. The president recently called for Antifa and anti-ICE protestors to be designated domestic terrorists, and those calls have been echoed all over the right.

    In our political impasses, calling the other side “domestic terrorists” has become alarmingly commonplace. This becomes no less alarming in the light of the actual existence of demented and hateful persons in atomized social networks willing and able to return the historical outbursts of racist genocidal settler violence that accompanied the frontier and the extra-judicial anti-black violence of the reconstruction and Jim Crow eras, into the public spaces of post-frontier America, as in the atrocity committed this past summer in El Paso, or the massacre in Charleston in 2015. Charleston and El Paso are horrors that exhaust our vocabularies—domestic terrorism seems hardly sufficient a name for them, but if domestic terrorism is a thing, surely these are instances of it. At the same time it seems clear to me we have to be careful hurling this legal term around blithely as an epithet, as rhetoric—especially when that rhetoric derives from something as fundamentally troubling as the Patriot Act. And it is the Patriot Act’s definition of domestic terrorism that is behind the President’s and other—bi-partisan—uses of the term. That definition is fairly dependent on “intimidation.”  And that’s a slippery word—a really complicated thing when it comes to the Law and the authorized use of the legal violence of law enforcement.

    It’s complicated because neither can we say that “intimidation” is something the Law cannot or should not take into account. If we have law and law enforcement it must do this in some way—to prevent people from being threatened and abused in their communities and homes over disagreements political and otherwise, or in the terrifying and often deadly situations of domestic violence that occur daily across the country. But we can see quickly how slippery intimidation becomes as a justification for calling in the armed bodies of the State when we consider how clearly comfortable some persons—usually white—have been and continue to be in calling in the police to intervene in the allegedly “intimidating” presence of black persons, including children. And then this gets trickier when we get into political life, public life, where the issue of popular sovereignty enters. If ICE officers claim they are being “intimidated” by protestors protesting their work at their jobs, I’d say this might be best seen as an attempt to disable the ability of the People to call out the behavior of their government by using a charge of intimidation to intimidate people away from organized action. It’s similar with the often disingenuous charges of “intimidation” against door-to-door canvassers. But that doesn’t mean we can just ignore the issue of “intimidation” whenever the situation is a political speech one. We cannot ignore how extra-judicial intimidation has been central to white supremacy in the American context: a generalized climate of total intimidation, punctuated with cross burnings and actual murder have all been part of the nominally extra-legal effort to enforce, so often very successfully, the supremacy of white being and the priority of white property—including against the legally held property of non-white folks. In the Western context the Paiute of the Great Basin experienced the frontier versions of this kind of violence and intimidation—both in terms of assaults on their reservation and violent vigilante assaults on their individual property rights when individual Natives sought to take up the promise of white property owning freedom on its terms. And this forms the still rather recent—if selectively repressed—historical background of the neo-settler action of the Bundyites at Malheur. This is true even if the occupiers did not see themselves as attempting to intimidate the local citizenry, even if at no point did they engage in armed confrontation with the federal land management officials they were charged with conspiring to intimidate, even if they were able to continually highlight the fact that they were visited daily by lots of local people (often with their children in tow), bringing gifts of food and firewood.

    But I want to return to your question and what you said about reading issues and events like the occupation and the trial. I’d probably use the word “description” as opposed to “reading”—but descriptive analysis is really “reading” so reading seems like a fine synonym. I wanted to approach the story in ways that culled out complexities, entanglements, ecologies, and histories with their often painful ironies. And I think the book does that throughout. Whether I have faith—and whether I had it during the writing of the book— that engaged description of this nature can really bring about more consensus-based action among current political foes, I’m not so sure. Maybe the book and its narrator occasionally feel this way as the story takes specific turns and dwells in them. (I don’t see the narrator as being identical to myself, I see him as a site, an object as much as a subject—wherein certain images and figures that emerge from the events can detonate and/ or develop. And where certain ideas or possibilities can have a stage.) Certainly, there are some moments where flickerings of possible collaboration across the so-called partisan divide appear in the book, and yet also many or most of those can be seen also as stories and images of impasse; the story of Jason Patrick of the Bundyites and Teressa Raiford of the Black Lives Matter group Don’t Shoot Portland is maybe the most compelling example. Despite their shared positions on police violence and militarization, and Jason’s support for Teressa and friends’ positions re: the racism of Portland policing, the different histories involved in Jason’s group and Teressa’s group, and the role of race in those histories—and the different notions of freedom involved—made alliance impossible.

    The one place where consensus-based action across the famous partisan divide actually happens in the book, is with the High Desert Partnership in Harney County—where conservative ranchers and liberal environmentalists have been able to work with federal land managers on ecological restoration projects. There it is both the exhaustion engendered by decades of political impasse and the shared attachment of all involved to the land of Harney County that has allowed this improbable collaboration to sprout.

    I think earthly attachment is also behind the methods of Shadowlands, behind my investment as a writer in embodied description. It seems to me I wrote the book in order to better understand the world I found myself in, in order to dwell better in the specific earthly place, the Intermountain West, where I find myself—and to which I have become profoundly attached.

    Q: We’ve talked quite a bit about land. Other non-human beings have an important role in your book: the desert tortoise, and of course the birds that are so prominent in Shadowlands’ third section. As we’re wrapping this up, I’m just looking again at Joan Cocks’ book On Sovereignty and Other Political Delusions, which takes from indigenous politics a criticism of human exceptionalism and a focus on relationality that undermines property as the basic value of sovereignty. Is it from thinking with the tortoise, and the birds, and—ultimately—the land itself that in your view other, perhaps un-sovereign political futures will come about?

    A: I’d like to write a book that had considerable narrative momentum, as this book does thanks to the events of the occupation and the trial, where the main character was a landscape, and where its non-human persons were central actors. There are little glimpses of this in Shadowlands—but the book remains pinned fairly tightly to human events and persons.

    Critiques of human exceptionalism have been growing in academic and non-academic circles certainly—and here the influence of Native thought, of feminist ecological thought, and of ecological history combined with new work in biology have really successfully undermined the notions of ahistorical nature and species autopoiesis that complement individualist and property oriented human histories. Instead terms like “assemblage”, “entanglement”, “symbiosis”, and “sym-poiesis” emerge across disciplines. (The work of Anna Tsing has been tremendously important to me as I reflect on my experience of the Malheur story—the whole saga can be seen as a story of life in a rural capitalist ruin, to use Tsing’s terminology.)

    All these “new” ways of understanding earthly relations certainly help to draw attention to indigenous forms of knowledge which are finally being listened to in more and more sectors—though there’s a very long way to go there. Native perspectives, as well as climate science, ecology and the discoveries being made by biologists in other disciplines, all tend to undermine property as a basic unit of sovereignty—in multiple senses of “property” and “the proper.” The level of relationality that Diane Teeman asks us to contemplate in Shadowlands when she describes Paiute land relationships is totally at odds with white sovereign notions of property in terms of land ownership. It also undermines claims to the proper beyond just the big issue of sovereignty over land. In traditional Paiute practices, sovereignty over one’s self seems a much more complicated thing—one’s power, life force—called “puha” in Paiute—comes from outside, from the landscape, from the snowy mountains, from other non-human creatures, from fire, from everything, the web of relation that is landscape. And this means one’s puha is also part of that landscape, lingering in the things you use and make and the places you’ve acted, creating sites of power and danger—it is all relationality, an ecology that is also cultural and historical.

    As a description of earthly life Western science has just been catching up with the profound insights at the heart of Paiute practice—which emerges from a very old culture that learned collectively, collaboratively to cull sustenance—and meaning and joy—from a landscape which outsiders see as frightfully barren. This required centuries of attention to the entanglement of everything. All this kind of wisdom was completely ignored when white sovereign property came to the Intermountain West. Only now is the larger culture just beginning to face the full extent of the ecological catastrophe that that invasion, and all the other forms that invasion took across the globe, was from its beginning—locally and globally.

    And maybe this is what the Malheur occupation was ultimately about for me: the intertwining of Stately Sovereignty and private property in the auratic violence that is the secular theology—and sacred geography—of the American Thing. Our American property lines are lines of secular magic traced on the earth by surveyors, secret priests of the invisible church of our settler nation. (It’s important to remember that surveying was the first profession of “the father of the nation,” George Washington, whose illegal real estate speculation in Native land in the Ohio Valley can be seen as a prime motivation for his participation in the American Revolution.) Those survey lines are then reified materially and continually with legal violence and intimidation. This secular transmogrification is the abstraction of the incommensurable earth into scalable, exchangeable portions without regard to the entanglement, to the ecological relationships that are the basis of earthly life. And this abstraction, at the core of modernity, is killing us—if us is “modern” human civilization. It will probably kill us unless we turn in a new direction today. I read the Bundyites as doing the opposite of turning away, doubling down—fetishistically—on property and sovereignty. I read their fetishism not as an anomaly but as an extreme expression of American society at the impasse it currently finds itself in. It’s tremendously difficult to turn away from property and the way it organizes being, it feels impossible. Maybe it feels impossible partly because turning in a new direction also requires a kind of collective dying—and I think this is the often misunderstood argument of Roy Scranton—a dying to the world that has unsustainably and deeply imperfectly sustained (some of) us up till now. This kind of dying may be necessary for new possibilities to finally more fully appear. If this sounds like a religious practice as much as an intellectual, political or aesthetic one, it’s because it probably is. To my mind, any practice of decathexis from unsustainable, Western petroleum culture, also asks human beings to understand birds, tortoises and other living creatures—as well as landscapes themselves—as persons. On the American scene, this is something Native peoples have already been doing for a very long time.