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Tag: right-wing politics

  • David Gerard — Creationism on the Blockchain (review of George Gilder, Life After Google)

    David Gerard — Creationism on the Blockchain (review of George Gilder, Life After Google)

    a review of George Gilder, Life After Google: The Fall of Big Data and the Rise of the Blockchain Economy (Regnery, 2018)

    by David Gerard

    George Gilder is most famous as a conservative author and speechwriter. He also knows his stuff about technology, and has a few things to say.

    But what he has to say about blockchain in his book Life After Google is rambling, ill-connected and unconvincing — and falls prey to the fixed points in his thinking.

    Gilder predicts that the Google and Silicon Valley approach — big data, machine learning, artificial intelligence, not charging users per transaction — is failing to scale, and will collapse under its own contradictions.

    The Silicon Valley giants will be replaced by a world built around cryptocurrency, blockchains, sound money … and the obsolescence of philosophical materialism — the theory that thought and consciousness needs only physical reality. That last one turns out to be Gilder’s main point.

    At his best, as in his 1990 book Life After Television, Gilder explains consequences following from historical materialism — Marx and Engels’ theory that historical events emerge from economic developments and changes to the mode of production — to a conservative readership enamoured with the obsolete Great Man theory of history.

    (That said, Gilder sure does love his Great Men. Men specifically.)

    Life After Google purports to be about material forces that follow directly from technology. Gilder then mixes in his religious beliefs as, literally, claims about mathematics.

    Gilder has a vastly better understanding of technology than most pop science writers. If Gilder talks tech, you should listen. He did a heck of a lot of work on getting out there and talking to experts for this book.

    But Gilder never quite makes his case that blockchains are the solutions to the problems he presents — he just presents the existence of blockchains, then talks as if they’ll obviously solve everything.

    Blockchains promise Gilder comfort in certainty: “The new era will move beyond Markov chains of disconnected probabilistic states to blockchain hashes of history and futurity, trust and truth,” apparently.

    The book was recommended to me by a conservative friend, who sent me a link to an interview with Gilder on the Hoover Institution’s Uncommon Knowledge podcast. My first thought was “another sad victim of blockchain white papers.” You see this a lot — people tremendously excited by blockchain’s fabulous promises, with no idea that none of this stuff works or can work.

    Gilder’s particular errors are more interesting. And — given his real technical expertise — less forgivable.

    Despite its many structural issues — the book seems to have been left in dire need of proper editing — Life After Google was a hit with conservatives. Peter Thiel is a noteworthy fan. So we may need to pay attention. Fortunately, I’ve read it so you don’t have to.

    About the Author

    Gilder is fêted in conservative circles. His 1981 book Wealth and Poverty was a favourite of supply-side economics proponents in the Reagan era. He owned conservative magazine The American Spectator from 2000 to 2002.

    Gilder is frequently claimed to have been Ronald Reagan’s favourite living author — mainly in his own publicity: “According to a study of presidential speeches, Mr. Gilder was President Reagan’s most frequently quoted living author.”

    I tried tracking down this claim — and all citations I could find trace back to just one article: “The Gilder Effect” by Larissa MacFarquhar, in The New Yorker, 29 May 2000.

    The claim is one sentence in passing: “It is no accident that Gilder — scourge of feminists, unrepentant supply-sider, and now, at sixty, a technology prophet — was the living author Reagan most often quoted.” The claim isn’t substantiated further in the New Yorker article — it reads like the journalist was told this and just put it in for colour.

    Gilder despises feminism, and has described himself as “America’s number-one antifeminist.” He has written two books — Sexual Suicide, updated as Men and Marriage, and Naked Nomads — on this topic alone.

    Also, per Gilder, Native American culture collapsed because it’s “a corrupt and unsuccessful culture,” as is Black culture — and not because of, e.g., massive systemic racism.

    Gilder believes the biological theory of evolution is wrong. He co-founded the Discovery Institute in 1990, as an offshoot of the Hudson Institute. The Discovery Institute started out with papers on economic issues, but rapidly pivoted to promoting “intelligent design” — the claim that all living creatures were designed by “a rational agent,” and not evolved through natural processes. It’s a fancy term for creationism.

    Gilder insisted for years that the Discovery Institute’s promotion of intelligent design totally wasn’t religious — even as judges ruled that intelligent design in schools was promotion of religion. Unfortunately for Gilder, we have the smoking gun documents showing that the Discovery Institute was explicitly trying to push religion into schools — the leaked Wedge Strategy document literally says: “Design theory promises to reverse the stifling dominance of the materialist worldview, and to replace it with a science consonant with Christian and theistic convictions.”

    Gilder’s politics are approximately the polar opposite of mine. But the problems I had with Life After Google are problems his fans have also had. Real Clear Marketsreview is a typical example — it’s from the conservative media sphere and written by a huge Gilder fan, and he’s very disappointed at how badly the book makes its case for blockchain.

    Gilder’s still worth taking seriously on tech, because he’s got a past record of insight — particularly his 1990s books Life After Television and Telecosm.

    Life After Television

    Life After Television: The Coming Transformation of Media and American Life is why people take Gilder seriously as a technology pundit. First published in 1990, it was expanded in 1992 and again in 1994.

    The book predicts television’s replacement with computers on networks — the downfall of the top-down system of television broadcasting and the cultural hegemony it implies. “A new age of individualism is coming, and it will bring an eruption of culture unprecedented in human history.” Gilder does pretty well — his 1990 vision of working from home is a snapshot of 2020, complete with your boss on Zoom.

    You could say this was obvious to anyone paying attention — Gilder’s thesis rests on technology that had already shown itself capable of supporting the future he spelt out — but not a lot of people in the mainstream were paying attention, and the industry was in blank denial. Even Wired, a few years later, was mostly still just terribly excited that the Internet was coming at all.

    Life After Television talks way more about the fall of the television industry than the coming future network. In the present decade, it’s best read as a historical record of past visions of the astounding future.

    If you remember the first two or three years of Wired magazine, that’s the world Gilder’s writing from. Gilder mentored Wired and executive editor Kevin Kelly in its first few years, and appeared on the cover of the March 1996 edition. Journalist and author Paulina Borsook detailed Gilder’s involvement in Wired in her classic 2000 book Cyberselfish: A Critical Romp through the Terribly Libertarian Culture of High Tech, (also see an earlier article of the same name in Mother Jones) which critiques his politics including his gender politics at length, noting that “Gilder worshipped entrepreneurs and inventors and appeared to have found God in a microchip” (132-3) and describing “a phallus worship he has in common with Ayn Rand” (143).

    The only issue I have with Gilder’s cultural predictions in Life After Television is that he doesn’t mention the future network’s negative side-effects — which is a glaring miss in a world where E. M. Forster predicted social media and some of its effects in The Machine Stops in 1909.

    The 1994 edition of Life After Television goes in quite a bit harder than the 1990 edition. The book doesn’t say “Internet,” doesn’t mention the Linux computer operating system — which was already starting to be a game-changer — and only says “worldwide web” in the sense of “the global ganglion of computers and cables, the new worldwide web of glass and light.” (p23) But then there’s the occasional blinder of a paragraph, such as his famous prediction of the iPhone and its descendants:

    Indeed, the most common personal computer of the next decade will be a digital cellular phone. Called personal digital assistants, among many other coinages, they will be as portable as a watch and as personal as a wallet; they will recognise speech and navigate streets, open the door and start the car, collect the mail and the news and the paycheck, connecting to thousands of databases of all kinds. (p20)

    Gilder’s 1996 followup Telecosm is about what unlimited bandwidth would mean. It came just in time for a minor bubble in telecom stocks, because the Internet was just getting popular. Gilder made quite a bit of money in stock-picking, and so did subscribers to his newsletter — everyone’s a financial genius in a bubble. Then that bubble popped, and Gilder and his subscribers lost their shirts. But his main error was just being years early.

    So if Gilder talks tech, he’s worth paying attention to. Is he right, wrong, or just early?

    Gilder, Bitcoin and Gold

    Gilder used to publish through larger generalist publishers. But since around 2000, he’s published through small conservative presses such as Regnery, small conservative think tanks, or his own Discovery Institute. Regnery, the publisher of Life After Google, is functionally a vanity press for the US far right, famous for, among other things, promising to publish a book by US Senator Josh Hawley after Simon & Schuster dropped it due to Hawley’s involvement with the January 6th capital insurrection.

    Gilder caught on to Bitcoin around 2014. He told Reason that Bitcoin was “the perfect libertarian solution to the money enigma.”

    In 2015, his monograph The 21st Century Case for Gold: A New Information Theory of Money was published by the American Principles Project — a pro-religious conservative think tank that advocates a gold standard and “hard money.”

    This earlier book uses Bitcoin as a source of reasons that an economy based on gold could work in the 21st century:

    Researches in Bitcoin and other digital currencies have shown that the real source of the value of any money is its authenticity and reliability as a measuring stick of economic activity. A measuring stick cannot be part of what it measures. The theorists of Bitcoin explicitly tied its value to the passage of time, which proceeds relentlessly beyond the reach of central banks.

    Gilder drops ideas and catch-phrases from The 21st Century Case for Gold all through Life After Google without explaining himself — he just seems to assume you’re fully up on the Gilder Cinematic Universe. An editor should have caught this — a book needs to work as a stand-alone.

    Life After Google’s Theses

    The theses of Life After Google are:

    • Google and Silicon Valley’s hegemony is bad.
    • Google and Silicon Valley do capitalism wrong, and this is why they will collapse from their internal contradictions.
    • Blockchain will solve the problems with Silicon Valley.
    • Artificial intelligence is impossible, because Gödel, Turing and Shannon proved mathematically that creativity cannot result without human consciousness that comes from God.

    This last claim is the real point of the book. Gilder affirmed that this was the book’s point in an interview with WND.

    I should note, by the way, that Gödel, Turing and Shannon proved nothing of the sort. Gilder claims repeatedly that they and other mathematicians did, however.

    Marxism for Billionaires

    Gilder’s objections to Silicon Valley were reasonably mainstream and obvious by 2018. They don’t go much beyond what Clifford Stoll said in Silicon Snake Oil in 1995. And Stoll was speaking to his fellow insiders. (Gilder cites Stoll, though he calls him “Ira Stoll.”) But Gilder finds the points still worth making to his conservative audience, as in this early 2018 Forbes interview:

    A lot of people have an incredible longing to reduce human intelligence to some measurable crystallization that can be grasped, calculated, projected and mechanized. I think this is a different dimension of the kind of Silicon Valley delusion that I describe in my upcoming book.

    Gilder’s scepticism of Silicon Valley is quite reasonable … though he describes Silicon Valley as having adopted “what can best be described as a neo-Marxist political ideology and technological vision.”

    There is no thing, no school of thought, that is properly denoted “neo-Marxism.” In the wild, it’s usually a catch-all for everything the speaker doesn’t like. It’s a boo-word.

    Gilder probably realises that it comes across as inane to label the ridiculously successful billionaire and near-trillionaire capitalists of the present day as any form of “Marxist.” He attempts to justify his usage:

    Marx’s essential tenet was that in the future, the key problem of economics would become not production amid scarcity but redistribution of abundance.

    That’s not really regarded as the key defining point of Marxism by anyone else anywhere. (Maybe Elon Musk, when he’s tweeting words he hasn’t looked up.) I expect the libertarian post-scarcity transhumanists of the Bay Area, heavily funded by Gilder’s friend Peter Thiel, would be disconcerted too.

    “Neo-Marxism” doesn’t rate further mention in the book — though Gilder does use the term in the Uncommon Knowledge podcast interview. Y’know, there’s red-baiting to get in.

    So — Silicon Valley’s “neo-marxism” sucks. “It is time for a new information architecture for a globally distributed economy. Fortunately, it is on its way.” Can you guess what it is?

    You’re Doing Capitalism Wrong

    Did you know that Isaac Newton was the first Austrian economist? I didn’t. (I still don’t.)

    Gilder doesn’t say this outright. He does speak of Newton’s work in physics, as a “system of the world,” a phrase he confesses to having lifted from Neal Stephenson.

    But Gilder is most interested in Newton’s work as Master of the Mint — “Newton’s biographers typically underestimate his achievement in establishing the information theory of money on a firm foundation.”

    There is no such thing as “the information theory of money” — this is a Gilder coinage from his 2015 book The 21st Century Case for Gold.

    Gilder’s economic ideas aren’t quite Austrian economics, but he’s fond of their jargon, and remains a huge fan of gold:

    The failure of his alchemy gave him — and the world — precious knowledge that no rival state or private bank, wielding whatever philosopher’s stone, would succeed in making a better money. For two hundred years, beginning with Newton’s appointment to the Royal Mint in 1696, the pound, based on the chemical irreversibility of gold, was a stable and reliable monetary Polaris.

    I’m pretty sure this is not how it happened, and that the ascendancy of Great Britain’s pound sterling had everything to do with it being backed by a world-spanning empire, and not any other factor. But Gilder goes one better:

    Fortunately the lineaments of a new system of the world have emerged. It could be said to have been born in early September 1930, when a gold-based Reichsmark was beginning to subdue the gales of hyperinflation that had ravaged Germany since the mid-1920s.

    I am unconvinced that this quite explains Germany in the 1930s. The name of an obvious and well-known political figure, who pretty much everyone else considers quite important in discussing Germany in the 1930s, is not mentioned in this book.

    The rest of the chapter is a puréed slurry of physics, some actual information theory, a lot of alleged information theory, and Austrian economics jargon, giving the impression that these are all the same thing as far as Gilder is concerned.

    Gilder describes what he thinks is Google’s “System of the World” — “The Google theory of knowledge, nicknamed ‘big data,’ is as radical as Newton’s and as intimidating as Newton’s was liberating.” There’s an “AI priesthood” too.

    A lot of people were concerned early on about Google-like data sponges. Here’s Gilder on the forces at play:

    Google’s idea of progress stems from its technological vision. Newton and his fellows, inspired by their Judeo-Christian world view, unleashed a theory of progress with human creativity and free will at its core. Google must demur.

    … Finally, Google proposes, and must propose, an economic standard, a theory of money and value, of transactions and the information they convey, radically opposed to what Newton wrought by giving the world a reliable gold standard.

    So Google’s failures include not proposing a gold standard, or perhaps the opposite.

    Open source software is also part of this evil Silicon Valley plot — the very concept of open source. Because you don’t pay for each copy. Google is evil for participating in “a cult of the commons (rooted in ‘open source’ software)”.

    I can’t find anywhere that Gilder has commented on Richard M. Stallman’s promotion of Free Software, of which “open source” was a business-friendly politics-washed rebranding — but I expect that if he had, the explosion would have been visible from space.

    Gilder’s real problem with Google is how the company conducts its capitalism — how it applies creativity to the goal of actually making money. He seems to consider the successful billionaires of our age “neo-Marxist” because they don’t do capitalism the way he thinks they should.

    I’m reminded of Bitcoin Austrians — Saifedean Ammous in The Bitcoin Standard is a good example — who argue with the behaviour of the real-life markets, when said markets are so rude as not to follow the script in their heads. Bitcoin maximalists regard Bitcoin as qualitatively unique, unable to be treated in any way like the hodgepodge of other things called “cryptos,” and a separate market of its own.

    But the real-life crypto markets treat this as all one big pile of stuff, and trade it all on much the same basis. The market does not care about your ideology, only its own.

    Gilder mixes up his issues with the Silicon Valley ideology — the Californian Ideology, or cyberlibertarianism, as it’s variously termed in academia — with a visceral hatred of capitalists who don’t do capitalism his way. He seems to despise the capitalists who don’t do it his way more than he despises people who don’t do capitalism at all.

    (Gilder was co-author of the 1994 document “Magna Carta for the Knowledge Age” that spurred Langdon Winner to come up with the term “cyberlibertarianism” in the first place.)

    Burning Man is bad because it’s a “commons cult” too. Gilder seems to be partially mapping out the Californian Ideology from the other side.

    Gilder is outraged by Google’s lack of attention to security, in multiple senses of the word — customer security, software security, military security. Blockchain will fix all of this — somehow. It just does, okay?

    Ads are apparently dying. Google runs on ads — but they’re on their way out. People looking to buy things search on Amazon itself first, then purchase things for money — in the proper businesslike manner.

    Gilder doesn’t mention the sizable share of Amazon’s 2018 income that came from sales of advertising on its own platform. Nor does Gilder mention that Amazon’s entire general store business, which he approves of, posted huge losses in 2018, and was subsidised by Amazon’s cash-positive business line, the Amazon Web Services computing cloud.

    Gilder visits Google’s data centre in The Dalles, Oregon. He notes that Google embodies Sun Microsystems’ old slogan “The Network is the Computer,” coined by John Gage of Sun in 1984 — though Gilder attributes this insight to Eric Schmidt, later of Google, based on an email that Schmidt sent Gilder when he was at Sun in 1993.

    All successful technologies develop on an S-curve, a sigmoid function. They take off, raise in what looks like exponential growth … and then they level off. This is normal and expected. Gilder knows this. Correctly calling the levelling-off stage is good and useful tech punditry.

    Gilder notes the siren call temptations of having vastly more computing power than anyone else — then claims that Google will therefore surely fail. Nothing lasts forever; but Gilder doesn’t make the case for his claimed reasons.

    Gilder details Google’s scaling problems at length — but at no point addresses blockchains’ scaling problems: a blockchain open to all participants can’t scale and stay fast and secure (the “blockchain trilemma”). I have no idea how he missed this one. If he could see that Google has scaling problems, how could he not even mention that public blockchains have scaling problems?

    Gilder has the technical knowledge to be able to understand this is a key question, ask it and answer it. But he just doesn’t.

    How would a blockchain system do the jobs presently done by the large companies he’s talking about? What makes Amazon good when Google is bad? The mere act of selling goods? Gilder resorts entirely to extrapolation from axioms, and never bothers with the step where you’d expect him to compare his results to the real world. Why would any of this work?

    Gilder is fascinated by the use of Markov chains to statistically predict the next element of a series: “By every measure, the most widespread, immense, and influential of Markov chains today is Google’s foundational algorithm, PageRank, which encompasses the petabyte reaches of the entire World Wide Web.”

    Gilder interviews Robert Mercer — the billionaire whose Mercer Family Foundation helped bankroll Trump, Bannon, Brexit, and those parts of the alt-right that Peter Thiel didn’t fund.

    Mercer started as a computer scientist. He made his money on Markov-related algorithms for financial trading — automating tiny trades that made no human sense, only statistical sense.

    This offends Gilder’s sensibilities:

    This is the financial counterpart of Markov models at Google translating languages with no knowledge of them. Believing as I do in the centrality of knowledge and learning in capitalism, I found this fact of life and leverage absurd. If no new knowledge was generated, no real wealth was created. As Peter Drucker said, ‘It is less important to do things right than to do the right things.’

    Gilder is faced with a stupendously successful man, whose ideologies he largely concurs with, and who’s won hugely at capitalism — “Mercer and his consort of superstar scholars have, mutatis mutandis, excelled everyone else in the history of finance” — but in a way that is jarringly at odds with his own deeply-held beliefs.

    Gilder believes Mercer’s system, like Google’s, “is based on big data that will face diminishing returns. It is founded on frequencies of trading that fail to correspond to any real economic activity.”

    Gilder holds that it’s significant that Mercer’s model can’t last forever. But this is hardly a revelation — nothing lasts forever, and especially not an edge in the market. It’s the curse of hedge funds that any process that exploits inefficiencies will run out of other people’s inefficiencies in a few years, as the rest of the market catches on. Gilder doesn’t make the case that Mercer’s trick will fail any faster than it would be expected to just by being an edge in a market.

    Ten Laws of the Cryptocosm

    Chapter 5 is “Ten Laws of the Cryptocosm”. These aren’t from anywhere else — Gilder just made them up for this book.

    “Cryptocosm” is a variant on Gilder’s earlier coinage “Telecosm,” the title of his 1996 book.

    Blockchain spectators should be able to spot the magical foreshadowing term in rule four:

    The fourth rule is “Nothing is free. This rule is fundamental to human dignity and worth. Capitalism requires companies to serve their customers and to accept their proof of work, which is money. Banishing money, companies devalue their customers.

    Rules six and nine are straight out of The Bitcoin Standard:

    The sixth rule: ‘Stable money endows humans with dignity and control.’ Stable money reflects the scarcity of time. Without stable money, an economy is governed only by time and power.

    The ninth rule is ‘Private keys are held by individual human beings, not by governments or Google.’ … Ownership of private keys distributes power.

    In a later chapter, Gilder critiques The Bitcoin Standard, which he broadly approves of.

    Gödel’s Incompetence Theorem

    Purveyors of pseudoscience frequently drop the word “quantum” or “chaos theory” to back their woo-mongering in areas that aren’t physics or mathematics. There’s a strain of doing the same thing with Gödel’s incompleteness theorems to make remarkable claims in areas that aren’t maths.

    What Kurt Gödel actually said was that if you use logic to build your mathematical theorems, you have a simple choice: either your system is incomplete, meaning you can’t prove every statement that is true, and you can’t know which of the unproven statements are true — or you introduce internal contradictions. So you can have holes in your maths, or you can be wrong.

    Gödel’s incompleteness theorems had a huge impact on the philosophy of mathematics. They seriously affected Bertrand Russell’s work on the logicism programme, to model all of mathematics as formal logic, and caused issues for Hilbert’s second problem, which sought a proof that arithmetic is consistent — that is, free of any internal contradictions.

    It’s important to note that Gödel’s theorems only apply in a particular technical sense, to particular very specific mathematical constructs. All the words are mathematical jargon, and not English.

    But humans have never been able to resist a good metaphor — so, as with quantum physics, chaos theory and Turing completeness, people seized upon “Gödel” and ran off in all directions.

    One particular fascination was what the theorems meant for the idea of philosophical materialism — whether interesting creatures like humans could really be completely explained by ordinary mathematics-based physics, or if there was something more in there. Gödel himself essayed haltingly in the direction of saying he thought there might be more than physics there — though he was slightly constrained by knowing what the mathematics actually said.

    Compare the metaphor abuse surrounding blockchains. Deploy a mundane data structure and a proof-of-work system to determine who adds the next bit of data, and thus provide technically-defined, constrained and limited versions of “trustlessness,” “irreversibility” and “decentralisation.” People saw these words, and attributed their favoured shade of meaning of the plain-language words to anything even roughly descended from the mundane data structure — or that claimed it would be descended from it some time in the future.

    Gilder takes Gödel’s incompleteness theorems, adds Claude Shannon on information theory, and mixes in his own religious views. He asserts that the mathematics of Shannon’s information theory and Gödel’s incompleteness theorems prove that creativity can only come from a human consciousness, created by God. Therefore, artificial intelligence is impossible.

    This startling conclusion isn’t generally accepted. Torkel Franzén’s excellent Gödel’s Theorem: An Incomplete Guide to Its Use and Abuse, chapter 4, spends several pages bludgeoning variations on this dumb and bad idea to death:

    there is no such thing as the formally defined language, the axioms, and the rules of inference of “human thought,” and so it makes no sense to speak of applying the incompleteness theorem to human thought.

    If something is not literally a mathematical “formal system,” Gödel doesn’t apply to it.

    The free Google searches and the fiat currencies are side issues — what Gilder really loathes is the very concept of artificial intelligence. It offends him.

    Gilder leans heavily on the ideas of Gregory Chaitin — one of the few mathematicians with a track record of achievement in information theory who also buys into the idea that Gödel’s incompleteness theorem may disprove philosophical materialism. Of the few people convinced by Chaitin’s arguments, most happen to have matching religious beliefs.

    It’s one thing to evaluate technologies according to an ethical framework informed by your religion. It’s quite another to make technological pronouncements directly from your religious views, and to claim mathematical backing for your religious views.

    Your Plastic Pal Who’s Fun to Be With

    Chapter 7 talks about artificial intelligence, and throwing hardware at the problem of machine learning. But it’s really about Gilder’s loathing of the notion of a general artificial intelligence that would be meaningfully comparable to a human being.

    The term “artificial intelligence” has never denoted any particular technology — it’s the compelling science-fictional vision of your plastic pal who’s fun to be with, especially when he’s your unpaid employee. This image has been used through the past few decades to market a wide range of systems that do a small amount of the work a human might otherwise do.

    But throughout Life After Google, Gilder conflates the hypothetical concept of human-equivalent general artificial intelligence with the statistical machine learning products that are presently marketed as “artificial intelligence.”

    Gilder’s next book, Gaming AI: Why AI Can’t Think but Can Transform Jobs (Discovery Institute, 2020), confuses the two somewhat less — but still hammers on his completely wrong ideas about Gödel.

    Gilder ends the chapter with three paragraphs setting out the book’s core thesis:

    The current generation in Silicon Valley has yet to come to terms with the findings of von Neumann and Gödel early in the last century or with the breakthroughs in information theory of Claude Shannon, Gregory Chaitin, Anton Kolmogorov, and John R. Pierce. In a series of powerful arguments, Chaitin, the inventor of algorithmic information theory, has translated Gödel into modern terms. When Silicon Valley’s AI theorists push the logic of their case to explosive extremes, they defy the most crucial findings of twentieth-century mathematics and computer science. All logical schemes are incomplete and depend on propositions that they cannot prove. Pushing any logical or mathematical argument to extremes — whether ‘renormalized’ infinities or parallel universe multiplicities — scientists impel it off the cliffs of Gödelian incompleteness.

    Chaitin’s ‘mathematics of creativity’ suggests that in order to push the technology forward it will be necessary to transcend the deterministic mathematical logic that pervades existing computers. Anything deterministic prohibits the very surprises that define information and reflect real creation. Gödel dictates a mathematics of creativity.

    This mathematics will first encounter a major obstacle in the stunning successes of the prevailing system of the world not only in Silicon Valley but also in finance.

    There’s a lot to unpack here. (That’s an academic jargon phrase meaning “yikes!”) But fundamentally, Gilder believes that Gödel’s incompleteness theorems mean that artificial intelligence can’t come up with true creativity. Because Gilder is a creationist.

    The only place I can find Chaitin using a phrase akin to “mathematics of creativity” is in his 2012 book of intelligent design advocacy, Proving Darwin: Making Biology Mathematical, which Gilder cites. Chaitin writes:

    To repeat: Life is plastic, creative! How can we build this out of static, perfect mathematics? We shall use postmodern math, the mathematics that comes after Gödel, 1931, and Turing, 1936, open not closed math, the math of creativity, in fact.

    Whenever you see Gilder talk about “information theory,” remember that he’s using the special creationist sense of the term — a claim that biological complexity without God pushing it along would require new information being added, and that this is impossible.

    Real information theory doesn’t say anything of the sort — the creationist version is a made-up pseudotheory, developed at the Discovery Institute. It’s the abuse of a scientific metaphor to claim that a loose analogy from an unrelated field is a solid scientific claim.

    Gilder’s doing the thing that bitcoiners, anarchocapitalists and neoreactionaries do — where they ask a lot of the right questions, but come up with answers that are completely on crack, based on abuse of theories that they didn’t bother understanding.

    Chapter 9 is about libertarian transhumanists of the LessWrong tendency, at the 2017 Future Of Life conference on hypothetical future artificial intelligences, hosted by physicist Max Tegmark.

    Eliezer Yudkowsky, the founder of LessWrong, isn’t named or quoted, but the concerns are all reheated Yudkowsky: that a human-equivalent general artificial intelligence will have intelligence but not human values, will rapidly increase its intelligence, and thus its power, vastly beyond human levels, and so will doom us all. Therefore, we must program artificial intelligence to have human values — whatever those are.

    Yudkowsky is not a programmer, but an amateur philosopher. His charity, the Machine Intelligence Research Institute (MIRI), does no programming, and its research outputs are occasional papers in mathematics. Until recently, MIRI was funded by Peter Thiel, but it’s now substantially funded by large Ethereum holders.

    Gilder doesn’t buy Yudkowsky’s AI doomsday theory at all — he firmly believes that artificial intelligence cannot form a mind because, uh, Gödel: “The blind spot of AI is that consciousness does not emerge from thought; it is the source of it.”

    Gilder doesn’t mention that this is because, as a creationist, he believes that true intelligence lies in souls. But he does say “The materialist superstition is a strange growth in an age of information.” So this chapter turns into an exposition of creationist “information theory”:

    This materialist superstition keeps the entire Google generation from understanding mind and creation. Consciousness depends on faith—the ability to act without full knowledge and thus the ability to be surprised and to surprise. A machine by definition lacks consciousness. A machine is part of a determinist order. Lacking surprise or the ability to be surprised, it is self-contained and determined.

    That is: Gilder defines consciousness as whatever it is a machine cannot have, therefore a machine cannot achieve consciousness.

    Real science shows that the universe is a singularity and thus a creation. Creation is an entropic product of a higher consciousness echoed by human consciousness. This higher consciousness, which throughout human history we have found it convenient to call God, endows human creators with the space to originate surprising things.

    You will be unsurprised to hear that “real science” does not say anything like this. But that paragraph is the closest Gilder comes in this book to naming the creationism that drives his outlook.

    The roots of nearly a half-century of frustration reach back to the meeting in Königsberg in 1930, where von Neumann met Gödel and launched the computer age by showing that determinist mathematics could not produce creative consciousness.

    You will be further unsurprised to hear that von Neumann and Gödel never produced a work saying any such thing.

    We’re nine chapters in, a third of the way through the book, and someone from the blockchain world finally shows up — and, indeed, the first appearance of the word “blockchain” in the book at all. Vitalik Buterin, founder of Ethereum and MIRI’s largest individual donor, attends Tegmark’s AI conference: “Buterin succinctly described his company, Ethereum, launched in July 2015, as a ‘blockchain app platform.’”

    The blockchain is “an open, distributed, unhackable ledger devised in 2008 by the unknown person (or perhaps group) known as ‘Satoshi Nakamoto’ to support his cryptocurrency, bitcoin.” This is the closest Gilder comes at any point in the book to saying what a blockchain in fact is.

    Gilder says the AI guys are ignoring the power of blockchain — but they’ll get theirs, oh yes they will:

    Google and its world are looking in the wrong direction. They are actually in jeopardy, not from an all-powerful artificial intelligence, but from a distributed, peer-to-peer revolution supporting human intelligence — the blockchain and new crypto-efflorescence … Google’s security foibles and AI fantasies are unlikely to survive the onslaught of this new generation of cryptocosmic technology.

    Gilder asserts later in the book:

    They see the advance of automation, machine learning, and artificial intelligence as occupying a limited landscape of human dominance and control that ultimately will be exhausted in a robotic universe — Life 3.0. But Charles Sanders Peirce, Kurt Gödel, Alonzo Church, Alan Turing, Emil Post, and Gregory Chaitin disproved this assumption on the most fundamental level of mathematical logic itself.

    These mathematicians still didn’t do any such thing.

    Gilder’s forthcoming book Life after Capitalism (Regnery, 2022), with a 2021 National Review essay as a taster, asserts that his favoured mode of capitalism will reassert itself. Its thesis invokes Gilder’s notions of what he thinks information theory says.

    How Does Blockchain Do All This?

    Gilder has explained the present-day world, and his problems with it. The middle section of the book then goes through several blockchain-related companies and people who catch Gilder’s attention.

    It’s around here that we’d expect Gilder to start explaining what the blockchain is, how it works, and precisely how it will break the Google paradigm of big data, machine learning and artificial intelligence — the way he did when talking about the downfall of television.

    Gilder doesn’t even bother — he just starts talking about bitcoin and blockchains as Google-beaters, and carries through on the assumption that this is understood.

    But he can’t get away with this — he claims to be making a case for the successor to the Google paradigm, a technological case … and he just doesn’t ever do so.

    By the end of this section, Gilder seems to think he’s made his point clear that Google is having trouble scaling up — because they don’t charge a micro-payment for each interaction, or something — therefore various blockchain promises will win.

    The trouble with this syllogism is that the second part doesn’t follow. Gilder presents blockchain projects he thinks have potential — but that’s all. He makes the first case, and just doesn’t make the second.

    Peter Thiel Hates Universities Very Much

    Instead, let’s go to the 1517 Fund — “led by venture capitalist-hackers Danielle Strachman and Mike Gibson and partly financed by Peter Thiel.” Gilder is also a founding partner.

    Gilder is a massive Thiel fan, calling him “the master investor-philosopher Peter Thiel”:

    Thiel is the leading critic of Silicon Valley’s prevailing philosophy of ‘inevitable’ innovation. [Larry] Page, on the other hand, is a machine-learning maximalist who believes that silicon will soon outperform human beings, however you want to define the difference.

    Thiel is a fan of Gilder, and Life After Google, in turn.

    The 1517 Fund’s name comes from “another historic decentralization” — 31 October 1517 was the day that Martin Luther put up his ninety-five theses on a church door in Wittenberg.

    The 1517 team want to take down the government conspiracy of paperwork university credentials, which ties into the fiat-currency-based system of the world. Peter Thiel offers Thiel Fellowships, where he pays young geniuses not to go to college. Vitalik Buterin, founder of Ethereum, got a Thiel Fellowship.

    1517 also invests in the artificial intelligence stuff that Gilder derided in the previous section, but let’s never mind that.

    The Universidad Francisco Marroquín in Guatemala is a university for Austrian and Chicago School economics. Gilder uses UFM as a launch pad for a rant about US academia, and the 1517 Fund’s “New 95” theses about how much Thiel hates the US university system. Again: they ask some good questions, but their premises are bizarre, and their answers are on crack.

    Fictional Evidence

    Gilder rambles about author Neal Stephenson, who he’s a massive fan of. The MacGuffin of Stephenson’s 1999 novel Cryptonomicon is a cryptographic currency backed by gold. Stephenson’s REAMDE (2011) is set in a Second Life-style virtual world whose currency is based on gold, and which includes something very like Bitcoin mining:

    Like gold standards through most of human history — look it up — T’Rain’s virtual gold standard is an engine of wealth. T’Rain prospers mightily. Even though its money is metafictional, it is in fact more stable than currencies in the real world of floating exchange rates and fiat money.

    Thus, fiction proves Austrian economics correct! Because reality certainly doesn’t — which is why Ludwig von Mises repudiated empirical testing of his monetary theories early on.

    Is There Anything Bitcoin Can’t Do?

    Gilder asserts that “Bitcoin has already fostered thousands of new apps and firms and jobs.” His example is cryptocurrency mining, which is notoriously light on labour requirements. Even as of 2022, the blockchain sector employed 18,000 software developers — or 0.07% of all developers.

    “Perhaps someone should be building an ark. Or perhaps bitcoin is our ark — a new monetary covenant containing the seeds of a new system of the world.” I wonder why the story of the ark sprang to his mind.

    One chapter is a dialogue, in which Gilder speaks to an imaginary Satoshi Nakamoto, Bitcoin’s pseudonymous creator, about how makework — Bitcoin mining — can possibly create value. “Think of this as a proposed screenplay for a historic docudrama on Satoshi. It is based entirely on recorded posts by Satoshi, interlarded with pleasantries and other expedients characteristic of historical fictions.”

    Gilder fingers cryptographer Nick Szabo as the most likely candidate for Bitcoin’s pseudonymous creator, Satoshi Nakamoto — “the answer to three sophisticated textual searches that found Szabo’s prose statistically more akin to Nakomoto’s than that of any other suspected Satoshista.”

    In the blockchain world, any amazing headline that would turn the world upside-down were it true is unlikely to be true. Gilder has referenced a CoinDesk article, which references research from Aston University’s Centre for Forensic Linguistics.

    I tracked this down to an Aston University press release. The press release does not link to any research outputs — the “study” was an exercise that Jack Grieve at Aston gave his final-year students, then wrote up as a splashy bit of university press-release-ware.

    The press release doesn’t make its case either: “Furthermore, the researchers found that the bitcoin whitepaper was drafted using Latex, an open-source document preparation system. Latex is also used by Szabo for all his publications.” LaTeX is used by most computer scientists anywhere for their publications — but the Bitcoin white paper was written in OpenOffice 2.4, not LaTeX.

    This press release is still routinely used by lazy writers to claim that Szabo is Satoshi, ’cos they heard that linguistic analysis says so. Gilder could have dived an inch below the surface on this remarkable claim, and just didn’t.

    Gilder then spends a chapter on Craig Wright, who — unlike Szabo — claims to be Satoshi. This is based on Andrew O’Hagan’s lengthy biographical piece on Wright, “The Satoshi Affair” for the London Review of Books, reprinted in his book The Secret Life: Three True Stories. This is largely a launch pad for how much better Vitalik Buterin’s ideas are than Wright’s.

    Blockstack

    We’re now into a list of blockchainy companies that Gilder is impressed with. This chapter introduces Muneeb Ali and his blockchain startup, Blockstack, whose pitch is a parallel internet where you own all your data, in some unspecified sense. Sounds great!

    Ali wants a two-layer network: “monolith, the predictable carriers of the blockchain underneath, and metaverse, the inventive and surprising operations of its users above.” So, Ethereum then — a blockchain platform, with applications running on top.

    Gilder recites the press release description of Blockstack and what it can do — i.e., might hypothetically do in the astounding future.

    Under its new name, Stacks, the system is being used as a platform for CityCoins — local currencies on a blockchain — which was started in the 2021 crypto bubble. MiamiCoin notably collapsed in price a few months after its 2021 launch, and the city only didn’t show a massive loss on the cryptocurrency because Stacks bailed them out on their losses.

    Brendan Eich and Brave

    Brendan Eich is famous in the technical world as one of the key visionaries behind the Netscape web browser, the Mozilla Foundation, and the Firefox web browser, and as the inventor of the JavaScript programming language.

    Eich is most famous in the non-technical world for his 2008 donation to Proposition 8, to make gay marriage against the California constitution. This donation came to light in 2012, and made international press at the time.

    Techies can get away with believing the most awful things, as long as they stay locked away in their basement — but Eich was made CEO of Mozilla in 2014, and somehow the board thought the donation against gay marriage wouldn’t immediately become 100% of the story.

    One programmer, whose own marriage had been directly messed up by Proposition 8, said he couldn’t in good conscience keep working on Firefox-related projects — and this started a worldwide boycott of Mozilla and Firefox. Eich refused to walk back his donation in any manner — though he did promise not to actively seek to violate California discrimination law in the course of his work at Mozilla, so that’s nice — and quit a few weeks later.

    Eich went off to found Brave, a new web browser that promises to solve the Internet advertising problem using Basic Attention Tokens, a token that promises a decentralised future for paying publishers that is only slightly 100% centralised in all functional respects.

    Gilder uses Eich mostly to launch into a paean to Initial Coin Offerings — specifically, in their rôle as unregistered penny stock offerings. Gilder approves of ICOs bypassing regulation, and doesn’t even mention how the area was suffused with fraud, nor the scarcity of ICOs that delivered on any of their promises. The ICO market collapsed after multiple SEC actions against these blatant securities frauds.

    Gilder also approves of Brave’s promise to combat Google’s advertising monopoly, by, er, replacing Google’s ads with Brave’s own ads.

    Goodbye Digital

    Dan Berninger’s internet phone startup Hello Digital is, or was, an enterprise so insignificant it isn’t in the first twenty companies returned by a Google search on “hello digital”. Gilder loves it.

    Berninger’s startup idea involved end-to-end non-neutral precedence for Hello Digital’s data. And the US’s net neutrality rules apparently preclude this. Berninger sued the FCC to make it possible to set up high-precedence private clearways for Hello Digital’s data on the public Internet.

    This turns out to be Berninger’s suit against the FCC to protest “net neutrality” — on which the Supreme Court denied certiorari in December 2018.

    Somehow, Skype and many other applications managed enormously successful voice-over-internet a decade previously on a data-neutral Internet. But these other systems “fail to take advantage of the spontaneous convergence of interests on particular websites. They provide no additional sources of revenue for Web pages with independent content. And they fail to add the magic of high-definition voice.” Apparently, all of this requires proprietary clearways for such data on the public network? Huge if true.

    Gilder brings up 5G mobile Internet. I think it’s supposed to be in Google’s interests? Therefore it must be bad. Nothing blockchainy here, this chapter’s just “Google bad, regulation bad”.

    The Empire Strikes Back

    Old world big money guys — Jamie Dimon, Warren Buffett, Charlie Munger, Paul Krugman — say Bitcoin is trash. Gilder maintains that this is good news for Bitcoin.

    Blockchain fans and critics — and nobody else — will have seen Kai Stinchcombe’s blog post of December 2017, “Ten years in, nobody has come up with a use for blockchain.” Stinchcombe points out that “after years of tireless effort and billions of dollars invested, nobody has actually come up with a use for the blockchain — besides currency speculation and illegal transactions.” It’s a good post, and you should read it.

    Gilder spends an entire chapter on this blog post. Some guy who wrote a blog post is a mid-level boss in this book.

    Gilder concedes that Stinchcombe’s points are hard to argue with. But Stinchcome merely being, you know, right, is irrelevant — because, astounding future!

    Stinchcombe writes from the womb of the incumbent financial establishment, which has recently crippled world capitalism with a ten-year global recession.

    One day a bitcoiner will come up with an argument that isn’t “but what about those other guys” — but today is not that day.

    At Last, We Escape

    We’ve made it to the last chapter. Gilder summarises how great the blockchain future will be:

    The revolution in cryptography has caused a great unbundling of the roles of money, promising to reverse the doldrums of the Google Age, which has been an epoch of bundling together, aggregating, all the digital assets of the world.

    Gilder confidently asserts ongoing present-day processes that are not, here in tawdry reality, happening:

    Companies are abandoning hierarchy and pursuing heterarchy because, as the Tapscotts put it, ‘blockchain technology offers a credible and effective means not only of cutting out intermediaries, but also of radically lowering transaction costs, turning firms into networks, distributing economic power, and enabling both wealth creation and a more prosperous future.’

    If you read Don and Alex Tapscott’s Blockchain Revolution (Random House, 2016), you’ll see that they too fail to demonstrate any of these claims in the existing present rather than the astounding future. Instead, the Tapscotts spend several hundred pages talking about how great it’s all going to be potentially, and only note blockchain’s severe technical limitations in passing at the very end of the book.

    We finish with some stirring blockchain triumphalism:

    Most important, the crypto movement led by bitcoin has reasserted the principle of scarcity, unveiling the fallacy of the prodigal free goods and free money of the Google era. Made obsolete will be all the lavish Google prodigies given away and Google mines and minuses promoted as ads, as well as Google Minds fantasizing superminds in conscious machines.

    Bitcoin promoters routinely tout “scarcity” as a key advantage of their Internet magic beans — ignoring, as Gilder consistently does, that anyone can create a whole new magical Internet money by cut’n’paste, and they do. Austrian economics advocates had noted that issue ever since it started happening with altcoins in the early 2010s.

    The Google era is coming to an end because Google tries to cheat the constraints of economic scarcity and security by making its goods and services free. Google’s Free World is a way of brazenly defying the centrality of time in economics and reaching beyond the wallets of its customers directly to seize their time.

    The only ways in which the Google era has been shown to be “coming to an end” is that their technologies are reaching the tops of their S-curves. This absolutely counts as an end point as Gilder describes technological innovation, and he might even be right that Google’s era is ending — but his claimed reasons have just been asserted, and not at all shown.

    By reestablishing the connections between computation, finance, and AI on the inexorable metrics of time and space, the great unbundling of the blockchain movement can restore economic reality.

    The word “can” is doing all the work there. It was nine years at this book’s publication, and thirteen years now, and there’s a visible lack of progress on this front.

    Everything will apparently decentralise naturally, because at last it can:

    Disaggregated will be all the GAFAM (Google, Apple, Facebook, Amazon, Microsoft conglomerates) — the clouds of concentrated computing and commerce.

    The trouble with this claim is that the whole crypto and blockchain middleman infrastructure is full of monopolies, rentiers and central points of failure — because centralisation is always more economically efficient than decentralisation.

    We see recentralisation over and over. Bitcoin mining recentralised by 2014. Ethereum mining was always even more centralised than Bitcoin mining, and almost all practical use of Ethereum has long been dependent on ConsenSys’ proprietary Infura network. “Decentralisation” has always been a legal excuse to say “can’t sue me, bro,” and not any sort of operational reality.

    Gilder concludes:

    The final test is whether the new regime serves the human mind and consciousness. The measure of all artificial intelligence is the human mind. It is low-power, distributed globally, low-latency in proximity to its environment, inexorably bounded in time and space, and creative in the image of its creator.

    Gilder wants you to know that he really, really hates the idea of artificial intelligence, for religious reasons.

    Epilogue: The New System of the World

    Gilder tries virtual reality goggles and likes them: “Virtual reality is the opposite of artificial intelligence, which tries to enhance learning by machines. Virtual reality asserts the primacy of mind over matter. It is founded on the singularity of human minds rather than a spurious singularity of machines.”

    There’s a bit of murky restating of his theses: “The opposite of memoryless Markov chains is blockchains.” I’m unconvinced this sentence is any less meaningless with the entire book as context.

    And Another Thing!

    “Some Terms of Art and Information for Life after Google” at the end of the book isn’t a glossary — it’s a section for idiosyncratic assertions without justification that Gilder couldn’t fit in elsewhere, e.g.:

    Chaitin’s Law: Gregory Chaitin, inventor of algorithmic information theory, ordains that you cannot use static, eternal, perfect mathematics to model dynamic creative life. Determinist math traps the mathematician in a mechanical process that cannot yield innovation or surprise, learning or life. You need to transcend the Newtonian mathematics of physics and adopt post-modern mathematics — the mathematics that follows Gödel (1931) and Turing (1936), the mathematics of creativity.

    There doesn’t appear to be such a thing as “Chaitin’s Law” — all Google hits on the term are quotes of Gilder’s book.

    Gilder also uses this section for claims that only make sense if you already buy into the jargon of goldbug economics that failed out in the real world:

    Economic growth: Learning tested by falsifiability or possible bankruptcy. This understanding of economic growth follows from Karl Popper’s insight that a scientific proposition must be framed in terms that are falsifiable or refutable. Government guarantees prevent learning and thus thwart economic growth.

    Summary

    Gilder is sharp as a tack in interviews. I can only hope to be that sharp when I’m seventy-nine. But Life After Google fails in important ways — ways that Regnery bothering to bless the book with an editorial axe might have remedied. Gilder should have known better, in so many directions, and so should Regnery.

    Gilder keeps making technological and mathematical claims based directly on his religious beliefs. This does none of his other ideas any favours.

    Gilder is sincere. (Apart from that time he was busted lying about intelligent design not being intended to promote religion.) I think Gilder really does believe that Gödel’s incompleteness theorems and Shannon’s information theory, as further developed by Chaitin, mathematically prove that intelligence requires the hand of God. He just doesn’t show it, and nor has anyone else — particularly not any of the names he drops.

    This book will not inform you as to the future of the blockchain. It’s worse than typical ill-informed blockchain advocacy text, because Gilder’s track record means we expect more of him. Gilder misses key points he has no excuse for missing.

    The book may be of use in its rôle as some of what’s informing the technically incoherent blockchain dreams of billionaires. But it’s a slog.

    Those interested in blockchain — for or against — aren’t going to get anything useful from this book. Bitcoin advocates may see new avenues and memes for evangelism. Gilder fans appear disappointed so far.

    _____

    David Gerard is a writer, technologist, and leading critic of bitcoin and blockchain. He is the author of Attack of the 50-Foot Blockchain: Bitcoin, Blockchain, Ethereum and Smart Contracts (2017) and Libra Shrugged: How Facebook Tried to Take Over the Money (2020), and blogs at https://davidgerard.co.uk/blockchain/.

    Back to the essay

  • Jonathan Ratcliffe — Rebooting the Leviathan: NRx and the Millennium

    Jonathan Ratcliffe — Rebooting the Leviathan: NRx and the Millennium

    Jonathan Ratcliffe

    This essay has been peer-reviewed by “The New Extremism” special issue editors (Adrienne Massanari and David Golumbia), and the b2o: An Online Journal editorial board.

    Recently something rather unexpected happened. Curtis Yarvin began writing again. A decade ago, back in the spotty youth of the internet when blogs meant something, Yarvin, a Silicon Valley computer programmer, made a cult name for himself under the nom de plume of reactionary political philosopher Mencius Moldbug. Often memed, frequently cited as an important ancestor of the “alt-right” (but largely left unread) and father of the online political movement known as NRx/neo-reaction (which has been declared dead endlessly since at least 2013), Moldbug may well be the only notable political philosopher wholly created by and disseminated through the internet.

    In his journey from Austrian Economics to attempting to update early modern absolute monarchy for the information age, Yarvin regularly churned out tens of thousands of word screeds on his blog Unqualified Reservations (UR) about the need to privatise the state and hand it over to an efficient CEO monarch to keep progressives out, the Christian roots of progressivism, and encomia to nineteenth century Romantic Thomas Carlyle. All of this was so liberally coated in rhetorical irony and Carlylean bombast that it was often difficult to tell what was supposed to be serious and what was not. Moldbug was among the first to discover the power of reactionary post-irony, though these days of course, playing long-read rhetorical games to affect ideological change seems a rather primitive affair. The work of post-irony can now be compressed into a couple of memes very easily.

    Between 2007 and 2010 Moldbug was immensely prolific. Thereafter UR petered off as Yarvin turned his efforts increasingly towards developing a blockchain-based data-storage scheme called Urbit.[1] By 2014, when Moldbug began to become a household name across the internet as the social media platforms were increasingly politicised, Moldbug was pretty much finished writing. In April 2016 UR was wrapped up with a “Coda” declaring that it had “fulfilled its purpose.” The same month attendees threatened to withdraw from the LambdaConf computing conference because the “proslavery” Yarvin would be speaking at it (Towsend 2016).[2] To this Yarvin (2016a) wrote a reply insisting on the innocence of his Moldbuggian stage as simply a matter of curiosity about ideology. The same year in an open Q&A session about Urbit on Reddit, Yarvin (2016b) was more than happy to answer some questions about Moldbug and defend both projects as parts of a dual mission to democratise the current monopolies controlling the internet and to dedemocratise politics for the sake of enlightened monopoly.

    In early 2017, following Trump’s election, rumours began to circulate that Yarvin was in communication with Steve Bannon, though nothing came of this (Matthews 2017b). Around the same time Yarvin was quoted as supporting single-payer healthcare (Matthews 2017a). News also surfaced that Yarvin was on a list of people to be thrown off Google’s premises, should he ever make a visit (Atavisionary 2018). Then, early in 2019, Yarvin (2019a) quit Urbit after seventeen years on the project, causing some to wonder whether Moldbug might now make a return. Old rumours also began to get about the place that Yarvin was behind Nietzschean Twitter reactionary Bronze Age Pervert (BAP), especially after Yarvin passed a copy of BAP’s book Bronze Age Mindset to Trumpist intellectual Michael Anton (2019) with the insistence that this was what “the kids” are into these days. And now Yarvin has started publishing again, under his own name, a decade on from the salad days of UR. On the 27th of September 2019 the first of a five-part essay for the conservative Claremont Institute’s The American Mind landed, titled “The Clear Pill.”

    If Moldbug/Yarvin is famous for one thing, it is that he’s the fellow who put the symbol of the “red pill” into reactionary discourse. The “Clear Pill” promises to be a reset of ideology in which progressivism, constitutionalism and fascism will each receive an “intervention” through their own language and values to show up how “ineffectual” each is (Yarvin 2019b). Thus far this “clear pill” sounds all rather typically Moldbuggian–for Yarvin it has always been about resetting the state and the rhetoric of undoing brainwashing. Anyone passingly familiar with the oeuvre of Moldbug knows that Yarvin is more than capable of speaking all three of these political dialects reasonably well, even if, as Elizabeth Sandifer (2017) astutely notes, Moldbug is so deep in neoliberal TINA, he is unable to take Marxism seriously as a contemporary opponent at all. For Moldbug the American liberal pursuit of equality was always more “communist” than the USSR, which is to say, paranoid reactionary hyperbole aside, that he only ever regarded Marxism as an early phase of progressivism.

    And yet, six months on from the first part of the “Clear Pill”, only a second of the promised five parts has thus far been published. Part two (Yarvin 2019c), or “A Theory of Pervasive Error” appeared on the 25th of November, and, so one might surmise, even the most die-hard Moldbug-fans must have found it somewhat lacking. The initial purpose of the piece seems to be to outline a theory of human desire that utilises the Platonic language of thymos (courageous spirit), but ends up sounding far closer to a Neo-Darwinian Hobbes than anything else. Human beings are petty and selfish beasts, we are encouraged to believe. The essay meanders on until it finally arrives at the simple old Moldbuggian point that because liberal “experts” in governance and science have a touted monopoly on truth, they should not automatically be trusted. That’s it. By taking such the long way around to say something so simple and banal, the result is more than a little anticlimactic. Perhaps after all these years the bounce has gone out of Yarvin’s bungy; his lemonade has gone flat.

    The only other piece to appear on The American Mind from Yarvin since “A Theory of Pervasive Error” has not been part of this “Clear Pill” series, but a stand-alone essay published on the 1st of February 2020 titled “The Missionary Virus”. In this Yarvin argues that the recent coronavirus pandemic offers an unparallel opportunity to dismantle American “internationalism” and reboot a politically and culturally multi-polar world while economic globalisation continues. Imagine, Yarvin asks the reader, what it would be like if the virus did not go away and the travel bans lasted not a month, but a decade, or centuries. One thing can be said about this essay that cannot be said of the “Clear Pill” so far – at very least it is entertaining. Perhaps parts three to five of the “Clear Pill” will actually say something interesting after all.

    Indeed there are all sorts of questions that are still left unanswered. Will the crescendo of part five simply restate the need to privatise governance and let the market system work? Will Yarvin take some drastic new turn or even disown Moldbug? Will he finally acknowledge eccentric death-cultist Nick Land, who, for the best part of this decade has largely been the “king” of NRx as a political ideology? We must wait and see.

    ***

    Obviously, a great many people of all manner of political bents will be lining up to release their takes on the “Clear Pill” when it is finally done and dusted. I most certainly will be among them because, sad to say, I’ve been trying to work out Moldbug/Yarvin for years now. It’s very easy to brush him off as something archaic and nasty and even structurally predictable–a little racist ghoul who wants a CEO emperor–a desublimation of the Silicon Valley unconscious, a monstrous giving the game away about the fears and imperial pretensions of our techno-optimist masters. On this account Moldbug is very, very important indeed. Ten years ago, for Moldbug the solution was as simple as handing over California to Steve Jobs to run as a business, because Steve Jobs is very good at solving problems. The Moldbuggian wedge (esp. 2008a) was the belief that in the US, the two elite groups are “Brahmin” progressive intellectuals (who are bad) and the pragmatic businessmen (who are good), which is bizarrely very close to the recent terminology (but not ideology) of Thomas Piketty’s research (2018) on American and European elites in the Post-War Period.

    Nevertheless, today the remnants of Moldbuggery as an ideology seem to spend their time bemoaning “woke capital”–that those with the talents and power to make something like Moldbug’s “patchwork” of privatised city states come true all seem to be believers in the various progressive gender and racial talking points of the present. But here’s the thing–Moldbug was never one to spend his time huffing and puffing about gender politics like just so many of his tradcath monarchist and other old school reactionary fans do, who somehow seem to imagine him as some new Joseph de Maistre. In spite of his night terrors about ghetto warlords and migrant invasion (see: Moldbug 2007d, 2008a), Moldbug/Yarvin always made efforts to appeal to “open-minded progressives”–there will always be room in the “patchwork” for dope and death metal (2008c); a privatised California’s welfare system of dividends would be so good it’d give the sick bionic wings (2008b: 99); prison in the future will be replaced by being put to sleep forever in VR (2009e); the American Empire sucks because it pretends that the world is made of independent countries, but rather than improving things, it keeps them as quashed clients and puppets (esp. 2008b).

    But what if Moldbug always-already was “woke capital?” As I have written at length elsewhere (Ratcliffe 2018a, 2018b), the godawful possibility is that Mencius Moldbug was a kind of political basilisk that once thought, cannot be unthought–that he is a left liberal arriving from a cursed future, the obscene image of the juggernaut of hyper-capital with a human face haphazardly sutured to the front of it, like one of those awful homemade Thomas the Tank animations one finds at the bottom of YouTube at three in the morning. Although she doesn’t mention Moldbug, Vicky Osterweil’s diagnosis of a Silicon Valley liberal “left fascism” decidedly hits the nail on the head concerning certain aspirations of Amazon and friends to buy up whole towns and to remake the globe:

    Rather than invoke Herrenvolk principles and citizenship based on blood and soil, these left fascists will build nations of “choice” built around brand loyalty and service use. Rather than citizens, there will be customers and consumers, CEOs and boards instead of presidents and congresses, terms of service instead of social contracts. Workers will be policed by privatized paramilitaries and live in company towns. This is, in fact, how much of early colonialism worked, with its chartered joint-stock companies running plantation microstates on opposite sides of the world. Instead of the crown, however, there will be the global market: no empire, just capital. (Osterweil 2017)

    Does this not sound so terribly Moldbuggian that it makes the skin itch? Against this sort of thing what is needed is a healthy combination of strong local communities committed to telling Google and Amazon to shove it–or whatever else it is that might succeed them–matched with commitments by governments to break up these companies and prevent private police forces. Even better would of course be nationalisation of these companies and handing them over to worker-control. Nonetheless, the dismal old Guild Socialist localist in me finds contemporary dreams of simply nationalising the miserable and soulless infrastructure of our present, such as we find in recent texts like The People’s Republic of Walmart (Phillips and Rozworski 2019), not only supremely vulgarian, but at present as unlikely as the possibility that the neo-reactionaries will ever get their future of a consciously reactionary world governed by Megacorps.

    For now, at least, we’re all stuck with the political and corporate monopolies we let happen–none of us can “head for the exit,” not even the Zuck. We’re all locked in the same room together. Leviathan is not going to be letting anyone’s people go, not for all the hyperstitional meme magic of a couple of cut-price Twitter occultists thinking that NRx v.2.0 is simply supporting all secession movements and waiting for a rich papa to make the private state a reality. Liberalism is a jealous “Mortalle God,” as its primordial violent father Thomas Hobbes would say. As we will see later, Hobbes remains the most important figure for understanding NRx, its “woke” corpocratic mirrored other, and liberalism in general.

    The possibility of the “left fascist” Moldbug draws out attention to the oft-overlooked fact that there was more than one Moldbugpolitik outlined on UR over the years. I think I’ve managed to isolate at least three strains thus far. Moldbug 1 is the Moldbug we’ve been talking about. This is the “neocameralist” of the 2008 “Open Letter to Open-Minded Progressives” who is simply trying to make anarcho-capitalist Hans Hermann Hoppe’s “patchwork” of private states sound cooler by adding some extra monarchy aesthetics and criticism of the American Empire (Moldbug 2008b). This is the Moldbug from which (with an added injection of race and IQ sorcery and the removal of Carlyle in favour of Malthus) Nick Land builds his variant of NRx. You have ideology as a parasitic virus, the powerlessness of populist reaction, open borders chaos, shiny futuristic city states. While this Moldbug might on the surface look like he is all about the sovereign One–the single absolute ruler–the “king” is of course simply someone hired by a body of shareholders to get their city to make money. If the mediaeval Christian monarch had “two bodies”–one mortal and the other his immortal perpetuation down the generations–then the immortal body of the Moldbuggian CEO is that of the corporate personhood of the joint stock company behind the scenes. You may go to sleep for hundreds of years, but when you wake up Wayland-Yutani will still be there.

    Moldbug 2, from the “Gentle Introduction,” on the other hand, is the Moldbug (2009d) of what its section 9d calls “The Plinth”: an unabashed attempt to theorise a vanguard party like Hitler’s or Lenin’s with cells everywhere and then simply taking over government. This is the “populist” Moldbug that Nick Land doesn’t want you to know about, though some of the more “trad” reactionaries have been interested in it, as I have discussed in the past on my Mechanical Owl blog (Ratcliffe 2018a, 2018b). Moldbug 2 is a total departure from Moldbug 1 because the earlier version seemed so adamantly convinced that popular reaction in America is instantly crushed by the liberal media: it is “a mile wide and an inch thick … like taking on the Death Star with a laser pointer” (2008b, 116). One wonders what Moldbug 2 thinks of Trumpism and its effectiveness thus far.

    Then we come to Moldbug 3. This is a strange theocratic Moldbug (2013) we find in a single late post on UR, in which he praises the political coherence and mass appeal that Christian reactionaries in the US such as Lawrence Auster sometimes seem to possess. We are told by Moldbug that because of this it is highly likely that “when our dark age ends and the kings return, if ever, it will be under any banner but the Cross,” which of course the tradcaths have endlessly cut and pasted across the internet without context. What is most interesting about Moldbug 3 is that Moldbug/Yarvin is an avowed atheist “secular humanist.” In the post in question he even writes about telling his daughter that God is just Santa for grown-ups. It is, however, not so uncommon to find atheist reactionaries who believe that Christianity has an important utility as a “social technology”–whether for supporting patriarchy, keeping Islam at bay or providing a collective myth that can be used to bolster nationalism.

    Nonetheless, this Moldbug 3 stands in stark contrast to the main Moldbuggian discourse we find in the 2007-8 Moldbug 1 in which Christianity is found historically to be the root behind “progressivism.” Moldbug 1 (2008b, 58 & 104-7) is especially fond of colourful language about American political history as “creeping Calvinism,” “Quaker thuggery” and “applied Christianity” concerning the pursuit of equality and universalism. This is perhaps why I keep coming back to Moldbug and giving him the time of day. Moldbug 1’s only truly remarkable idea was his grand narrative about millenarianism and modern liberal politics. Millenarianism is the idea of the imminent (and immanent) arrival of a “Third Age” of Christianity in which the world becomes a realm of plenty and universal equality after the old order is scoured from the Earth by the Apocalypse. As Revelation 21:4 promises: “And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away.” As we will see below, such notions have had a profound formative effect on the progress narratives of modernity.

    Moldbug 1 avidly believed that progressivism is the mainstream American political tradition, a “W-Force” child of Calvinist and Quaker universalism that developed through the seventeenth century British Whigs. In a very early blog entry entitled “Universalism: Post-War Progressivism as a Christian Sect” Moldbug claims:

    Universalists, as descendants of Calvin’s postmillenial eschatology, are in the business of building God’s kingdom on Earth. (The original postmillennialists believed that once this kingdom was built, Christ would return–a theological spandrel long since discarded.) The city-on-a-hill vision is a continuous tradition from John Winthrop to Barack Obama. In Britain, the closely-related Evangelical movement used the term “New Jerusalem,” which I’m afraid never really made it across the pond, but expresses the vision perhaps best of all… What’s really impressive about Universalism is the way in which this messianic teenage fantasy power-trip has attracted, and continues to attract, so many people who don’t believe at all in the spirit world, only smoke weed on the weekends, and think of themselves as sensible and down-to-earth. Of course, the belief that all Universalist ideals can be justified by reason alone is a necessary condition. But Christian apologists have been deriving Christianity from pure reason since St. Augustine. You’d think these supposedly-skeptical thinkers would be a little more skeptical. (Moldbug 2007a)

    Moldbuggian rhetoric aside, it is difficult to find anything shocking about the millenarian ancestry of progressive thought. But then again it is not 2007 and thankfully our collective social neck is not quite as gormlessly bearded as it once was. I think it is a dashed good thing indeed that there is a long history of marvellous radical Christians like the Baroque Levellers and Diggers of the Civil War who “turned the world upside down” (Hill 1991), the Anabaptists of Thomas Müntzer who called for the princes to be killed (Cohn 1962), and even earlier, mediaevals like John Ball, who famously asked during the Peasant’s Revolt “When Adam delved and Eve span, who then was a Gentleman?” One cannot do nigh on two millennia of something and not have it rub off in a myriad of strange ways, even if the End always seems to defer and remain not yet. America especially is no exception to this.

    As Jonathan Kirsch (2006, 185) in his astounding History of the End of the World pertinently puts it, America is the land of two millenarian “tectonic plates” that developed out of the radical protestant belief that the New World was where the New Israel would be built. The first plate, that of aspirations towards theocratic “dominionism” and purchasers of rapture insurance is the obvious one and remains primordial. The other, however, increasingly secularised from the 17th century under the belief that America was the exceptionalist future land of techno-commercial and social progress. The “two plates” give us all the worst parts of Moldbug 3 and Moldbug 1, the theocrat often predictably accompanied by the vilest forms of prosperity theology and racism and so too the Silicon Valley techno-optimist. But this weird mutant geology also gives us the only force Moldbug could really be scared of, the ghost of a radical “applied Christianity.” The gap between Moldbug 1 and Moldbug 3 must be drawn out in consideration of hidden theological core of NRx itself. So too will I suggest that to attempt to recuperate and come to love the Moldbuggian accusation of “Quaker thuggery” might be a very useful idea indeed.

    ***

    There is nothing odd at all about the notion that a great deal of modern values are secularised theological ones. Nearly a century ago now Max Weber (1976) and R. H. Tawney (1948) famously had a great deal of insightful things to say about Anglo-American Calvinism, the protestant work ethic, and the spirit of capital. Moldbug, curiously, mentions Weber only once to my knowledge, concerning the ruler and “charisma” (Moldbug 2009a), yet somehow manages to avoid having to talk about the theological ancestry of his own very American arch-capitalist belief system. For that matter, he never says anything about one of the most frequently-cited (but generally rather shallowly analysed) heroes of monarchist reactionaries, Carl Schmitt.[3] In the 1920s Schmitt (2005) launched the field of juridical genealogical investigation called “political theology” that declared that the modern secular ruler is modelled on the voluntarist God of Ockham who acts with trans-rational potentia absoluta (absolute power) to create a miraculous “state of exception” during emergencies.

    Through leftist thinkers such as Giorgio Agamben (esp. 2011) and Roberto Esposito (2015) “political theology” has undergone a revival in recent years, exploring the political-theological genealogies of subjects such as neoliberal economism, personhood, human rights, ownership, victim-blaming and imperialism. So too from Ernst Bloch (2000) and Walter Benjamin (1940) to Slavoj Žižek (with Gunjevic 2012) there has long been a recognition of the Jewish and Christian apocalyptic and universalist roots of Marxism. From the more conservative side, not only Schmitt, but Oswald Spengler (1926) in his discourse on “Faust” and “Gothic Christianity,” Eric Voegelin (2000a) on “Gnosticism,” and Carl Löwith (1949) too, all had a great number of valuable things to say about the history of secularisation and the pursuit of the millennium. Thus, when NRx torchbearer Nick Land claimed in a 2017 interview for reactionary podcast Red Ice Radio that “hardly anyone, still, has really begun to dig down into [the destiny of Western Christianity’s] contemporary relevance” concerning leftist universalisms (Land and Palmgren 2017, 27m.20s-28m.10s), it is hard to think how Land could be any more incorrect if he tried.

    But from where did Moldbug get his “creeping Calvinism” thesis? I have often wondered if it was from Eric Voegelin, who occasionally garners a passing mention or two in American “paleocon” circles. Voegelin (2000b, 71-2 & 185-7) argued that in the Anglosphere something very strange had happened after the Reformation, a “Second Reformation” in which the newer branches of Protestantism, such as Wesleyanism and Methodism, had been instrumental in the push towards democratisation through their belief in social equality and community participation. This, so Voegelin believed, had immunised the Anglosphere against the worst of Fascism, Communism and Positivism compared with continental Europe. Voegelin (2000b, 61-2), however, was also very much aware of the less savoury aspects of this “Second Reformation.” The idea of building a totalising community of elect believers could end up in the sort of paranoid pressure cooker epitomised by Calvinist Geneva, or many of the other “perfectionist” efforts that we find in early America attempting to build the New Israel. It is a startling idea indeed to ponder whether the American reactionary religious commune and the experimental hippie commune might be two sides of the same coin of “election.” Even stranger would be to wonder if the inverse of the language of theocratic “dominionism” is that of egalitarian social justice.

    Nonetheless, the only mention Yarvin has ever made of Voegelin was during his apologia of Moldbug in relation to the LambdaConf scandal (2016a). Here Voegelin is invoked in relation to his thesis that the variety of Christian thought that has informed so many of modernity’s “political religions” is Gnostic–that is, it makes a claim to totalising knowledge of reality and its manipulability in order to replace God with its own unshakeable race of supermen as the agents of history. To Voegelin in order to produce his total system, the Gnostic, whether Positivist, Fascist, Marxist or Liberal, must forbid the asking of questions about doctrine and must selectively forget extremely obvious problems that could get in the way of remaking the world. As Yarvin (2016a) quotes him:

    In the Gnostic dream world…non-recognition of reality is the first principle. As a consequence, types of action that would be considered as morally insane because of the effects that they will have will be considered moral in the dream world. (Voegelin 2000a, 226)

    Voegelin continues that the gap between the real and the desired world is then used to project the immorality onto some other for not behaving in accordance with the thinker’s personal fantasies. Yarvin (2016a) utilises this to claim that what he finds real may seem like a daydream to others and vice versa.  Now, all this may well have simply been Yarvin attempting to find an obscure thinker he liked to feed back to left liberals the cliché cultural relativism and perspectivism he believed they would accept. There’s little chance anyone would have accepted the idea that it’s okay to be reactionary simply on the basis of it’s just, like, my opinion, man. The thought that deep down “free speech advocate” Curtis Yarvin (as his reply to his critics titles him) might really be Richard Rorty saying we’re all numinously entitled to our own truths and will just live together in pragmatic tolerance is rather hilarious. Moreover, it is hard to believe that he could possibly read Voegelin so badly as to think that he’s saying that we are all supposed to be deluded like this. To Voegelin, who was a highly complex Christian Platonic realist, this sort of consciousness was a very bad thing indeed.

    Rather, the earliest articulations one might find of Moldbug’s “creeping Calvinism” thesis (2007a, 2007b) seem to come from a different place, from a previously undeveloped libertarian discourse that anarcho-capitalist Murray Rothbard had conspiratorially hinted at in “World War I as Fulfillment: Power and the Intellectuals”:

    Also animating both groups of progressives was a postmillennial pietist Protestantism that had conquered “Yankee” areas of northern Protestantism by the 1830s and had impelled the pietists to use local, state, and finally federal governments to stamp out “sin,” to make America and eventually the world holy, and thereby to bring about the Kingdom of God on earth. The victory of the Bryanite forces at the Democratic national convention of 1896 destroyed the Democratic Party as the vehicle of “liturgical” Roman Catholics and German Lutherans devoted to personal liberty and laissez faire and created the roughly homogenized and relatively non-ideological party system we have today. After the turn of the century, this development created an ideological and power vacuum for the expanding number of progressive technocrats and administrators to fill. In that way, the locus of government shifted from the legislature, at least partially subject to democratic check, to the oligarchic and technocratic executive branch. (Rothbard 1989)

    Can we trust Rothbard as an historian? When American libertarianism began to self-consciously develop after WWII and create for itself a grand narrative against the dominant Keynesian economic consensus of the time, it fixated on and hypertrophied conservative beliefs that the New Deal and events leading up to it were the Fall and betrayal of a “real America” of laissez faire and free trade, transforming the Gilded Age into a primaeval Golden Age now lost. In the earliest stages of his thought, Moldbug 1 simply seems to be working from this rather typical right-wing American position. He even insists (2008b, 193) that should 1908 America suddenly appear in the middle of the Atlantic Ocean, it would be able to outcompete 2008 America hands down. Nonetheless, Rothbard appears to have opened up the religious dimension as an answer for this Fall to Moldbug. In early Moldbug 1 (2007a, 2007b) the Fall is augmented with obscure conservative texts on the role played by the evangelical churches in encouraging the New Deal, occasionally supplemented by more mainstream sources now forgotten.

    For instance, in the June 2007 UR post “A Short History of Ultracalvinism,” we find a small 16th of March 1942 article from Time magazine cited, titled ‘American Malvern” that reports on “the high spots of organized U.S. Protestantism’s super-protestant new program for a just and durable peace after World War II.” These include “Complete abandonment of U.S. isolationism…International control of all armies & navies…A universal system of money so planned as to prevent inflation and deflation… Autonomy for all subject and colonial peoples” (with much better treatment for Negroes…).” Should it be at all shocking that the churches, both liberal and conservative, ever had a key role to play in encouraging the idea of a beneficent American imperialism? No, I do not think it is, not a jot. Moldbug, however, simply takes the article to indicate that in the intervening half century Time “has become as stupid as its audience,” the implication being that the average reader in 1942 would have been as suspicious as 2007 post-Iraq II Moldbug about America’s global “civilising mission.” Let us not forget that the tiny isolationist paleoconservative movement of people like Pat Buchanan was only rediscovered by Moldbug, Richard Spencer and others following the collapse of faith in the myths of neo-con missionary interventionism with Iraq War II. As Moldbug (2008b, 6) says at the start of his “Open Letter,” in recognition of both the openly religious and crypto-religious faith behind interventionism, the American military was now busy “doing donuts on the road to Damascus.”

    Having been led by Rothbard back to the 19th century in search for a solution to the Fall, Moldbug then decided to go back much further into the 17th century to trace a history of protestant radicals undermining the power of the absolute monarch. Moldbug’s actual evidence for this period is very thin. We find Hooker’s complaints about non-conformists, but that is about it. One might expect Moldbug to cite something like Christopher Hill’s The World Turned Upside Down (1991) on the relevance of 17th century British radical non-conformism to twentieth century politics or the astounding appendix on the pantheistic and free-love heresies of the Ranters in the 1962 edition of Norman Cohn’s The Pursuit of the Millennium. He never does.

    But why is Moldbug so interested in early modern absolutism? This he seems to have acquired from anarcho-capitalist Hans Hermann Hoppe’s anti-democratic screed Democracy: The God That Failed (2007) in which monarchism is celebrated for being simply the vast private ownership of land. The absolute ruler is thus reinvented as the ultimate capitalist landlord, the perfect model for creating a future world of privatized territories. One is strongly reminded of Xenophon’s Oeconomicus in which the Persian Great King is represented as simply a very big and powerful homesteader in a world of patriarchal homesteaders. Nevertheless, the fact should remain that Austrian Economics is infamous for its beliefs that capitalism has always existed and that economics began not in primitive accumulation or ritualized gift economies, but in barter. There are no changes in economic modes for the Austrian, and the long history of the temple in the development of money, loans and credit is completely ignored. The eternal foe is simply those who would threaten the natural right of the eternal “rugged individualist’s” private property.

    Thus, for Moldbug, the history of modernity is reinvented as a wrong turn–the rise of Christian radical egalitarian movements through the Whig Party who sought to undermine the rights of the absolute ruler as private owner. One wonders what Moldbug would make of Carl Schmitt’s (2009) marvelous Hamlet or Hecuba in which Shakespeare’s character is found to reflect the absolutist James I as a weak decision-maker being undermined by the growing forces of piratical capital. For Schmitt modern techno-capitalism’s desire to “neutralise” political violence requires the quashing of the absolute ruler of decision. But then again, Moldbug seems absolutely blind to ever having to ask about the mercantile aspects of the birth of radical, egalitarian “creeping Calvinism” that Tawney in particular addressed so well. He is never able to realise, even in his belief that the American elite is the radical universalist intellectuals versus the merchants, that genealogically much of this is an “inhouse” Anglo political-theological problem.

    The way Moldbug sweetens the anti-democratic rhetoric of Hoppe is with recourse to Thomas Carlyle. Although now largely unread, Carlyle was one of the most widely-popular political and historical authors of the 19th century, infamous for his impassioned appeals against laissez faire abandonment of the poor to poverty and starvation (see esp. Carlyle 1915, esp. 85-6; Carlyle 1971,  71-84). Carlyle’s answer to these problems was better rulers, Great Men, whom he could find in abundance and celebrate in just about every other period of history except his own. This caused Carlyle to become increasingly bitter and apocalyptic as time wore on, leading to what Voegelinian Richard Bishirjian (1976) aptly identifies as a thoroughly “Gnostic” outlook in search of some kind of soterical God-man ruler to save the world from chaos and to bring about the millennium.

    While it is obvious that Yarvin loves Carlyle for his florid language (who doesn’t?), the real appeal seems to be his paternalism, the conviction that the true Great Man should care for those who are subservient to him. Moldbug 1 especially wants you to know that he cares, that in 2008 the Great Man looks like Steve Jobs because Steve Jobs is cool and cares too. When Moldbug (2008b, 117) argues that black Americans living in the ghetto should be forcibly re-educated in panopticon communities, this is because he cares compared with liberals who have abandoned them to crime and welfare. The obvious model here is Carlyle’s (1915, 302-33) “Negro Question” speech, in which he had insisted to his shocked 19th century liberal audience that he really did care when he argued that freed blacks in the Caribbean should be forced to labour for their masters for their own moral good rather than living on cheap pumpkins.

    One should emphasise that Moldbug’s affection for Carlyle is in strict contrast to the few other libertarians who seem to have ever heard of him, predictably regarding him as a feudal remnant, a bad guy who defended slavery, compared with noble 19th c. laissez faire liberals (e.g. Levy 2000). On the slavery question, Moldbug (2009b) can certainly admit that his beloved Carlyle wasn’t “perfect,” but perhaps only because he dismissed the “financial” side of things. Yet, just when we might be expecting Moldbug to try to fold chattel slavery into some kind of wretched anarcho-capitalist discourse that it was just another form of harmless voluntary wage labour all along (and he does very nearly get there), he instead takes a sharp turn towards romanticising feudal hierarchy and comparing it to the strict efficiency of Japanese companies. In a direct homage to Carlyle we find him castigating liberalism for allowing Haiti to become a failed state. Nonetheless, Moldbug is, without a doubt, a “proslavery” thinker: he even believes some people (especially those with a low IQ) are “natural slaves,” but this shouldn’t mean that they need to be treated cruelly. The new corporate Great Men feudalists of the 21st century will treat them very nicely, thank you very much indeed.

    It is ponderously obvious that Silicon Valley has long possessed a penchant for believing that its “thought leaders” are of equal historical importance to the Great Men of the past, as is evidenced by the great sea of pulpy awfulness on learning the business secrets of Julius Caesar and Genghis Khan that spills out of the self-help section of crummy bookstores everywhere. Most notable is former student of anthropologist René Girard and NRx-ally Peter Thiel’s gormless Zero to One (2014) that pulls no punches in comparing today’s entrepreneurs and celebrities to sacred kings. Seen in this context, Moldbug is doing very little that is original. It’s certainly easy to scoff at the notion of Divus Marcus Zuccus and so on, but, as has been emphasised, one should not underestimate for a moment the possibility of a Silicon “left fascism” with its garish attempt at appearing kind and “progressive.” It is perhaps not necessarily that our Silicon masters literally wish they were pharaoh, but, far worse, that perhaps they think that they already benevolently determine the direction of the world and should simply branch out slowly into governance in order to formalise it for its own good. Maybe like Carlyle they’ll even pay their wage-slave chattels the compliment of saying how handsome and cheerful they think they look when put to work for a pittance with no toilet breaks. Hang on–Amazon already does that.

    ***

    What Moldbug is doing with his discourse on “creeping Calvinism” is not a “secularisation thesis” in the manner of Weber, wherein one is simply looking for the roots of current social formations, however dour they might be, or a “political theology” as Schmitt and his Foucauldian leftist successors do, wherein it is often debated whether an “exit” to the political-theological machine is even possible. What Moldbug is doing is part and parcel with a certain kind of Enlightenment ideological discourse and genealogical fallacy–compare anything to a religion, you demystify and delegitimise it; if you find that something actually has religious roots this is thus even better for delegitimising it as fantasy. One only need think of John Gray’s Black Mass (2007), written around the same time Moldbug was actively blogging, in which the Christian millenarian ancestry of modern ideologies from Communism and Anarchism to the American liberal “end of history” all testify to the idea that progress is a rather worthless religious delusion.

    Perhaps this sort of thing is simply a vulgar attempt to “own the libs” by rubbing in the educated leftist sceptic’s face the idea that he is a religious lunatic. As an educated leftist religious lunatic, I am not fazed one iota by this. One could simply stop here and say no more, but what Moldbug (and Gray) are up to has in itself very particular crypto-theological roots worth discussing. Both Moldbug and Gray are deployers of a cynical materialism most clearly presaged in Thomas Hobbes’s need to cut down the competing religious claims of his dissonant age of Behemoth (Civil War) by reinforcing the image of man as little more than a dangerous animal that needs to be kept in line. Man is a wolf to man; life is nasty, brutal and short under the state of nature. For Gray the political religions have been a psychotic disaster unable to grasp Neo-Darwinian cosmic indifference. Climate change is the only real Apocalypse, likely to bring what fellow climate-cynic James Lovelock calls “global decline into a chaotic world ruled by brutal war lords on a devastated Earth” (Lovelock 2007, 154; cf. Gray 2007, 202). For Moldbug the Behemoth is instead liberal naïveté about “open borders.” He wants to tell you that America is run by a “Cathedral” of crazed post-Christian hippies who are so blinded by their ideological “blue pill” called “Millennium” (2008b, 241), that they cannot possibly understand that what they are doing is dangerous. The perfect Hobbesian Moldbuggism is perhaps found in Yarvin’s Urbit “Ask Me Anything” session on Reddit of all places:

    I think that when we use the word “human” we often really mean “angel.” So, yes: we are all subhuman. Black people included. I’m not just saying this: I think the main flaw of 20th-century political systems is that they’re designed to govern angels. If you plan for apes and allow for angels, I think you get a much better result (especially when there’s a Y chromosome in the mix). (Yarvin 2016b)

    What hard cruel realism! Surely Yarvin is the modern sceptical Hobbes speaking the truth to the deluded, just as Hobbes’ works were blamed in parliament for being a cause of God’s wrath visiting England in the form of the Great Fire of 1666! But, strangely, Moldbug has close to nothing to say about Hobbes, except perhaps a passing comment or two that in the 17th c. as a materialist he was the “leftist” compared with the divine right absolutism of his contemporaries such as Robert Filmer (Moldbug 2009c). Amusingly some Ur-Catholic reactionary thinkers have considered Moldbug little more than a godless “leftist” for his materialism and have compared him explicitly to Hobbes (Charlton 2013; cf. Nostalgebraist 2016). Several centuries earlier of course the idea of an absolute monarch on the basis of divine right would have been regarded as equally radical and heretical for its usurpation of the authority of the church and the complex myriad of local political institutions, as John Milbank (2019) has recently pointed out to the NRx and “post-liberal” crowd at Jacobite. But then again Moldbug has nothing to say about the Middle Ages at all. History starts with absolutism as though it had always been in place.  More than anything this should draw our attention back, once again, to the fact that Moldbug 1’s claim to “Jacobitism” is all shallow aesthetics to stitch together Hoppe and Silicon Valley aspirations towards governance. Nonetheless, Moldbug cannot escape from Hobbes and his legacy so easily.

    As John Milbank and Adrian Pabst (2015, 22-24) argue, in the tradition of Tawney’s secularisation thesis on British Calvinism and capitalism, with Hobbes what we see is not some new cynical variant of a reborn version of antique materialism, but the materialist rendering of the Anglo Calvinist belief in absolute human depravity and selfishness. This attitude developed from the rising emergence of a society that had uprooted and alienated agricultural labour, professionalised governance and established its grip on the New World primarily through piracy. Man is a very fallen and wicked little animal indeed to the cynical leveller and this, so Milbank and Pabst claim, continues to haunt the Anglo mindset through John Locke, Bernard Mandeville and Thomas Malthus, down to liberal selfishness in the present. That which appears sceptical and “realist” concerning human nature stems from a debased Christianity that cannot imagine the human soul to have anything good in it at all but a selfishness that might be put to use making contracts, consuming and perishing.

    This alternative aspect of “creeping Calvinist” especially seems to leak out of Nick Land’s “Dark Enlightenment” (2013 pt1) of “Hobbesian undercurrents” like there’s no tomorrow. So too his race and IQ “naturalism” and neo-reactionary deity Gnon (Nature or Nature’s God) that punishes those who go against the “nature of things.” Land’s decades-long revulsion and boredom with the human and demonology of entities like Cthelll (2011, 498-9), the primaevally wounded world-soul of the Earth passing on its misery and horror to all its children, were already more than half-way there. If anything, this earlier more bombastic, body-horror-obsessed phase of Land’s thought has always smacked to me of the worst of Christian “vale of tears” masochism, as epitomised in Luther’s hyperbole that the Earth is “a gaping anus,” the “Devil’s arse,” a “worm bag” and a “rotten chicken’s crop” because of its domination by evil merchants. Perhaps Norman O. Brown’s (1959, 222-7) old Freudian political theology was correct to read in these sentiments of Luther’s the origin of the protestant work ethic and its fixation with accumulation as an extended “anal stage”–a masochistic falling in love with the world as shit. Land’s attempts in the 90s to embrace the consciously worst aspects of neoliberal TINA to its masochistic limits simply seems to recycle this process.

    By now just about everyone with an internet connection is familiar with Land’s (2017a) eccentric views that the forces of capital are the real agent of history, some kind of “intelligent” insentient egregore. Nonetheless, as Jean-Pierre Dupuy (2014, 91-101) has argued in Economy and the Human Future there is something very similar to the dominant neoliberal view of the almighty economy today and the Calvinist belief in predestination–that only God knows who is saved and who is damned and that any and all human good and bad works are powerless before it. Land is torn between, on one hand. a kind of deterministic triumphalism sneering at any and all mass action as failed (2016), and, on the other hand, a kind of deep terror that salvation is very unlikely indeed–that the Anglosphere will collapse under immigrant invasion, that high IQ states with low birth-rates are “IQ shredders” (2017b), and that only some fantastical vision of “Neo-China” completing the system of cyberpunk idealism can make up for this. That, or simply the weak theurgy of “hyperstition”: trying to force memes into reality under the bizarre belief that what one is actually doing is bootstrapping an already-realised future that is retrojectively invading the present.

    It is very much worth noting that while Land may have developed this invasion from the future idea from watching too many sci-fi films (see: Reynolds 2009), as Catherine Pickstock (2013, 55-8) has observed this retrojective motion is an integral part of his old hero Gilles Deleuze’s cosmology in Difference and Repetition (1994). Here, so she noted, “difference” bootstraps itself by invading from the future in a blatantly theurgical gesture reliant on mediaeval millenarian Joachim of Fiore’s belief in a Third Age that completes history (Deleuze 1994, 296-7; cf. Pickstock 2013, 57). Land, so one might say, seems to have exchanged the fantasy of pure difference in favour of all too ponderous identity in the form symbols like cyborgs, post-human supermen and AI overlords. These were symbols cooked up in the atmosphere of the Post-War Boom, when people were a great deal more confident that both Paradise and imminent Judgement Day were at hand; but then, like the millennium, these have remained put off, not yet, for all the rumours otherwise. That scholar of “Accelerationism” Benjamin Noys (2014, 63) made reference to Norman Cohn’s (1962) study of millenarianism Pursuit of the Millennium when he referred to Land’s ideas as “apocalyptic acceleration” was very much on the right track.

    Land has a long history of being a hyperbolic contrarian, a sort of pantomime Satanist of theory. Elizabeth Sandifer (2017) has even considered whether the entire thing, from Land’s early left cyber-anarchism in the 1990s to his embrace of neo-reaction in the early 2010s, is one long postmodern “dirty joke.” Maybe Land became a neo-reactionary simply because he had run out of edge to lord, so to speak, and decided it was worth LARP-ing the evil capitalist Kantian white man attempting to immunise himself from the world he was pillaging, as Land’s first famous essay “Kant, Capital and the Prohibition of Incest” (Land 2011, 55-80) set out to oppose. Perhaps resentment for the cyberpunk future not arriving as quickly as he had imagined in the 90s was what led him to the “Dark Enlightenment’s” (2013 pt 1) condemnation of the welfare state as the chief means of the capacity for capital to waste itself rather than liberating technology. This self-wasting (though not on welfare) in order to cheat liberation with “antiproduction” was one of the few instances in which Deleuze and Guattari (1983, 262) took Freud’s dread “death instinct” seriously, it being Land’s (2011, 123-44 & esp. 261-88) pet cause for reinsertion into their work in the 1990s. Maybe Land dwelt so much on the “death instinct” that he ended up turning Deleuze and Guattari’s Reichian-Rousseauian rejection of Death back towards a more Freudian-Hobbesian position out of fear of human beastliness cancelling the future. All manner of things might be posed, but Land seems to have a strict policy of not explaining his shift, instead claiming that he was always an anarcho-capitalist all along and that much of his early work was simply naïve.

    ***

    Thus, one thing then seems clear about NRx. It wants to tell you that human beings are fallen and dangerous creatures and that “progressivism” naively and conveniently forgets this fact. But does it really? Let us turn things around for a moment. It is very easy to acknowledge that the old meme of conservatism and reaction being based entirely in irrational fear and ignorance is a popular one, evidenced, obviously, by recourse to the shorthand of bigotry as -phobias. However, when I have put it to common or garden progressive types that they also seem to draw a great deal of their politics from threat perception and fear (climate change, the return of fascism, theocrats, that bigoted language is implicitly violent), one is often met with the reply that yes, but these threats are real. Out come the charts, out come the think-pieces and rarely is anyone ever convinced that anything but strategic silence and bad faith is at work. From all sides the world is filled with a great tribal refrain of “But why don’t you take X seriously? It is very dangerous!” “Because they do and they are terrible people who believe other terrible things.”

    The internet is very good at endlessly reminding us of the existence of this species of communicational deadlock, but it is an aspect of human being that has existed long before the electronic “echo chamber.” For Schmitt (2005) this is the “friends vs enemies” division of the political-theological emergency, a great irrational Two based in the dualism of God and his people versus the Other. Thinkers such as Roberto Esposito (2015) have gone to great lengths to try to deconstruct this Two and its violent aspects–to the point of eccentrically claiming that to rid ourselves of it, the whole concept of “personhood” (theological and legal) would have to be done away with first. Esposito never tells us what such a “depersonalised” world in which all thought, guilt, authority and existence is deprivatised would look like. It seems almost impossible to imagine such a thing. Instead we remain stuck with incommensurate claims to the “right side of history” imagining that the apocalyptic day shall eventually come on which the Other is, at very least ideologically, completely eradicated.

    This faith lies at the core of Moldbug’s “Open Letter” (2008b) and its dreams that his reactionary future will be so well-run, hi-tech, luxuriant and happy that socially “progressive” ideas will be reduced to the position that reactionary ones held in 2008: if not a hilarious lost cause, then something virulently dangerous that must be suppressed. In our era when it is often lamented, especially by the Left, that it has become impossible to conceive of a “different world,” perhaps the goad towards imagining such things again should be that the reactionary right is frequently not quite as afflicted by the omnipresent fear of recuperation and failure. Cross this with Silicon Valley techno-optimism, and no matter how ridiculous or facetious Moldbug’s visions of VR prisons or handing over the state to airline pilots to privatise it might seem (2008b, 216-7), the fact remains that he was naïve enough to stake a claim on the future when hardly anyone else would dare do such things. That should be concerning (and perhaps a little shameful).

    But how did Moldbug get there? Social habitus of course plays a very important part in the formation of the political Two in our age. This is especially obvious regarding NRx, which seems mostly peopled by college-educated middle-class white guys reacting with boredom towards the largely left liberal cultural pod in which they have been raised and educated. Reaction promises a totally different series of moral imperatives and threat-perceptions, an exciting virgin land untouched by hardly a soul smarter than a rock since the days of Real Existing Fascism. The mixture of excitement and resentment at the fact that a whole ideological continent had long been reduced to Neo-Nazis in the trailer park was palpable in Moldbug writing a decade before the “alt-right.” At the opening of his early declaration of a search for a new politics, entitled “A Formalist Manifesto,” Moldbug says:

    My beef with progressivism is that for at least the last 100 years, the vast majority of writers and thinkers and smart people in general have been progressives. Therefore, any intellectual in 2007, which unless there has been some kind of Internet space warp and my words are being carried live on Fox News, is anyone reading this, is basically marinated in progressive ideology. (Moldbug 2007c)

    Even though a complex reactionary news-ecosystem now exists, there still remains a profound need for reaction to distance itself from the image of the conservative as the angry uncle shouting at Fox. As a friend once put it–you piss off anarchists by telling them to move to Somalia, you piss off Marxists by telling them to move to North Korea, you piss off Neo-Reactionaries by telling them to move to Alabama.

    Nonetheless, a particularly curious side-effect of this acting out against “the libs” is the fact that Moldbug, like a great many reactionaries today lurching between fantasies of some Sorosian League of Doom and “clownworld,” can never make his mind up whether his “Brahmin” enemies are evil geniuses trying to unite “high and low against the middle” by teaming up with “Dalit” POCs to replace white America (2008a), or zombified morons unable to perceive that: “History is not over. Oh, no. We are still living it. Perhaps we are in the positions of the French of 1780 or the Russians of 1914, who had no idea that the worlds they lived in could degenerate so rapidly into misery and terror” (2008b, 264-5). Thus, it will be particularly interesting to see which threats Yarvin will acknowledge in the rest of the “Clear Pill” as the Real upon which to found his touted new alternative to Progressivism, Constitutionalism and Fascism. Will he concede things to each of these ideologies? Can we imagine a Yarvin who believes in catastrophic climate change, “the great replacement” conspiracy and civic nationalism all at once? That one would not be hard at all to imagine, nor a Yarvin of slavery with UBI, nor a Yarvin that simply repeated everything from between Moldbugs 1-3 all at once. However, it is highly likely that the “new” alternative will simply be another modification on the same basic ingredients of authoritarian capitalism, and it is on this matter that we should draw this essay to a close.

    Perhaps the soberest approach to Yarvin/Moldbug would be to contextualise him as but one example on a growing list of specimens of the now obvious American “libertarian-to-alt-right pipeline,” in which one might enrol the Tea Party and a fair slab of the recent US “alt-right” (especially the Hoppe enthusiasts), but also things much older. Perhaps we can find rumours of it first in Thomas Hobbes’s belief that if the monarch of Leviathan is installed to keep the religious factions down then supply and demand will simply make everything work out: “The Value of all things contracted for, is measured by the Appetite of the Contractors: and therefore the just value is that which they be contracted to give” (1651, 208). A number of thinkers including George Dyson (1997, 159) and Philip Ball (2004, 34 & 221) have taken note of this line in Hobbes and consider it possibly the first example of economics represented as an autopoetic system. But, of course, one can only “let the market system work” under the authoritarian conditions that neutralise selfish, violent human brutes into homines oeconomici.

    This machine is the “lizardbrain” of liberalism, a reactive Calvinist mess terrified of what men might do if the market were not there to tame them. The libertarian inversion of this, to find the market eternal and the state a parasite, is a marvellous delusion indeed, and one of very recent invention that is belied by the fact that the movement so easily flirts with authoritarianism and even outright Fascism when it gets frightened. The Austrian Economics dons Ludwig Mises and F.A. Hayek were more than happy to shill for both Mussolini’s promise of a “free market stage” and Augusto Pinochet’s brutishness under the belief that at very least a temporary dictatorship to keep out the communists was not an entirely bad idea (Robin 2013). Nonetheless, of course the libertarian refrain always remains that Fascism is a leftist qua collectivist movement. No one wants to be left holding that hot potato any more than the mainstream American libertarian scene is willing to acknowledge the problem that the work of Hoppe keeps on churning out self-titled “fascists” dreaming of playing Pinochet and “physically removing” people.

    For instance, in early 2017 there was a great internal furore among American libertarians over the Hoppe Caucus’s invitation of Richard Spencer to the 2017 International Students For Liberty Conference. This ended in a punch up and several of the website Liberty Conservative’s writers being “doxxed” by self-titled “Antifa libertarians” for covering the event (Lucente 2017). In October 2017 in a speech titled “Libertarianism, the Alt-Right and AntiFa” Hoppe responded by simultaneously expressing his disappointment in Spencer’s embrace of “white nationalist socialism” and commending the “alt-right”–in spite of its ideological disorganisation–for its ethnocentrism, belief in natural hierarchy, refusal to be cowed by Antifa, and distrust of academia. As far as Hoppe was concerned, much of the “alt-right” seemed part and parcel with the tradition of American “paleoconservatives” such as Pat Buchanan and thinkers like Moldbug, links with whom he admits have earned him “several honourable mentions” from the SPLC over the years. Moreover, in early 2018, following concerns by the Mises Institute over the white nationalism of an upcoming book titled White, Right and Libertarian, for which Hoppe had agreed to write a foreword, Hoppe retracted the foreword and distanced himself from the author (Rachels 2018).

    What can we make of all this? Should we concentrate on the phylum of reaction that is clearly fascism qua hypertrophied authoritarian capitalism and desire to get a better look at its subspecies, we find ourselves caught in a strange triangle of a sort. On one side we have NRx as a Utopian patchwork of shining privatised Neo-Singapores, as Moldbug 1 and Land would seem to desire. On another side by the sort of shiny Google “left fascism” of “woke capital” Land and his minions would obviously abhor. On a third we have good old fashioned, blood-soaked Pinochetian brutalism, Leviathan with its sword raised. In this triangle no single side can be folded into another–each continues to haunt the others. It would be too easy to turn them into a spectrum running Left Fascist-M1-Pinochet in increasingly open brutality, but this would of course obfuscate the “niceness” that the information age society of cybernetic control likes to affect through technological means of repression in order to appear to soften the blow (including futuristic fantasies of VR prisons).

    In this we should not pass over the fact, once again, of the plurality of Moldbugs. Moldbug 2 is far closer to Pinochet, as too would Moldbug 3 very likely be. The Landian accelerationist “patchwork” vision of things doesn’t stand a chance in hell of existing because there’s nothing to support its fantasies of secessionism, not even in some tiny imagined gap between the US Empire’s decline and some Neo-Chinese Empire rising. Nonetheless, “left fascism” will certainly have a go at eating the world given half a chance, even if it must beg the existing liberal Leviathan to turn a blind eye, for Leviathan increasingly cannot do without the informatic monopolies of Google and friends to maintain governance. So too, one can never underestimate the possibility that at some point the “libertarian-to-alt-right pipeline” will bring forth something truly nasty, blunt and simple in the manner of a Pinochet in America and that it is only likely that it will lean on a certain sort of cold, cruel Calvinist Christianity in order to support itself.

    It is against both of these forces that one would do well to look back over the counter history of “creeping Calvinism” and “Quaker thuggery,” for, in America at least, Christianity still retains the power to build images of alternative worlds, some hellish, some paradisiacal. That the American Left in the second half of the 20th century was so keenly and myopically willing to abandon Christianity as something primitive and irredeemable, fit only for the bigots, is perhaps one of the most politically foolish decisions ever made. Back in the 1960s epochal thinkers like Norman Brown (1959) and Theodor Roszak (1973) understood well that they were the inheritors of the tradition of radical non-conformists like William Blake. This was soon forgotten in efforts to be as far away as possible from anything even vaguely mystical for fear of its commercial recuperation, lifestylism and naïveté.

    OrbGang meme
    Figure 1. OrbGang meme
    OrbGang meme
    Figure 2. OrbGang meme

    But strangely, this old spectre recently re-appeared again in the online “Orbgang” meme-factory of Democratic presidential candidate Marianne Williamson that managed to unite all sorts of people across political, racial, age, gender and religious spectra (Figure 1, Figure 2). More than any public figure in recent memory Williamson with her message of politics-as-love and Course in Miracles embodies a bizarre distillation of the weirdest aspects of non-conformist Christianity that could only still be cooked up in America. It’s very easy, of course, to put down Williamson as a New Age hack and a joke (though the memes about her are a great deal of fun and we do live in a meme-war economy in these times). But one rarely finds a New Age hack interested in politics, let alone one with practical proposals on matters such as reparations and climate change to the left of just about all of her competitors. Williamson was always very unlikely to get anywhere, and the American Left were particularly cruel to her. But one does wonder whether something very powerful could be done against our age’s overwhelming atmosphere of pessimism, fear, jealousy and bad faith if the powers of both Christian and post-Christian love, harmony and mercy could be harnessed once again for political purposes.

    _____

    Jonathan Ratcliffe was educated by mad Guénonians, holds a doctorate in Mongolian Studies from the Australian National University, and writes the occasional piece on political theology. He blogs at Mechanical Owl.

    Back to the essay

    _____

    Notes

    [1] Back in mid-2017 the main page for the Urbit website contained the very Moldbuggian libertarian motto that: “If Bitcoin is money and Ethereum is law, Urbit is land.” This seems to have been removed as part of an overall renovation of the page between then and now–likely following Yarvin’s departure. One should also note Moldbug’s (2010a) old idea of Feudle, a feudal search engine where the trustworthiness of information was controlled by tiers of experts.

    [2] Also note that in 2015 Yarvin’s invitation to another conference, Strange Loop, was cancelled. This drew a fair amount of momentary media attention. See Auerbach (2015) in Slate, and, for comparison, Bokhari (2015) in Breitbart on the issue.

    [3] Perhaps the most profound difference in vocabulary between Moldbug and Carl Schmitt is that while both of them take the sovereign absolute ruler to be the superior form of government, Schmitt of course regards this as “the political” historically threatened by attempts to neutralise it using religion, technology, metaphysics. In comparison Moldbug (2008b esp. 55, 2010b) is avidly against “politics,” which is what happens once more than a few people are involved in the decision-making process. Moldbug even as a quasi-Platonic scheme of degeneration of a sort. Imperium in imperio (absolute sovereignty of the ruler) passes from the decisionism of a monarch “…to oligarchy, oligarchy to aristocracy, aristocracy to democracy, democracy to mere anarchy” (2010b). Schmitt fears a world without conflict; Moldbug fears chaos.

    _____

    Works Cited

     

  • Unearthly Sovereignties and the Unsovereign Earth:  Arne De Boever in Conversation with Anthony McCann

    Unearthly Sovereignties and the Unsovereign Earth: Arne De Boever in Conversation with Anthony McCann

    In Shadowlands, poet and non-fiction writer Anthony McCann writes about the 2016 occupation of the Malheur National Wildlife Refuge (in Eastern Oregons remote Harney County) by Ammon Bundy and his followers, a group McCann refers to as The Bundyites. McCann, who teaches creative writing at the California Institute of the Arts, describes and analyzes with generous feeling and a razor-sharp intelligence the occupation: its history, politics, philosophical grounds, assumptions, and consequences. The result is a work of in-depth political journalism that helps its readers navigate the current times.

    In this interview, literary critic and political theorist Arne De Boever speaks with McCann about the politics of his book. While they share an office at CalArts, the interview was conducted by email as 2019 was coming to an end. 

    Arne De Boever: We live in complicated times, and Shadowlands strikes me as a book for these times. I struggle to describe the contemporary moment. “Confusing” is a word that comes to mind: it seems many of the old terms no longer make sense—many of them are being reevaluated—and that we haven’t quite come up yet with the new terms that will help us make sense of our situation. It’s no coincidence, I think, that the dictionary and the encyclopedia have become popular book formats recently in this time of disorientation: people need help redefining old terms or designing new ones to navigate the world. Or: people no longer know how to narrate the present. News often reaches us as leaked information, without a framing narrative, as if we’re no longer bothering to understand it all. When/ If narrative is provided, it’s often ideologically slanted, on both the “right” and the “left” (to use two terms that are also under pressure today).

    Shadowlands stands out in this situation as a book that does provide a narrative, one that is, I would say, open-minded and honest. It does not bother with many of the traditional distinctions, even if it often goes back to tradition—the foundation of the United States of America, for example. Instead, it describes situations and assesses them, with feeling but especially through careful thinking. In that sense, it’s a rare account, one that’s about the desert but could perhaps also only have come from the desert, from the point of view of a person who’s tried to distance himself to some extent from the madness of the present. Was part of your goal in the book to provide a narration, some kind of orientation, in confusing times?

    Anthony McCann: I’d say probably not in a direct way in the sense you describe, though it’s fair to say that I was trying to orient myself in some sense, through description—and descriptive narrative. I envisioned a narrative pinned to the momentum of the occupation tale and stained with its dark but also antic tonalities. I wanted a narrative that described lines, tangled-up narratives really, of political theology, of different kinds of messianic time, of different sovereign and un-sovereign geographies and of the psychic operations of history—of historical ontology. And I did hope that such a narrative would be one story of our present cultural/ political crisis, a story manifesting in deeply resonant landscapes of the American Intermountain West.

    Those landscapes, their ecologies, and the relations—and non-relations—of those narratives above—of sovereignty, theology, etc.—to these specific patches of western earth were an important part of what the book needed to describe. If there’s an orientation going on here, I hope that some of it is toward the earth where we dwell, and must learn to dwell better—and I think that does happen at key moments in the high dramas of the Malheur occupation story, where the violence and absurdity of political abstraction manifests as the tragedy, comedy, and suicidal theatre of sovereign geographies as played out in these complex living landscapes, and in the relationships and huge timescales they bring into play. For example, in the very end of the occupation, where we have the settler dream of the Bundyites reduced abjectly to a patch of occupied dirt—their piece of claimed, Sovereign Property—out in the sagebrush, surrounded by the armed men of the State.

    Q: Some of our times’ confusion congealed for me around the figure of David Fry, the last man standing at the Malheur Occupation, and one who only agreed to walk out if everyone praised him with a Hallelujah. “How had it come down to David Fry,” you write, “a long haired-young man from the outskirts of Cincinatti who had little to no familiarity with issues of public land? Like many Patriots, he was a libertarian. He was pro-gun rights, anti-abortion, and pro-marijuana legalization. Like Brand and Ryan Payne, he called himself a Messianic Jew—but he was also pro-Islam and liked to cite the Koran. The issue that seemed closest to his heart was the death of the oceans, an ongoing catastrophe he worried had dramatically accelerated with the nuclear disaster at Fukushima. Half-Japanese, Fry was also one of the only nonwhite participants in the occupation. He’d clashed with some of the occupiers over their bigotry; he’d been ready to leave over the issue, but in the end he’d thrown his farewell note in the trash. His friend LaVoy Finicum had helped convince him to stay. LaVoy was the main reason he was here in the first place” (212). Fry seems very lost, and his lost-ness reflects, I think, the lostness of many others today: people are just all over the place, confused in complicated times.

    A: And one of the reasons David seems so lost, is that he was literally lost. He had no idea where he was. He had no conception of East Oregon ecologically or historically, and never seems to have developed one. That the occupation—an occupation about land and the history of land use and public land policy—didn’t require this of him or anyone involved—including the national and international media—is symptomatic not just of a curious pathology limited to the Bundyites. It is generalized, I see it everyday, in everyone around me and I see it in myself. We have no idea where we are. We often live in and through our phones, for instance. This is a pathology that has many names. “Property” is one of the names it has in this book. David Fry’s lostness is the alienation involved in making the earth the ground of abstract value, exchangeable economic values, as well as the abstract political theology that the Bundy crew seemed to be extracting from their time on the refuge. If the Bundy thing seemed suicidal in some ways, and it did, it is partly because it is an expression of what we now must accept to be a patently suicidal civilization—and one that certainly does seem lost today. It was fitting—if horrifying—that the end of the occupation consisted of the FBI talking David Fry out of blowing out his brains, while he also argued—at the same time—on his other phone with his allies about the nature of Jesus’ sacrifice. David was arguing that Christ’s death was really a form of suicide, while his comrades were giving the familiar counterargument that Jesus, in choosing sacrifice, had transcended earthly life and therefore really chosen “life”, not death. I happen to think David wasn’t exactly wrong in that moment about Christ—this is something that troubled me throughout my devout early childhood. The form of life Christ chose does seem deathly; eternal, non-earthly—extraterrestrial even. The foundational sacrifice of Jesus, that pain ceremony and its martyrology, remains profoundly operative in our secular cultural and political life, and in our sovereign geographies. That in our panicked present the continued operation of this suicidal/ sacrificial logic manifests in more panicked forms—like the meltdown at Malheur—is probably unsurprising.

    Bruno Latour has described really effectively—to my mind—the current political disorientation regarding “right” and “left” and so forth that manifests around the crisis of the earth we are now facing, and which manifests also in the Malheur story and in the seeming political confusion of someone like David Fry. Given that the narrative of progress toward the unified and global is effectively dead, given that modernity has discovered in the climate crisis its real earthly limits, it doesn’t seem strange that the political categories organized around the debate about the meaning and goals of progress have become unmoored. “Right”, “Left”, and “Center”, partake of a certain investment in “Progress” and in certain modes of controlling, channeling progression, or preserving certain local traditional forms of life against its homogenizing force. If “Progress” is over, then our politics tends to become incoherent, because they lack a referent, they lack a future. Latour proposes that what must come to pass is that the earth itself, as a new, enormous actor, up till now insanely unacknowledged in the Modern global order, becomes the new attractor for politics—as opposed to the dream of global progress. Coming “down to Earth” replaces “Progress.” This re-mapping of the political has a certain—perhaps too easy—descriptive elegance. It lends immediate coherence to our mess. With this map we can see that Elon Musk and much of the tech world, Donald Trump, the Koch Brothers, ISIS, American right-wing evangelical Christianity, all manner of business-centrists, et cetera all share an orientation away from the goal of common dwelling on Earth, toward what Latour describes as extra-terrestriality. Whether that non-earth oriented goal is hunkering down with your wealth and your power in the bubble (perhaps walled) that that wealth and power enables you to build around yourself, or whether it means becoming a cyborg in space or dwelling in heaven in eternity, all of it is oriented away from the reality that now confronts capitalist civilization: the imperative to turn toward the earth and toward each other and our fellow non-human creatures as earthlings. We are not space people, almost none of us are billionaires, and none of us are celestial beings passing through this earthly life on our way to a more glorified existence elsewhere, as Malheur occupation leader Ryan Bundy, a devout Latter Day Saint, explicitly describes himself and his brother Ammon in Shadowlands. Those of us among the “we” that, to paraphrase Latour, come to assemble in the feel of the pull of the terrestrial, do not, cannot conceive of our existences in this non-earthly way. How do right and left and center remain relevant categories in this new trajectory—I don’t know. Maybe they can, maybe they cannot. David Fry strikes me as someone pulled in multiple directions by old and new political (and religious) orientations—as most of us are in some way or other, if considerably less dramatically.

    Q: Is Shadowlands is a book about American (U.S.) exceptionalism? You start the book by saying that much of what can be found in the book’s account is “disturbing”; but you also note that “the book is a tale of a country where the possibility of a truly dynamic popular democracy has not wholly died a quiet death at the hands of corporate money and power, nor been subsumed in the arena-worship of a post-Nixonian, proto-fascist demagogue. It’s a story where a vision of civic life remains at the core of human purpose and being” (xviii). Did that second dimension of the book always stand out clearly to you, or was it something you arrived at gradually, reluctantly perhaps, maybe even in spite of the assumptions with which you’d entered into this project?

    A: Some of my initial concerns, which I think remain among my strongest concerns, had to do with the ways in which what gets called in the language of American Exceptionalism “the American Experiment” is pinned to the Earth making American worlds, territories—sovereign geographies. And also in how people negotiate living in the fiction of the nation, which is a sovereign fiction, with a horribly violent history that is also failing to operate in the present according to its supposed ideals. In one sense the book is concerned, as that quote you cited suggests, with people insisting—in very different ways—that those ideals, those beautiful, exceptionalist words come true. But the book seems and generally always seemed to me to be more concerned with the various (often theologized to some degree) practices through which Americans negotiate their relationships to their nation, to each other and the living earth that sustains them. Because of the nature of the movement at the center of the main events of this book—the Bundyite faction of what is called the Patriot movement—the language of American Exceptionalism is constantly present, which meant I had to engage with it and its uses, and also with its uses by others opposed (like myself) or simply indifferent to the particular anti-federal land program of what I call the Bundy Revolution. Which meant also that I encountered mobilizations—pragmatic and otherwise—of these concepts that were at times quite compelling, at times troubling and confusing, and at other times wild and frankly bizarre. At the same time the world views and ecological and political understandings I often found most compelling omitted or eschewed rhetorics of American Exceptionalism—as in the world views articulated by members of the Burns Paiute tribe who emerged quickly in January 2016 as some of the main and most effective opponents of the Bundy program at Malheur.

    Q: Can you talk a bit more within this framework—American exceptionalism—about why you consider the Burns Paiute tribe’s opposition to the Malheur occupation to be so effective? What is it about the tribe’s relation to the land that frustrates “the American experiment”? I’m curious about the terms we might use to describe that opposition.

    A: The tribe insisted immediately, with clarity and persistent messaging, that all of us understand that the occupation was basically what I called in Shadowlands “a Neo-Homesteader reenactment.” From the tribe’s perspective, here was a group of armed white men, amped up on nostalgia for the era of the white men who’d wrested the tribes’ land from them in the first place, taking over land that had been absolutely central to the tribe and their ancestors for thousands of years. The Paiute name of the Burns Paiute band—Wadatika—ties them intimately to the territory Ammon and friends had occupied.  Wadatika means “eaters of Wada”: wada is seepweed, a type of alkaline marsh plant that in the region grows in the territory of what is now the refuge. Its seeds were a key food source traditionally for the tribe.

    When Ammon Bundy said—in one of the first of the occupiers’ picturesque press conferences out in the icy sagebrush—that the group was here to give the land back to “the rightful owners,” he presented the tribe with a perfect entry point into the conflict. The Wadatika didn’t bother addressing in depth the issue of who “the rightful owners” would be. Tribal chair Charlotte Roderique instead used Ammon’s remarks at the tribe’s own packed press conference in the gathering center on their tiny reservation as an occasion to joke about how she’d been preparing her letter of acceptance for the returned territory, before undercutting the laughter in the room with a dry remark: “we know they didn’t mean us, we know they meant themselves.” She followed this with a brief primer on Wadatika history. In the nineteenth century, that history becomes a tale of violent removal, and then the refusal of that removal—a powerful story of attachment, of deep entanglement with the specific land formations and ecologies of Harney County. “We were the ones who came back,” she told me later that year, “nothing could keep us away.”

    The story the Wadatika told was one in which no land is equivalent to any other—it’s one where a specific old Juniper tree has the cultural value that outsiders might associate with a ruin, or an artifact. At this deeper, perhaps harder to grasp level, of the Wadatika intervention, the tribe’s entrance into the conflict made the Bundyites look like not just a traveling settler re-enactment camp, but also like extraterrestrials, touching down on Earth from their usual circulation in the ether of the internet, to plant a flag in terrain they knew nothing of at all. Some of Charlotte’s humor at the press conference was dedicated to highlighting this—with joke offers of heading down to the refuge to teach the crew local survival lessons, how to make jackrabbit fur blankets and so on. Meanwhile, out at the occupied compound the Bundyites had begun rooting around in the records of the refuge following the main paths of knowledge they seemed interested in applying to this unknown terrain; the property and land transfer records stored in the files of the Fish and Wildlife Service.

    This is one place where the book really lingers with what you frame as “American Exceptionalism”—what I call in the book Ammon’s “beautiful pattern”, borrowing one of his own terms. In Bundy’s “beautiful pattern”—a very nostalgic, and idealized Jacksonian vision of western expansion—land is claimed, settled and turned into the invisible of freedom. Ammon sees this as the proper path of God’s chosen nation, America, homeland of Liberty in the Latter Days of human time—and it was the work of he and his patriot friends at Malheur to restore it.

    Q: Yes, what Bundy calls a “beautiful pattern” is definitely part of the disturbing material that can be found in Shadowlands. I’m wondering, on the one hand, if you’d include the tribe’s opposition to the Bundy occupation under what you call, in your book’s opening pages “the possibility of a truly dynamic popular democracy”? “Popular democracy”: does that term, not part of indigenous history, apply in this context?

    On the other hand, I’m asking about this because it seems to me that when you hint at “the possibility of a truly dynamic popular democracy”, you’re actually frequently talking about the Bundys. This is something that surprised me in your book. The split between the “disturbing” elements of Shadowlands and its hinting at the “possibility of a truly dynamic popular democracy” seems to match the split between the first and the second parts of your book: your account of the Oregon standoff ends on page 216, and the book then goes on for another 200 plus pages, following the trial of those involved. It’s part one that, by and large, I found the most disturbing; it’s in part two that I found the most indications of hope for a dynamic democratic life—sometimes coming from the Bundys, sometimes coming from elsewhere. You open part two of your book by explicitly recalling the first few pages Shadowlands, when you write that while attending and writing about the trial, “I had a glimpse of another kind of American public life, different from the corporate-dominated one I knew, I saw flickerings of a different kind of nation, a dynamic one that could be lived everywhere, both inside institutions like courts and city halls and also out in the open, in the streets, face-to-face, every day” (220). Sometimes this is described as “a sovereign circus” (220); sometimes you call it, more neutrally, “sovereign practice” (242). Earlier in our conversation, the word “un-sovereign” also came up. Which is it? How to differentiate?

    Am I wrong to say—and at some level I can’t believe that I am saying this—that your book also associates aspects of the Bundy revolution with “the possibility of a truly dynamic popular democracy”?

    A: I don’t know if this book is a hopeful book about American Democracy—I think that depends on the reader. Which is not to say that the book doesn’t catch glimpses of what a less moribund, more democratic republic might look like. While I’d say that for me personally the more lastingly hopeful moments in Shadowlands re: democracy probably come in the third section and not with the occupiers, the book does catch glimpses of a more vital public life through watching the Bundy Revolution at trial in section two, and later in a month-long anti-private prison protest in the Mojave Desert. Something changed when the occupiers made the jump from the specific earth of Harney County, with its ecology, its complex history—of Natives and Settlers—into the abstract space of federal court, the terrain not of landscapes and bodies in living relation, but of the necro-palimpsests of the Law.

    I’d certainly place the successful engagement of the Burns Paiute tribe in the scrum of the occupation in the realm of a vital democracy. Absolutely. That such terms would be foreign to a tribal leader in 1830 or whenever is true, but it is not true now. Charlotte Roderique, Jarvis Kennedy and other tribal leaders adroitly used the platforms the occupation made available to them to mobilize their history and perspective in defense of their tribe’s interest and also the interest of the larger community—non-natives included—in being left to work out their own relations to federal power and the landscapes and ecologies to which most folks who live out there are profoundly attached, if in different registers. In the third section of the book you also get the story of the High Desert Partnership that has gathered erstwhile antagonists into consensus-based groups that ground their work in their common attachment to the local earth of Harney County and have thus made for themselves a new successful political form, capable, since federal agencies are among the participants, in directing federal sovereignty to the enactment of interventions in the troubled ecology of the region’s wetlands, sagebrush steppe, and dry pine forest. This to me, this form, is the one where I would personally locate the most “hope” about a vital democracy in the book—not in the theater of the Bundyites. But there was much of interest in their political theater.

    That the Bundyites had seemed to know nothing (and mostly care nothing) about the particular ecologies and histories of Harney County was, to my mind, at the heart of the offense of the occupation. They brought all this calamity and real danger (the situation could have ended so much worse in Harney County than it did, there are a lot of guns out there) to a terrain they didn’t understand or have much interest in understanding beyond how it might give temporary body and power to the set of abstractions they carried with them. It was those abstractions: Freedom, God, Property, which—as theologized as they were in that group (in both explicitly Mormon and more secular ways)—lit them up one and all with the sense of camaraderie and jolly, apocalyptic fervor. And that sometimes seems to have been the real purpose of their whole endeavor, as if they were there merely to fuel those feelings, as if they were extracting their fervor from land to which they were otherwise indifferent, land that when it comes to the refuge, had been home to the Wadatika’s ancestors for thousands of years.

    But when they brought their sovereign circus into the space Ammon and others declared was the space they were hoping to get to all along—that space of reified, near extra-terrestrial abstraction that is Federal Court—suddenly I had to admit that the game had changed along with the terrain. Now they were proposing to disrupt the conviction machine that is the justice system, and were also being charged in a way that reinforced dangerous precedents—and potentially set new ones for the prosecution, and potential persecution—of contemporary and future protest movements of all stripes: conspiracy to impede federal officers from doing their duty. To be clear, the charges were being used against the Bundyites in a way that could absolutely make it a federal felony for two people to discuss a plan to do something like stand in the driveway of an ICE detention facility, and shout slogans in the attempt to temporarily halt an ICE vehicle, or discuss a plan to publish the names of ICE officers online in order to shame them. That’s totally the kind of behavior the charge could criminalize should a federal attorney’s office choose to move in this way, or should they be directed to do so by the Attorney General.

    And it turned out the Bundyites had some talent and knowledge when it came to bringing life to those necrotic chambers of the Law. Suddenly their histories didn’t seem so entirely faked up—as they had when it came to their narratives about land in Harney County. They had points to make and they made them—and they all coalesced, I’d say, around one major issue. That the judicial system is a key part of the American republic, and that its life depends on the participation of the People, and perhaps even on their assertion there of their ultimate sovereignty. The sovereignty of “We the People” is the core tenet of their movement, and in court it was fascinating to watch them insist on it, and consider alongside that insistence the question of popular sovereignty and whether or not under our Constitution what they were saying about it was true. Under the US Constitution, are the People really sovereign? Or was the patrician intent of the Constitution precisely to dilute and restrain this sovereignty from operating effectively? And has that intent been largely realized? Suddenly in court these were the questions for me—and they are important questions (to put it mildly). They are at the heart of our political crisis, a crisis that’s been building for a long time but exploded in the fall of 2016, which was exactly when the first Malheur trial took place.

    If there is anything instructive to be found in Bundyite agitation, and I think there really is, it would be mostly in the agitation itself. It would be in their specific, often successful— and I think actually transferable—tactical efforts to inject public life into the deathly spaces of court. It would not be found anywhere in the content of their specific demands re: public land which are both tiresome and dangerous, being essentially re-iterations of white settler grievance restaged for a post-frontier age.

    I also found something very important in the way that their theologized faith in the Constitution exposes how theologized faith in the Constitution really is across demographics; this was brought home for me by how often liberal and centrist voices have sententiously cited the Constitution in recent years, sometimes even producing their own pocket copies of the document—just like the occupiers at Malheur—as a kind of magic talisman against Donald Trump. It turns out the Constitution wasn’t coming to save us any more than Robert Mueller was—it’s a highly flawed, ambiguous document that creates an enormously powerful executive, something that alarmed many people from its very beginnings.

    Q: Shadowlands presents much of this Bundyite insistence on sovereignty using the language of “feeling”. Let me ask you about a passage early in the book that addresses political feeling directly. Perhaps you can briefly situate it in the book, and comment on it: “He and his comrades seem to have had a direct, brief experience of what, in political theory terms—terms foreign to the Bundy Revolution—is called Constitutive Power. This is the power to institute a nation and law that in a modern democracy is supposed to be invested, in the final instance, in the citizenry. It’s related to Popular Sovereignty, the name in political thought for the ultimate rule of the People that is central to all notions of democratic republican governance. Constitutive Power and Popular Sovereignty, when they descend from their throne in the lofty realm of political ideas, manifest in human bodies and experience primarily as feeling. It’s a rare emotion. If it is sustained and successful, it is called Revolution.” (31) This is about the transformation of the people—lowercase p—into the People.

    At the beginning of part two, you write that “Where in our world did the People properly take place?” (220) was and remains one of your questions in the book.

    In your book’s second part, it appears to be especially during the trial, in what you just called “the necrotic chambers of the Law”, that a practice of sovereignty you might actually appreciate comes to life?

    A: The first quote you cite is about the experience of sovereignty as an experience of revolution—or the intimation of it—that the Bundyites who were there the big day in April 2014, down in the Toquop Wash (near Bundy Ranch in Bunkerville, Nevada) experienced. This happened two years before the Malheur occupation; it was the moment when federal agents backed down due to the mass of protestors (a number of them militia members armed with long guns) that had gathered to support the Bundy family cause and halted confiscation of the Bundy family cattle for non-payment of grazing fees. (The Bundys had stopped recognizing federal jurisdiction on the public land near their ranch as part of a 20-plus year conflict involving the listing of the desert tortoise as an endangered species, and the growth of Las Vegas, among other things.) This is the foundational moment of the movement, when the people I call Bundyites came into being. (They call themselves “Patriots” if they use any term at all.) The Bundyites I met and the Bundys themselves refer to this moment constantly. (Those who weren’t there that day still refer back to it, visit the wash, post pictures of themselves there, et cetera.) That moment in the wash is what Alain Badiou would call an Event, and the subsequent subjectivation of the faithful—the militants—then birthed, as it does in Badiou’s theoretical model which derives from his reading of St. Paul as well as other sources, a form of life built of faithfulness to that event, to that subjectivation. And the Bundyites are nothing if they are not a messianic band of the faithful, living in their version of the final times where the God-inspired holy document of the Constitution “hangs by a thread.” Mostly the band is united through the connectivity of the internet, but just like many internet-based communities, that online sociality refers always to key face to face encounters—in this instance court cases, protest gatherings, and the famous standoffs at Malheur and Bundy Ranch.

    But to the question of sovereignty. The moment of sovereignty the group experienced in that first, foundational event in the wash, to what degree it was illusory or not (they did drive the federal government from American territory for a long time), is an experience or intimation of what we call constitutive power. John Locke, so influential for the founders of the American Republic, wrote that sovereignty resides in the People only in these moments, of abolition and constitution of government. Otherwise, he says that sovereignty, if we are speaking of a republic, lies solely in the legislature. Given the tendency of the Bundyites, or the ones among them who read such things, to quote Locke, this formulation struck me as helpful in describing their activity. They sought out these extreme moments of constitutive—or abolitionary—power in Toquop Wash and at Malheur—and I think that the feeling of agency that was produced in those moments is no small part of why they did so. It’s also why their use of the land of Malheur for their sovereign settler ceremony gave so much offense—I’d say rightfully. They were appropriating territory they knew nothing of, in order to—in the language that Ammon explicitly uses—turn it into “freedom”.

    But court was a very different territory. Now they were inside a State that had not at all been abolished. There they were in that big dead—or undead—thing that the State is, manifest as courtrooms and marble and armed marshals and security scans and judges and the churchly hush of the courtroom chamber itself.

    When, on the first day of the trial, defendant Ken Medenbach, a chainsaw artist and anti-federal land activist (and now a congressional candidate) from the eastern Cascades, showed up in court with a custom-made shirt with the words of one of perhaps the most interesting court determinations on jury power, the majority opinion of Judge Leventhal in the United States V. Dougherty anti-war protest case of 1972, a decision that’s still basically in effect—it signaled to me as much as the whole court ritual and all that marble did that I was in a new terrain, not in Harney County anymore.

    Q: There is a lot on this in the book. Can you briefly explain?

    The Leventhal decision essentially states that the people as the jury have the power to determine law—that this power is essential to the functioning of the republic—but that the people need not be, and should not be informed of this power, because they already know it well enough. Leventhal states that added reminders of this power could lead to its abuse and that that abuse would be disastrous for the proper functioning of what I think we have to understand as a secret portion of popular sovereignty stowed away in the procedural folds of the Law. This is the legal situation now. Jurors have the right to judge Law, and the application of the Law in any case—but only if they don’t talk about it. Judges have the right, and most or all do, to sternly remind jurors that they can only judge the facts, but do not have the right to do anything about a jury’s not-guilty verdict.

    It’s worth quoting from Leventhal’s decision which came in an appeal of Catholic anti-war protestors who’d vandalized Dow Chemical DC Headquarters in protest of the use of Napalm in Indochina. “Law is a system, and it is also a Language,” Leventhal wrote, “with secondary meanings that may be unrecorded yet are part of its life.” As it worked, he said, the jury system provided “play in the joints that imparts flexibility and avoids undue rigidity … with the jury acting as a ‘safety valve’ in exceptional cases.” As an example of exceptional cases Leventhal gave the federal Fugitive Slave Act, which numerous northern juries had refused to convict under—this had essentially overturned the law in practice in some northern states. Informing the jury of their right would ruin this flexibility, Leventhal says. “The jury knows well enough.”

    This secret zone of flexibility where a jury can override the errors of the legislature or the overzealous prosecutor or both is exactly the sort of space that the more Sovereign Citizen-minded of Bundyites sought out (there are many “armchair attorney” types in the movement) as an occult space of popular sovereignty in the Law. This kind of space was where—and in a sense what—many of them seemed to want to be, regardless of if it meant going to federal prison for years for their stand. Ken Medenbach himself seemed especially indifferent to the prospect—it was a lot better than going to jail for drunk driving, he told me, which he said he knew about because he’d done that too.

    And when Medenbach and friends were standing up to the increasingly juryless conviction machine of a justice system that incarcerates more people than anyone in the world, my interest, shall we say, took on a different quality and tone. Especially given the nature of the conspiracy charges they faced and how they might be used against dissenters in the future. (And are a bit less likely to be used now, after the failures of federal prosecutors to make them stick in this case.)

    Q: So this is when a change happened.

    A: What the Bundy crew was arguing for out in the desert strikes me as a huge mistake, one that would actually hurt the constituencies they claim to represent, the small-scale rancher especially, as well as further open up our wondrous remaining public lands to more industrial scale destruction just when climate change is making their ecosystems even more vulnerable. But in court what the Bundyites were fighting was something else: a specific set of charges, dangerous ones. What they were advocating—not taking plea deals, representing yourself, turning the space of the court into a public forum for political debate, empowering the jury to judge the Law and the proper applications of the Law as well as the facts in appropriate moments—were all things that need, to my mind to be considered if we are interested in making our governance structures more life-like, more invested with the energies and needs of the populace to find flexibility and life in the Law as Leventhal’s decision described it.

    Q: Yes, that seems right—that’s what the book conveys.

    A: I’ve been thinking about all this a lot recently as two deeply committed climate activists–Jessica Reznicek and Ruby Montoya—head to trial in Iowa facing massive federal charges. They are being egregiously overcharged, as is the way of federal prosecutors—who seek to avoid jury trials through intimidating defendants into taking plea deals. This in a case involving desperate sabotage of a number of sites of the Dakota Access Pipeline in the defendants’ home state of Iowa. Reznicek and Montoya were leaders among the Iowa resistance to the pipeline, which runs down from the Dakotas, through Iowa to the Mississippi. The defense they plan to make—the necessity defense—goes right to the same sort of place that the Bundy defense went (if in a very different cause) arguing that the people have a right to intervene in dangerous situations (like climate change) regardless of the law, including in refusing to convict folks for breaking laws that are being unjustly applied. (Curiously, opposition to the DAPL and support of Standing Rock was actually a galvanizing cause among some in the Bundyite crowd, something I think really surprises coastal folks unfamiliar with the complexities and glaring contradictions of Intermountain Western libertarianism.)

    Reznicek and Montoya’s acts of sabotage can be seen as attempting to both overcome and draw attention to a huge problem Amitav Ghosh and others have brought attention to in our current political life and in the struggle against all the various forms of Climate Denialism. I mean the way politics tends to be confined to what Ghosh calls “individual moral adventure” if there is no way, in the last instance, to interfere meaningfully in the material infrastructure of power, namely the flow of oil.

    While the Bundy movement is mostly climate denialist (though their denialism takes the form of what sometimes seems like a more explicit, apocalyptic and paranoid, acknowledgment of what we are facing than we see among pro-capitalist, nominally Green progressives) they were addressing the problem of the people having no leverage at all, of popular sovereignty being successfully diluted through layers of representation so much so as to be practically inoperative. This brings up a huge historical question in the American context. Is this dilution a result of the Constitution being ignored (as the Bundy Rebels would argue), or is it the actual intention of the original document to dilute popular sovereignty as much as possible? This issue was one that really fascinated me while watching the Bundyites at trial, and becomes pretty important in the final chapter of that trial section, which interrogates, among other things, the phrase “We the People” and whether the document so fetishized by the Bundy crew empowers a popular sovereignty or leaves “the People” essentially deluded by its promise.

    A quote that was a touchstone for me in thinking about all this in our contemporary political life comes from 1788, from the public debates leading up to the far from unanimous ratification of the US Constitution. Zephaniah Swift, a Connecticut attorney, early abolitionist and author of America’s first legal dictionary, wrote of the new large voting districts enabled by the new charter, that they (the districts) were “calculated to induce the freeman to imagine themselves at liberty, while they are thus destined to be allured and driven around as if impounded, being at the same time told that nothing confines them, although they have not the powers of escape.” As historian Woody Holton (in whose important work on popular democracy in the Constitutional Era I first came upon this quote) pointed out to me, the impounded cattle metaphor—besides having strange resonance with the Bundy movement and their UR-moment with the Bundy family cows—had special meaning in Connecticut at that time. The young state was a cattle center in those days and protests against the confiscation of the property of impoverished farmers (many of them American Revolutionary War veterans) unable to pay high taxes destined for the coffers of the speculators who’d financed the war at considerable profit, often took the form of the armed liberation of impounded cattle.

    Q: That’s fascinating. Your reference to Badiou earlier on—a communist—seems just right and draws out a charge that’s been levelled at Badiou (by Jean-François Lyotard among others): that his theory of the Subject (capital S, who is faithful to an Event etc. as you describe) shares a lot with Carl Schmitt’s theory of the sovereign as whoever decides on the state of exception (Schmitt, it’s worth noting, is usually associated with facism). Part of what interests me in your answers, apart from the specifics that it brings to our attention and that deserve another interview altogether, is the mix of elements here, which is characteristic of your book. There’s the Bundyites; there’s Alain Badiou; there’s John Locke; there’s the climate activists, the Dakota Access Pipeline, and Standing Rock; and there’s Zephaniah Swift, and the cattle. Some of these are combinable, but not all; and not all of each one of these is combinable with all of each other.

    I’m wondering if I could present a few quotes to you to draw out some of this improbable mixing—they’re all quotes about sovereignty. You’ll recognize the first from your book; I don’t know if you’ll know the second and third. Let’s do this old-school: don’t look for them online. I’d just like you to comment on how they resonate with your book. I can tell you after where they’re from.

    Here’s the first—could you situate it and explain?

    “To Jason’s mind, popular sovereignty had by no means been given over to the government in the act of creating it, of constituting it. ‘The power absolutely remains there. The government does not exist without our consent,’ he said. That the founding charter was a contract, to his mind, established certain serious responsibilities—for the people as well as for the government. ‘If it’s a contract, who enforces it? You have rights but only if you claim, use, and defend them. And I claim them, I use them. I show up to be the press.”

    A: Sure. Jason, in the above, is Jason Patrick, one of the most intriguing of the people who joined the core group of the Bundy Revolution. Jason’s a roofer from rural Georgia whose fortunes suffered severely in the crash of 2007-2008. When he was a child, his father, a Vietnam veteran, died of agent orange related cancer. Jason explicitly dates his distrust of the federal government and of the US military to this life event. (He personally holds that a standing army is unconstitutional, or has done so in the past—though I’d say he’s eliding anti-militarist tendencies in the early republic with the Constitution, which did provide the circumstances under which a standing army could be and was created.) Politically Jason’s a Ron Paul libertarian, and credits the Paul campaign with getting him involved in politics. Much of his activism has focused on opposition to police militarization, a huge issue for many libertarians. He’s protested about police shootings, SWAT raids, and the acquisition by local rural law enforcement in his area of a bear-cat type armored vehicle—the ridiculousness of which Jason drove home by pointing out that the only injuries suffered by local cops had been self-inflicted accidents. In 2014 he was moved by video of Ammon Bundy being repeatedly tased by Bureau of Land Management officers to travel to Bundy Ranch in Nevada where the Bundy cause became his.

    During the Malheur trials he attempted to forge an alliance with Don’t Shoot Portland—a local Black Lives Matter community organization—over shared concerns about police militarization. He was not successful in this effort, as I describe in the book. The leader of Don’t Shoot Portland, Teressa Raiford, now a candidate for mayor in the city, becomes an important character in this part of the book as well.

    Teressa’s explanation of why Jason was unable to get the traction he sought with her group is a key moment: she accuses Jason of making the error of thinking that he is his ideas. (“His views are who he thinks he is. He can’t let go of that.”) I think we can see in Jason’s “claim, use and defend” rhetoric above a bit of what Teressa is talking about. The phrase “claim, use and defend”, which is a refrain of the Bundyites, and which Jason liked to repeat in reference to more abstract political goods, like constitutional rights, the right to be the press, etcetera, emerges out of a settler context of land acquisition, and the claiming of things like water rights. Claim, use and defend refers to the sorts of land rights historically only white folks have been able to claim, use and defend, save in exceptional circumstances. That meaning lingers in those words, it is part of their historical being, what they are, beyond and beneath whatever immediate contemporary views regarding protest of police abuse and militarization Jason deploys them in, even if they are in support of the positions and actions of someone like Teressa. Still, I think it’s important to understand that Jason’s opposition to police militarization comes out of much thinking and research and a deep and impressive commitment of the sort few are willing to make. That commitment is a good reminder that dedicated opposition to police militarization, private prisons, mandatory sentencing, and the like comes not only from the left.

    Q: Absolutely, and that’s something your book shows clearly. Here’s the second quote, which for me resonates with the first: “As democratic theorists have argued for some time, elections do not fully transfer sovereignty from the populace to its elected representatives—something of popular sovereignty remains nontransferable, marking the outside of the electoral process. If not, there would be no popular means of objecting to corrupt electoral processes. In a sense, the power of the populace remains separate from the power of those elected, even after they have elected them, for only in its separateness can it continue to contest the conditions and results of elections as well as the actions of elected officials. If the sovereignty of the people is fully transferred to, and replaced by, those whom the majority elect, then what is lost are those powers we call critical, those actions we call resistance, and that lived possibility we call revolution.”

    A: This sounds a bit like Judith Butler? The prose doesn’t feel translated to me, and it sounds somewhat like what she was saying the last time I saw her speak, which was some time ago, at CalArts.

    Q: You’re right, it’s from Butler’s public assemblies book.

    A: I see why you’re bringing it up. I’d say it is almost the same argument that Jason is making, but without the American Exceptionalism. (Which is not a superficial distinction, by any means.) But I feel comfortable saying that Jason would agree with this statement. Whether the so-called founding fathers agreed with Judith Butler, Jason Patrick or each other is another story entirely. As is how much those intentions and confusions matter in the end.

    Those who opposed the Constitution or were worried about the consolidations of power it enacted helped to push the reading of the “We the People” of the preamble toward a vision of a retained popular sovereignty and to limit just how much the Constitution was able to curb the popular powers of “democracy” which convention delegates had openly considered it their mission to curtail. This is one of the arguments of Unruly Americans and the Origins of the Constitution, historian Woody Holton’s excellent book about the making of the Constitution and its suppression of popular democracy in the early days of the republic.

    And yet, pushback from historical opponents and critics of the Constitution notwithstanding, it’s still hard not to see the preamble in the light that Holton casts—as he said when I interviewed him for Shadowlands: “The Preamble starts with a bullshit phrase, ‘We the People’—‘don’t worry, you aren’t going to lose your popular sovereignty.’ But the rest of the preamble consists of very honest phrases about how the federal government is going to assert power over the people… ‘domestic tranquility’ doesn’t mean me sitting by the fireside with my family and my cat.”

    Q: Let me give you the third quote, also taken from elsewhere, and also resonant for me in this context: “constituent power … can never exhaust itself into the institutions it has constituted. … a people ‘anterior to and above’ the constitution, that is, the presupposed people behind every democracy, can never quite reduce itself into a people ‘within’ the constitution, that is, into the people that the constitution identifies and recognizes as an institution. A constituent residue will, namely, always remains dormant in the institutions that the people may have constituted, and will re-emerge and activate itself if its political existence becomes threatened.”

    A: That seems like it could be a lot of people. “A constituent residue” is what I’d venture the Bundyites imagined themselves personally to be, only they’d say they were simply “The People.” This is quite grandiose of course, claiming to be The People—though maybe it’s fair to say it partakes of a general grandiosity at the heart of politics in action. It takes a lot of nerve to proclaim a version of the People in the hope that that articulation will become a gathering site for a greater flock of living bodies of collective action, feeling and thought. (It wasn’t just because of the important role of real birds in this story that I thought often about flocking behaviors in the writing of this book.)

    Because of the emphasis the Bundyites put on the actual text of the US Constitution, I keep returning to the question of whether a retained popular sovereignty or “a constituent residue” is figured in that document, or whether the American charter should be seen as an effort to restrain popular sovereignty to such an extent that it becomes mostly meaningless, as in the Zephaniah Swift quote above. There is certainly much historical and textual evidence to support this latter take. And I think this then dovetails with questions in our own time about how “the People”—whomsoever they might be—are effectively distanced from the levers of real material power in a petroleum-based economy. Still, at certain moments, the more optimistic take of someone like Butler can seem accurate to me as well.

    A: The third quote is Panu Minkinnen summarizing Carl Schmitt’s Constitutional Theory, and pointing out that Schmitt’s position can be found in the work of democratic theorists Bruce Ackerman and Jason Frank. It’s not too far from Butler either.

    My point is that there is some overlap between Jason Patrick’s discourse, left liberal discourse as it can be found in Butler, and Schmitt’s thinking about democracy. What do we make of this? What does it have to do with our times?

    Also, and going to your repeated point about the Constitution’s effort to restrain popular sovereignty: from another point of view, of course, the popular sovereignty that is evoked in the three quotes above appears as “anarchy” (Butler in fact uses this term to characterize what she calls the “interval” between popular and state sovereignty; Schmitt abhorred anarchy so the term certainly couldn’t be used to characterize his position). Does anarchy have a role in your thinking about the Bundys—you suggest that it does at least once in your book (208)? You note that seen from another point of view, the Bundys’ identification with “We the People” appears as “a kind of proto-guerilla insurrection” (37). What’s your position on insurrection? I’m trying to think, somehow, of how Shadowlands relates to The Invisible Committee’s The Coming Insurrection, or Joshua Clover’s Riot Strike Riot. Is it a criticism of those more radical politics? It seems that at some points in your book, you’re definitely more with the State than with the Bundy insurrection?

    A: In response to your first question here—I think this is a time, as Wendy Brown has written of, of a major crisis in sovereignty for democratic republics—maybe this is the political crisis of “neo-liberalism” or “supply-chain capitalism” or whatever you want to call it. As Brown pointed out before we got our wall-building president, one way this manifests is in the right-wing dream of a walled sovereignty, as if the simple reifying magic of a wall could stop national and popular sovereignty from draining away, or being “contaminated” or whatever. I think it also has a lot to do with petroleum and the manufacturing of consent in the petroleum era. People of various political orientations are well aware of how distanced they are from the levers of power, and what the consequences are.

    I do remember having conversations with anarchist-oriented friends during the occupation—and my own political yearnings are in anarchistic directions—about how strange it was to see this anti-State insurrection in which we had far more sympathy for the federal position, or for the position of those supporting that position. The Bundy position on land, while it is informed at times by an inchoate theory of the Commons (some even speak of the era of enclosure in England and so forth)—is really a disaster if applied in the current dispensation. There are too many billionaires ready to buy up land from cash-strapped states and localities should federal public land ever be turned over to those entities—and public land transfer to states and counties is the main stated goal of Bundyism. This would result in even further distancing of the rural proletariat from being able to work on and enjoy what are our current public lands, it would be disastrous for ranchers who would lose access to public grazing and it would be terrible for the public at large. Except in isolated cases of enlightened despotism where the billionaire in question locked up the land for conservation, it would be frightful for conversation efforts and all the non-human communities that struggle and thrive in the wildlands of the west. Federal public land is probably America’s greatest single common good, to lose it would have negative consequences on the society that I think would be irremediable.

    An abstract or universal position on insurrection is always going to be problematic, especially since I’d say there’s no one—besides an absolutist tyrant (Kill them all! And make sure it really hurts!)—whose position is going to be consistent. Thomas Jefferson comes to mind, because he’s such a presence in Shadowlands. When it came to the desperate rural folks who rose up in Shay’s Rebellion of 1787 against regressive taxation, which targeted poor farmers—often American Revolutionary war veterans—as the source of funds to repay the loans of war speculators, Jefferson’s take was a tolerant, lenient, if patronizing defense of insurrection as an expression of retained popular sovereignty. As he wrote at the time: “What country can preserve its liberties if their rulers are not warned from time to time that their people preserve the spirit of resistance? Let them take arms. The remedy is to set them right as to facts, pardon and pacify them. What signify a few lives lost in a century or two? The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants. It is its natural manure.”

    Jefferson is also the figure among the aristocratic leadership of the revolutionary moment who was closest to more populist radicals like Thomas Paine and whose position comes the closest to admiration for what we now think of as anarchism, stating famously that he thought it possible that a society that existed without government might be best, but was “inconsistent with a great degree of population.” But even Jefferson’s position on popular insurrection was deeply inconsistent, and along painfully predictable lines. The enlightened thinker was also a racist slaveowner—and so the man who rebuked his fellow aristocrats for creating an over-powerful executive in the Constitution, who scolded them specifically for—to his mind—using the false justification of the insurrection of Shay’s rebellion in order to create a more powerful and centralized federal government—is also the same man whose deep fear of the successful insurrection in Haiti found him enraged at the minimal diplomatic openness of his far more conservative sometime-friend/ sometimes-enemy John Adams to the government of that new republic. Jefferson remained terrified to his dying day of the prospect of handing enslaved persons what he called “freedom and a dagger.” And, of course, his is far from the only famous “universal” position to reveal itself as actually not universal, but white.

    As for anarchism and the Bundyites—yes, they are often described as anarchists. And there is much in their antinomian milieu, and their emphasis on leaderlessness, sharing all and horizontal networks that sounds like some kind of right-wing Christian anarchism. And there are some among them who really bend this way. But the core tenets of the movement, if we take the ideas of Ammon and people like LaVoy Finicum as the core—are really something else, with a long history in the United States. If we listen to somebody like LaVoy—with his notions of governance reduced to the Constitution, private property, and the ownership of guns to enforce mutual neighborliness, we are talking about a fantasy of white frontier democracy. It’s Jacksonian settler democracy—revamped in the contemporary form of a nomadic, internet-based community, an assemblage of political feeling. The ideological parallels to the ideology of Jackson and his populist movements are pretty consistent in the words of the Bundy family and close allies like Finicum. It’s about minimal government, claimable land and the resultant freedom that was absolutely explicitly white and male in Jackson’s day, if it is only implicitly or latently so in the rhetoric of Bundyism—which tries to profess a contemporary version of universality that Jacksonianism most certainly did not.

    Q: You mentioned Wendy Brown, whose work explicitly appears in the book. You add a section at the end of your book discussing some of your sources (Giorgio Agamben for example appears there as well, and you and I have discussed Agamben’s work together over the years). I know that some of your recent teaching was closely related to this book—your course on “Magic and the State,” for example. But Shadowlands treads remarkably lightly when it comes to all of that theoretical homework. Was that your choice? Your editor’s? I recall that two advance publications from the book that appeared in the Los Angeles Review of Books were a little heavier on the theory.

    A: Yes, those articles did make a few more—if brief—direct references to theorists, not so many really, but a few notable ones. When it came to writing the book, it seemed to me pretty quickly that the story of Malheur and the landscapes and the histories that traverse it were incredibly rich. It seemed to me that I needed to mostly stay in that story—but in a rather ample sense of the story, one that included its places and histories. There is a lot of thinking in the book, but to keep from thinking about the tale too much and too often from outside its own idioms, I wanted a lot of the thinking and primary terms of the book’s thought to emerge from the story, from its words, from its places and from its people, contemporary and historical, living and dead. It seemed to me the book needed to think inside the images and language of the tale, of the landscapes it touched, and the histories it pulled into view; it needed to get with those images and figures and phrases and stay with them.

    A much more theoretical book wouldn’t have allowed that to the extent that seemed needed to me. It would have been abstract to a different degree than a more literary approach, and to me this story was partly about the potential dangers of really big abstractions—particularly the set of abstractions Ammon and friends sought to impose on the particular earth and history of Harney County, Oregon.

    And I was pleased with how naturally the book found its own terminology in the words of the people in it: “The Beautiful Pattern”, “Communities of Dirt”, etc. So, the limiting of direct, extended and overt engagement with Theory with a capital T and with particular theorists, was a conscious plan of mine from the outset. That said, the work of certain theorists which I’d spent a lot of time unpacking with students at CalArts, proved very helpful in thinking about the story of Malheur as it unfolded.

    Q: Michael Taussig’s work was an important reference for you.

    A: Yes, Taussig’s work around magical practices of the State—especially his attention to the way State fetishisms congeal around ceremonies and objects which leak an aura of violence—was tremendously helpful in thinking about the lethality and the deathliness of State Magic that so marked the story of Malheur. An example would be in the shooting death of LaVoy Finicum, where the video images of his death became—seen through Patriot movement eyes—the images of a sacrifice in which Finicum, the living, breathing person with all his interesting flesh and blood complications and contradictions, was transformed into a political martyr, into a kind of secular (and not so secular) Holy Name. In the weeks before the combined FBI and Oregon State Police operation in which the leadership of the occupation was taken into custody and in which Finicum was killed, the undergirding teleology of the occupation, its theological drive, seemed to be funneling events toward some kind of culminating sacrifice of this nature. Harney County Sheriff David Ward, commented on this, calling the Bundyites a death cult. I don’t think Dave was wrong in that analysis. The theologized logic of the State is quite deathly and the occupation was dependent on that logic for the meanings—often expressed as intense feelings of community—the occupiers were able to extract from the “standoff” situation and circulate via the internet just through gathering and lingering in the proximity and under the continually building threat of lethal stately punishment. This was the dark side of what one of the wittier occupiers termed “Our Rural Electrification Project.”

    The role of violence and death was brought home for me especially in the way patriot supporters of the occupiers flocked to the death site of Finicum in the days after his death—and the way this activity contrasted with the totally different traditionalist approach to sites of violent death described in the book by Burns Paiute Tribal Archeologist Diane Teeman. Diane describes how such sites are to be avoided, or only approached with ritual caution—how they are not sites for the ritual foundation of human geographies, not sites for congregating in and for the planting of flags and such. In the web of relations that traverse a living landscape, and intertwine the living and the dead, death sites are sites of danger for Diane and other Paiute traditionalists. Her take highlighted for me how much sovereign stately geography is pinned to earth with monuments to violent sacrifice of some kind, how deathly that geography is, how dead our official maps are with their unknown soldiers, battle memorials, Dead Father statues, tombs of great leaders, and all those dead Holy Names.

    Q: This takes us back to the question of feeling. There is a lot of “feeling” in the book, especially on the side of the Bundys. But you too confess to having some strong feelings—about the land you live in, move through, and write about, for example. At the same time, you’re careful to say at several points in the book that you “disagree” or “agree” with your interlocutors—a choice of words that I read as deliberate, naming a mode of engagement that’s different from the “feelings” that are on display in much of your account. After completing this book, how do you feel about feeling? Is there too much of it out there (or in here, in us?)? Does it eclipse agreement or disagreement? You’re a poet as well, and poetry is sometimes—rightly or wrongly—associated with “feelings,” not so much with agreement/ disagreement. Did you come to this book because of your interest in feeling, and then somehow ended up agreeing and disagreeing in its pages? Was Shadowlands always intended to be a work of non-fiction? Was there a moment where you conceived of it as poetry?

    A: I don’t know if I understand “agreement and disagreement” as being distinct from “feeling.” Opinion seems a site where reason often works in the service of passion. I think—and I get this simple argument from David Graeber—that our societal over-investment in our opinions may be partly a symptom of how democracy is impounded in the American Republic at present, or maybe structurally from the beginning as in Zephaniah Swift’s image. Overinvestment in opinion, Graeber suggests, is a symptom of, among other things, alienated voting—of political life being reduced to one gerrymandered vote, or one blue state or red state vote. If one doesn’t believe one actually has influence in the creation of meaningful consensus and collective action all you have is your opinion and you can make your stand for freedom there. I’d say there is some truth to this take and maybe that is why standoffs—and government shutdowns—seem such a political form of our time. I’d venture that in our now regular government shutdowns perhaps we see our legislators—and our media—become expressions of the dead end of opinion that they help to create.

    When it comes to Shadowlands, I don’t think I came to the book out of a specific interest in feeling, and I don’t think that the book for me is mainly about agreement or disagreement with any of its parties, though there is plenty of that. As I say more than once in the book, I think the Bundyite position on public land is terrible. My “opinion” on that never changed really, but if the book had been about exposing how Bundy ideas about public land are bad—well—there’s just no book there. They are obviously bad ideas if you are ecologically minded at all. If you think just for a moment about local rural communities, they are also bad. (That’s not the same thing as saying that the federal government’s land management practices are uniformly good, they are certainly not. They are often quite dysfunctional. But that’s just simply widely known throughout the West—and it is one thing everyone, including federal employees, can mostly agree on, even if there is much dispute on the specifics.)

    None of this is what’s really interesting about the people who occupied the refuge. More interesting is: why did this set of patently bad ideas—the Bundyite solutions to federal land management conundrums—energize these people, essentially none of them ranchers, in this intense way? “Feeling” is certainly part of the answer. Politics is always about mobilizing currents of feeling and turning them into power, which is one of the reasons I was so struck by occupier Neil Wampler’s figure for what he and his friends were doing: “Rural Electrification.” But more specifically, I found that the answer to what galvanized people about the Bundy thing had to do with the specific sorts of feelings the Bundys were offering, huge religious impulses really. That I found tremendously interesting, especially in the way that religious current connected to the ways history and past theological modes of understanding and being—“sovereign feelings” if you will—remain operative in living persons. All these feelings are surging in our apocalyptic moment. And I think we have to be serious about that: that this is a properly apocalyptic moment. That’s not hyperbole, it’s description. This specific human world we live in in this country will not last, it is not working, despite its present seeming—I’d say illusory—daily (often marginal) functionality, despite its ability still, for the moment, to maintain a large amount of people in relative physical comfort—fed, clothed, et cetera. The psychic discomfort, however, is marked across all sectors of American life.

    And how could it not be. We have the return of the repressed past—and the ongoing white backlash that’s characterized our domestic politics since the Civil Rights era—fracturing the amnesia on which American dreams of an ethical freedom and prosperity are based. Meanwhile, dystopian hints of the world to come continually undermine hopes of a just future of shared prosperity—one example would be the realities of large homeless encampments in our largest richest cities, now partly populated, in California and elsewhere, by people displaced by climate change related calamities.

    Given all that, I don’t know if I think there is too much feeling going on exactly. I think some people are just having to have more ugly feelings these days about American life than maybe they used to. And certainly the persistent, historical experiences of folks whose voices have been actively excluded from the public sphere, are now being heard with more frequency and amplification.

    So I think what we are talking about when we talk about feeling right now is the distribution of feeling and the qualities of feelings in question, and the insistent demands they have on us. To me this seems to have a lot to do with technology on one hand—how present feeling can be made in a super-intimate but also freakily disembodied way through our devices and hyperconnectivity—and also, on the other hand, to have much do with the fact this this country as an idea simply doesn’t work right now, and may never work. The nation is largely built on amnesia and on lies about itself that it needs to believe to function. It seems often that it simply cannot handle its own historical weight. At the same time its economy, like the global economy, depends on ideologies of modernity and progress to not seem like institutionalized brutality, and those ideologies, like the economy itself have been revealed to be unsustainable. The Earth itself as an actor is informing us of this, of the limits of our American civilization. In response some dream of building walls, while others dream of expanding the American frontier myth to Mars—which seems mostly like a fantasy of finding a way to live like settlers inside our phones. Meanwhile in the milieus that flicker through the worlds that the Bundyites emerge from, some are preparing for societal breakdown in apocalyptic prepper or armed militia fantasy modes, or both. The conspiracy images that pass from mouth to mouth—and Facebook page to Facebook page—in that world include stories of how “rural Americans” will soon be rounded up and placed in FEMA camps in service of a global, secular humanist environmentalist agenda. These images—Mars Colony, Border Wall, FEMA Camp—are figures conjured in the various collective minds of a body politic that knows that at least some of the institutional forms of its world are soon to enter their death throes, or be massively transformed. If an American “we” exists, it knows something else is coming. We know that we don’t seem capable of authoring that future with any collective, compassionate, consensus of purpose. And we have a lot of feelings about that. Those feelings cannot be ignored or reasoned away; they must be collectively acknowledged, engaged, sat with and worked through. It’s very difficult to imagine that happening at the moment. Poetry is one place—a very small one!— that some people try to imagine this sitting with/ working through as possible. That said, I never thought to tell the story of Malheur in verse.

    Q: One of the things I appreciated most about the book—and this continues our conversation about “feeling”—is that Shadowlands does not include knee-jerk reactions. When people “in your spheres” react to the trial of the Malheur Occupiers conveying “horror and shock”—“How could these guys get off? White privilege strikes again, etc.”—you don’t join “the chorus”. You write that “being at the trial had changed the terms for me—it had become a different battle in a different terrain” (318). Again and again, I was struck reading this book how much careful reading the Malheur Occupation and the trial afterwards requires. It seems only a very good reader could have made sense of it all. Is this part of what you tried to convey in the book? Were you reading the occupation and the trial in part to counter knee-jerk reactions on all sides? Another way of asking this would be: did you ever hope—perhaps in vain—that the book would be able to establish some common ground among more or less reasonable folks? Also—and we can perhaps close with this, we’ve covered a lot of ground: What are some of the reactions you’ve received to the book from people you’ve interviewed, or from the audience at your public readings?

    A: Well, I want to be clear that the book does chronicle some of the “knee-jerk” reactions of its narrator, as well as the narrator’s sympathy with certain kinds of reactions—notably in the example you give above. I’m sure I would have seen the verdict in the same way, if I hadn’t been there—especially given how out in the Harney Basin the Bundyites had basically assembled a live-streamed wild-west reenactment of white settlement in a place where the violence of that original settlement was considerable and, crucially, in doing so had positioned themselves in the role of the aggrieved, a move that had become very familiar to anyone paying any attention to Fox News and other reactive expressions of white right wing grievance politics during the Obama years. In the milieu of 2016, without there being much coverage of the trial, and with most folks knowing little of the details of the events of the occupation, it’s understandable many people would have seen the trial results as an offense. Nobody knew, for example, that the federal government had built its case around a key piece of high impact evidence—occupier video footage of a crazy seeming weapons training, with semi-automatic rifles, out in the snowy marshlands of the refuge. It turned out, thanks to the intrepid work of two defense attorneys, Lisa Maxfield and Tiffany Harris, and the hunch of one of the many curious characters among the occupiers—Matthew Deatherage, an anti-Trump libertarian, and Montessori education and Tibetan independence advocate—that the person who led that training in that key piece of video evidence was an FBI informant. This was revealed literally at the very last moment of the trial—the defense tracked down this guy in Vegas and subpoenaed him, and so under oath he was forced to reveal his true identity on the stand. And that was the end of more than a month of testimony. The FBI, through the actions of its paid informant, was essentially leading the weapons training that was the government’s main image and proof of intimidation, and intimidation, specifically the intent to intimidate, was the fundamental issue in the trial, due to the nature of the conspiracy to intimidate charges.

    The issue of intimidation is part of why the terrain had changed, now that we were in court. For one, as I said earlier, the use of the conspiracy to intimidate charge in the Malheur trial should probably be seen as potentially ominous by activists of all kinds. Anyone who has been involved in unionization campaigns has likely been accused of “intimidation” –disingenuously I’d say—for the simple act of knocking on doors and asking folks if they wanted to talk about the labor issues involved in the campaign. The Right consistently clamors for Black Lives Matter to be labeled a domestic terrorist organization, for its supposed intimidation of police officers. The president recently called for Antifa and anti-ICE protestors to be designated domestic terrorists, and those calls have been echoed all over the right.

    In our political impasses, calling the other side “domestic terrorists” has become alarmingly commonplace. This becomes no less alarming in the light of the actual existence of demented and hateful persons in atomized social networks willing and able to return the historical outbursts of racist genocidal settler violence that accompanied the frontier and the extra-judicial anti-black violence of the reconstruction and Jim Crow eras, into the public spaces of post-frontier America, as in the atrocity committed this past summer in El Paso, or the massacre in Charleston in 2015. Charleston and El Paso are horrors that exhaust our vocabularies—domestic terrorism seems hardly sufficient a name for them, but if domestic terrorism is a thing, surely these are instances of it. At the same time it seems clear to me we have to be careful hurling this legal term around blithely as an epithet, as rhetoric—especially when that rhetoric derives from something as fundamentally troubling as the Patriot Act. And it is the Patriot Act’s definition of domestic terrorism that is behind the President’s and other—bi-partisan—uses of the term. That definition is fairly dependent on “intimidation.”  And that’s a slippery word—a really complicated thing when it comes to the Law and the authorized use of the legal violence of law enforcement.

    It’s complicated because neither can we say that “intimidation” is something the Law cannot or should not take into account. If we have law and law enforcement it must do this in some way—to prevent people from being threatened and abused in their communities and homes over disagreements political and otherwise, or in the terrifying and often deadly situations of domestic violence that occur daily across the country. But we can see quickly how slippery intimidation becomes as a justification for calling in the armed bodies of the State when we consider how clearly comfortable some persons—usually white—have been and continue to be in calling in the police to intervene in the allegedly “intimidating” presence of black persons, including children. And then this gets trickier when we get into political life, public life, where the issue of popular sovereignty enters. If ICE officers claim they are being “intimidated” by protestors protesting their work at their jobs, I’d say this might be best seen as an attempt to disable the ability of the People to call out the behavior of their government by using a charge of intimidation to intimidate people away from organized action. It’s similar with the often disingenuous charges of “intimidation” against door-to-door canvassers. But that doesn’t mean we can just ignore the issue of “intimidation” whenever the situation is a political speech one. We cannot ignore how extra-judicial intimidation has been central to white supremacy in the American context: a generalized climate of total intimidation, punctuated with cross burnings and actual murder have all been part of the nominally extra-legal effort to enforce, so often very successfully, the supremacy of white being and the priority of white property—including against the legally held property of non-white folks. In the Western context the Paiute of the Great Basin experienced the frontier versions of this kind of violence and intimidation—both in terms of assaults on their reservation and violent vigilante assaults on their individual property rights when individual Natives sought to take up the promise of white property owning freedom on its terms. And this forms the still rather recent—if selectively repressed—historical background of the neo-settler action of the Bundyites at Malheur. This is true even if the occupiers did not see themselves as attempting to intimidate the local citizenry, even if at no point did they engage in armed confrontation with the federal land management officials they were charged with conspiring to intimidate, even if they were able to continually highlight the fact that they were visited daily by lots of local people (often with their children in tow), bringing gifts of food and firewood.

    But I want to return to your question and what you said about reading issues and events like the occupation and the trial. I’d probably use the word “description” as opposed to “reading”—but descriptive analysis is really “reading” so reading seems like a fine synonym. I wanted to approach the story in ways that culled out complexities, entanglements, ecologies, and histories with their often painful ironies. And I think the book does that throughout. Whether I have faith—and whether I had it during the writing of the book— that engaged description of this nature can really bring about more consensus-based action among current political foes, I’m not so sure. Maybe the book and its narrator occasionally feel this way as the story takes specific turns and dwells in them. (I don’t see the narrator as being identical to myself, I see him as a site, an object as much as a subject—wherein certain images and figures that emerge from the events can detonate and/ or develop. And where certain ideas or possibilities can have a stage.) Certainly, there are some moments where flickerings of possible collaboration across the so-called partisan divide appear in the book, and yet also many or most of those can be seen also as stories and images of impasse; the story of Jason Patrick of the Bundyites and Teressa Raiford of the Black Lives Matter group Don’t Shoot Portland is maybe the most compelling example. Despite their shared positions on police violence and militarization, and Jason’s support for Teressa and friends’ positions re: the racism of Portland policing, the different histories involved in Jason’s group and Teressa’s group, and the role of race in those histories—and the different notions of freedom involved—made alliance impossible.

    The one place where consensus-based action across the famous partisan divide actually happens in the book, is with the High Desert Partnership in Harney County—where conservative ranchers and liberal environmentalists have been able to work with federal land managers on ecological restoration projects. There it is both the exhaustion engendered by decades of political impasse and the shared attachment of all involved to the land of Harney County that has allowed this improbable collaboration to sprout.

    I think earthly attachment is also behind the methods of Shadowlands, behind my investment as a writer in embodied description. It seems to me I wrote the book in order to better understand the world I found myself in, in order to dwell better in the specific earthly place, the Intermountain West, where I find myself—and to which I have become profoundly attached.

    Q: We’ve talked quite a bit about land. Other non-human beings have an important role in your book: the desert tortoise, and of course the birds that are so prominent in Shadowlands’ third section. As we’re wrapping this up, I’m just looking again at Joan Cocks’ book On Sovereignty and Other Political Delusions, which takes from indigenous politics a criticism of human exceptionalism and a focus on relationality that undermines property as the basic value of sovereignty. Is it from thinking with the tortoise, and the birds, and—ultimately—the land itself that in your view other, perhaps un-sovereign political futures will come about?

    A: I’d like to write a book that had considerable narrative momentum, as this book does thanks to the events of the occupation and the trial, where the main character was a landscape, and where its non-human persons were central actors. There are little glimpses of this in Shadowlands—but the book remains pinned fairly tightly to human events and persons.

    Critiques of human exceptionalism have been growing in academic and non-academic circles certainly—and here the influence of Native thought, of feminist ecological thought, and of ecological history combined with new work in biology have really successfully undermined the notions of ahistorical nature and species autopoiesis that complement individualist and property oriented human histories. Instead terms like “assemblage”, “entanglement”, “symbiosis”, and “sym-poiesis” emerge across disciplines. (The work of Anna Tsing has been tremendously important to me as I reflect on my experience of the Malheur story—the whole saga can be seen as a story of life in a rural capitalist ruin, to use Tsing’s terminology.)

    All these “new” ways of understanding earthly relations certainly help to draw attention to indigenous forms of knowledge which are finally being listened to in more and more sectors—though there’s a very long way to go there. Native perspectives, as well as climate science, ecology and the discoveries being made by biologists in other disciplines, all tend to undermine property as a basic unit of sovereignty—in multiple senses of “property” and “the proper.” The level of relationality that Diane Teeman asks us to contemplate in Shadowlands when she describes Paiute land relationships is totally at odds with white sovereign notions of property in terms of land ownership. It also undermines claims to the proper beyond just the big issue of sovereignty over land. In traditional Paiute practices, sovereignty over one’s self seems a much more complicated thing—one’s power, life force—called “puha” in Paiute—comes from outside, from the landscape, from the snowy mountains, from other non-human creatures, from fire, from everything, the web of relation that is landscape. And this means one’s puha is also part of that landscape, lingering in the things you use and make and the places you’ve acted, creating sites of power and danger—it is all relationality, an ecology that is also cultural and historical.

    As a description of earthly life Western science has just been catching up with the profound insights at the heart of Paiute practice—which emerges from a very old culture that learned collectively, collaboratively to cull sustenance—and meaning and joy—from a landscape which outsiders see as frightfully barren. This required centuries of attention to the entanglement of everything. All this kind of wisdom was completely ignored when white sovereign property came to the Intermountain West. Only now is the larger culture just beginning to face the full extent of the ecological catastrophe that that invasion, and all the other forms that invasion took across the globe, was from its beginning—locally and globally.

    And maybe this is what the Malheur occupation was ultimately about for me: the intertwining of Stately Sovereignty and private property in the auratic violence that is the secular theology—and sacred geography—of the American Thing. Our American property lines are lines of secular magic traced on the earth by surveyors, secret priests of the invisible church of our settler nation. (It’s important to remember that surveying was the first profession of “the father of the nation,” George Washington, whose illegal real estate speculation in Native land in the Ohio Valley can be seen as a prime motivation for his participation in the American Revolution.) Those survey lines are then reified materially and continually with legal violence and intimidation. This secular transmogrification is the abstraction of the incommensurable earth into scalable, exchangeable portions without regard to the entanglement, to the ecological relationships that are the basis of earthly life. And this abstraction, at the core of modernity, is killing us—if us is “modern” human civilization. It will probably kill us unless we turn in a new direction today. I read the Bundyites as doing the opposite of turning away, doubling down—fetishistically—on property and sovereignty. I read their fetishism not as an anomaly but as an extreme expression of American society at the impasse it currently finds itself in. It’s tremendously difficult to turn away from property and the way it organizes being, it feels impossible. Maybe it feels impossible partly because turning in a new direction also requires a kind of collective dying—and I think this is the often misunderstood argument of Roy Scranton—a dying to the world that has unsustainably and deeply imperfectly sustained (some of) us up till now. This kind of dying may be necessary for new possibilities to finally more fully appear. If this sounds like a religious practice as much as an intellectual, political or aesthetic one, it’s because it probably is. To my mind, any practice of decathexis from unsustainable, Western petroleum culture, also asks human beings to understand birds, tortoises and other living creatures—as well as landscapes themselves—as persons. On the American scene, this is something Native peoples have already been doing for a very long time.

     

  • “Dennis Erasmus” — Containment Breach: 4chan’s /pol/ and the Failed Logic of “Safe Spaces” for Far-Right Ideology

    “Dennis Erasmus” — Containment Breach: 4chan’s /pol/ and the Failed Logic of “Safe Spaces” for Far-Right Ideology

    “Dennis Erasmus”

    This essay has been peer-reviewed by “The New Extremism” special issue editors (Adrienne Massanari and David Golumbia), and the b2o: An Online Journal editorial board.

    Author’s Note: This article was written prior to the events of the deadly far-right riot in Charlottesville, Virginia, on August 11-12, 2017. Footnotes have been added with updated information where it is possible or necessary, but it has otherwise been largely unchanged.

    Introduction

    This piece is a discussion of one place on the internet where the far right meets, formulates their propaganda and campaigns, and ultimately reproduces and refines its ideology.

    4chan’s Politically Incorrect image board (like other 4chan boards, regularly referred to by the last portion of its URL, “/pol/”) is one of the most popular boards on the highly active and gently-moderated website, as well as a major online hub for far-right politics, memes, and coordinated harassment campaigns. Unlike most of the hobby-oriented boards on 4chan, /pol/ came into its current form through a series of board deletions and restorations with the intent of improving the discourse of the hobby boards by restricting unrelated political discussion, often of a bigoted nature, to a single location on the website. /pol/ is thus often referred to as a “containment board” with the understanding that far-right content is meant to be kept in that single forum.

    After deleting the /new/ – News board on January 17, 2011, /pol/ – Politically Incorrect was added to the website on November 10, 2011. 4chan’s original owner (and current Google employee) Christopher Poole (alias “moot”) deleted /new/ for having a disproportionately high proportion of racist discussion. In Poole’s words:

    As for /new/, anybody who used it knows exactly why it was removed. When I re-added the board last year, I made a note that if it devolved into /stormfront/, I’d remove it. It did — ages ago. Now it’s gone, as promised.[1]

    “/stormfront/” is a reference to Stormfront.org, one of the oldest and largest white supremacist forums on the internet. Stormfront was founded by a former KKK leader and is listed as an extremist group by the Southern Poverty Law Center (Southern Poverty Law Center 2017c).

    Despite once showing this commitment to maintaining a news board that was not dominated by far-right content, /pol/ nevertheless followed suit and gained a reputation as a haven for white supremacist politics (Dewey 2014).

    While there was the intention to keep political discussion contained in /pol/, far-right politics is a frequent theme on the other major discussion boards on the website and has come to be strongly associated with 4chan in general.

    The Logic of Containment

    The nature of 4chan means that for every new thread created, an old thread “falls off” of the website and is deleted or archived. Because of its high worldwide popularity and the fast pace of discussion, it has sometimes been viewed as necessary to split up boards into specific topics so that the rate of thread creation does not prematurely end productive, on-topic, ongoing conversations.

    The most significant example of a topic requiring “containment” is perhaps My Little Pony. The premiere of the 2010 animated series My Little Pony: Friendship is Magic led to a surge of interest in the franchise and a major fan following composed largely of young adult males (covered extensively in the media as “bronies”), 4chan’s key demographic (Whatisabrony.com 2017).

    Posters who wished to discuss other cartoons on the /co/ – Comics and Cartoons board were often left feeling crowded out by the intense and rapid pace of the large and excited fanbase that was only interested in discussing ponies. After months of complaints, a new board, /mlp/ – My Little Pony, was opened to accommodate both fans and detractors by giving the franchise a dedicated platform for discussion. For the most part, fans have been happy to stay and discuss the series among one another. There is also a site-wide rule that pony-related discussion must be confined in /mlp/, and while enforcement of the rules of 4chan is notoriously lax, this has mostly been applied (4chan 2017).

    A similar approach has been taken for several other popular hobbies; for instance, the creation of /vp/ – Pokémon for all media—be it video games, comics, or television—related to the very popular Japanese franchise.

    A common opinion on 4chan is that /pol/ serves as a “containment board” for the neo-Nazi, racist, and other far-right interests of many who use the website (Anonymous /q/ poster 2012). Someone who posts a blatantly political message on the /tv/ – Television and Film board, for instance, may be told “go back to your containment board.” One could argue, as well, that the popular and rarely moderated /b/ – Random board was originally a “containment board” for all of the off-topic discussion that would otherwise have derailed the specific niche or hobby boards.

    Moderators as Humans

    Jay Irwin, a moderator of 4chan and an advertising technology professional, wrote an article for The Observer.[2] The piece was published April 25, 2017, arguing that unwelcome “liberal agenda” in entertainment was serving to inspire greater conservatism on 4chan’s traditionally apolitical boards. Generalizations about the nature of 4chan’s userbase can be difficult, but Irwin’s status as a moderator means he has the ability to remove certain discussion threads while allowing others to flourish, shaping the discourse and apparent consensus of the website’s users.

    Irwin’s writing in The Observer shows a clear personal distaste for what he perceives as a liberal political agenda: in this specific case, Bill Nye’s assertion, backed up by today’s scientific consensus regarding human biology, that gender is a spectrum and not a binary:

    The show shuns any scientific approach to these topics, despite selling itself—and Bill Nye—as rigorously reason-based. Rather than providing evidence for the multitude of claims made on the show by Nye and his guests, the series relies on the kind of appeals to emotion one would expect in a gender studies class…The response on /tv/ was swift. The most historically apolitical 4channers are almost unanimously and vehemently opposed to the liberal agenda and lack of science on display in what is billed as a science talk show. Scores of 4chan users who have always avoided and discouraged political conversations have expressed horror at what they see as a significant uptick in the entertainment industry’s attempts to indoctrinate viewers with leftist ideology. (Irwin 2017)

    As Irwin believes the users of /tv/ are becoming less tolerant of liberal media, he expects them to also become warmer to far-right ideas and discussions that they once would have dismissed as off-topic and out of place on a television and film discussion board. Whether or not this is true of the /tv/ userbase, his obvious bias in favor of these ideas is able to inform the moderation that is applied when determining just how “off-topic” an anti-liberal thread might be.

    On the other end of the spectrum, a 4chan moderator was previously removed from the moderation team after issuing a warning against a user with explicitly political reasoning. In the aftermath of the December 2, 2016 fatal fire at the Ghost Ship warehouse, an artist’s space and venue in Oakland, California that killed thirty-six people, users of /pol/ attempted to organize a campaign to shut down DIY (“Do-it-yourself”) spaces across the United States by reporting noncompliance with fire codes to local authorities, in order to “crush the radical left” (KnowYourMeme 2017). As another moderator confirmed in a thread on /qa/, the board designed for discussions about 4chan, the fired moderator clearly stated their belief that the campaign to shut down DIY spaces is an attack on marginalized communities by neo-Nazis. (Anonymous##Mod 2016).

    The anti-DIY campaign is a clear example of the kind of “brigading”—use of /pol/ as an organizational and propaganda hub for right-wing political activities on other sites or in real life—that regularly occurs on the mostly-anonymous imageboard. The fired moderator’s error was not having an political agenda—as Irwin’s writing in The Observer demonstrates, he has an agenda of his own—but expressing it directly. They could have done as Irwin has the capacity to do, selectively deleting threads not to their liking with no justification required, so as to continue to maintain a facade of neutrality that is so important for the financially struggling site’s brand.

    He Will Not Divide Us

    Another such example of brigading activities would be the harassment surrounding the art project “He Will Not Divide Us” (HWNDU) by Shia LaBeouf, Nastja Säde Rönkkö & Luke Turner. Launched during the inauguration of President Trump on January 20, 2017, the project was to broadcast a 24-hour live stream for four years from outside of the Museum of the Moving Image in New York City. LaBeouf was frequently at the location leading crowds in relatively inoffensive chants: “he will not divide us,” and the like.

    LaBeouf, Rönkkö & Turner, HE WILL NOT DIVIDE US (2017)
    LaBeouf, Rönkkö & Turner, HE WILL NOT DIVIDE US (2017). Image source: Nylon

    Within a day, threads calling for raids against the exhibit on /pol/ were amassing hundreds of replies, with suggestions ranging from leaving booby-trapped racist posters taped on top of razor blades so as to cut people who tried to remove them, to simply sending in “the right wing death squads” (Anonymous /pol/ poster 2017). Notably, in part because it was noted by the /pol/ brigaders, two of the three HWNDU artists, LaBeouf and Turner, are Jewish.

    Raid participants who coordinated on /pol/ and other far-right websites flashed white nationalist paraphernalia, neo-Nazi tattoos, and within five days of opening, directly told LaBeouf “Hitler did nothing wrong” while he was present at the exhibit (Horton 2017). LaBeouf was later arrested and charged with misdemeanor assault against one of the people who went to his art exhibit with the intent of disrupting it, though the charges were later dismissed (France 2017).

    On February 10, less than a month into the intended four-year run of the project, the Museum of the Moving Image released a statement declaring its intent to shut down HWNDU, perhaps at the urging of the NYPD, which had to dedicate resources to monitoring the space after regular clashes:

    The installation created a serious and ongoing public safety hazard for the museum, its visitors, its staff, local residents and businesses. The installation had become a flashpoint for violence and was disrupted from its original intent. While the installation began constructively, it deteriorated markedly after one of the artists was arrested at the site of the installation and ultimately necessitated this action. (Saad 2017)

    High-profile liberal advocates of free speech causes did not draw attention to the implications of a Jewish artist’s exhibit being cancelled due to constant harassment by neo-Nazis and other far-right elements. New York magazine’s Jonathan Chait, one of the most high-profile liberal opponents of “politically correct” suppression of speech, spent his time policing the limits of discourse by criticizing anti-fascist political activists (Chait 2017). The American Civil Liberties Union spent its energy defending former right-wing celebrity and noted pederasty advocate Milo Yiannopoulos against his critics (NPR 2017).

    Containment Failure

    Among those who sincerely believed themselves to be politically neutral or at least not far-right, 4chan’s leadership was mistaken to view far-right politics as simply another hobby, rather than the basis of an ideology.

    Ideology is not easily compartmentalized. Unlike a hobby, an ideology has the power to follow its adherents into all areas of their lives. Whether that ideology is cultivated in a “safe space” that is digital or physical, it is nonetheless brought with its possessor out into the world.

    Attempting to contain far-right ideology in physical and virtual spaces provides its followers with one of the essential requirements it needs to thrive and contribute to society’s reactionary movements.

    By way of comparison, the users of /mlp/ or other successful containment boards do not use their discussion space to organize raids and targeted harassment campaigns because, basically, hobbies do not traditionally have antagonists (with Gamergate being a notable exception). Adherents to far-right ideology, on the other hand, see liberal protesters, Hollywood activists, “cultural Marxists,” “globalist Jews,” white people comfortable with interracial marriages, black and brown people of all persuasions, and anti-fascist street fighters to be in direct opposition to their interests. When gathered with like-minded people, they will discuss the urgency of combating these forces and, if possible, encourage one another to act against these enemies.

    It seems obvious that a board which has been documented organizing campaigns to harass a Jewish artist until his art exhibit is shut down, or to attempt to force the closure of spaces they believe belong to the “far left,” is anything but contained.

    If anything, the DIY venue example shows exactly how the average /pol/ user views designated ideological spaces: leftists will use those venues to organize, they assert, and if we take that away, we can decrease their capacity. If a DIY venue meant the leftists would be contained, then it would be advantageous for them to remain and let leftists keep talking among themselves. Rather, the far-right /pol/ userbase demonstrates through their actions that they believe leftists use their political spaces in the same way as they do, as a base for launching attacks against their enemies.

    Countdown: What Comes Next

    The political right in the United States remains divided in tactics, aesthetics, and capacity.

    Footage surfaced of a June 10, 2017 rally in Houston, Texas, of an alt-right activist being choked by an Oath Keeper—a member of a right-wing paramilitary organization—following a disagreement (Kragie and Lewis 2017). The alt-right activist is clearly signaling his affiliation with the internet-fueled right one might find in or inspired by /pol/, displaying posters that represent several recognizable 4chan memes (Pepe, Wojak/”feels guy”, Baneposting), in addition to neo-Nazi imagery (a stylized SS in the words “The Fire Rises,” an American flag modified to contain the Nazi-associated Black Sun or Sonnenrad). Which element of his approach provoked the ire of the Oathkeepers—identified by the SPLC as one of the largest anti-government organizations in the country—is not clear (Southern Poverty Law Center 2017b). The differences between the far-right inspired by 4chan and the paramilitary far-right mostly derived from ex-military and ex-police may be mostly aesthetic, but these differences nonetheless matter.[3]

    None of this is to discount the threat to life posed by the young and awkward meme-spouting members of the far-right. Brandon Russell, aged 21, was found in possession of bomb-making materials including explosive chemicals and radioactive materials, and arrested by authorities in Florida. He admitted his affiliation with an online neo-nazi group called Atom Waffen, German for “Atomic weapon,” an SPLC-identified hate group (Southern Poverty Law Center 2017a).

    Russell was not found due to an investigation into terroristic far-right groups, but because of a bizarre series of events in which one of his three roommates, who claimed to have originally shared the neo-Nazi beliefs of the others, allegedly converted to Islam and murdered the other two for disrespecting his new faith. Police only found Russell’s bomb and radioactive materials while examining this crime scene (Elfrink 2017).

    The Trump regime and its Department of Justice, then headed by Jefferson Beauregard Sessions, indicated that it plans to cut off what little funding has been directed towards investigating far-right and white supremacist extremist groups, instead focusing purely on the specter of Islamic extremism (Pasha-Robinson 2017).

    By several metrics, far-right terrorism is a greater threat to Americans than terrorism connected to Islamism, and seems on track to maintain this record (Parkin et al. 2017).

    A federal judge ruled that Russell, who was found to own a framed photograph of Oklahoma City bomber Timothy McVeigh—whose ammonium nitrate bomb killed 168 people in 1995—may be released on bond, writing that there was no evidence that he used or planned to use a homemade radioactive bomb (Phillips 2017). Admitted affiliation with neo-Nazi ideology, which glorifies a regime known for massacring leftists, minorities, and Jews, was not taken as evidence of a desire to maim or kill leftists, minorities, or Jews.

    Just like the well-intentioned 4chan moderators who believed in the compartmentalization or “containability” of ideology, U.S. Magistrate Judge Thomas McCoun III seemed to believe that neo-Nazi ideology is little more than a hobby that can be pursued separately from one’s procurement and assembly of chemical bombs. McCoun did not consider that far-right politics is not a simple interest, but produces a worldview that generates answers to why one assembles a dirty bomb and how it is ultimately used.

    Judge McCoun only changed his mind and revoked the order to grant Russell bail after seeing video testimony from Russell’s former roommate, who claimed Russell planned to use a radioactive bomb to attack a nuclear power plant in Florida with the intention of irradiating ocean water and wiping out “parts of the Eastern Seaboard” (Sullivan 2017). Living with other neo-Nazis, it seems, gave Russell the confidence and safe space he needed to plan to carry out a McVeigh-style attack to inflict massive loss of life.[4]

    Finally, one should note that Russell, who may still be free were it not for the brash murders allegedly committed by his roommate, is also a member of the Florida National Guard. The internet far-right may look and sound quite differently from the paramilitary Oathkeepers today, but that difference may change in time, as well.

    _____

    Dennis Erasmus (pseudonym) (@erasmusNYT) lived in Charlottesville, Virginia for six years prior to 2016. He has studied political theory and was active on 4chan for roughly eight years.

    Back to the essay

    _____

    Notes
    [1] Statement posted by moot on Nov at the /tmp/ board at http://content.4chan.org/tmp/r9knew.txt, and previously archived at the Webcite 4chan archive http://www.webcitation.org/6159jR9pC, and accessed by the author on July 9, 2017. The archive was deleted in early 2019.

    [2] The New York Observer, now a web-only publication, came under the ownership of Jared Kushner, President Donald J. Trump’s son-in-law, in 2006. The Observer is one of relatively few papers to have endorsed Trump during the 2016 Republican primary.

    [3] The alt-right activist who said “these are good memes” is supposedly William Fears, who was present at the Charlottesville 2017 riot and was arrested later that year in connection with a shooting directed at anti-racist protesters in Florida. While Fears’ brother plead guilty to accessory after the fact for attempted first degree murder, charges were dropped against Fears so he could be extradited for Texas for hitting and choking his ex-girlfriend. See Brett Barrouquere, “Texas Judge Hikes Bond on White Supremacist William Fears” (SPLC, Apr 17, 2018) and Brett Barrouquere, “Cops Say Richard Spencer Supporter William Fears IV Choked Girlfriend Days Before Florida Shooting” (SPLC, Jan 23, 2018).

    [4] Russell pled guilty to possession of a unlicensed destructive device and improper storage of explosive materials. He was sentenced to five years in prison. U.S. District Judge Susan Bucklew said “it’s a difficult case” and that Russell seemed “like a very smart young man.” See “Florida Neo-Nazi Leader Gets 5 Years for Having Explosive Material” (AP, Jan 9, 2018).
    _____

    Works Cited

     

  • Leif Weatherby — Irony and Redundancy: The Alt Right, Media Manipulation, and German Idealism

    Leif Weatherby — Irony and Redundancy: The Alt Right, Media Manipulation, and German Idealism

    Leif Weatherby

    This essay has been peer-reviewed by “The New Extremism” special issue editors (Adrienne Massanari and David Golumbia), and the b2o: An Online Journal editorial board.

    Take three minutes to watch this clip from a rally in New York City just after the 2016 presidential election.[i] In the impromptu interview, we learn that Donald Trump is going to “raise the ancient city of Thule” and “complete the system of German Idealism.” In what follows, I’m going to interpret what the troll in the video—known only by his twitter handle, @kantbot2000—is doing here. It involves Donald Trump, German Idealism, metaphysics, social media, and above all irony. It’s a diagnosis of the current relationship between mediated speech and politics. I’ll come back to Kantbot presently, but first I want to lay the scene he’s intervening in.

    A small but deeply networked group of self-identifying trolls and content-producers has used the apparently unlikely rubric of German philosophy to diagnose our media-rhetorical situation. There’s less talk of trolls now than there was in 2017, but that doesn’t mean they’re gone.[ii] Take the recent self-introductory op-ed by Brazil’s incoming foreign minister, Ernesto Araùjo, which bizarrely accuses Ludwig Wittgenstein of undermining the nationalist identity of Brazilians (and everyone else). YouTube remains the global channel of this Alt Right[iii] media game, as Andre Pagliarini has documented: one Olavo de Carvalho, whose channel is dedicated to the peculiar philosophical obsessions of the global Alt Right, is probably responsible for this foreign minister taking the position, apparently intended as policy, “I don’t like Wittgenstein,” and possibly for his appointment in the first place. The intellectuals playing this game hold that Marxist and postmodern theory caused the political world to take its present shape, and argue that a wide variety of theoretical tools should be reappropriated to the Alt Right. This situation presents a challenge to the intellectual Left on both epistemological and political grounds.

    The core claim of this group—one I think we should take seriously—is that mediated speech is essential to politics. In a way, this claim is self-fulfilling. Araùjo, for example, imagines that Wittgenstein’s alleged relativism is politically efficacious; Wittgenstein arrives pre-packaged by the YouTube phenomenon Carvalho; Araùjo’s very appointment seems to have been the result of Carvalho’s influence. That this tight ideological loop should realize itself by means of social media is not surprising. But in our shockingly naïve public political discussions—at least in the US—emphasis on the constitutive role of rhetoric and theory appears singular. I’m going to argue that a crucial element of this scene is a new tone and practice of irony that permeates the political. This political irony is an artefact of 2016, most directly, but it lurks quite clearly beneath our politics today. And to be clear, the self-styled irony of this group is never at odds with a wide variety of deeply held, and usually vile, beliefs. This is because irony and seriousness are not, and have never been, mutually exclusive. The idea that the two cannot cohabit is one of the more obvious weak points of our attempt to get an analytical foothold on the global Alt Right—to do so, we must traverse the den of irony.

    Irony has always been a difficult concept, slippery to the point of being undefinable. It usually means something like “when the actual meaning is the complete opposite from the literal meaning,” as Ethan Hawke tells Wynona Ryder in 1994’s Reality Bites. Ryder’s plaint, “I know it when I see it” points to just how many questions this definition raises. What counts as a “complete opposite”? What is the channel—rhetorical, physical, or otherwise—by which this dual expression can occur? What does it mean that what we express can contain not only implicit or connotative content, but can in fact make our speech contradict itself to some communicative effect? And for our purposes, what does it mean when this type of question embeds itself in political communication?

    Virtually every major treatment of irony since antiquity—from Aristotle to Paul de Man—acknowledges these difficulties. Quintilian gives us the standard definition: that the meaning of a statement is in contradiction to what it literally extends to its listener. But he still equivocates about its source:

    eo vero genere, quo contraria ostenduntur, ironia est; illusionem vocant. quae aut pronuntiatione intelligitur aut persona aut rei nature; nam, si qua earum verbis dissentit, apparet diversam esse orationi voluntatem. Quanquam id plurimis id tropis accidit, ut intersit, quid de quoque dicatur, quia quoddicitur alibi verum est.

    On the other hand, that class of allegory in which the meaning is contrary to that suggested by the words, involve an element of irony, or, as our rhetoricians call it, illusio. This is made evident to the understanding either by the delivery, the character of the speaker or the nature of the subject. For if any one of these three is out of keeping with the words, it at once becomes clear that the intention of the speaker is other than what he actually says. In the majority of tropes it is, however, important to bear in mind not merely what is said, but about whom it is said, since what is said may in another context be literally true. (Quintilian 1920, book VIII, section 6, 53-55)

    Speaker, ideation, context, addressee—all of these are potential sources for the contradiction. In other words, irony is not limited to the intentional use of contradiction, to a wit deploying irony to produce an effect. Irony slips out of precise definition even in the version that held sway for more than a millennium in the Western tradition.

    I’m going to argue in what follows that irony of a specific kind has re-opened what seemed a closed channel between speech and politics. Certain functions of digital, and specifically social, media enable this kind of irony, because the very notion of a digital “code” entailed a kind of material irony to begin with. This type of irony can be manipulated, but also exceeds anyone’s intention, and can be activated accidentally (this part of the theory of irony comes from the German Romantic Friedrich Schlegel, as we will see). It not only amplifies messages, but does so by resignifying, exploiting certain capacities of social media. Donald Trump is the master practitioner of this irony, and Kantbot, I’ll propose, is its media theorist. With this irony, political communication has exited the neoliberal speech regime; the question is how the Left responds.

    i. “Donald Trump Will Complete the System of German Idealism”

    Let’s return to our video. Kantbot is trolling—hard. There’s obvious irony in the claim that Trump will “complete the system of German Idealism,” the philosophical network that began with Immanuel Kant’s Critique of Pure Reason (1781) and ended (at least on Kantbot’s account) only in the 1840s with Friedrich Schelling’s philosophy of mythology. Kant is best known for having cut a middle path between empiricism and rationalism. He argued that our knowledge is spontaneous and autonomous, not derived from what we observe but combined with that observation and molded into a nature that is distinctly ours, a nature to which we “give the law,” set off from a world of “things in themselves” about which we can never know anything. This philosophy touched off what G.W.F. Hegel called a “revolution,” one that extended to every area of human knowledge and activity. History itself, Hegel would famously claim, was the forward march of spirit, or Geist, the logical unfolding of self-differentiating concepts that constituted nature, history, and institutions (including the state). Schelling, Hegel’s one-time roommate, had deep reservations about this triumphalist narrative, reserving a place for the irrational, the unseen, the mythological, in the process of history. Hegel, according to a legend propagated by his students, finished his 1807 Phenomenology of Spirit while listening to the guns of the battle of Auerstedt-Jena, where Napoleon defeated the Germans and brought a final end to the Holy Roman Empire. Hegel saw himself as the philosopher of Napoleon’s moment, at least in 1807; Kantbot sees himself as the Hegel to Donald Trump (more on this below).

    Rumor has it that Kantbot is an accountant in NYC, although no one has been able to doxx him yet. His twitter has more than 26,000 followers at the time of writing. This modest fame is complemented by a deep lateral network among the biggest stars on the Far Right. To my eye he has made little progress in gaining fame—but also in developing his theory, on which he has recently promised a book “soon”—in the last year. Conservative media reported that he was interviewed by the FBI in 2018. His newest line of thought involves “hate hoaxes” and questioning why he can’t say the n-word—a regression to platitudes of the extremist Right that have been around for decades, as David Neiwert has extensively documented (Neiwert 2017). Sprinkled between these are exterminationist fantasies—about “Spinozists.” He toggles between conspiracy, especially of the false-flag variety, hate-speech-flirtation, and analysis. He has recently started a podcast. The whole presentation is saturated in irony and deadly serious:

    Asked how he identifies politically, Kantbot recently claimed to be a “Stalinist, a TERF, and a Black Nationalist.” Mike Cernovich, the Alt Right leader who runs the website Danger and Play, has been known to ask Kantbot for advice. There is also an indirect connection between Kantbot and “Neoreaction” or NRx, a brand of “accelerationism” which itself is only blurrily constituted by the blog-work of Curtis Yarvin, aka Mencius Moldbug and enthusiasm for the philosophy of Nick Land (another reader of Kant). Kantbot also “debated” White Nationalist thought leader Richard Spencer, presenting the spectacle of Spencer, who wrote a Masters thesis on Adorno’s interpretation of Wagner, listening thoughtfully to Kantbot’s explanation of Kant’s rejection of Johann Gottfried Herder, rather than the body count, as the reason to reject Marxism.

    When conservative pundit Ann Coulter got into a twitter feud with Delta over a seat reassignment, Kantbot came to her defense. She retweeted the captioned image below, which was then featured on Breitbart News in an article called “Zuckerberg 2020 Would be a Dream Come True for Republicans.”

    Kantbot’s partner-in-crime, @logo-daedalus (the very young guy in the maroon hat in the video) has recently jumped on a minor fresh wave of ironist political memeing in support of UBI-focused presidential candidate, Andrew Yang – #yanggang. He was once asked by Cernovich if he had read Michael Walsh’s book, The Devil’s Pleasure Palace: The Cult of Critical Theory and the Subversion of the West:

    The autodidact intellectualism of this Alt Right dynamic duo—Kantbot and Logodaedalus—illustrates several roles irony plays in the relationship between media and politics. Kantbot and Logodaedalus see themselves as the avant-garde of a counterculture on the brink of a civilizational shift, participating in the sudden proliferation of “decline of the West” narratives. They alternate targets on Twitter, and think of themselves as “producers of content” above all. To produce content, according to them, is to produce ideology. Kantbot is singularly obsessed the period between about 1770 and 1830 in Germany. He thinks of this period as the source of all subsequent intellectual endeavor, the only period of real philosophy—a thesis he shares with Slavoj Žižek (Žižek 1993).

    This notion has been treated monographically by Eckart Förster in The Twenty-Five Years of Philosophy, a book Kantbot listed in May of 2017 under “current investigations.” His twist on the thesis is that German Idealism is saturated in a form of irony. German Idealism never makes culture political as such. Politics comes from a culture that’s more capacious than any politics, so any relation between the two is refracted by a deep difference that appears, when they are brought together, as irony. Marxism, and all that proceeds from Marxism, including contemporary Leftism, is a deviation from this path.


    This reading of German Idealism is a search for the metaphysical origins of a common conspiracy theory in the Breitbart wing of the Right called “cultural Marxism” (the idea predates Breibart: see Jay 2011; Huyssen 2017; Berkowitz 2003. Walsh’s 2017 The Devil’s Pleasure Palace, which LogoDaedalus mocked to Cernovich, is one of the touchstones of this theory). Breitbart’s own account states that there is a relatively straight line from Hegel’s celebration of the state to Marx’s communism to Woodrow Wilson’s and Franklin Delano Roosevelt’s communitarianism—and on to critical theory of Theodor W. Adorno and Herbert Marcuse (this is the actual “cultural Marxism,” one supposes), Saul Alinsky’s community organizing, and (surprise!) Barack Obama’s as well (Breitbart 2011, 105-37). The phrase “cultural Marxism” is a play on the Nazi phrase “cultural Bolshevism,” a conspiracy theory that targeted Jews as alleged spies and collaborators of Stalin’s Russia. The anti-Semitism is only slightly more concealed in the updated version. The idea is that Adorno and Marcuse took control of the cultural matrix of the United States and made the country “culturally communist.” In this theory, individual freedom is always second to an oppressive community in the contemporary US. Between Breitbart’s adoption of critical theory and NRx (see Haider 2017; Beckett 2017; Noys 2014)—not to mention the global expansion of this family of theories by figures like Carvalho—it’s clear that the “Alt Right” is a theory-deep assemblage. The theory is never just analysis, though. It’s always a question of intervention, or media manipulation (see Marwick and Lewis 2017).

    Breitbart himself liked to capture this blend in his slogan “politics is downstream from culture.” Breitbart’s news organization implicitly cedes the theoretical point to Adorno and Marcuse, trying to build cultural hegemony in the online era. Reform the cultural, dominate the politics—all on the basis of narrative and media manipulation. For the Alt Right, politics isn’t “online” or “not,” but will always be both.

    In mid-August of 2017, a flap in the National Security Council was caused by a memo, probably penned by staffer Rich Higgins (who reportedly has ties to Cernovich), that appeared to accuse then National Security Adviser, H. R. McMaster, of supporting or at least tolerating Cultural Marxism’s attempt to undermine Trump through narrative (see Winter and Groll 2017). Higgins and other staffers associated with the memo were fired, a fact which Trump learned from Sean Hannity and which made him “furious.” The memo, about which the president “gushed,” defines “the successful outcome of cultural Marxism [as] a bureaucratic state beholden to no one, certainly not the American people. With no rule of law considerations outside those that further deep state power, the deep state truly becomes, as Hegel advocated, god bestriding the earth” (Higgins 2017). Hegel defined the state as the goal of all social activity, the highest form of human institution or “objective spirit.” Years later, it is still Trump vs. the state, in its belated thrall to Adorno, Marcuse, and (somehow) Hegel. Politics is downstream from German Idealism.

    Kantbot’s aspiration was to expand and deepen the theory of this kind of critical manipulation of the media—but he wants to rehabilitate Hegel. In Kantbot’s work we begin to glimpse how irony plays a role in this manipulation. Irony is play with the very possibility of signification in the first place. Inflected through digital media—code and platform—it becomes not just play but its own expression of the interface between culture and politics, overlapping with one of the driving questions of the German cultural renaissance around 1800. Kantbot, in other words, diagnosed and (at least at one time) aspired to practice a particularly sophisticated combination of rhetorical and media theory as political speech in social media.

    Consider this tweet:



    After an innocuous webcomic frog became infamous in 2016, after the Clinton campaign denounced its use and the Anti-Defamation League took the extraordinary step of adding the meme to its Hate Database, Pepe the Frog gained a kind of cult status. Kantbot’s reading of the phenomenon is that the “point is demonstration of power to control meaning of sign in modern media environment.” If this sounds like French Theory, then one “Johannes Schmitt” (whose profile thumbnail appears to be an SS officer) agrees. “Starting to sound like Derrida,” he wrote. To which Kantbot responds, momentously: “*schiller.”



    The asterisk-correction contains multitudes. Kantbot is only too happy to jettison the “theory,” but insists that the manipulation of the sign in its relation to the media environment maintains and alters the balance between culture and politics. Friedrich Schiller, whose classical aesthetic theory claims just this, is a recurrent figure for Kantbot. The idea, it appears, is to create a culture that is beyond politics and from which politics can be downstream. To that end, Kantbot opened his own online venue, the “Autistic Mercury,” named after Der teutsche Merkur, one of the German Enlightenment’s central organs.[iv] For Schiller, there was a “play drive” that mediated between “form” and “content” drives. It preserved the autonomy of art and culture and had the potential to transform the political space, but only indirectly. Kantbot wants to imitate the composite culture of the era of Kant, Schiller, and Hegel—just as they built their classicism on Johann Winckelmann’s famous doctrine that an autonomous and inimitable culture must be built on imitation of the Greeks. Schiller was suggesting that art could prevent another post-revolutionary Terror like the one that had engulfed France. Kantbot is suggesting that the metaphysics of communication—signs as both rhetoric and mediation—could resurrect a cultural vitality that got lost somewhere along the path from Marx to the present. Donald Trump is the instrument of that transformation, but its full expression requires more than DC politics. It requires (online) culture of the kind the campaign unleashed but the presidency has done little more than to maintain. (Kantbot uses Schiller for his media analysis too, as we will see.) Spencer and Kanbot agreed during their “debate” that perhaps Trump had done enough before he was president to justify the disappointing outcomes of his actual presidency. Conservative policy-making earns little more than scorn from this crowd, if it is detached from the putative real work of building the Alt Right avant-garde.



    According to one commenter on YouTube, Kantbot is “the troll philosopher of the kek era.” Kek is the god of the trolls. His name is based on a transposition of the letters LOL in the massively-multiplayer online role-playing game World of Warcraft. “KEK” is what the enemy sees when you laugh out loud to someone on your team, in an intuitively crackable code that was made into an idol to worship. Kek—a half-fake demi-God—illustrates the balance between irony and ontology in the rhetorical media practice known as trolling.


    The name of the idol, it turned out, was also the name of an actual ancient Egyptian demi-god (KEK), a phenomenon that confirmed his divine status, in an example of so-called “meme magic.” Meme magic is when—often by praying to KEK or relying on a numerological system based on the random numbers assigned to users of 4Chan and other message boards—something that exists only online manifests IRL, “in real life” (Burton 2016). Examples include Hillary Clinton’s illness in the late stages of the campaign (widely and falsely rumored—e.g. by Cernovich—before a real yet minor illness was confirmed), and of course Donald Trump’s actual election. Meme magic is everywhere: it names the channel between online and offline.

    Meme magic is both drenched in irony and deeply ontological. What is meant is just “for the lulz,” while what is said is magic. This is irony of the rhetorical kind—right up until it works. The case in point is the election, where the result, and whether the trolls helped, hovers between reality and magic. First there is meme generation, usually playfully ironic. Something happens that resembles the meme. Then the irony is retroactively assigned a magical function. But statements about meme magic are themselves ironic. They use the contradiction between reality and rhetoric (between Clinton’s predicted illness and her actual pneumonia) as the generator of a second-order irony (the claim that Trump’s election was caused by memes is itself a meme). It’s tempting to see this just as a juvenile game, but we shouldn’t dismiss the way the irony scales between the different levels of content-production and interpretation. Irony is rhetorical and ontological at once. We shouldn’t believe in meme magic, but we should take this recursive ironizing function very seriously indeed. It is this kind of irony that Kantbot diagnoses in Trump’s manipulation of the media.

    ii. Coding Irony: Friedrich Schlegel, Claude Shannon, and Twitter

    The ongoing inability of the international press to cover Donald Trump in a way that measures the impact of his statements rather than their content stems from this use of irony. We’ve gotten used to fake news and hyperbolic tweets—so used to these that we’re missing the irony that’s built in. Every time Trump denies something about collusion or says something about the coal industry that’s patently false, he’s exploiting the difference between two sets of truth-valuations that conflict with one another (e.g. racism and pacifism). That splits his audience—something that the splitting of the message in irony allows—and works both to fight his “enemies” and to build solidarity in his base. Trump has changed the media’s overall expression, making not his statements but the very relation between content and platform ironic. This objective form of media irony is not to be confused with “wit.” Donald Trump is not “witty.” He is, however, a master of irony as a tool for manipulation built into the way digital media allow signification to occur. He is the master of an expanded sense of irony that runs throughout the history of its theory.

    When White Nationalists descended on Charlottesville, Virginia, on August 11, 2017, leading to the death of one counter-protester the next day, Trump dragged his feet in naming “racism.” He did, eventually, condemn the groups by name—prefacing his statements with a short consideration of the economy, a dog-whistle about what comes first (actually racism, for which “economy” has become an erstwhile cipher). In the interim, however, his condemnations of violence “as such” led Spencer to tweet this:

    Of course, two days later, Trump would explicitly blame the “Alt Left” for violence it did not commit. Before that, however, Spencer’s irony here relied on Trump’s previous—malicious—irony. By condemning “all” violence when only one kind of violence was at issue, Trump was attempting to split the signal of his speech. The idea was to let the racists know that they could continue through condemnation of their actions that pays lip service to the non-violent ideal of the liberal media. Spencer gleefully used the internal contradiction of Trump’s speech, calling attention to the side of the message that was supposed to be “hidden.” Even the apparently non-ironic condemnation of “both sides” exploited a contradiction not in the statement itself, but in the way it is interpreted by different outlets and political communities. Trump’s invocation of the “Alt Left” confirmed the suspicions of those on the Right, panics the Center, and all but forced the Left to adopt the term. The filter bubbles, meanwhile, allowed this single message to deliver contradictory meanings on different news sites—one reason headlines across the political spectrum are often identical as statements, but opposite in patent intent. Making the dog whistle audible, however, doesn’t spell the “end of the ironic Nazi,” as Brian Feldman commented (Feldman 2017). It just means that the irony isn’t opposed to but instead part of the politics. Today this form of irony is enabled and constituted by digital media, and it’s not going away. It forms an irreducible part of the new political situation, one that we ignore or deny at our own peril.

    Irony isn’t just intentional wit, in other words—as Quintilian already knew. One reason we nevertheless tend to confuse wit and irony is that the expansion of irony beyond the realm of rhetoric—usually dated to Romanticism, which also falls into Kantbot’s period of obsession—made irony into a category of psychology and style. Most treatments of irony take this as an assumption: modern life is drenched in the stuff, so it isn’t “just” a trope (Behler 1990). But it is a feeling, one that you get from Weird Twitter but also from the constant stream of Facebooks announcements about leaving Facebook. Quintilian already points the way beyond this gestural understanding. The problem is the source of the contradiction. It is not obvious what allows for contradiction, where it can occur, what conditions satisfy it, and thus form the basis for irony. If the source is dynamic, unstable, then the concept of irony, as Paul de Man pointed out long ago, is not really a concept at all (de Man 1996).

    The theoretician of irony who most squarely accounts for its embeddedness in material and media conditions is Friedrich Schlegel. In nearly all cases, Schlegel writes, irony serves to reinforce or sharpen some message by means of the reflexivity of language: by contradicting the point, it calls it that much more vividly to mind. (Remember when Trump said, in the 2016 debates, that he refused to invoke Bill Clinton’s sexual history for Chelsea’s sake?) But there is another, more curious type:

    The first and most distinguished [kind of irony] of all is coarse irony; to be found most often in the actual nature of things and which is one of its most generally distributed substances [in der wirklichen Natur der Dinge und ist einer ihrer allgemein verbreitetsten Stoffe]; it is most at home in the history of humanity (Schlegel 1958-, 368).





    In other words, irony is not merely the drawing of attention to formal or material conditions of the situation of communication, but also a widely distributed “substance” or capacity in material. Twitter irony finds this substance in the platform and its underlying code, as we will see. If irony is both material and rhetorical, this means that its use is an activation of a potential in the interface between meaning and matter. This could allow, in principle, an intervention into the conditions of signification. In this sense, irony is the rhetorical term for what we could call coding, the tailoring of language to channels in technologies of transmission. Twitter reproduces an irony that built into any attempt to code language, as we are about to see. And it’s the overlap of code, irony, and politics that Kantbot marshals Hegel to address.

    Coded irony—irony that is both rhetorical and digitally enabled—exploded onto the political scene in 2016 through Twitter. Twitter was the medium through which the political element of the messageboards has broken through (not least because of Trump’s nearly 60 million followers, even if nearly half of them are bots). It is far from the only politicized social medium, as a growing literature is describing (Philips and Milner, 2017; Phillips 2016; Milner 2016; Goerzen 2017). But it has been a primary site of the intimacy of media and politics over the course of 2016 and 2017, and I think that has something to do with twitter itself, and with the relationship between encoded communications and irony.

    Take this retweet, which captures a great deal about Twitter:

    “Kim Kierkegaardashian,” or @KimKierkegaard, joined twitter in June 2012 and has about 259,00 followers at the time of writing. The account mashes up Kardashian’s self- and brand-sales oriented tweet style with the proto-existentialism of Søren Kierkegaard. Take, for example, an early tweet from 8 July, 2012: “I have majorly fallen off my workout-eating plan! AND it’s summer! But to despair over sin is to sink deeper into it.” The account sticks close to Kardashian’s actual tweets and Kierkegaard’s actual words. In the tweet above, from April 2017, @KimKierkegaard has retweeted Kardashian herself incidentally formulating one of Kierkegaard’s central ideas in the proprietary language of social media. “Omg” as shorthand takes the already nearly entirely secular phrase “oh my god” and collapses any trace of transcendence. The retweet therefore returns us to the opposite extreme, in which anxiety points us to the finitude of human existence in Kierkegaard. If we know how to read this, it is a performance of that other Kierkegaardian bellwether, irony.

    If you were to encounter Kardashian’s tweet without the retweet, there would be no irony at all. In the retweet, the tweet is presented as an object and resignified as its opposite. Note that this is a two-way street: until November 2009, there were no retweets. Before then, one had to type “RT” and then paste the original tweet in. Twitter responded, piloting a button that allows the re-presentation of a tweet (Stone 2009). This has vastly contributed to the sense of irony, since the speaker is also split between two sources, such that many accounts have some version of “RTs not endorsements” in their description. Perhaps political scandal is so often attached to RTs because the source as well as the content can be construed in multiple different and often contradictory ways. Schlegel would have noted that this is a case where irony swallows the speaker’s authority over it. That situation was forced into the code by the speech, not the other way around.

    I’d like to call the retweet a resignificatory device, distinct from amplificatory. Amplificatory signaling cannibalizes a bit of redundancy in the algorithm: the more times your video has been seen on YouTube, the more likely it is to be recommended (although the story is more complicated than that). Retweets certainly amplify the original message, but they also reproduce it under another name. They have the ability to resignify—as the “repost” function on Facebook also does, to some extent.[v] Resignificatory signaling takes the unequivocal messages at the heart of the very notion of “code” and makes them rhetorical, while retaining their visual identity. Of course, no message is without an effect on its receiver—a point that information theory made long ago. But the apparent physical identity of the tweet and the retweet forces the rhetorical aspect of the message to the fore. In doing so, it draws explicit attention to the deep irony embedded in encoded messages of any kind.

    Twitter was originally written in the object-oriented programming language and module-view-controller (MVC) framework Ruby on Rails, and the code matters. Object-oriented languages allow any term to be treated either as an object or as an expression, making Shannon’s observations on language operational.[vi] The retweet is an embedding of this ability to switch any term between these two basic functions. We can do this in language, of course (that’s why object-oriented languages are useful). But when the retweet is presented not as copy-pasted but as a visual reproduction of the original tweet, the expressive nature of the original tweet is made an object, imitating the capacity of the coding language. In other words, Twitter has come to incorporate the object-oriented logic of its programming language in its capacity to signify. At the level of speech, anything can be an object on Twitter—on your phone, you literally touch it and it presents itself. Most things can be resignified through one more touch, and if not they can be screencapped and retweeted (for example, the number of followers one has, a since-deleted tweet, etc.). Once something has come to signify in the medium, it can be infinitely resignified.

    When, as in a retweet, an expression is made into an object of another expression, its meaning is altered. This is because its source is altered. A statement of any kind requires the notion that someone has made that statement. This means that a retweet, by making an expression into an object, exemplifies the contradiction between subject and object—the very contradiction on which Kant had based his revolutionary philosophy. Twitter is fitted, and has been throughout its existence retrofitted, to generalize this speech situation. It is the platform of the subject-object dialectic, as Hegel might have put it. By presenting subject and object in a single statement—the retweet as expression and object all at once—Twitter embodies what rhetorical theory has called irony since the ancients. It is irony as code. This irony resignifies and amplifies the rhetorical irony of the dog whistle, the troll, the President.

    Coding is an encounter between two sets of material conditions: the structure of a language, and the capacity of a channel. This was captured in truly general form for the first time in Claude Shannon’s famous 1948 paper, “A Mathematical Theory of Communication,” in which the following diagram is given:

    Shannon’s achievement was a general formula for the relation between the structure of the source and the noise in the channel.[vii] If the set of symbols can be fitted to signals complex or articulated enough to arrive through the noise, then nearly frictionless communication could be engineered. The source—his preferred example was written English—had a structure that limited its “entropy.” If you’re looking at one letter in English, for example, and you have to guess what the next one will be, you theoretically have 26 choices (including a space). But the likelihood, if the letter you’re looking at is, for example, “q,” that the next letter will be “u” is very high. The likelihood for “x” is extremely low. The higher likelihood is called “redundancy,” a limitation on the absolute measure of chaos, or entropy, that the number of elements imposes. No source for communication can be entirely random, because without patterns of one kind or another we can’t recognize what’s being communicated.[viii]

    We tend to confuse entropy and the noise in the channel, and it is crucial to see that they are not the same thing. The channel is noisy, while the source is entropic. There is, of course, entropy in the channel—everything is subject to the second law of thermodynamics, without exception. But “entropy” is not in any way comparable to noise in Shannon, because “entropy” is a way of describing the conditional restraints on any structured source for communication, like the English language, the set of ideas in the brain, or what have you. Entropy is a way to describe the opposite of redundancy in the source, it expresses probability rather than the slow disintegration, the “heat death,” with which it is usually associated.[ix] If redundancy = 1, we have a kind of absolute rule or pure pattern. Redundancy works syntactically, too: “then” or “there” after the phrase “see you” is a high-level redundancy that is coded into SMS services.

    This is what Shannon calls a “conditional restraint” on the theoretical absolute entropy (based on number of total parts), or freedom in choosing a message. It is also the basis for autocorrect technologies, which obviously have semantic effects, as the genre of autocorrect bloopers demonstrates.

    A large portion of Shannon’s paper is taken up with calculating the redundancy of written English, which he determines to be nearly 50%, meaning that half the letters can be removed from most sentences or distorted without disturbing our ability to understand them.[x]

    The general process of coding, by Shannon’s lights, is a manipulation of the relationship between the structure of the source and the capacity of the channel as a dynamic interaction between two sets of evolving rules. Shannon’s statement that the “semantic aspects” of messages were “irrelevant to the engineering problem” has often been taken to mean he played fast and loose with the concept of language (see Hayles 1999; but see also Liu 2010; and for the complex history of Shannon’s reception Floridi 2010). But rarely does anyone ask exactly what Shannon did mean, or at least conceptually sketch out, in his approach to language. It’s worth pointing to the crucial role that source-structure redundancy plays in his theory, since it cuts close to Schlegel’s notion of material irony.

    Neither the source nor the channel is static. The scene of coding is open to restructuring at both ends. English is evolving; even its statistical structure changes over time. The channels, and the codes use to fit source to them, are evolving too. There is no guarantee that integrated circuits will remain the hardware of the future. They did not yet exist when Shannon published his theory.

    This point can be hard to see in today’s world, where we encounter opaque packets of already-established code at every turn. It would have been less hard to see for Shannon and those who followed him, since nothing was standardized, let alone commercialized, in 1948. But no amount of stack accretion can change the fact that mediated communication rests on the dynamic relation between relative entropy in the source and the way the channel is built.

    Redundancy points to this dynamic by its very nature. If there is absolute redundancy, nothing is communicated, because we already know the message with 100% certainty. With no redundancy, no message arrives at all. In between these two extremes, messages are internally objectified or doubled, but differ slightly from one another, in order to be communicable. In other words, every interpretable signal is a retweet. Redundancy, which stabilizes communicability by providing pattern, also ensures that the rules are dynamic. There is no fully redundant message. Every message is between 0 and 1, and this is what allows it to function as expression or object. Twitter imitates the rules of source structure, showing that communication is the locale where formal and material constraints encounter one another. It illustrates this principle of communication by programming it into the platform as a foundational principle. Twitter exemplifies the dynamic situation of coding as Shannon defined it. Signification is resignification.

    If rhetoric is embedded this deeply into the very notion of code, then it must possess the capacity to change the situation of communication, as Schlegel suggested. But it cannot do this by fiat or by meme magic. The retweeted “this anxiety omg” hardly stands to change the statistical structure of English much. It can, however, point to the dynamic material condition of mediated signification in general, something Warren Weaver, who wrote a popularizing introduction to Shannon’s work, acknowledged:

    anyone would agree that the probability is low for such a sequence of words as “Constantinople fishing nasty pink.” Incidentally, it is low, but not zero; for it is perfectly possible to think of a passage in which one sentence closes with “Constantinople fishing,” and the next begins with “Nasty pink.” And we might observe in passing that the unlikely four-word sequence under discussion has occurred in a single good English sentence, namely the one above. (Shannon and Weaver 1964, 11)

    There is no further reflection in Weaver’s essay on this passage, but then, that is the nature of irony. By including the phrase “Constantinople fishing nasty pink” in the English language, Weaver has shifted its entropic structure, however slightly. This shift is marginal to our ability to communicate (I am amplifying it very slightly right now, as all speech acts do), but some shifts are larger-scale, like the introduction of a word or concept, or the rise of a system of notions that orient individuals and communities (ideology). These shifts always have the characteristic that Weaver points to here, which is that they double as expressions and objects. This doubling is a kind of generalized redundancy—or capacity for irony—built into semiotic systems, material irony flashing up into the rhetorical irony it enables. That is a Romantic notion enshrined in a founding document of the digital age.

    Now we can see one reason that retweeting is often the source of scandal. A retweet or repetition of content ramifies the original redundancy of the message and fragments the message’s effect. This is not to say it undermines that effect. Instead, it uses the redundancy in the source and the noise in the channel to split the message according to any one of the factors that Quintilian announced: speaker, audience, context. In the retweet, this effect is distributed across more than one of these areas, producing more than one contrary item, or internally multiple irony. Take Trump’s summer 2016 tweet of this anti-Semitic attack on Clinton—not a proper retweet, but a resignfication of the same sort:



    The scandal that ensued mostly involved the source of the original content (white supremacists), and Trump skated through the incident by claiming that it wasn’t anti-Semitic anyway, it was a sheriff’s star, and that he had only “retweeted” the content. In disavowing the content in separate and seemingly contradictory ways,[xi] he signaled that he was still committed to its content to his base, while maintaining that he wasn’t at the level of statement. The effect was repeated again and again, and is a fundamental part of our government now. Trump’s positions are neither new nor interesting. What’s new is the way he amplifies his rhetorical maneuvers in social media. It is the exploitation of irony—not wit, not snark, not sarcasm—at the level of redundancy to maintain a signal that is internally split in multiple ways. This is not bad faith or stupidity; it’s an invasion of politics by irony. It’s also a kind of end to the neoliberal speech regime.

    iii. Irony and Politics after 2016, or Uncommunicative Capitalism

    The channel between speech and politics is open—again. That channel is saturated in irony, of a kind we are not used to thinking about. In 2003, following what were widely billed as the largest demonstrations in the history of the world, with tens of millions gathering in the streets globally to resist the George W. Bush administration’s stated intent to go to war, the United States did just that, invading Iraq on 20 March of that year. The consequences of that war have yet to be fully assessed. But while it is clear that we are living in its long foreign policy shadow, the seemingly momentous events of 2016 echo 2003 in a different way. 2016 was the year that blew open the neoliberal pax between the media, speech, and politics.

    No amount of noise could prevent the invasion of Iraq. As Jodi Dean has shown, “communicative capitalism” ensured that the circulation of signs was autotelic, proliferating language and ideology sealed off from the politics of events like war or even domestic policy. She writes that:

    In communicative capitalism, however, the use value of a message is less important than its exchange value, its contribution to a larger pool, flow or circulation of content. A contribution need not be understood; it need only be repeated, reproduced, forwarded. Circulation is the context, the condition for the acceptance or rejection of a contribution… Some contributions make a difference. But more significant is the system, the communicative network. (Dean 2005, 56)

    This situation no longer entirely holds. Dean’s brilliant analysis—along with those of many others who diagnosed the situation of media and politics in neoliberalism (e.g. Fisher 2009; Liu 2004)—forms the basis for understanding what we are living through and in now, even as the situation has changed. The notion that the invasion of Iraq could have been stopped by the protests recalls the optimism about speech’s effect on national politics of the New Left in the 1960s and after (begging the important question of whether the parallel protests against the Vietnam War played a causal role in its end). That model of speech is no longer entirely in force. Dean’s notion of a kind of metastatic media with few if any contributions that “make a difference” politically has yielded to a concerted effort to break through that isolation, to manipulate the circulatory media to make a difference. We live with communicative capitalism, but added to it is the possibility of complex rhetorical manipulation, a political possibility that resides in the irony of the very channels that made capitalism communicative in the first place.

    We know that authoritarianism engages in a kind of double-speak, talks out of “both sides of its mouth,” uses the dog whistle. It might be unusual to think of this set of techniques as irony—but I think we have to. Trump doesn’t just dog-whistle, he sends cleanly separate messages to differing effect through the same statement, as he did after Charlottesville. This technique keeps the media he is so hostile to on the hook, since their click rates are dependent on covering whatever extreme statement he’d made that day. The constant and confused coverage this led to was then a separate signal sent through the same line—by means of the contradiction between humility and vanity, and between content and effect—to his own followers. In other words, he doesn’t use Twitter only to amplify his message, but to resignify it internally. Resignificatory media allows irony to create a vector of efficacy through political discourse. That is not exactly “communicative capitalism,” but something more like the field-manipulations recently described by Johanna Drucker: affective, indirect, non-linear (Drucker 2018). Irony happens to be the tool that is not instrumental, a non-linear weapon, a kind of material-rhetorical wave one can ride but not control. As Quinn Slobodian has been arguing, we have in no way left the neoliberal era in economics. But perhaps we have left its speech regime behind. If so, that is a matter of strategic urgency for the Left.

    iv. Hegelian Media Theory

    The new Right is years ahead on this score, in practice but also in analysis. In one of the first pieces in what has become a truly staggering wave of coverage of the NRx movement, Rosie Gray interviewed Kantbot extensively (Gray 2017). Gray’s main target was the troll Mencius Moldbug (Curtis Yarvin) whose political philosophy blends the Enlightenment absolutism of Frederick the Great with a kind of avant-garde corporatism in which the state is run not on the model of a corporation but as a corporation. On the Alt Right, the German Enlightenment is unavoidable.

    In his prose, Kantbot can be quite serious, even theoretical. He responded to Gray’s article in a Medium post with a long quotation from Schiller’s 1784 “The Theater as Moral Institution” as its epigraph (Kanbot 2017b). For Schiller, one had to imitate the literary classics to become inimitable. And he thought the best means of transmission would be the theater, with its live audience and electric atmosphere. The Enlightenment theater, as Kantbot writes, “was not only a source of entertainment, but also one of radical political education.”

    Schiller argued that the stage educated more deeply than secular law or morality, that its horizon extended farther into the true vocation of the human. Culture educates where the law cannot. Schiller, it turns out, also thought that politics is downstream from culture. Kantbot finds, in other words, a source in Enlightenment literary theory for Breitbart’s signature claim. That means that narrative is crucial to political control. But Kantbot extends the point from narrative to the medium in which narrative is told.

    Schiller gives us reason to think that the arrangement of the medium—its physical layout, the possibilities but also the limits of its mechanisms of transmission—is also crucial to cultural politics (this is why it makes sense to him to replace a follower’s reference to Derrida with “*schiller”). He writes that “The theater is the common channel through which the light of wisdom streams down from the thoughtful, better part of society, spreading thence in mild beams throughout the entire state.” Story needs to be embedded in a politically effective channel, and politically-minded content-producers should pay attention to the way that channel works, what it can do that another means of communication—say, the novel—can’t.

    Kantbot argues that social media is the new Enlightenment Stage. When Schiller writes that the stage is the “common channel” for light and wisdom, he’s using what would later become Shannon’s term—in German, der Kanal. Schiller thought the channel of the stage was suited to tempering barbarisms (both unenlightened “savagery” and post-enlightened Terrors like Robespierre’s). For him, story in the proper medium could carry information and shape habits and tendencies, influencing politics indirectly, eventually creating an “aesthetic state.” That is the role that social media have today, according to Kantbot. In other words, the constraints of a putatively biological gender or race are secondary to their articulation through the utterly complex web of irony-saturated social media. Those media allow the categories in the first place, but are so complex as to impose their own constraint on freedom. For those on the Alt Right, accepting and overcoming that constraint is the task of the individual—even if it is often assigned mostly to non-white or non-male individuals, while white males achieve freedom through complaint. Consistency aside, however, the notion that media form their own constraint on freedom, and the tool for accepting and overcoming that constraint is irony, runs deep.

    Kantbot goes on to use Schiller to critique Gray’s actual article about NRx: “Though the Altright [sic] is viewed primarily as a political movement, a concrete ideology organizing an array of extreme political positions on the issues of our time, I believe that understanding it is a cultural phenomena [sic], rather than a purely political one, can be an equally valuable way of conceptualizing it. It is here that the journos stumble, as this goes directly to what newspapers and magazines have struggled to grasp in the 21st century: the role of social media in the future of mass communication.” It is Trump’s retrofitting of social media—and now the mass media as well—to his own ends that demonstrates, and therefore completes, the system of German Idealism. Content production on social media is political because it is the locus of the interface between irony and ontology, where meme magic also resides. This allows the Alt Right to sync what we have long taken to be a liberal form of speech (irony) with extremist political commitments that seem to conflict with the very rhetorical gesture. Misogyny and racism have re-entered the public sphere. They’ve done so not in spite of but with the explicit help of ironic manipulations of media.

    The trolls sync this transformation of the media with misogynist ontology. Both are construed as constraints in the forward march of Trump, Kek, and culture in general. One disturbing version of the essentialist suggestion for understanding how Trump will complete the system of German Idealism comes from one “Jef Costello” (a troll named for a character in Alain Delon’s 1967 film, Le Samouraï)

    Ironically, Hegel himself gave us the formula for understanding exactly what must occur in the next stage of history. In his Philosophy of Right, Hegel spoke of freedom as “willing our determination.” That means affirming the social conditions that make the array of options we have to choose from in life possible. We don’t choose that array, indeed we are determined by those social conditions. But within those conditions we are free to choose among certain options. Really, it can’t be any other way. Hegel, however, only spoke of willing our determination by social conditions. Let us enlarge this to include biological conditions, and other sorts of factors. As Collin Cleary has written: Thus, for example, the cure for the West’s radical feminism is for the feminist to recognize that the biological conditions that make her a woman—with a woman’s mind, emotions, and drives—cannot be denied and are not an oppressive “other.” They are the parameters within which she can realize who she is and seek satisfaction in life. No one can be free of some set of parameters or other; life is about realizing ourselves and our potentials within those parameters.

    As Hegel correctly saw, we are the only beings in the universe who seek self-awareness, and our history is the history of our self-realization through increased self-understanding. The next phase of history will be one in which we reject liberalism’s chimerical notion of freedom as infinite, unlimited self-determination, and seek self-realization through embracing our finitude. Like it or not, this next phase in human history is now being shepherded by Donald Trump—as unlikely a World-Historical Individual as there ever was. But there you have it. Yes! Donald Trump will complete the system of German Idealism. (Costello 2017)

    Note the regular features of this interpretation: it is a nature-forward argument about social categories, universalist in application, misogynist in structure, and ultra-intellectual. Constraint is shifted not only from the social into the natural, but also back into the social again. The poststructuralist phrase “embracing our finitude” (put into the emphatic italics of Theory) underscores the reversal from semiotics to ontology by way of German Idealism. Trump, it seems, will help us realize our natural places in an old-world order even while pushing the vanguard trolls forward into the utopian future. In contrast to Kantbot’s own content, this reading lacks irony. That is not to say that the anti-Gender Studies and generally viciously misogynist agenda of the Alt Right is not being amplified throughout the globe, as we increasingly hear. But this dry analysis lack the lacks the manipulative capacity that understanding social media in German Idealist terms brings with it. It does not resignify.

    Costello’s understanding is crude compared with that of Kantbot himself. The constraints, for Kantbot, are not primarily those of a naturalized gender, but instead the semiotic or rhetorical structure of the media through which any naturalization flows. The media are not likely, in this vision, to end any gender regimes—but recognizing that such regimes are contingent on representation and the manipulation of signs has never been the sole property of the Left. That manipulation implies a constrained, rather than an absolute, understanding of freedom. This constraint is an important theoretical element of the Alt Right, and in some sense they are correct to call on Hegel for it. Their thinking wavers—again, ironically—between essentialism about things like gender and race, and an understanding of constraint as primarily constituted by the media.

    Kantbot mixes his andrism and his media critique seamlessly. The trolls have some of their deepest roots in internet misogyny, including so-called Men Right’s Activism and the hashtag #redpill. The red pill that Neo takes in The Matrix to exit the collective illusion is here compared to “waking up” from the “culturally Marxist” feminism that inflects the putative communism that pervades contemporary US culture. Here is Kantbot’s version:

    The tweet elides any difference between corporate diversity culture and the Left feminism that would also critique it, but that is precisely the point. Irony does not undermine (it rather bolsters) serious misogyny. When Angela Nagle’s book, Kill All Normies: Online Culture Wars from 4Chan and Tumblr to Trump and the Alt-Right, touched off a seemingly endless Left-on-Left hot-take war, Kantbot responded with his own review of the book (since taken down). This review contains a plea for a “nuanced” understanding of Eliot Rodger, who killed six people in Southern California in 2014 as “retribution” for women rejecting him sexually.[xii] We can’t allow (justified) disgust at this kind of content to blind us to the ongoing irony—not jokes, not wit, not snark—that enables this vile ideology. In many ways, the irony that persists in the heart of this darkness allows Kantbot and his ilk to take the Left more seriously than the Left takes the Right. Gender is a crucial, but hardly the only, arena in which the Alt Right’s combination of essentialist ontology and media irony is fighting the intellectual Left.

    In the sub-subculture known as Men Going Their Own Way, or MGTOW, the term “volcel” came to prominence in recent years. “Volcel” means “voluntarily celibate,” or entirely ridding one’s existence of the need for or reliance on women. The trolls responded to this term with the notion of an “incel,” someone “involuntarily celibate,” in a characteristically self-deprecating move. Again, this is irony: none of the trolls actually want to be celibate, but they claim a kind of joy in signs by recoding the ridiculous bitterness of the Volcel.

    Literalizing the irony already partly present in this discourse, sometime in the fall of 2016 the trolls started calling the Left –in particular the members of the podcast team Chapo Trap House and the journalist and cultural theorist Sam Kriss (since accused of sexual harassment)—“ironycels.” The precise definition wavers, but seems to be that the Leftists are failures at irony, “irony-celibate,” even “involuntarily incapable of irony.”

    Because the original phrase is split between voluntary and involuntary, this has given rise to reappropriations, for example Kriss’s, in which “doing too much irony” earns you literal celibacy.

    Kantbot has commented extensively, both in articles and on podcasts, on this controversy. He and Kriss have even gone head-to-head.[xiii]




    In the ironycel debate, it has become clear that Kantbot thinks that socialism has kneecapped the Left, but only sentimentally. The same goes for actual conservatism, which has prevented the Right from embracing its new counterculture. Leaving behind old ideologies is a symptom for standing at the vanguard of a civilizational shift. It is that shift that makes sense of the phrase “Trump will Complete the System of German Idealism.”

    The Left, LogoDaedalus intoned on a podcast, is “metaphysically stuck in the Bush era.” I take this to mean that the Left is caught in an endless cycle of recriminations about the neoliberal model of politics, even as that model has begun to become outdated. Kantbot writes, in an article called “Chapo Traphouse Will Never Be Edgy”:

    Capturing the counterculture changes nothing, it is only by the diligent and careful application of it that anything can be changed. Not politics though. When political ends are selected for aesthetic means, the mismatch spells stagnation. Counterculture, as part of culture, can only change culture, nothing outside of that realm, and the truth of culture which is to be restored and regained is not a political truth, but an aesthetic one involving the ultimate truth value of the narratives which pervade our lived social reality. Politics are always downstream. (Kantbot 2017a)

    Citing Breitbart’s motto, Kantbot argues that continents of theory separate him and LogoDaedalus from the Left. That politics is downstream from culture is precisely what Marx—and by extension, the contemporary Left—could not understand. On several recent podcasts, Kantbot has made just this argument, that the German Enlightenment struck a balance between the “vitality of aesthetics” and political engagement that the Left lost in the generation after Hegel.

    Kantbot has decided, against virtually every Hegel reader since Hegel and even against Hegel himself, that the system of German Idealism is ironic in its deep structure. It’s not a move we can afford to take lightly. This irony, generalized as Schlegel would have it, manipulates the formal and meta settings of communicative situations and thus is at the incipient point of any solidarity. It gathers community through mediation even as it rejects those not in the know. It sits at the membrane of the filter bubble, and—correctly used—has the potential to break or reform the bubble. To be clear, I am not saying that Kantbot has done this work. It is primarily Donald Trump, according to Kantbot’s own argument, who has done this work. But this is exactly what it means to play Hegel to Trump’s Napoleon: to provide the metaphysics for the historical moment, which happens to be the moment where social media and politics combine. Philosophy begins only after an early-morning sleepless tweetstorm once again determines a news cycle. Irony takes its proper place, as Schlegel had suggested, in human history, becoming a political weapon meant to manipulate communication.

    Kantbot was the media theorist of Trump’s ironic moment. The channeling of affect is irreducible, but not unchangeable: this is both the result of some steps we can only wish we’d taken in theory and used in politics before the Alt Right got there, and the actual core of what we might call Alt Right Media Theory. When they say “the Left can’t meme,” in other words, they’re accusing the socialist Left of being anti-intellectual about the way we communicate now, about the conditions and possibilities of social media’s amplifications of the capacity called irony that is baked in to cognition and speech so deeply that we can barely define it even partially. That would match the sense of medium we get from looking at Shannon again, and the raw material possibility with which Schlegel infused the notion of irony.

    This insight, along with its political activation, might have been the preserve of Western Marxism or the other critical theories that succeeded it. Why have we allowed the Alt Right to pick up our tools?

    Kantbot takes obvious pleasure in the irony of using poststructuralist tools, and claiming in a contrarian way that they really derive from a broadly construed German Enlightenment that includes Romanticism and Idealism. Irony constitutes both that Enlightenment itself, on this reading, and the attitude towards it on the part of the content-producers, the German Idealist Trolls. It doesn’t matter if Breitbart was right about the Frankfurt School, or if the Neoreactionaries are right about capitalism. They are not practicing what Hegel called “representational thinking,” in which the goal is to capture a picture of the world that is adequate to it. They are practicing a form of conceptual thinking, which in Hegel’s terms is that thought that is embedded in, constituted by, and substantially active within the causal chain of substance, expression, and history.[xiv] That is the irony of Hegel’s reincarnation after the end of history.

    In media analysis and rhetorical analysis, we often hear the word “materiality” used as a substitute for durability, something that is not easy to manipulate. What is material, it is implied, is a stabilizing factor that allows us to understand the field of play in which signification occurs. Dean’s analysis of the Iraq War does just this, showing the relationship of signs and politics that undermines the aspirational content of political speech in neoliberalism. It is a crucial move, and Dean’s analysis remains deeply informative. But its type—and even the word “material,” used in this sense—is, not to put too fine a point on it, neo-Kantian: it seeks conditions and forms that undergird spectra of possibility. To this the Alt Right has lodged a Hegelian eppur si muove, borrowing techniques that were developed by Marxists and poststructuralists and German Idealists, and remaking the world of mediated discourse. That is a political emergency in which the humanities have a special role to play—but only if we can dispense with political and academic in-fighting and turn our focus to our opponents. What Mark Fisher once called the “Vampire castle” of the Left on social media is its own kind of constraint on our progress (Fisher 2013). One solvent for it is irony in the expanded field of social media—not jokes, not snark, but dedicated theoretical investigation and exploitation of the rhetorical features of our systems of communication. The situation of mediated communication is part of the objective conjuncture of the present, one that the humanities and the Left cannot afford to ignore, and cannot avoid by claiming not to participate. The alternative to engagement is to cede the understanding, and quite possibly the curve, of civilization, to the global Alt Right.

    _____

    Leif Weatherby is Associate Professor of German and founder of the Digital Theory Lab at NYU. He is working on a book about cybernetics and German Idealism.

    Back to the essay

    _____

    Notes
    [i] Video here. The comment thread on the video generated a series of unlikely slogans for 2020: “MAKE TRANSCENDENTAL IDENTITY GREAT AGAIN,” “Make German Idealism real again,” and the ideological non sequitur “Make dialectical materialism great again.”

    [ii] Neiwert (2017) tracks the rise of extreme Right violence and media dissemination from the 1990s to the present, and is particularly good on the ways in which these movements engage in complex “double-talk” and meta-signaling techniques, including irony in the case of the Pepe meme.

    [iii] I’m going to use this term throughout, and refer readers to Chip Berlet’s useful resource: I’m hoping this article builds on a kind of loose consensus that the Alt Right “talks out of both sides of its mouth,” perhaps best crystallized in the term “dog whistle.” Since 2016, we’ve seen a lot of regular whistling, bigotry without disguise, alongside the rise of the type of irony I’m analyzing here.

    [iv] There is, in this wing of the Online Right, a self-styled “autism” that stands for being misunderstood and isolated.

    [v] Thanks to Moira Weigel for a productive exchange on this point.

    [vi] See the excellent critique of object-oriented ontologies on the basis of their similarities with object-oriented programming languages in Galloway 2013. Irony is precisely the condition that does not reproduce code representationally, but instead shares a crucial condition with it.

    [vii] The paper is a point of inspiration and constant return for Friedrich Kittler, who uses this diagram to demonstrate the dependence of culture on media, which, as his famous quip goes, “determine our situation.” Kittler 1999, xxxix.

    [viii] This kind of redundancy is conceptually separate from signal redundancy, like the strengthening or reduplicating of electrical impulses in telegraph wires. The latter redundancy is likely the first that comes to mind, but it is not the only kind Shannon theorized.

    [ix] This is because Shannon adopts Ludwig Boltzmann’s probabilistic formula for entropy. The formula certainly suggests the slow simplification of material structure, but this is irrelevant to the communications engineering problem, which exists only so long as there are the very complex structures called humans and their languages and communications technologies.

    [x] Shannon presented these findings at one of the later Macy Conferences, the symposia that founded the movement called “cybernetics.” For an excellent account of what Shannon called “Printed English,” see Liu 2010, 39-99.

    [xi] The disavowal follows Freud’s famous “kettle logic” fairly precisely. In describing disavowal of unconscious drives unacceptable to the ego and its censor, Freud used the example of a friend who returns a borrowed kettle broken, and goes on to claim that 1) it was undamaged when he returned it, 2) it was already damaged when he borrowed it, and 3) he never borrowed it in the first place. Zizek often uses this logic to analyze political events, as in Zizek 2005. Its ironic structure usually goes unremarked.

    [xii] Kantbot, “Angela Nagle’s Wild Ride,” http://thermidormag.com/angela-nagles-wild-ride/, visited August 15, 2017—link currently broken.

    [xiii] Kantbot does in fact write fiction, almost all of which is science-fiction-adjacent retoolings of narrative from German Classicism and Romanticism. The best example is his reworking of E.T.A. Hoffmann’s “A New Year’s Eve Adventure,” “Chic Necromancy,” Kantbot 2017c.

    [xiv] I have not yet seen a use of Louis Althusser’s distinction between representation and “theory” (which relies on Hegel’s distinction) on the Alt Right, but it matches their practice quite precisely.

    _____

    Works Cited

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  • Olivier Jutel – Donald Trump’s Libidinal Entanglement with Liberalism and Affective Media Power

    Olivier Jutel – Donald Trump’s Libidinal Entanglement with Liberalism and Affective Media Power

    by Olivier Jutel

    ~

    This essay has been peer-reviewed by the b2o editorial board

    Introduction

    The emergence of Donald Trump as president of the United States has defied all normative liberal notions of politics and meritocracy. The decorum of American politics has been shattered by a rhetorical recklessness that includes overt racism, misogyny, conspiracy and support for political violence. Where the Republican Party, Fox News, Beltway think-tanks and the Koch brothers have managed their populist base through dog-whistling and culture wars, Trump promises his supporters the chance to destroy the elite who prevent them from going to the end in their fantasies. He has catapulted into the national discourse a mixture of paleo-conservatism and white nationalism recently sequestered to the fringes of American politics or to regional populisms. Attempts by journalists and politicians during the campaign to fact-check, debunk and shame Trump proved utterly futile or counter-productive. He revels in transgressing the rules of the game and is immune to the discipline of his party, the establishment and journalistic notions of truth-telling. Trump destabilizes the values of journalism as it is torn between covering the ratings bonanza of his spectacle and re-articulating its role in defence of liberal democracy. I argue here that Trump epitomizes the populist politics of enjoyment. Additionally liberalism and its institutions, such as journalism, are libidinally entangled in this populist muck. Trump is not simply a media-savvy showman: he embodies the centrality of affect and enjoyment to contemporary political identity and media consumption. He wields affective media power, drawing on an audience movement of free labour and affective intensity to defy the strictures of professional fields.

    Populism is here understood in psychoanalytic terms as a politics of antagonism and enjoyment. The rhetorical division of society between an organic people and its enemy is a defining feature of theoretical accounts of populism (Canovan 1999). Trump invokes a universal American people besieged by a rapacious enemy. His appeals to “America” function as a fantasy of social wholeness in which the country exists free of the menace of globalists, terrorists and political correctness. This antagonism is not simply a matter of rhetorical style but a necessary precondition for the Lacanian political “subject of enjoyment” (Glynos and Stavrakakis 2008: 257). Trump is an agent of obscene transgressive enjoyment, what Lacan calls jouissance, whether in vilifying immigrants, humiliating Jeb Bush, showing off his garish lifestyle or disparaging women. The ideological content of Trump’s program is secondary to its libidinal rewards or may function as one and the same. It is in this way that Trump can play the contradictory roles of blood-thirsty isolationist and tax-dodging populist billionaire.

    Psychoanalytic theory differs from pathology critiques of populism in treating it as a symptom of contemporary liberal democracy rather than simply a deviation from its normative principles. Drawing on the work of Laclau (2005), Mouffe (2005) and Žižek (2008), Trump’s populism is understood as the ontologically necessary return of antagonism, whether experienced in racial, nationalist or economic terms, in response to contemporary liberalism’s technocratic turn. The political and journalistic class’s exaltation of compromise, depoliticization and policy-wonks are met with Trump promises to ‘fire’ elites and his professed ‘love’ of the ‘poorly educated’. Trump’s attacks on the liberal class enmeshes them in a libidinal deadlock in that both require the other to enjoy. Trump animates the negative anti-fascism that the liberal professional classes enjoy as their identity while simultaneously creating the professional class solidarity which animates populist fantasies of the puppet-masters’ globalist conspiracy. In response to Trump’s improbable successes the Clinton campaign and liberal journalism appealed to rationalism, facts and process in order to reaffirm a sense of identity in this traumatic confrontation with populism.

    Trump’s ability to harness the political and libidinal energies of enjoyment and antagonism is not simply the result of some political acumen but of his embodiment of the values of affective media. The affective and emotional labour of audiences and users is central to all media in today’s “communicative capitalism” (Dean 2009). Media prosumption, or the sharing and production of content/data, is dependent upon new media discourses of empowerment, entrepreneurialism and critical political potential. Fox News and the Tea Party were early exemplars of the way in which corporate media can utilize affective and politicized social media spaces for branding (Jutel 2013). Trump is an affective media entrepreneur par excellence able to wrest these energies of enjoyment and antagonism from Fox and the Republican party. He operates across the field whether narcissistically tweeting, appearing on Meet the Press in his private jet or as a guest on Alex Jones’ Info Wars. Trump is a product of “mediatiaztion” (Strömbäck and Dimitrova 2011), that is the increasing importance of media across politics and all social fields but the diminution of liberal journalism’s cultural authority and values. As an engrossing spectacle Trump pulls the liberal field of journalism to its economic pole of valorization (Benson 1999) leaving its cultural values of a universal public or truth-telling isolated as elitist. In wielding this affective media power against the traditional disciplines of journalism and politics, he is analogous to the ego-ideal of communicative capitalism. He publicly performs a brand identity of enjoyment and opportunism for indeterminate economic and political ends.

    The success of Trump has not simply revealed the frailties of journalism and liberal political institutions, it undermines popular and academic discourses about the political potential of social/affective media. The optimism around new forms of social media range from the liberal fetishization of data and process, to left theories in which affect can reconstitute a democratic public (Papacharissi 2015). Where the political impact of social media was once synonymous with Occupy Wall Street, the Arab Spring and direct democracy we must now add Donald Trump’s populism and the so-called ‘alt-right’. While Trump’s politics are thoroughly retrograde, his campaign embodies what is ‘new’ in the formulation of new media politics. Trump’s campaign was based on a thoroughly mediatized constituency with very little ground game or traditional political machinery, relying on free media coverage and the labour of social media users. Trump’s campaign is fuelled by ‘the lulz’ which translates as the jouissance of hacker nerd culture synonymous with the “weird Internet” of Twitter, 4-Chan and message boards. For Trump’s online alt-right army he is a paternal figure of enjoyment, “Daddy Trump” (Yiannopoulos 2016), elevating ritualized transgression to the highest reaches of politics. Trump’s populism is a pure politics of jouissance realized in and through the affective media.

    Populism and Enjoyment

    The value of an obscene figure like Donald Trump is that he demonstrates a libidinal truth about right wing populist identity. It has become a media cliché to describe Donald Trump as the id of the Republican party. And while Trump is a uniquely outrageous figure of sexual insecurity, vulgarity and perversion, the insights of psychoanalytic theory extend far beyond his personal pathologies.[1] It should be stated that this psychoanalytic reading is not a singular explanation for Trump’s electoral success over and above racism, Clinton’s shockingly poor performance (Dovere 2016), a depressed Democratic turnout, voter suppression and the electoral college. Rather this is an analysis which considers how Trump’s incoherence and vulgarity, which are anathema to normative liberal politics, ‘work’ at the level of symbolic efficiency.

    The election of Trump has seemingly universalized a liberal struggle against the backward forces of populism. What this ‘crisis of liberalism’ elides is the manner in which populism and liberalism are libidinally entangled. Psychoanalytic political theory holds that the populist logics of antagonism, enjoyment and jouissance are not the pathological outside of democracy but its repressed symptoms, what Arditi borrowing from Freud calls “internal foreign territory” (2005: 89). The explosion of emotion and anger which has accompanied Trump and other Republican populists is a return of antagonism suppressed in neoliberalism’s “post-political vision” (Mouffe 2005: 48). In response to the politics of consensus, rationalism and technocracy, embodied by Barack Obama and Clinton, populism expresses the ontological necessity of antagonism in political identity (Laclau 2005). Whether in left formulations of the people vs the 1% or the nationalism of right wing populism, the act of defining an exceptional people against an enemy represents “political logic tout court” (Laclau: 229). The opposition of a people against its enemy is not just a rhetorical strategy commonly defined as the populist style (Moffitt 2016), it is part of the libidinal reward structure of populism.

    The relationship between antagonism and enjoyment is central to the psychoanalytic political theory approach to populism employed by Laclau, Žižek, Stavrakakis and Mouffe. The populist subject is the psychoanalytic “subject of enjoyment” (Glynos & Stavrakakis:  257) shaped by trauma, irrational drives and desires. Populist ontology is analogous to Lacanian “symbolic castration” in which the child’s failure to fulfill a phallic role for the mother “allows the subject to enter the symbolic order” (Žižek 1997: 17). Populism embodies this fundamental antagonism and sense of lost enjoyment. Populist identity and discourse are the perpetually incomplete process of recapturing this primordial wholeness of mother’s breast and child. It is in this way that Trump’s ‘America’ and the quest to ‘Make America Great Again’ is not a political project built on policy, but an affective and libidinal appeal to the lost enjoyment of a wholly reconciled America. America stands in as an empty signifier able to embody a sub-urban community ideal, military strength or the melding of Christianity and capitalism, depending upon the affective investments of followers.

    In the populist politics of lost enjoyment there is a full libidinal identification with the lost object (America/breast) that produces jouissance. Jouissance can be thought of as a visceral enjoyment which that defies language as in Barthes’ (1973) notion of jouissance as bliss. It is distinct from a discrete pleasure as it represents an “ecstatic release” and transgressive “absolute pleasure undiluted” by the compromises with societal constraints (Johnston 2002). Jouissance is an unstable excess, it cannot exist without already being lost. ‘America’ as imagined by Trump has never existed and “can only incarnate enjoyment insofar as it is lacking; as soon we get hold of it all its mystique evaporates!” (Stavrakakis 2007: 78). However this very failure produces an incessant drive and “desire structured around the unending quest for the lost, impossible jouissance” (Glynos and Stavrakakis: 261). Donald Trump may have won the White House but it is unclear whether American greatness has been restored, delayed or thwarted, as is the nature jouissance. The Trump campaign and presidency embodies jouissance as “pleasure in displeasure, satisfaction in dissatisfaction” (Stavrakakis: 78). With a dismal approval rating and disinterest in governing Trump has taken to staging rallies in order to rekindle this politics of jouissance. However the pleasure generated during the campaign has been lost. Matt Taibbi described the diminishing returns of jouissance among even his most devoted followers who turn out “for the old standards” like “lock her [Clinton] up” (2017) and are instead subjected to a narcissistic litany of personal grievances.

    The coalescence of libidinal energy into a populist movement depends on what Laclau calls an affective investment (2005) in a ‘people’ whose enjoyment is threatened. The shared affective experience of enjoyment in being part of the people is more important than any essential ideological content. In populist ontology ‘the people’ is a potent signifier for an organic virtue and political subjectivity that is seemingly pure. From Thomas Jefferson’s ode to the yeoman farmer, the Tea Party’s invocation of the producerist tradition and the humanism of Bernie Sanders[2] there is a belief in the people as the redeemer of politics. However for Laclau this people is always negatively defined by an antagonistic enemy, whether “mobs in the city” (Jefferson 1975: 216), liberal government, Wall Street or ‘Globalists.’ Trump’s promise to make America great again is at once destiny by virtue of the people’s greatness, but is continually threatened by the hand of some corrupting and typically racialized agent (the liberal media, George Soros, China or Black Lives Matter). In this way Trump supporters ‘enjoy’ their failure in that it secures an embattled identity, allows them to transgress civic norms and preserve the illusory promise of America.

    Within the field of Lacanian political theory there is rift between a post-Marxist anti-essentialism (Lacalau, 2005, Mouffe, 2005) which simply sees populism as the face of the political, and a Lacanian Marxism which retains a left-political ethic as the horizon of emancipatory politics (Žižek, 2008, Dean, 2009). With the ascent of populism from the margins to the highest seat of power it is essential to recognize what Žižek describes as the ultimate proto-fascist logic of populism (Žižek, 2008). In order to enjoy being of the people, the enemy of populism is libidinally constructed and “reified into a positive ontological entity…whose annihilation would restore balance and justice” (Žižek 2008: 278). At its zenith populism’s enemy is analogous to the construct of the Jew in anti-semitism as a rapacious, contradictory, over-determined evil that is defined by excessive enjoyment. Following Lacan’s thesis that enjoyment always belongs to the other, populist identity requires a rapacious other “who is stealing social jouissance from us” (Žižek 1997: 43). This might be the excessive enjoyment of the Davos, Bohemian Grove and ‘limousine-liberal’ elite, or the welfare recipients, from bankers, immigrants and the poor, who ‘enjoy’ the people’s hard earned tax dollars. For the populists enjoyment is a sense of being besieged which licenses a brutal dehumanization of the enemy and throws the populist into an self-fecund conspiratorial drive to discover and enjoy the enemy’s depravity. Alex Jones and Glenn Beck have been key figures on the populist right (Jutel 2017) in channelling this drive and reproducing the tropes of anti-semitism in uncovering the ‘globalist’ plot. In classic paranoid style (Hofstader 1965), this elite is often depicted as occultist[3] and in league with the lumpen-proletariat to destroy the people’s order.

    Trump brings a people into being around his brand and successful presidential in personifying this populist jouissance. He is able to overcome his innumerable contradictions and pull together disparate strands of the populist right, from libertarians, evangelicals, and paleo-conservatives to white nationalists, through the logic of jouissance. The historically high levels at which evangelicals supported the libertine Trump (Bailey 2016) were ideologically incongruous. However the structure of belief and enjoyment; a virtuous people threatened by the excessive enjoyment of transgender rights, abortion and gay marriage, is analogous. The libidinal truth of their beliefs is the ability to enjoy losing the culture wars and lash out at the enemy. Trump is able to rail against the elite not in spite of his gaudy billionaire lifestyle but because of it. As Mudde explains, populism is not a left politics of reflexivity and transformation aimed at “chang[ing] the people themselves, but rather their status within the political system” (2004: 547). He speaks to the libidinal truth of oligarchy and allows his followers to imagine themselves wielding the power of the system against the elite (as also suggested by Grusin 2017, especially 91-92, on Trump’s “evil mediation”). When he appeared on stage with his Republican rivals and declared that he had given all of them campaign contributions as an investment, it was not an admission of culpability but a display of potency. There is a vicarious enjoyment when he boasts as the people’s plutocrat “when they [politicians] call, I give. And you know what? When I need something from them…I call them, and they are there for me” (Fang 2016).

    Populist politics is not a means to a specific policy vision but enjoyment as its own end, even if Trump’s avarice runs counter to the people’s rational self-interest. The lashing out at women and immigrants, the humiliation of Jeb Bush, telling Chris Christie to ‘get on the plane’, the call to imprison Hillary Clinton, all offer a release of jouissance and the promise to claim state power in the name of jouissance. When he attacks Fox News, the Republican party and its donors he is betraying powerful ideological allies for the principle of jouissance and the people’s ability to go to the end in their enjoyment. The cascading scandals that marked his campaign (boasting of sexual assault, tax-dodging etc) and provoked endless outrage among political and media elites, function in a similar way. Whatever moral failings it marks him as unrestrained by the prohibitions that govern social and political behaviour.

    In this sense Trump’s supporters are invested in him as the ego-ideal of the people, who will ‘Make America Great Again’ by licensing jouissance and whose corruption is on behalf of the people. In his classic study of authoritarianism and crowds, Freud describes the people as having elevated “the same object in the place of their ego ideal and have consequently identified themselves with one another in their ego” (1949: 80). Trump functions in this role not simply as a figure of obscene opulence and licentiousness but in a paternalistic role among his followers. His speeches are suffused with both intolerance and professions of love and solidarity with the populist trope of the forgotten man, however disingenuous (Parenti 2016). Freud’s theory of the leader has rightly been criticized as reducing the indeterminacy of crowds to simply a singular Oedipal relation (Dean 2016). However against Freud’s original formulation Trump is not the primordial father ruling a group “that wishes to be governed by unrestricted force” (Freud: 99) but rather he is the neoliberal super-ego of enjoyment “enjoining us to go right to the end” (Žižek 2006: 310) in our desires. This libidinal underside is the truth of what Lakoff (2016) identifies as the “strict father” archetype of conservatism. Rather than the rigid moral frame Lakoff suggests subjects, this obscene father allows unrestrained transgression allowing one to “say things prohibited by political correctness, even hate, fight, kill and rape” (Žižek 1999: 6). Milo Yiannopolous’ designation of Trump as the ‘Daddy’ of the alt-right perfectly captures his role as the permissive paternal agent of jouissance.

    In an individuated polity Trump’s movement sans party achieves what can be described as a coalescence of individual affective investments. Where Freud supposes a totalizing paternal figure, Trump does not require full identification and a subsumption of ego to function as a super-ego ideal. This is the way to understand Trump’s free-form braggadocio on the campaign trail. He offers followers a range of affective points of identification allowing them to cling to nuggets of xenophobia, isolationism, misogyny, militarism, racism and/or anti-elitism. One can disregard the contradictions and accept his hypocrisies, prejudices, poor impulse control and moral failings so long as one is faithful to enjoyment as a political principle.

    The Liberal/Populist Libidinal Entanglement

    In order to understand the libidinal entanglement of liberalism and populism, as embodied in the contest between Trump and Clinton, it is necessary to consider liberalism’s conception of the political. Historical contingency has made liberalism a confused term in American political discourse simultaneously representing the classical liberalism of America’s founding, progressive-era reformism, New Deal social-democracy, the New Left and Third Way neo-liberalism. The term embodies the contradiction of liberalism identified by CB MacPherson as between the progressive fight to expand civil rights and simply the limited democracy of a capitalist market society (1977). The conflation of liberalism and the left has occurred in the absence of a US labour party and it has allowed Third Way neo-liberals to efface the contribution of 19th century populists, social-democrats and communists to progressive victories. The fractious nature of the 2016 Democratic primary process where the Democratic Party machinery and liberal media organs overwhelming supported Hillary Clinton against Bernie Sanders and a youthful base openly identifying as “socialist”, has laid bare the conflation of liberalism and the left. In this way it makes sense to speak of liberalism and neoliberalism interchangeably in contemporary American politics.

    Liberal politics disavows the central premise of psychoanalytic theory, that political identity is based on antagonism and enjoyment. Mouffe (2005) describes its vision of politics as process-oriented with dialogue and rational deliberation between self-interested parties in search of true consensus. And while the process may not be seemly there are no ontological obstacles to consensus merely empirical blockages. One can see this in Hillary Clinton’s elevation of the ‘national conversation’ as an end in and of itself (McWhorter 2016). While this may contribute to a democratic culture which foregrounds journalism and ‘the discourse’, it presents politics, not as the antagonistic struggle to distribute power, access and resources, but simply as the process of gaining understanding through rational dialogue. This was demonstrable in the Clinton campaign’s strategy to rebuff Trump’s rhetorical recklessness with an appeal to facts, moderation[4] and compromise. With the neoliberal diminution of collective identities and mass vehicles for politics, the role of politics becomes technocratic administration to expand individual rights as broadly as possible. Antagonism is replaced with “a multiplicity of ‘sub-political’ struggles about a variety of ‘life issues’ which can dealt with through dialogue” (Mouffe: 50). It is in this way that we can understand Clinton’s performance of progressive identity politics, particularly on social media,[5] while being buttressed by finance capital and Silicon Valley.

    The Trump presidency does not simply obliterate post-politics, it demonstrates how populism, liberalism and the journalistic field are libidinally entangled. They require one another as the other in order to make enjoyment in political identity possible. The journalist Thomas Frank has identified in the Democrats a shift in the mid-1970s, from a party of labour to highly-educated professionals and with it a fetishization of complexity and process (2016a). The lauding of expertise as depoliticized rational progress produces a self-replicating drive and enjoyment as one can always have more facts, compromise and dialogue. In this reverence for process the neoliberal democrats can imagine and enjoy the transcendence of the political. Liberal journalism’s new turn to data and wonk-centric didacticism, embodied in the work of Nate Silver and in the online publication Vox, represents this notion of post-politics and process as enjoyment. Process then becomes the “attempt to cover over [a] constitutive lack…through continuous identificatory acts aiming to re-institute an identity” (Glynos and Stavrakakis: 261). For neo-liberal Democrats process is a fetish object through which they are fulfilled in their identity.

    However try as they might liberals cannot escape their opponent and the political as a result of the inter-subjective dimensions of enjoyment. Those outside the dialogic process are seen as “old-fashioned ‘traditionalists’ or, more worryingly, the ‘fundamentalists’ fighting a backward struggle against the forces of progress” (Mouffe: 50). Where liberalism sees Trump as a dangerous xenophobe/fundamentalist, Bernie Sanders functions as a traditionalist clinging to an antagonistic political discourse and a universalist project (social democracy). Sanders’ universalism was widely criticized as undermining particular identity struggles with Clinton chiding him that ‘Breaking up the banks won’t end racism’. Thomas Frank systematically tracked the response of the Washington Post editorial page to the Sanders campaign for Harper’s Magazine and detailed a near unanimous “chorus of denunciation” of Sanders’ social democracy as politically “inadmissible” (2016b).

    The extent of the liberal/populist co-dependency was revealed in a Clinton campaign memo outlining the “Pied-Piper” strategy to elevate Trump during the Republican primary as it was assumed that he would be easier to beat than moderates Rubio and Bush (Debenedetti 2016). For liberalism these retrograde forces of the political provide enjoyment, virtue and an identity of opposing radicals from all sides, even as populism continues to make dramatic advances. The contradiction of this libidinal entanglement is that the more populism surges the more democrats are able to enjoy this negative and reactive identity of both principled anti-fascism and a cultural sophistication in mocking the traditionalists. The genre of Daily Show late night comedy, which has been widely praised as a new journalistic ideal (Baym 2010), typifies this liberal enjoyment[6] with populists called out for hypocrisy or ‘eviscerated’ by this hybrid of comedy and rational exposition. Notably John Oliver’s show launched the ‘Drumpf’ meme which was meant to both mock Trump’s grandiosity and point out the hypocrisy of his xenophobia. What the nightly ‘skewering’ of Trump by SNL, The Daily Show and Stephen Colbert’s Tonight Show achieves is the incessant reproduction of identity, widely shared on social media and other liberals sites like Huffington Post, that allows liberals an enjoyment of cultural sophistication in defeat.

    Immediately after the election of Trump SNL made a bizarre admission of this liberal over-identification with its negative identity. Kate McKinnon, who impersonated Hillary Clinton on SNL, began the show in character as Clinton while performing the late Leonard Cohen’s sombre ballad ‘Hallelujah’. Here the satirical character meant to provide the enjoyment of an ironic distance from political reality speaks for an overwrought full identification with liberalism through the cultural politics of late night comedy providing liberals what Rolling Stone called ‘catharsis after an emotionally exhausting’ election (Kreps 2016). Writer and comedian Matt Christman has described this as an elevation of comedians analogous to the conservative fetish of ‘The Troops’ (Menaker 2016). There is a fantasy of political potency and virtue embodied in what Žižek might call these ‘subjects supposed to eviscerate’ who wield power in our place.

    In the 2016 US Presidential elections, liberalism failed spectacularly to understand the political and to confront its own libidinal investments. While the Clinton campaign did manage to bring certain national security Republicans and moderates to her side in the name of consensus, this reproduced the populist imaginary of a class solidarity of the learned undermining The People’s natural order. Hillary Clinton’s vision of meritocracy included a diverse Silicon Valley cabinet (Healy 2016) and the leadership of “real billionaires.”[7] Meanwhile Trump spoke of the economy in antagonistic terms, using China and the globalist conspiracy to channel a sense of lost community and invert the energies of class conflict. Trump, the vulgar tax-dodging billionaire, is preferable to a section of working class voters than a rational meritocracy where their class position is deserved and their fate to learn code or be swept away by the global economy. Friedrich von Hayek wrote that the virtue of the market as a form of justice is that it relies on “chance and good luck” (1941: 105) and not simply merit. However erroneous this formulation of class power, it allows people to accept inequality as based on chance rather than an objective measure of their value. In contrast to Clinton’s humiliating meritocracy, Trump’s charlatanism, multiple bankruptcies and steak infomercials reinscribe this principle of luck and its corollary enjoyment.

    The comprehensive failure of liberal post-politics did not simply extend from the disavowal of antagonism but the fetishization of process. The party’s lockstep support of the neoliberal Clinton in the primary against the left-wing or ‘traditionalist’ Sanders created an insular culture ranging from self-satisfied complacency to corruption. The revelations that the party tampered with the process and coordinated media attacks on Sanders’ religious identity (Biddle 2016) fundamentally threatened liberal political identity and enjoyment. This crisis of legitimacy necessitated another, more threatening dark political remnant of history in order to restore the fetish of process. Since this moment liberals, in politics and the media, have relied on Russia as an omnipotent security threat, coordinating the global resurgence of populism and xenophobia and utilizing Trump as a Manchurian candidate and Sanders as a useful idiot.[8] This precisely demonstrates the logic of fetishist disavowal, liberals know very well that process has been corrupted but nevertheless “they feel satisfied in their [fetish], they experience no need to be rid of [it]” (Žižek 2009: 68). For the liberal political and media class it is easier to believe in a Russian conspiracy of “post-truth politics” than it is to confront one’s own libidinal investments in rationalism and consensus in politics.

    Affective Media Power and Jouissance

    The success of Trump was at once a display of journalistic powerlessness, as he defied predictions and expectations of presidential political behaviour, and affective media power as he used access to the field to disrupt the disciplines of professional politics. The campaigns of Clinton and Trump brought into relief the battle over the political meaning of new and affective media. For Clinton’s well-funded team of media strategists and professional campaigners data would be the means by which they could perfect the politics of rationalism and consensus. Trump’s seemingly chaotic, personality driven campaign was staked on the politics of jouissance, or ‘the lulz’, and affective identification. Trump represented a fundamental attack on the professional media and political class’ notions of merit and the discourse. And while his politics of reaction and prejudice are thoroughly retrograde, he is completely modern in embodying the values of affective media in eliciting the libidinal energies of his audience.

    By affective media I am not simply referring to new and social media but the increasingly universal logic of affect at the heart of media. From the labour of promoting brands, celebrities and politicians on social media to the consumption of traditional content on personalized devices and feeds, consumption and production rely upon an emotional investment, sense of user agency, critical knowingness and social connectivity. In this sense we can talk about the convergence of affect as a political economic logic of free labour, self-surveillance and performativity, and the libidinal logic of affective investment, antagonism and enjoyment. Donald Trump is therefore a fitting president for what Jodi Dean calls communicative capitalism (2009) in which capital subsumes personalized affective drives in circuits of capital. He exemplifies the super-ego ideal of communicative capitalism and its individuating effects as a narcissist who publicly ‘enjoys’ life and leverages his fame and media stakes to whatever end whether real estate, media contract negotiations or the presidency.

    The success of Trump’s populism and the contradictory responses he drew from establishment media must be understood in terms of the shifts of media political economy and the concurrent transformation of journalistic values. Journalism has staked its autonomy and cultural capital as a profession on the principle that it is above the fray of politics, providing objective universal truths for a public “assumed to be engaged in a rational process of seeking information” (Baym 2010: 32). Journalism is key to the liberal belief in process, serving a technocratic gatekeeping role to the public sphere. These values are libidinal in the sense that they disavow the reality of the political, are perpetually frustrated by the economic logic of the field, but nevertheless serve as the desired ideal. Bourdieu describes the field of journalism as split between this enlightened liberalism and the economic logic of a “populist spontaneism and demagogic capitulation to popular tastes” (Bourdieu 1998: 48). This was neatly demonstrated in the 2016 election when CBS Chairman Les Moonves spoke of Trump’s campaign to investors; “It may not be good for America, but it’s damn good for CBS” (Collins 2016). The Trump campaign and presidency conform to the commercial values of the field, providing the volatility and spectacle of reality television, and extraordinary ratings for cheap-to-produce content. Faced with these contradictions journalists have oscillated between Edward R. Murrow-esque posturing and a normalization of this spectacle.

    Further to this internal split in the field between liberal values and the economic logic of the Trump spectacle, the process of “mediatization” (Strömbäck and Dimitrova, 2011) explains the centrality of affective media to public political life. With neo-liberal post-politics and the diminution of traditional political vehicles and identities, media is the key public space for the autonomous neoliberal subject/media user. The media is ubiquitous in “producing a convergence among all the fields [business, politics, academia] and pulling them closer to the commercial pole in the larger field of power” (Benson 1999: 471). In this way media produces symbolic capital, or affective media power, with which media entrepreneurs can make an end-run around the strictures of professional fields. Trump is exemplary in this regard as all of his ventures, whether in real-estate, broadcasting, social media or in politics, rely upon this affective media power which contradicts the traditional values of the field. The inability of the journalistic and political fields to discipline him owes to both his transcendence of those fields and the indeterminacy of his actions. Trump’s run may well have been simply a matter of opportunism in an attempt to accrue media capital for his other ventures, whether in renegotiating his NBC contract or putting pressure on the Republican party as he has done previously.

    The logic of Trump is analogous to the individuated subject of communicative capitalism and the injunction to throw yourself into circulation through tweets and posts, craft your brand and identity, expand your reach, become and object of desire and enjoy. He exemplifies mediatized life as “a non-stop entrepreneurial adventure involving the pursuit of multiple revenue streams predicated on the savvy deployment of virtuosic communicative and image skills” (Hearn 2016: 657). Trump is able to bypass the meritocratic constraints of professional fields through the affective identification of a loyal audience in his enjoyment and brand. His long tenure on national television as host of The Apprentice created precisely the template by which Trump could emerge as a populist ego-ideal in communicative capitalism. He is a model of success and the all-powerful and volatile arbiter of success (luck) in a contest between ‘street-smart’ Horatio Algers and aspiring professionals with impeccable Ivy-League resumes. The conceit of the show, which enjoyed great success during some of America’s most troubled economic times, was the release of populist enjoyment though Trump’s wielding of class power. With the simple phrase ‘you’re fired’ he seemingly punishes the people’s enemy and stifles the meritocracy by humiliating upwardly mobile, well-educated social climbers.

    Trump’s ability to channel enjoyment and “the people” of populism relies upon capturing the political and economic logic of affect which runs through contemporary media prosumption (Bruns 2007). From the superfluousness of clickbait, news of celebrity deaths and the irreverent second-person headline writing of Huffington Post, affect is central to eliciting the sharing, posting and production of content and user data as “free labour” (Terranova 2004). Trump’s adherence to the logic of affective media, combined with a willing audience of affective labour, is what allowed him to defy the disciplines of the field and party, secure disproportionate air-time and overcome a 4-to-1 advertising deficit to the Clinton campaign (Murray 2016). The Trump campaign had a keen sense of the centrality of affect in producing the spectacle of a mass movement, often employing ‘rent-a-crowd’ tactics, to using his staff as a cheer squad during public events. In a manner similar to the relationship between the Tea Party and Fox News (Jutel 2013) the performance of large crowds produced the spectacle that secured his populist authenticity. While Fox effectively brought the Tea Party into the fold of traditional movement conservatism, through lobbying groups such as Freedom Works, Trump has connected his mainstream media brand with the online fringes of Brietbart, Info Wars and the so-called ‘alt-right’. It is from this space of politicized affective intensity that users perform free labour for Trump in sharing conspiracies, memes and personal testimony all to fill the empty signifier ‘Make America Great Again’ with meaning. Trump’s penchant for entertaining wild conspiracies has the effect of sending his online movement into a frenzied “epistemological drive” (Lacan 2007: 106) to uncover the depths of the enemy’s treachery.

    Where the Trump campaign understood the media field as a space to tap antagonism and enjoyment, for Hillary Clinton the promise of new media and its analogue ‘big data’ were a means to perfect communication and post-politics. Clinton was hailed by  journalists for assembling “Silicon Valley’s finest” into the “largest” and “smartest” tech team in campaign history (Lapowsky 2016). Where Clinton employed over 60 mathematicians using computer algorithms to direct all campaign spending, “Trump invested virtually nothing in data analytics” seemingly imperilling the future of the Republican party (Goldmacher 2016). The election of Trump did not simply embarrass the New York Times and others who made confident data-driven projections of a Clinton win (Katz 2016), it fundamentally undermined the liberal “technology fetish” (Dean 2009: 31) of new media in communicative capitalism. Where new media enthusiasts view our tweets and posts as communicative processes which empowers and expands democracy, the reality is a hyper-activity masks the trauma and “larger lack of left solidarity” (Dean 2009: 36). Trump is not simply the libidinal excess born of new forms of communication and participation, he realizes the economic logic and incentives of new media prosumption. The affective labour of Trump supporters share a connective tissue with the clickfarm workers purchased for page likes, the piece-meal digital workers designing promotional material or the Macedonian teenagers who circulate fake news on Facebook for fractions of a penny per click (Casilli 2016). Trump reveals both an libidinal and political economic truth nestled in the promise of new mediatized and affective forms of politics.

    The clearest demonstration of affective media as a space of enjoyment and antagonism, as opposed to liberal-democratic rationalism, is the rise of the so-called ‘alt-right’ under Trump. In journalistic and academic discourses, new media cultures defined by collaboration and playful transgression are seen as the inheritance of liberalism and the left. From Occupy Wall Street to the Arab Spring, affect is deemed central to enabling new democratizing public formations (Grusin 2010, Papacharissi 2016). The hacker and nerd cultures which proliferate in the so-called ‘weird internet’ of Twitter, Reddit and 4chan have been characterized as “a force for good in the world” (Coleman 2014: 50). Deleuzian affect theory plays a key role here in rejecting the traumatic and inter-subjective dimensions of enjoyment for a notion of affect, whose transmission between mediatizaed bodies, is seen as creating ‘rational goals and political effects’ (Stoehrel and Lindgren 2014: 240). Affect is the subcultural currency of this realm with ‘lulz’ (jouissance) gained through memes, vulgarity and trolling.

    However as the alt-right claim the culture of the “youthful, subversive, underground edges of the internet” (Bokhari and Yiannopoulos 2016) it is apparent that a politics of affective media is not easily sublimated for anything other than the circular logic of jouissance. It was in fact the troll ‘weev’, profiled in Coleman’s book on Anonymous as the archetypal troll, who claims to have launched ‘Operation Pepe’ to turn the Pepe the frog meme into a ubiquitous form of alt-right enjoyment as a prelude to race war (Sklar 2016). Trolling defines the alt-right and exemplifies the intractability of the other in enjoyment. Alt-righters might enjoy brutally dehumanizing their opponents in the purest terms of racism, anti-semitism and misogyny, but this is coupled with an obsessive focus on ‘political correctness’ on college campuses, through to pure fascist and racist nightmares of miscegenation and the other’s enjoyment. It should be clear that we are in the realm of pathological enjoyment and violent libidinal frustration particularly as the alt-right overlaps with the “manosphere” of unbridled misogyny and obsession with sexual hierarchies (Nagle 2017). The term “cuckseravtive” has become a prominent signifier of derision and enjoyment marking establishment conservatives as cuckolded or impotent, clearly placing libidinal power at the centre of identity. But it is also self-consciously referencing the genre of inter-racial ‘cuckold’ pornography in which the racial other’s virility is a direct threat to their own potency (Heer 2016). With the rise of the alt-right to prominence within internet subcultures and the public discourse it should be clear that affect offers no shortcuts to a latent humanism but populism and the logic of jouissance.

    Conclusion

    The election of Donald Trump, an ill-tempered narcissist uniquely unqualified for the role of US President, does not simply highlight a breakdown of the political centre, professional politics and the fourth estate. Trump’s populism speaks to the centrality of the libidinal, that is antagonism and enjoyment, to political identity. His vulgarity, scandals and outbursts were not a political liability for Trump but what marked him as an antagonistic agent of jouissance able to bring a people into being around his candidacy. In his paeans to lost American greatness he elicits fantasy, lost enjoyment and the antagonistic jouissance of vilifying those who have stolen “America” as an object of enjoyment. Trump’s own volatility and corruption are not political failings but what give the populist the fantasy of wielding unrestrained power. This overriding principle of jouissance is what allows disparate strains of conservatism, from evangelicals, paleo-conservatives and the alt-right, to coalesce around his candidacy.

    The centrality of Trump to the emergence of a people echoes Freud’s classic study of the leader and crowd psychology. He is a paternal super-ego, referred to as ‘Daddy’ by the alt-right, around which his followers can identify in themselves and each other. However rather than a figure of domination he embodies the neoliberal injunction to enjoy. In a political space of mediatized individuation Trump provides followers with different points of affective identification rather than subsumption to his paternal authority.  His own improbable run to the presidency personified the neo-liberal ethic to publicly enjoy, become an object of desire and ruthlessly maximise new opportunities.

    The response to Trump by the liberal political and media class demonstrates the libidinal entanglement between populism and neo-liberal post-politics. The more Trump defies political norms of decency the more he defined the negative liberal identity of urgent anti-fascism. The ascendance of reactionary populism from Fox News, the Tea Party and Trump has been meet in the media sphere with new liberal forms of enjoyment from Daily Show-style comedy to new authoritative data-driven forms of journalism. The affinity between Hillary Clinton and elite media circles owes to a solidarity of professionals. There is a belief in process, data and consensus which is only strengthened by the menace of Trump. The retreat to data functions as an endless circular process and fetish object which shields them from the trauma of the political and liberalism’s failure. It is from this space that the media could fail to consider both the prospects of a Trump presidency and their own libidinal investment in technocratic post-politics. When the unthinkable occurred it became necessary to attribute to Trump an over-determined evil encompassing the spectre of Russia and domestic fifth columnists responsible for a ‘post-facts’ political environment.

    Affective media power was central to Trump’s ascendance. Where journalists and the Clinton campaign imagined the new media field as a space for rationalism and process, Trump understood its economic and political logic. His connection to an audience movement, invested in him as an ego-ideal, allowed him to access the heights of the media and political fields without conforming to the disciplines of either. He at once defines the field through his celebrity and performances which generated outrageous, cheap-to-produce content with each news cycle, while opening this space to the pure affective intensity of the alt-right. It is the free labour of his followers which produced the spectacle of Trump and filled the empty signifier of American greatness with personal testimonies and affective investments.

    Trump’s pandering to conspiracy and his unyielding defiance of decorum allowed him to function as a paternal figure of enjoyment in affective media spaces. Where new media affect theory has posited a latent humanist potential, the emergence of Trump underlines the primacy of jouissance. In the alt-right the subcultural practices of trolling and ‘the lulz’ function as a circular jouissance comprised of the most base dehumanization and the concomitant racial and sexual terror. New media have been characterized as spaces of playful transgression however in the alt-right we find a jouissance for its own end that clearly cannot be sublimated into emancipatory politics as it remains stuck within the inter-subjective dimensions of enjoyment. Jodi Dean has described the effects of communicative capitalism as producing a ‘decline of symbolic efficiency’ (2010: 5), with new communicative technologies failing to overcome neoliberal individuation. Left attempts to organize around the principles of affective media, such as Occupy, remain stuck within discursive loops of misrecognition. Trump’s pure jouissance is precisely the return of symbolic efficiency that is most possible through a politics of affective media.

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    Olivier Jutel (@OJutel) is a lecturer in broadcast journalism at the University of the South Pacific in Fiji. His research is concerned with populism, American politics, cyberlibertarianism, psychoanalysis and critical theory. He is a frequent contributor to Overland literary journal .

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    Notes

    [1] While one should avoid constructing Trump as an enemy of pure jouissance, analogous to the enemy of populism, the barefaced boasts of sexual predation are truly horrific (see Stuart 2016).

    [2] While Laclau holds that all political ruptures have the structure of populism I believe it is important to distinguish between a populism, which constructs an overdetermined enemy and a fetishized people, against a politics which delineates an enemy in ethico-political terms. Bernie Sanders clearly deploys populist discourse however the identification of finance capital and oligarchy as impersonal objective forces place him in solidly in social-democratic politics.

    [3] The most widely circulated conspiracy to emerge from the campaign was ‘Pizzagate’. Fed by Drudge Report, Info Wars and a flurry of online activity the conspiracy is based on the belief that the Wikileaks dump of emails from Clinton campaign chairman revealed his complicity in a satanic paedophilia ring run out of Comet Pizzeria in Washington D.C. A YouGov/Economist poll found that 53% of Trump voters believed in the conspiracy (Frankovic 2016).

    [4] Having secured a primary victory against the left-wing Bernie Sanders, Clinton’s general election tact consisted principally of appealing to moderate Republicans. Democrat Senate Leader Chuck Schumer explained the strategy; “For every blue-collar Democrat we lose in Western Pennsylvania, we will pick up two moderate Republicans in the suburbs in Philadelphia, and you can repeat that in Ohio, Illinois and Wisconsin” (Geraghty 2016). While a ruinous strategy it appealed to notions of a virtuous, rational political centre.

    [5] In the build-up to the Michigan primary contest, and with the Flint water crisis foregrounded, Clinton’s twitter account posted a network diagram which typifies the tech-rationalist notion of progressive politics. The text written by staffers stated “We face a complex, intersectional set of challenges. We need solutions and real plans for all of them” (Clinton 2016). The diagram pictured interrelated concepts such as “Accountable Leadership”, “Environmental Protection”, “Investment in Communities of Color”. The conflation of intersectional discourse with network-speak is instructive. Politics is not question of ideology or power but managing social complexity through expert-driven policy solutions.

    [6] This form of satire is well within the confines of the contemporary liberal conception of the political. John Stewart’s pseudo political event “The Rally to Restore to Sanity” is instructive here as it sought primarily to mock right-wing populists but also those on the left who hold passionate political convictions (Ames, 2010). What is more important here than defeating the retrograde politics of the far-right is maintaining civility in the discourse.

    [7] At a campaign stop in Palm Beach, Florida Clinton stated that “I love having the support of real billionaires. Donald gives a bad name to billionaires” (Kleinberg 2016)

    [8] The Russia narrative was aggressively pushed by the Clinton campaign in the aftermath of the shock defeat. In Allen and Parnes’ behind the scenes book of the campaign they describe a failure to take responsibility with “Russian hacking…the centre piece of her argument” (2017: 238). While Russia is certainly an autocratic state with competing interests and a capable cyber-espionage apparatus, claims of Russia hacking the US election are both thin and ascribed far too much explanatory power. They rely upon the analysis of the DNC’s private cyber security firm Crowdstrike and a report from the Director of National Intelligence that was widely been panned by Russian Studies scholars (Gessen 2017; Mickiewicz 2017). Subsequent scandals concerning the Trump administration have far more to do with their sheer incompetence and recklessness than a conspiracy to subvert American democracy.

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    Works Cited

     

  • Our Very Own Francis Bacon

    Our Very Own Francis Bacon

    Zero to One: Notes on Startups, or How to Build the Futurea review of Peter Thiel, Zero to One: Notes on Startups, or How to Build the Future
    by LM Sacasas
    ~

    Few individuals have done as much to chart the course of science and technology in the modern world as the the Elizabethan statesmen and intellectual, Francis Bacon. But Bacon’s defining achievement was not, strictly speaking, scientific or technological. Rather, Bacon’s achievement lay in the realm of human affairs we would today refer to as “public relations.” Bacon’s genius was Draper-esque: he wove together a compelling story about the place of techno-science in human affairs from the loose threads of post-Reformation religious and political culture and the scientific breakthroughs we loosely group together as the Scientific Revolution.

    In story he told, knowledge mattered only insofar as it yielded power (the well-known formulation, “knowledge is power,” is Bacon’s), and that power mattered only insofar as it was directed toward “the relief of man’s estate.” To put that less archaically, we might say “the improvement of our quality of life.” But putting it that way obscures the theological overtones of Bacon’s formulation and its allusion to the curse under which humanity labored as a consequence of the Fall in the Christian understanding of the human condition. Our problem was both spiritual and material, and Bacon believed that in his day both facets of that problem were being solved. The improvement of humanity’s physical condition went hand in hand with the restoration of true religion occasioned by the English Reformation, and together they would lead straight to the full restoration of creation.

    Bacon’s significance, then, lay in merging science and technology into one techno-scientific project and synthesizing this emerging project with the dominant world picture, thus charting it’s course and securing its prestige. It is just this sort of expansive vision driving technological development that I’ve had in mind in my recent Frailest Thing posts (here and here) regarding culture, technology, and innovation.

    My recent posts have also mentioned the entrepreneur Peter Thiel, who is increasingly assuming the role of Silicon Valley’s leading public intellectual–the Sage of Silicon Valley, if you will. This morning, I was re-affirmed in that evaluation of Thiel’s position by a pair of posts by political philosopher, Peter Lawler. In the first of these posts, Lawler comments on Thiel’s seeming ubiquity in certain circles, and he rehearses some of the by-now familiar aspects of Thiel’s intellectual affinities, notably for the sociologist cum philosopher and Stanford professor René Girard (Thiel expounds on Girard in this video) and the right-wing political theorist Leo Strauss (whom Thiel praises in this interview on the National Review). Chiefly, Lawler discusses Thiel’s flirtations with transhumanism, particularly in his recently released Zero to One: Notes on Startups, or How to Build the Future, a distilled version of Thiel’s 2012 lecture course on start-ups at Stanford University.

    (The book was prepared with Blake Masters, who had previously made available detailed notes on Thiel’s course. I’ll mention in passing that that tag line on Masters’ website runs as follows: “Your mind is software. Program it. Your body is a shell. Change it. Death is a disease. Cure it. Extinction is approaching. Fight it.”)

    Francis Bacon

    As it turns out, Francis Bacon makes a notable appearance in Thiel’s work. Here is Lawler summarizing that portion of the book:

    “In the chapter entitled ‘You Are Not a Lottery Ticket,’ Thiel writes of Francis Bacon’s modern project, which places “prolongation of life” as the noblest branch of medicine, as well the main point of the techno-development of science. That prolongation is at the core of the definite optimism that should drive ‘the intelligent design’ at the foundation of technological development. We (especially we founders) should do everything we can “to prioritize design over chance.” We should do everything we can to remove contingency from existence, especially, of course, each of our personal existences.”

    The “intelligent design” in view has nothing to do, so far as I can tell, with the theory of human origins that is the most common referent for that phrase. Rather, it is Thiel’s way of labeling the forces of consciously deployed thought and work striving to bring order out of the chaos of contingency. Intelligent design is how human beings assert control and achieve mastery over their world and their lives, and that is an explicitly Baconian chord to strike.

    Thiel, worried by the technological stagnation he believes has set in over the last forty or so years, is seeking to reanimate the technological project by once again infusing it with an expansive, dare we say mythic, vision of its place in human affairs. It may not be too much of a stretch to say that he is seeking to play the role of Francis Bacon for our age.

    Like Bacon, Thiel is attempting to fuse the disparate strands of emerging technologies together into a coherent narrative of grandiose scale. And his story, like Bacon’s, features distinctly theological undertones. The chief difference may be this: whereas the defining institution of the early modern period was the nation-state, itself a powerful innovation of the period, the defining institution in Thiel’s vision is the start-up. As Lawler puts it, “the startup has replaced the country as the object of the highest human ambition. And that’s the foundation of the future that comes from being ruled by the intelligent designers who are Silicon Valley founders.”

    Lawler is right to conclude that “Peter Thiel has emerged as the most resolute and most imaginative defender of the distinctively modern part of Western civilization.” Bacon was, after all, one of the intellectual founders of modernity, on par, I would say, with the likes of Descartes and Locke. But, Lawler adds,

    “that doesn’t mean that, when it comes to the libertarian displacement of the nation by the startup and the abolition of all contingency from particular personal lives, his imagination and his self-importance don’t trump his astuteness. They do. His theology of liberation is that we, made in the image of God, can do for ourselves what the Biblical Creator promised—free ourselves from the misery of being self-conscious mortals dependent on forces beyond our control.”

    And that is, as Lawler notes in his follow-up post, a rather ancient aspiration. Indeed, Thiel, who professes an admittedly heterodox variety of Christianity, may do well to remember that to say we are made in the image of God is one way of saying we are not, the Whole Earth Catalog notwithstanding, gods ourselves. This, it would seem, is a hard lesson to learn.

    _______________________________

    Update: On Twitter, I was made aware of a talk by Thiel at SXSW in 2013 on the topic of the chapter discussed above. Here it is (via @carlamomo).

    [youtube https://www.youtube.com/watch?v=iZM_JmZdqCw?version=3&rel=1&fs=1&showsearch=0&showinfo=1&iv_load_policy=1&wmode=transparent]

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    LM Sacasas (@frailesthing) is a PhD student in the Texts and Technology program at the University of Central Florida. He maintains the blog “The Frailest Thing,” on which this post first appeared. He is the author of the ebook The Tourist and The Pilgrim: Essays on Life and Technology in the Digital Age (Amazon Kindle, 2013).

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