boundary 2

Tag: Nelson Mandela

  • Mandela's Reflections: Meditations and Interventions from the b2 Collective

    Mandela's Reflections: Meditations and Interventions from the b2 Collective

    Editor’s Note
    from Paul Bové
    _

    Nelson Mandela died on December 5, 2013. Tony Bogues, a member of the boundary 2 Collective, was in South Africa, watching the endless coverage of the news and of Mandela’s life. Bogues had met Mandela during his time with the Jamaican government of Michael Manley, and he has spent considerable time working in South Africa, especially in Cape Town, on questions of freedom, archives, African and African Diaspora intellectual history, and political thought.

    At least one generation of intellectuals had stood against apartheid and reflected on Mandela as a political figure of freedom and liberation. Mandela never produced anything equivalent to the political writings of a Gramsci, Fanon, or Césaire. Because of the media and the global support for the struggles he led, Mandela acquired a resonance with effects across the globe. His career, with all its changes, posed challenges for thinking about politics.

    It seemed right that boundary 2 should take notice of Mandela and his influence. We decided to gather responses to Mandela as a political figure. b2 issued a call for very brief papers from several spots on the globe and from different generations. Our contributors have given us reason to feel this attempt was a success.

  • Mandela's Reflections

    At least one generation of intellectuals had stood against apartheid and reflected on Mandela as a political figure of freedom and liberation. Mandela never produced anything equivalent to the political writings of a Gramsci, Fanon, or Césaire. Because of the media and the global support for the struggles he led, Mandela acquired a resonance with effects across the globe. His career, with all its changes, posed challenges for thinking about politics.

    Nelson Mandela

    Editor’s Note from Paul Bové

    Preface by Anthony Bogues

    Mbu ya Ũrambu: Mbaara ya Cuito Cuanavale / The Cry of Hypocrisy: The Battle of Cuito Cuanavale by Ngũgĩ wa Thiong’o

    Discomforts by Hortense Spillers

    The Mandela Enigma by Wlad Godzich

    Mandela, Charisma, and Compromise by Joe Cleary

    Nelson Mandela on Nightline; or, How Palestine Matters by Colin Dayan

    Or, The Whale by Jim Merod

    Malaysian Mandela by Masturah Alatas

    Mandela, Tunisia, and I by Mohamed-Salah Omri

    Nelson Mandela by Ruth Y. Y. Hung

    Mandela Memories: An African Prometheus by Ngũgĩ wa Thiong’o

    Nelson Mandela: Decolonization, Apartheid, and the Politics of Moral Force by Anthony Bogues

    Mandela’s Wholeness, Perhaps Infinite by Dawn Lundy Martin

    [untitled] by Gayatri Chakravorty Spivak

    Mandela’s Gift by Sobia Saleem

  • Mandela's Reflections: Mandela's Gift

    In every era, there are several men and women born who make the unthinkable thinkable, but rare and far in between are those who make the once thinkable utterly unthinkable. Nelson Mandela was one of these extraordinary people, a man whose words and actions have such deep repercussions all over the globe, so that now, indeed, even rarer than Mandela is the person who has not heard of him.

    When people of my generation, teenagers and twentysomethings, when we hear about South African apartheid, we feel that it occurred in another time, in a remote and bygone era. If I were to suggest today to my community college students, entering freshmen with open minds and great curiosity and imagination, that during their lifetime a nation had instigated a system of governed racial segregation, this possibility would seem so farfetched as to strain their imaginations. It would seem so unjust, nonsensical, and unbelievable that my students would more than likely all simultaneously pull out their smartphones to show me that I was wrong, to correct me, to tell me that this sort of thing could not exist in their world. After glancing at Mandela’s Wikipedia page, they’d raise their shocked heads and look at me like they’d swallowed something nasty. I would be able to empathize wholeheartedly with their disbelief since fairness and equality are such basic human rights to me, to many people in this world, that to know that so recently this was not so for a whole country is quite incredible. This generation, including me, and our sense of the need—no, rather, the normalcy—of justice, was fathered by Mandela, conceived in the years he spent struggling in and out of prison and undoing the effects of apartheid and institutionalized racism in South Africa.

    images-1Older people may not realize how Mandela so changed the world that young people almost cannot fathom racial discrimination, particularly by a government against its own people, in their time. So when students on campuses across the United States and across the world march against Israeli apartheid policies that marginalize and politically segregate Palestinians, they walk behind Mandela, continuing his journey on the long road toward justice and equality. When young people read the news about institutionalized racism against minorities in their own countries and those abroad, they hear the whispers of Mandela in his wisdom telling them that they must arm themselves with education to fight oppression in all forms. When young men and women itch with the impatience of youth to see immediate change or simply give up, Mandela’s story and spirit gently remind them that even if they were to spend their entire lives up to that point physically imprisoned but mentally preparing, most of them would still have many years at their disposal to courageously climb their own great hill and many more hills after it as well.

    Nelson Mandela’s legacy, his gift to generations to come, is the story of his struggle. Mandela’s gift to future generations, like most gifts from parents, will be treated one of two ways: it will either be applauded and appreciated before being quickly and quietly tucked into a corner of one’s closet, taken out only when guests who will look for the gift visit, or, and I sincerely hope, his gift will be kept on our mantel, shined and cleaned regularly, allowing us to look into it and reexamine ourselves, our character, our fights, our struggles, and our lives in the light of Mandela’s story.

    Sobia Saleem

  • Mandela's Reflections: [untitled]

    The bitter lesson that we have learned since the middle of the twentieth century is that national liberation is not a revolution. The world is full of postcolonial civil strife or class/gender apartheid. The era of national liberation movements has given us heroes; but after liberation, without experience and practice of freedom, the postcolonial polity sank back into situations which provoked Assia Djebar to cry out in Algerian Whites, “O Frantz, the wretched of the earth again!,” now in the context of internal civil violence. Nelson Mandela joins the rank of the genuine heroes we have inherited from unbroken confidence in national liberation. As Fernand Braudel has taught us, we cannot ignore the longue durée—the old perennial structures that continue to operate beneath, beyond, and above the narrative history that we tend to prefer. In the postcolonial world, hero worship and ancestor worship stand in the way of the production of the will to social justice. Those of us interested in building postcolonial democracies think that these heroes should be slowly and carefully transformed into teaching texts. In the case of Nelson Mandela, the strongest teaching element is the unconditional ethical—the risky imaginative activism that dares to say yes to the enemy. If one enters the protocol of the heroic life with critical intimacy, reading its text as the symbolic telling us about the subject’s relationship to the imaginary—the greatest collective imaginary of colonial oppression being precisely the dream of liberation—it is possible, again with the greatest care, not to exclude the cronyism and the economic betrayal but to point at it as the transformation of the longue durée into historical symptomaticity of even the most extraordinarily heroic among us, to make the hero a human warning for those of us who are merely human without the heroism. This is a transformation of the imitatio Christi idea of role model, today emphasized in faith-based leadership initiatives. We cannot forget that this is the substance of the greatest genre the world has seen, not confined to Hellenic culture alone: tragedy, the tragic hero of history. It is with the greatest respect that one places today the figure of our brother Nelson Mandela in that teaching gallery.

    I asked Paul Bové if I could use my example of using Nelson Mandela as a teaching text that comes from ten years ago—there to undo the longue durée of the color line of caste—and he agreed. I quote myself, then:

    Two girls, between eleven and fifteen years of age, show me what they are being taught in primary school. It is a piece about South Africa. They have absolutely no clue at all what the piece is about, as they don’t about any piece in the book, about any piece in any book. They tell me their teachers would go over the material again the next day.

    The next day after school, we meet again. Did the teachers explain? “Reading poriyechhe,” is the answer—an untranslatable Bengali phrase for which there are equivalents in all the major Indian languages, no doubt. “They made us read reading” would perhaps convey the absurdity? Any piece is a collection of discrete spelling exercises to be read in a high drone with little regard to punctuation. The scandal is that everyone knows this.

    After the girls’ answer, I begin to explain. If the older girl was just frustrated by not grasping at all what I was trying to explain, the younger one, the strikingly intelligent one, faced me with that inexorably closed look, jaws firmly set. No response to repeated careful questions going over the same ground, over and over again, simplifying the story of Nelson Mandela further at every go. These are students who have no concept or percept of the neighboring districts, of their own state of West Bengal—because they have arrived at Class Four through neglect and no teaching. How will they catch the reference to Africa?

    Into the second hour, sitting on the floor in that darkening room, I tried another tack. Forget Africa, try shoman adhikar—equal rights. We were locked together in an effort to let response emerge and blossom with its own energy. Perhaps an hour and a half into the struggle, I put my hand next to the bright one’s purple-black hand to explain apartheid. Next to that rich color, this pasty brown hand seemed white. And to explain shoman adhikar, equal rights, Mandela’s demand, a desperate formula presented itself to me: ami ja, tumi ta—what I, that you. Remember, this is a student, not an asylum seeker in the metropole, just two students, accepting oppression as normality, understanding their designated textbook.

    The next morning, I asked them to set down what they remembered of the previous day’s lesson. The older one could call up nothing. The younger one, the more intelligent one, produced this: “ami ja, tumi ta, raja here gachhe”—what I, that you, the king was defeated. A tremendous achievement in context, but, if one thinks of all the children studying under the West Bengal Board, including the best students from the best schools in Kolkata, with whom these girls are competing, this is a negligible result. I have no doubt that even this pitiful residue of the content of the lesson is now long lost and forgotten.

    Gayatri Chakravorty Spivak

  • Mandela's Reflections: Mandela's Wholeness, Perhaps Infinite

    Nelson_Mandela's_prison_cell,_Robben_Island,_South_Africa
    I recall almost nothing between the years of 1986 and 1990. Or, I recall only a few things that I recall very well. My first car was a white Datsun B-210 with an END APARTHEID sticker placed carefully on the bumper. It was 1989 or 1990. Once, I drove my English professor somewhere when the car’s interior was unkempt. She seemed too wide for the passenger seat and simultaneously shorter somehow, which embarrassed me. I do not remember what catalyst compelled me to put the END APARTHEID sticker on my car.

    1989 or 1990 was after everything had already happened. American colleges and universities had long divested from South Africa. The federal government was on board. I felt outside of the right time.

    There is the kind of remembering that heals and provides the material for forgiveness, and there is a kind of forgetting alongside it—the necessary cell-based kind—that can be a psychic savior. I know now that my elliptical memory is likely linked to my body’s habits of self-protection—to close down a part of the mind so that a parallel self might rise up in place of the other (endangered) self. This possibility that the self and the other might inhabit the same body. In order to remember some things, some neuroscientists theorize, you must forget other things. Repetition, of course, assists in memory; thus, I tend to remember things that happened over and over again but not singular events that happened once. Those abundant incidents, then, become one singular incident instead of several separate occurrences.

    None of us had ever seen him. The photographs on protest placards were taken before he was imprisoned at Robben Island. My first imagining of Mandela was after watching Mandela (1987), the film with Danny Glover and Alfre Woodard. This may have been my first political film. Every imagining of Mandela was interwoven with an image of Glover’s face. The way American cinema exchanges what we know about the world, however perverse that world. At the time, the actual Mandela was in his second of three prisons, Pollsmoor Prison, where he spent extended periods in solitary confinement for six years. In his autobiography, he writes this about solitary: “There is no beginning and no end; there is only one’s mind, which can begin to play tricks. Was that a dream or did it really happen?” How the impulse toward being alive might be broken. Where the mind pinches off like a tourniquet to keep the good blood in a forgetting that is curious and searching, that creates a possibility for survival. What is the self without memory? Forced upon the psyche, the mythos: pastlessness.

    That’s what director Steve McQueen says about the world: it’s “perverse.” Artist Kara Walker contends something similar: “What strikes me,” she says, “is how easy it is to commit atrocities.” The monstrosity of blackness presents itself in a side room of the mind. Sometimes we say, “How do I walk with this shadow cast,” and sometimes we say, “I am already looking ahead three paces of where you imagine me to be.” Like many people I know, I have recently had the distressing and arresting experience of watching McQueen’s 2013 film, 12 Years a Slave, based on a free black man’s account of being kidnapped and sold into slavery. Removed from the known world. Removed from the known self. What is it to project one’s self apart from the physical body? In the film, the most difficult scene for me to watch is the makeshift funeral for one of the slaves, in which Solomon Northrup, our brutalized protagonist, succumbs to his horrific reality and appears to recognize that the suffering of the others is his as well. But I don’t belong here. At first, while the others sing, he does not. His face is tight, brow furrowed—as if resisting something. Then, he is overtaken and begins to sing too, Roll, Jordan, Roll, a Negro spiritual. His body slumps into itself and, conversely, is also invigorated, or lifted, by the singing.

    When there are so many savage beatings in McQueen’s film, so many unimaginable psychic suffocations, why is this the moment that unsettles me most? Perhaps because years go by; he has been looking at his own imagined photo, remembering in precise architecture the self that does not belong in slavery. When he begins to sing, softly at first then more strongly, it’s as if the self Solomon has been holding on to disappears and in his place stands another self, one compelled by abjection. This forgetting of the past self simultaneously grounds him in his present suffering and allows him to reach toward disembodiment and the spiritual realm. This moment within suffering, paradoxically, offers a kind of rescue.

    The idea of the abject brings to mind the phrase “to be violently without one’s self.” The singing returns Solomon to a self, though foreign, but what for Mandela? If there is no time, then there is no memory. How did he maintain what appears to be a sense of self unmutated after being removed from the known world, the symbolic order? How to be a body that sustains grace when confronted with the catastrophic? To forget might be to resist claiming and categorizing knowledge. This is the work of the creative artist, I believe, and the opposite of the colonial impulse. I return often to the proposition that perhaps the body, like the self, approaches some unknowability, some forgetting. Was this Spinozan idea that the body resists knowing or, in Deleuze’s estimation, “surpasses the knowledge that we have of it” Mandela’s secret to being uncontained while contained? One of Nelson Mandela’s major contributions to the world is an exalted reference to this infinite body, a reference that afforded him the possibility of remaining unfractured, and to imagine a South Africa theretofore unknown.

    Dawn Lundy Martin

  • Mandela's Reflections: Nelson Mandela: Decolonization, Apartheid, and the Politics of Moral Force

    Nelson Mandela was one of the world’s most important twentieth-century political prisoners. At a moment when world politics was in the throes of the “Cold War,” Mandela’s imprisonment focused much of the world’s attention on the authoritarian racial system in South Africa—apartheid.

    At the beginning of the twentieth century, the white settler country, the Union of South Africa, became independent. By then, South Africa was a society where all the processes of colonialism, its ways of life, its forms of rule, its ideology of white and European supremacy, its construction of African ethnic groups into “natives,” making them nonhuman, had congealed into a specific historical form. As Njabulo Ndebele writes about twentieth-century South Africa, “Everything [in South Africa] has been mind-bogglingly spectacular: the monstrous war machine developed over the years; . . . mass shootings and killings; . . . the mass removals of people; . . . the luxurious life-style of whites. . . . It could be said, therefore, that the most outstanding feature of South African oppression is its brazen, exhibitionist openness.” Apartheid was a regime of death and murder, and as Antjie Krong tells us, deaths were often “so gruesome as to defy the most active imagination.”

    Murder_at_Sharpeville_21_March_1960It was against this regime of white racial domination, death, and murder that Mandela began his political life. During that life, he was a radical member of the ANC Youth League, a member of the South African Communist Party, an advocate of peaceful confrontation, then of armed struggle. In his early political life, Mandela was an African nationalist with a radical anticolonialist outlook who belonged in the late 1950s and ’60s to that historic cluster of African anticolonial figures. At the same time, he was a courageous figure, one who took physical risks.

    For years, the armed wing of the ANC, Umkhonto we Sizwe (Spear of the nation), had its headquarters in South Africa, until a South African police raid captured the leadership. At the famous Rivonia trial after the raid, the leadership, including Mandela, all expected to be sentenced to death. Instead, they were sent to Robben Island.

    There, during a period Mandela calls the “dark days,” he developed a practice of politics in which moral force was the critical element. The struggles he waged for the dignity of prisoners on Robben Island, the relationships he developed with racist warders, turning them from foes into his “honor guard” when he was allowed to meet his lawyers, were the result of an extraordinary practice of a politics in which human dignity was deployed against brutality, where there was the constant effort to construct a kind of politics in which moral force would force oppression to yield ground. It was the kind of politics in which, as he says, “we fought injustice to preserve our own humanity.” This is a form of politics in which creating a dignified, unbroken self is the most profound of political acts done under the most adverse of conditions.

    This kind of politics has a long history in anticolonial and antiracist political practices. Mandela’s practice of politics as a moral force led him to attempt to produce a process of reconciliation and, if possible, justice once the apartheid regime ended. Forgiveness was not a personal matter; rather, it was a political calculation of great risk. Could the politics of moral force bend the beneficiaries of the apartheid regime into themselves taking the risk, not of support for the ANC but of doing the necessary work to build a new South Africa? Nearly twenty years after the 1994 election, which ushered in political equality, this remains one of the unanswered questions of South Africa.

    In the politics of moral force, the political personality is central. Mandela was well suited for this role. He had devoted his life to ending the system; he had been jailed for his beliefs and his political practice; he had suffered and therefore had the moral authority to turn that suffering into a political force of change.

    The April 1994 election in South Africa was a twentieth-century watershed. When Mandela walked out of jail that day in 1992, the joy many experienced was an acknowledgment that, at long last, the final bastion of racial oppression that had accompanied colonial power was at an end. Mandela was central to that drama, and he represented both the end as well as the possibility of a new beginning. That currently what was seen in South Africa as this exceptional moment of possibility has now stalled gives us all pause and should be generative of new thinking. But in that moment of 1994, in that moment when it seemed that Africa would lead the world in a new way of politics and rule, would redefine politics—in that moment, we remember a possibility, and in that memory we have hope.

    I met Mandela twice, once in Jamaica and then again in South Africa on the eve of the 1994 general election. It is the second meeting that stays with me. Late at night in a Johannesburg hotel, he recalled the highlights of the struggle against the apartheid regime. There was nothing about him, not one story of self, in the recounting. Instead, he talked about the young people who were in rebellion in the townships, about Chris Hani, the African general secretary of the South African Communist Party, who had then just been recently assassinated, and about the support given to the ANC and the general Southern African liberation movements by Cuba. The most searching segment of the discussion that night was his preoccupation with the question, what would become of the ANC after the elections? In the room, we were all aware of the fate of twentieth-century national liberation movements in political office, and so there was a robust debate about what could be done in order to ensure that the ANC would not go down that path. This was Mandela the party leader thinking about the possible future of the political party he led. When he left us that night, those of us in the meeting knew that we had been in the presence of a rare political figure, whose every fiber had been honed by one of the central questions of politics, of all politics—how do we construct a just and equal association of humans into a polity?

    Anthony Bogues

  • Mandela's Reflections: Mandela Memories: An African Prometheus

    I first met Mandela in 1991 in Johannesburg, at the offices of the ANC during my visit to South Africa, while a guest of the Congress of South African writers, who had invited me to talk at various community centers to share ideas and experiences in the unfolding postapartheid democratic process. Mandela had just resumed the presidency of the ANC after twenty-seven years in prison. I could never have imagined that my very first engagement in the country would be with the legend of that struggle.

    Mandela had been part of my literary and political imagination since his days as the Black Pimpernel who, time and again, made a fool of the pursuing apartheid police. A Makerere student at the time, I had just read Orczy’s novel The Scarlet Pimpernel, set during the French Revolution, and it was easy to equate the French reign of terror with apartheid’s and Mandela with the Percy character, the master of disguises and elusive moves. The real Mandela of the Rivonia trial, Robben Island, and worldwide celebrity added to the legend. He had been the subject of poetry, politics, and popular performance. In London, I had worked with the ANC in exile, even met with the hardworking Oliver Tambo, his legal partner, the one that held together a party then dubbed terrorist by the West. So Mandela’s name was always in the horizon of my being, and now, at last, I was going to meet the man.

    I did not know what to expect. For some reason, despite the pictures of his sweet self coming out of prison after twenty-seven years, despite, indeed, the current pictures of the man in the world press, I still thought I would see the young lawyer Mandela, hair parted in the middle, slightly puffed cheeks, of long ago, really of his pre-Pimpernel days. I met a lean, dark-suited gentleman, his height dwarfing mine.

    Was he going to talk about his prison days, ask me about Kenya politics, or simply voice his dreams for a South Africa whose leadership he would soon assume? He didn’t. He talked mostly about books, what African writers had meant to him and his fellow political prisoners, how books had played a role in buoying up their spirits. Books, yes, books and more books. I felt as if through me he was talking to all writers of the world and history.

    We sat at eye level, one on one, but I didn’t realize that he grew on me by the second, a towering presence because he did not try to be towering. Before I knew it, an hour and a half had gone; he was ready to receive the next visitor.

    What stayed with me, as I left for KwaZulu Land, was his soft introspective tone. An incident in my first workshop at a library would make me revisit the tone. The itinerary was clear: after the library event a few miles from Durban, we were to drive to the graveyard of Albert Luthuli, the former president of the ANC, to pay respects to his memory. I was in the midst of telling the Kamĩrĩthũ3 story, the community open-air theater that I had been part of, the involvement of workers, small farmers, the landless, the jobless, and the power of an awakened consciousness, when suddenly I saw a commotion in the audience. The ANC chief of security who had accompanied us hurried out of the room, unbuttoning his jacket. They had arrested an Inkatha gunman about to enter the hall. They disarmed him in the nick of time.

    My workshop ended abruptly. Our visit to Luthuli’s grave was canceled. All those present, including an American envoy, drove in a convoy back to Durban. It was then that I realized that my driver was an ANC security officer, and he told me that his own brother had been murdered by thugs, allegedly Buthelezi’s men, the week before.

    After Durban, it was down to Port Elizabeth, in the Eastern Cape. I visited the humble home of one of the ANC cadres. He was a father who seemed to embrace the warmth of his family in gratitude, as if it had been a gift he had not expected. Then later, he took me to the back of the house. He did not show it to me, but he pointed to where his AK-47 was hidden. I think he saw himself as a soldier on leave, or enjoying a temporary cease-fire with the enemy. He could be called to arms at any time, and he could never, of course, be sure of a safe return to his family.

    The two incidents brought home to me the meaning of Mandela’s introspective tone. The country was literally on the verge of a bloodbath, and he knew it. He held the key to its stability; despite his calm demeanor, this must have weighed on him.

    But Mandela held the nation together, the four years that he was president, guided by the realization that there is no room for vengeance in good politics. It was easier to tear down than to build. Even in serving one term, he showed his faith in the ANC and the people.

    I would meet Mandela again after my 2003 Steve Biko Memorial Lecture. The meeting was in Johannesburg again, this time in the offices of his foundation. By then he had left office, the first black president of a Free South Africa, and Thabo Mbeki had taken over as the second. He was different this time, a bit more effusive. He talked about the contribution of Cuba and African states to the struggle. He talked a little about his continuing contact with leaders of the world, Bush and Blair in particular. He reminisced over Biko, paying tribute to the role of the black consciousness movement and indeed that of the other political parties in the liberation, mentioning Robert Sobukwe by name. Again, so generous in his inclusiveness. The question of his giving the Steve Biko lecture came up, and indeed he gave one, the following year.

    As we were leaving, he stood up and placed his hand on my shoulder. Thus we walked to the door, he leaning on my shoulder. I told Xolela Mangcu, my host, how touching that was: he walking us to the door, his hand on my shoulder, a gesture almost reminiscent of the image of his long walk to freedom. Xolela laughed. Sorry, nothing personal; he does that with people. For support. Yes, he was clearly more frail than the first time we met, but his spirits were still up, once again his charisma and his towering presence commanding awe and respect rather than demanding it.

    The third time we met was in 2004, when he, Ali Mazrui, and I were to be accorded honorary doctorates to mark the renaming and relaunching of the former University of Transkei as Walter Sisulu University. Walter Sisulu, an ANC stalwart, was also Mandela’s political and spiritual mentor. My wife, Njeeri, and our two children, Mumbi and Thiong’o, were less excited about my doctorate than the fact that they were going to meet Mandela. It was an emotional moment for me because I was returning to Kenya for the first time after twenty-two years of forced exile.

    Alas, we never met up with him: he was down with something, he could not make it to the ceremony, and he would be given his robes at his home. But a few days later, we had the pleasure of visiting his birthplace, Qunu, where now he will rest forever.

    His passing on, though expected, shocked me: at the back of my mind was always a hope that the man who had cheated death many times would once more rebound. He remains a towering figure in African and world politics.

    When Mandela was released from prison, captured in the iconic picture of his walking hand in hand with Winnie Mandela, I wrote an article in Gĩkũyũ, “Kũngũ Baba Mandela” (Welcome home Father Mandela), because I could not see myself recording this moment in any but an African language. I compared him to mythic figures, Prometheus in particular. For like Prometheus, he had been chained to a rock for bringing to humans the knowledge of fire, really, the secrets to energy and light. He had survived, and now, at ninety-five, he had passed to join other heroes and heroines of history and myth.

    Blessed Peace, Mandela
    translated from the Gĩkũ yũ

    Even those that then called him a terrorist
    Now acclaim him a freedom fighter

    Those that once wanted him gone
    Are now shedding tears that he’s gone

    It is said that truth never dies
    It cannot be buried in a hole

    They tried to kill it with bullets
    They wondered how did it escape?

    They put it in chains
    They sent it to Rob’em Island
    They made it break stones twenty-seven years
    They tortured it to make truth give up hope
    They tried all to make truth surrender to lies

    They did not realize it was the body breaking stones
    That truth cut thru the handcuffs and barbed wires long ago
    That it was truth that guided the armed struggle
    Singing that which had been sung by other seekers of freedom

    You can send us to exile and prisons
    Or confine us to islands
    But we shall never stop struggling for freedom . . .

    Mandela Madiba Rolihlahla of Thembu and African clan
    Your body that has gone to rest under the shades of holy peace

    The truth they tried to shoot down with bullets
    The truth they put in hand and leg chains
    The truth for which they put you in jail and detention
    That truth lives on among the people forever
    In the hearts of all fighters for truth and justice the world over

    ___
    2. Parts of this article have been published in the Standard (Kenya); and the Sunday Independent (South Africa).

    3. For more on Kamĩrĩthũ, see my books, Decolonizing the Mind and Detained: A Writer’s Prison Diary.
    ___

    Ngũgĩ wa Thiong’o

  • Mandela's Reflections: Nelson Mandela

    F. W. de Klerk is the first president of South Africa whom I knew from TV and remembered. As it turns out, he became the last in the long list of white presidents of South Africa. It was late 1989; I was ten. Were it not because of the June Fourth tragedy in the PRC that took place some months before de Klerk acceded to the South African state presidency, I might have continued for more days, even years, to mope about unasham- edly, nonchalant of other people’s day-to-day struggle with and in the world. I might have kept on, for some more time, to think of the TV as no more than my daily feeder of Japanese animations. Of course, even though in my teenage years I became more educated and less complacent about my privileged life in one of the world’s richest cities, I paid scant attention to how the Ashanti fought the British, or how the Mau Mau resorted to violence against violence. This in part has to do with the fact that I received no doubt the finest elite education then available in town—for example, I had the good fortune to study “English Literature” as a subject, which only five or six schools in the whole of Hong Kong have the resources to offer.

    It took me a while to emerge from this protected world of myself as a champion of colonial education and to identify the beauty of literature less in a particular national taste or in the workings of one imperial language. The judgment that literature is above all else the living proof of the historical mind’s greatest imaginative achievements came to me through and beyond my colonial education. In terms of time, it took me decades of slow work to finally open my mind and commit it to William Empson’s most humanistic call: to see “moral independence” from “one’s formative society” as “the grandest theme of all literature.” In practice, I spent years learning finally to appreciate that Okonkwo’s pastoral language is by itself beautiful, to understand that the protagonism of Okonkwo lies adequately in the virtue of the black man’s own capacity for innovations, exceptional achievements, and best hopes. Ultimately, I want to point out that I spent as much time in a free land to finish my long walk to freedom as an exceptional man used—indeed, was forced to use—to make his journey under circumstances that were “intended to cripple [a whole race] so that [black men] should never again have the strength and courage to pursue [their] ideals” (Mandela). Even so, the gap in our achievements is a total spectacle.

    Despite all those unreasonable reasons that beefed up and sustained my ignorance, in the decade between 1989 and 1999 I did know President Mandela. Yet, before Nelson Mandela came to me as President Mandela, the antiapartheid icon whom Nadine Gordimer once described as “the personification of [his people’s] future,” he was first and foremost a political prisoner. This is so due to two more unreasonable reasons. First, overwhelmed for some years by the media’s visual representation of the 1994 genocide in Rwanda, I gave in to the reeling riotousness of visual culture and abandoned the needed task of understanding the complexity of my neighboring continent. In those years, Africa was for me the prison house of internal conflicts, poverty, and dangerous politics. The second reason has to do with popular culture. In 1990, Beyond, the city’s then most famous rock band, wrote one of its signature songs,《光辉岁月》(The glorious days), to pay homage to Mandela “with best wishes.”1 The hit ballad had, since the 1990s, cemented the image of Mandela as a “battered body,” who “alone is left / to welcome the glorious days, / to hold tight to freedom in the storms.” Beyond shapes and sings the image of Mandela in my and my generation’s mind; we have come to know Mandela as always “a lifetime of faltering struggle.” I believe “The Glorious Days” remains, even today, the only set of Cantonese lyrics and melodies dedicated to the man and memorable to generations of Hong Kongers and Chinese-speaking people. In the light of this single’s singleness, I translate the last part of it here for all its worth, beauty, one-timeness, and inadequacy. Above all else, though, I translate it to disconcert the complacency that is so common in my culture and society:

    Those without colors live colorful lives.
    Can’t we move beyond the color difference?
    Pray that equality arrives for all.
    A riotous array of color sparked beauty
    ’Cause it does not discriminate one from another.

    可否不分肤色的界限
    愿这土地里 不分你我高低
    缤纷色彩闪出的美丽
    是因它没有 分开每种色彩

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    1. Chen Zhifen 陈志芬, “Interview with Wong Ka Keung: Beyond Dedicates ‘The Glorious Days’ to Mandela” (專訪黃家強:Beyond《光輝歲月》獻曼德拉), BBC Chinese Online, December 6, 2013, www.bbc.co.uk/zhongwen/simp/china/2013/12/131206_mandela_pop -song_beyond.shtml. See also Linda Chen, “Weibo Reminisces Mandela’s Glorious Days,” Sino-US.com, December 6, 2013, www.sino-us.com/120/Weibo-reminisces-Mandelas -Glorious-Days.html. These web pages contain the lyrics of the song in full.
    ___

    -Ruth Y. Y. Hung

  • Mandela's Reflections: Mandela, Tunisia, and I

    I have experienced Mandela as a presence, an absence, and a label.

    During the historic first free elections in Tunisia, held on October 23, 2011, I voted early, then set off to tour the polling stations in my hometown of Kasserine, a neglected and rebellious part of the country that brought the Tunisian revolution to sharp pitch early in January of the same year. The mood was buoyant, and long queues of determined men and women had already formed. I took lots of photos to mark the moment but also to tell the story when I got back to Oxford. But when I wanted to express what the elections were like on my Facebook page, my mind went back to one picture I have had in my office in the United States and in the United Kingdom for many years. It was an AP photo of two Zulu women carrying an infirm friend to the voting station in Usuthu, in the Natal Province of South Africa, on April 26, 1994. Their determination and hope was galvanized by Mandela. Those images and the inspired hope that fed them had stayed with me until the day when that “Mandela moment” came to North Africa, fifteen years later.

    The elections were part of a continuing transitional phase in Tunisia. After several traumatic decades, the country sorely needed reconciliation and healing. But for all the good will, active civil society, several conferences, money, and speeches, Tunisia risks either failing its transitional justice, and reproducing structures of authoritarianism, or being torn apart, like Syria, Egypt, and Libya. Throughout this period, three years now, I kept thinking that what we needed was a Nelson Mandela of our own. We missed having a national hero, a father figure, a reassuring face, a man of consensus able to forgive and inspire feelings of genuine leadership in reconciliation and healing. Mandela seems to have set a model for transitional justice that the Arab revolutions need at this moment. For cultures and societies that have been ruled by strong men and have been internalizing models of authoritarian power, a revolution has been a welcome leveling of authority. But at the same time, the atomization of the scene among numerous parties and figures of limited appeal and influence, as well as the return of harmful and fractious identity politics, left people without a moral force that could broker differences and show the way, the Mandela way. But then again, the Arab revolutions may have shown how specific to South Africa Mandela has been and how difficult his example was to transfer or to emulate.

    Mandela had indeed been an inspiration to many Tunisian progressives in the student and labor movements for decades before 2011. But things being what they are in the market machine, Mandela has become an iconic image and therefore consumed and misquoted at will. The wide dissemination of this image made it inevitable that local versions of Mandela would be invented and circulated, regardless of how flimsy resemblances may be. But for me, the peak of this instrumentalization saw a figure of Islamism in Tunisia, someone who did so much to divide the country and erode its modernity and freedoms before and after the revolution, dubbed “the closest thing to an Islamic Nelson Mandela.” Aside from the absurdity of the phrase “Islamic Mandela,” the label was conferred on Rachid Ghannouchi, by an American “expert” and Harvard academic keen on pushing two agendas that could not be furthest from Mandela’s ideals. The first was developed in Iraq and driven by dreams of reconquest and repartition of the Middle East, led by Bush Junior. The second points to the desperate need “experts” and pundits felt to assign leaders to Arab revolutions and anoint political Islam at the helm. Mandela has become, then, a convenient metaphor at the service of grotesque opportunism to usurp the ideals of Arab revolutions.

    -Mohamed-Salah Omri

  • Mandela's Reflections: Malaysian Mandela

    At secondary school in Singapore in the mid-1980s, we read Alan Paton’s Cry, the Beloved Country. One word I will always associate with that novel is shantytown. The teacher told the class that shantytowns “were sort of like our kampongs.” But I knew even then that a kampong was not the equivalent of a shantytown. Kampong is the Malay word for “village,” and it evokes the image of traditional wooden houses with atap roofs surrounded by coconut trees, now depicted in watercolor paintings and epochal postcards. The shantytowns of Paton’s novel, on the other hand, were makeshift shacks that black people had put up as a temporary solution to the housing shortage in Johannesburg. They were constructed out of metal sheets, cardboard, sacks, and other discarded materials. And they were disease-infested and crime-ridden.

    With the coming of Chinese and Indian migrant labor to Singapore when it was a British colony, kampongs mushroomed all over the island, each flaunting their own ethnic character. There were Malay, Chinese, and Indian kampongs, but they were not the result of forced racial segregation.

    I think I know what my teacher meant, though. To her, kampongs had that same run-down, squalid look of the shantytowns, not the look of modernity that the Housing Development Board of Singapore, postindependence, wanted to project with brand new high-rise residential flats. But unlike some of the white voices in Paton’s novel calling for South Africa to be divided into white and black areas, the Singapore government wanted to demolish the kampongs and relocate their residents to HDB flats where people of all ethnicities would live together.

    It was also around this time that I began to hear the word apartheid more frequently. Nelson Mandela’s imprisonment for his fight to end apartheid was very much in the news. The newsreels showed scenes of livid Mandela supporters in the streets, pounding the air with their raised, clenched fists demanding his release. Singapore, where the Chinese migrant population had become the majority, had had its fair share of racial riots in the 1950s and ’60s. So to see what would be a repeat of Singapore’s worst nightmare made me sit up and pay attention. Apartheid was a new word for newsreaders, and there was some confusion over the way it was pronounced. Aparthighed, aparthayed, a-par-tide, aparteed, apart-hate. Apa tight. But that did not influence my sense of the uniqueness of the term.

    Years later, Mandela took on a somewhat different significance, this time in neighboring Malaysia, a country where the ethnic mix was just like Singapore’s, except that in Malaysia the Malays were the majority, not the Chinese. Opposition leader Anwar Ibrahim, incarcerated on charges of sodomy and corruption, was being proclaimed the “Malaysian Mandela” after his release from prison in 2004.

    Was Anwar not embarrassed by the comparison? Mandela was in prison for twenty-seven years, Anwar six. Most embarrassing of all, Mandela’s struggle and sacrifice eventually led to the end of apartheid. But did Anwar’s jail term eventually lead to the reformed, corruption-free Malaysia he claimed he so desired, in which there were no longer racial policies designed to benefit his own community, the Malays? Did it lead to an operation similar to mani pulite in Italy, which exposed corruption in connection with the wealth of the ruling class?

    It is understandable why Anwar would be fashioned after Mandela. If a jailed activist can overthrow the government of his country, win the Nobel Peace Prize, and become premier of his nation, so can a Malaysian. Not just any Malaysian, perhaps, but Anwar Ibrahim. Moreover, “Malaysian Mandela” sounds much better and less resonant of a colonial mentality than “Malaysian Jimmy Carter.” Never mind that Mandela himself would have never called himself a “South African Anwar.”

    Once in a while, educated Malaysians of all ethnicities, many of them Anwar supporters, will say that racialism in Malaysia is “apartheid-like,” even though Malaysians, like Singaporeans, have never known what it means to not be able to vote because of their race or to live in segregated areas. They seem to have been unable to come up with a suitable word to describe the political and institutional racism of their country.

    What Nelson Mandela and the Afrikaans word most associated with him—apartheid—mean for Malaysia has, paradoxically, less to do with the nation’s race problem than with its lack of imagination as embodied in the personality cult effect of Anwar Ibrahim.

    Unhappy, the beloved country that steals a hero.

    -Masturah Alatas